The eighteenth-century fortepiano grand and its patrons :: from Scarlatti to Beethoven /
In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortep...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J.S. Bach, Clementi, Haydn, Mozart, and Beethoven. Collecting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers. |
| Beschreibung: | 1 online resource (xiii, 492 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780253022646 0253022649 9780253022639 0253022630 |
Internformat
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| 505 | 0 | |a Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711. | |
| 520 | 8 | |a In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J.S. Bach, Clementi, Haydn, Mozart, and Beethoven. Collecting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers. | |
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| contents | Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711. |
| ctrlnum | (OCoLC)985447782 |
| dewey-full | 786.2/1909 |
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| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/1909 |
| dewey-search | 786.2/1909 |
| dewey-sort | 3786.2 41909 |
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| discipline | Musikwissenschaft |
| era | 1700-1799 fast |
| era_facet | 1700-1799 |
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| spelling | Badura-Skoda, Eva, author. The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / Eva Badura-Skoda. Bloomington, Indiana : Indiana University Press, [2017] 1 online resource (xiii, 492 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711. In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J.S. Bach, Clementi, Haydn, Mozart, and Beethoven. Collecting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers. Online resource; title from digital title page (viewed on October 19, 2018). Piano History 18th century. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh MUSIC Reference. bisacsh Piano fast 1700-1799 fast History fast has work: The eighteenth-century fortepiano grand and its patrons from Scarlatti to Beethoven (Text) https://id.oclc.org/worldcat/entity/E39PCGQBmVDrMm3BdJbfDRrGtq https://id.oclc.org/worldcat/ontology/hasWork Print version: Badura-Skoda, Eva. Eighteenth-century fortepiano grand and its patrons from Scarlatti to Beethoven. Bloomington : Indiana University Press, 2017 9780253022639 (DLC) 2017019218 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1642288 Volltext |
| spellingShingle | Badura-Skoda, Eva The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711. Piano History 18th century. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh MUSIC Reference. bisacsh Piano fast |
| title | The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / |
| title_auth | The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / |
| title_exact_search | The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / |
| title_full | The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / Eva Badura-Skoda. |
| title_fullStr | The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / Eva Badura-Skoda. |
| title_full_unstemmed | The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / Eva Badura-Skoda. |
| title_short | The eighteenth-century fortepiano grand and its patrons : |
| title_sort | eighteenth century fortepiano grand and its patrons from scarlatti to beethoven |
| title_sub | from Scarlatti to Beethoven / |
| topic | Piano History 18th century. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh MUSIC Reference. bisacsh Piano fast |
| topic_facet | Piano History 18th century. MUSIC Musical Instruments Piano & Keyboard. MUSIC Printed Music Percussion. MUSIC Reference. Piano History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1642288 |
| work_keys_str_mv | AT baduraskodaeva theeighteenthcenturyfortepianograndanditspatronsfromscarlattitobeethoven AT baduraskodaeva eighteenthcenturyfortepianograndanditspatronsfromscarlattitobeethoven |