"Do you have a band?" : poetry and punk rock in New York City /
"Do you have a band?" :: poetry and punk rock in New York City /

During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this c...

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Bibliographische Detailangaben
1. Verfasser: Kane, Daniel, 1968- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New York : Columbia University Press, [2017]
Schlagworte:
1900-1999
American poetry > New York (State) > New York > History and criticism.
American poetry > 20th century > History and criticism.
Punk rock music > New York (State) > New York > History > 20th century.
Punk culture > New York (State) > New York > History > 20th century.
Poésie américaine > New York (État) > New York > Histoire et critique.
Poésie américaine > 20e siècle > Histoire et critique.
Punk (Musique) > New York (État) > New York > Histoire > 20e siècle.
Punk (Mouvement) > New York (État) > New York > Histoire > 20e siècle.
1900 - 1999.
MUSIC > Genres & Styles > Punk.
American poetry
Intellectual life
Punk culture
Punk rock music
New York (N.Y.) > Intellectual life > 20th century.
New York (State) > New York
Electronic books.
Criticism, interpretation, etc.
History
Online-Zugang:DE-862
DE-863
Zusammenfassung:During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.
Beschreibung:1 online resource
Bibliographie:Includes bibliographical references and index.
ISBN:023154460X
9780231544603

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