Race and the revolutionary impulse in The Spook Who Sat by the Door /:
Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2018]
|
| Schriftenreihe: | Studies in the cinema of the Black diaspora.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. Includes Filmography: pages 216-217. |
| ISBN: | 9780253031808 025303180X |
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| 245 | 0 | 0 | |a Race and the revolutionary impulse in The Spook Who Sat by the Door / |c edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2018] | |
| 300 | |a 1 online resource. | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in the Cinema of the Black Diaspora | |
| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a Includes Filmography: pages 216-217. | ||
| 505 | 0 | |a Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on April 10, 2018). | |
| 520 | |a Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate. | ||
| 630 | 0 | 0 | |a Spook who sat by the door (Motion picture) |0 http://id.loc.gov/authorities/names/n2017023520 |
| 630 | 0 | 7 | |a Spook who sat by the door (Motion picture) |2 fast |
| 650 | 0 | |a Racism in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85110270 | |
| 650 | 0 | |a Race relations in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh92001871 | |
| 650 | 0 | |a African Americans in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85002011 | |
| 650 | 6 | |a Racisme au cinéma. | |
| 650 | 6 | |a Relations raciales au cinéma. | |
| 650 | 6 | |a Noirs américains au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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| 650 | 7 | |a Race relations in motion pictures |2 fast | |
| 650 | 7 | |a Racism in motion pictures |2 fast | |
| 700 | 1 | |a Martin, Michael T., |e editor. | |
| 700 | 1 | |a Wall, David C., |e editor. | |
| 700 | 1 | |a Yaquinto, Marilyn, |e editor. | |
| 700 | 1 | 2 | |a Greenlee, Sam, |d 1930-2014. |t Spook who sat by the door. |
| 758 | |i has work: |a Race and the revolutionary impulse in The spook who sat by the door (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGG8fVm8McfT3PRcfVptXb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Race and the revolutionary impulse in The spook who sat by the door. |d Bloomington : Indiana University Press, 2017 |z 9780253031754 |w (DLC) 2017015154 |
| 830 | 0 | |a Studies in the cinema of the Black diaspora. |0 http://id.loc.gov/authorities/names/no2016057044 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn984743233 |
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| _version_ | 1816882387327385600 |
| adam_text | |
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| author2 | Martin, Michael T. Wall, David C. Yaquinto, Marilyn Greenlee, Sam, 1930-2014 |
| author2_role | edt edt edt |
| author2_variant | m t m mt mtm d c w dc dcw m y my s g sg |
| author_facet | Martin, Michael T. Wall, David C. Yaquinto, Marilyn Greenlee, Sam, 1930-2014 |
| author_sort | Greenlee, Sam, 1930-2014 |
| building | Verbundindex |
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| contents | Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay. |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/72 |
| dewey-sort | 3791.43 272 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn984743233 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:48Z |
| institution | BVB |
| isbn | 9780253031808 025303180X |
| language | English |
| lccn | 2017020635 |
| oclc_num | 984743233 |
| open_access_boolean | |
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| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Studies in the cinema of the Black diaspora. |
| series2 | Studies in the Cinema of the Black Diaspora |
| spelling | Race and the revolutionary impulse in The Spook Who Sat by the Door / edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto. Bloomington, Indiana : Indiana University Press, [2018] 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in the Cinema of the Black Diaspora Includes bibliographical references and index. Includes Filmography: pages 216-217. Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay. Online resource; title from digital title page (viewed on April 10, 2018). Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate. Spook who sat by the door (Motion picture) http://id.loc.gov/authorities/names/n2017023520 Spook who sat by the door (Motion picture) fast Racism in motion pictures. http://id.loc.gov/authorities/subjects/sh85110270 Race relations in motion pictures. http://id.loc.gov/authorities/subjects/sh92001871 African Americans in motion pictures. http://id.loc.gov/authorities/subjects/sh85002011 Racisme au cinéma. Relations raciales au cinéma. Noirs américains au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh African Americans in motion pictures fast Race relations in motion pictures fast Racism in motion pictures fast Martin, Michael T., editor. Wall, David C., editor. Yaquinto, Marilyn, editor. Greenlee, Sam, 1930-2014. Spook who sat by the door. has work: Race and the revolutionary impulse in The spook who sat by the door (Text) https://id.oclc.org/worldcat/entity/E39PCGG8fVm8McfT3PRcfVptXb https://id.oclc.org/worldcat/ontology/hasWork Print version: Race and the revolutionary impulse in The spook who sat by the door. Bloomington : Indiana University Press, 2017 9780253031754 (DLC) 2017015154 Studies in the cinema of the Black diaspora. http://id.loc.gov/authorities/names/no2016057044 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1742326 Volltext |
| spellingShingle | Race and the revolutionary impulse in The Spook Who Sat by the Door / Studies in the cinema of the Black diaspora. Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay. Spook who sat by the door (Motion picture) http://id.loc.gov/authorities/names/n2017023520 Spook who sat by the door (Motion picture) fast Racism in motion pictures. http://id.loc.gov/authorities/subjects/sh85110270 Race relations in motion pictures. http://id.loc.gov/authorities/subjects/sh92001871 African Americans in motion pictures. http://id.loc.gov/authorities/subjects/sh85002011 Racisme au cinéma. Relations raciales au cinéma. Noirs américains au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh African Americans in motion pictures fast Race relations in motion pictures fast Racism in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/names/n2017023520 http://id.loc.gov/authorities/subjects/sh85110270 http://id.loc.gov/authorities/subjects/sh92001871 http://id.loc.gov/authorities/subjects/sh85002011 |
| title | Race and the revolutionary impulse in The Spook Who Sat by the Door / |
| title_alt | Spook who sat by the door. |
| title_auth | Race and the revolutionary impulse in The Spook Who Sat by the Door / |
| title_exact_search | Race and the revolutionary impulse in The Spook Who Sat by the Door / |
| title_full | Race and the revolutionary impulse in The Spook Who Sat by the Door / edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto. |
| title_fullStr | Race and the revolutionary impulse in The Spook Who Sat by the Door / edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto. |
| title_full_unstemmed | Race and the revolutionary impulse in The Spook Who Sat by the Door / edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto. |
| title_short | Race and the revolutionary impulse in The Spook Who Sat by the Door / |
| title_sort | race and the revolutionary impulse in the spook who sat by the door |
| topic | Spook who sat by the door (Motion picture) http://id.loc.gov/authorities/names/n2017023520 Spook who sat by the door (Motion picture) fast Racism in motion pictures. http://id.loc.gov/authorities/subjects/sh85110270 Race relations in motion pictures. http://id.loc.gov/authorities/subjects/sh92001871 African Americans in motion pictures. http://id.loc.gov/authorities/subjects/sh85002011 Racisme au cinéma. Relations raciales au cinéma. Noirs américains au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh African Americans in motion pictures fast Race relations in motion pictures fast Racism in motion pictures fast |
| topic_facet | Spook who sat by the door (Motion picture) Racism in motion pictures. Race relations in motion pictures. African Americans in motion pictures. Racisme au cinéma. Relations raciales au cinéma. Noirs américains au cinéma. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. African Americans in motion pictures Race relations in motion pictures Racism in motion pictures |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1742326 |
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