Site unscene :: the offstage in English Renaissance drama /
Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers' sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene c...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Evanston, Illinois :
Northwestern University Press,
2017
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers' sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama's nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage. Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama. Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies |
| Beschreibung: | 1 online resource (xvi, 220 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 9780810135031 0810135035 |
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| 245 | 1 | 0 | |a Site unscene : |b the offstage in English Renaissance drama / |c Jonathan Walker |
| 264 | 1 | |a Evanston, Illinois : |b Northwestern University Press, |c 2017 | |
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| 505 | 0 | |a Introduction -- The offstage in theory and practice -- Scene individable, or poem unlimited : premodern theories of the dramatic mode -- The narrative economy of social commerce -- The offstage in amphitheaters and texts -- Cleaving the general ear -- Didascalic space in early modern printed drama. | |
| 520 | |a Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers' sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama's nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage. Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama. Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies |c Publisher description | ||
| 545 | |a Jonathan Walker is a professor of English at Portland State University | ||
| 588 | 0 | |a online resource; title from PDF title page (ProQuest Ebook Central, viewed April 15, 2021) | |
| 650 | 0 | |a Offstage action (Drama) |x History and criticism. | |
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x Renaissance. |2 bisacsh | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan |2 fast | |
| 650 | 7 | |a Offstage action (Drama) |2 fast | |
| 648 | 7 | |a 1500-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Walker, Jonathan. |t Site unscene. |d Evanston, Illinois : Northwestern University Press, 2017 |z 9780810135024 |z 0810135027 |w (DLC) 2017000593 |w (OCoLC)958781166 |
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| contents | Introduction -- The offstage in theory and practice -- Scene individable, or poem unlimited : premodern theories of the dramatic mode -- The narrative economy of social commerce -- The offstage in amphitheaters and texts -- Cleaving the general ear -- Didascalic space in early modern printed drama. |
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| discipline | Anglistik / Amerikanistik |
| era | 1500-1600 fast |
| era_facet | 1500-1600 |
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| spelling | Walker, Jonathan, author. http://id.loc.gov/authorities/names/n2008018700 Site unscene : the offstage in English Renaissance drama / Jonathan Walker Evanston, Illinois : Northwestern University Press, 2017 ©2017 1 online resource (xvi, 220 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index Introduction -- The offstage in theory and practice -- Scene individable, or poem unlimited : premodern theories of the dramatic mode -- The narrative economy of social commerce -- The offstage in amphitheaters and texts -- Cleaving the general ear -- Didascalic space in early modern printed drama. Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers' sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama's nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage. Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama. Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies Publisher description Jonathan Walker is a professor of English at Portland State University online resource; title from PDF title page (ProQuest Ebook Central, viewed April 15, 2021) Offstage action (Drama) History and criticism. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Théâtre anglais 16e siècle Histoire et critique. LITERARY CRITICISM Renaissance. bisacsh English drama Early modern and Elizabethan fast Offstage action (Drama) fast 1500-1600 fast Criticism, interpretation, etc. fast Print version: Walker, Jonathan. Site unscene. Evanston, Illinois : Northwestern University Press, 2017 9780810135024 0810135027 (DLC) 2017000593 (OCoLC)958781166 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1988827 Volltext |
| spellingShingle | Walker, Jonathan Site unscene : the offstage in English Renaissance drama / Introduction -- The offstage in theory and practice -- Scene individable, or poem unlimited : premodern theories of the dramatic mode -- The narrative economy of social commerce -- The offstage in amphitheaters and texts -- Cleaving the general ear -- Didascalic space in early modern printed drama. Offstage action (Drama) History and criticism. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Théâtre anglais 16e siècle Histoire et critique. LITERARY CRITICISM Renaissance. bisacsh English drama Early modern and Elizabethan fast Offstage action (Drama) fast |
| title | Site unscene : the offstage in English Renaissance drama / |
| title_auth | Site unscene : the offstage in English Renaissance drama / |
| title_exact_search | Site unscene : the offstage in English Renaissance drama / |
| title_full | Site unscene : the offstage in English Renaissance drama / Jonathan Walker |
| title_fullStr | Site unscene : the offstage in English Renaissance drama / Jonathan Walker |
| title_full_unstemmed | Site unscene : the offstage in English Renaissance drama / Jonathan Walker |
| title_short | Site unscene : |
| title_sort | site unscene the offstage in english renaissance drama |
| title_sub | the offstage in English Renaissance drama / |
| topic | Offstage action (Drama) History and criticism. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Théâtre anglais 16e siècle Histoire et critique. LITERARY CRITICISM Renaissance. bisacsh English drama Early modern and Elizabethan fast Offstage action (Drama) fast |
| topic_facet | Offstage action (Drama) History and criticism. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Théâtre anglais 16e siècle Histoire et critique. LITERARY CRITICISM Renaissance. English drama Early modern and Elizabethan Offstage action (Drama) Criticism, interpretation, etc. |
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