Transnational film remakes /:
What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2017]
|
Schriftenreihe: | Traditions in world cinema.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bête Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings. |
Beschreibung: | 1 online resource (ix, 238 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781474407250 1474407250 9781474407267 1474407269 9781474434812 1474434819 |
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245 | 0 | 0 | |a Transnational film remakes / |c edited by Iain Robert Smitn and Constantine Verevis. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2017] | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource (ix, 238 pages) : |b illustrations | ||
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490 | 1 | |a Traditions in world cinema | |
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | 0 | |t Introduction : transnational film remakes / |r Iain Robert Smith and Constantine Verevis -- |g Part I. |t Genres and traditions. |t Disrupting the remake : The Girl with the Dragon Tattoo / |r Lucy Mazdon -- |t Fritz Lang remakes Jean Renoir for Hollywood : film noir in three national voices / |r R. Barton Palmer -- |t The cultural politics of remaking Spanish horror films in the twenty-first century : Quarantine and Come Out and Play / |r Andy Willis -- |t 'For the dead travel fast' : the transnational afterlives of Dracula / |r Iain Robert Smith -- |g Part II. |t Gender and performance. |t The Chinese cinematic remake as transnational appeal : Zhang Yimou's A woman, A Gun and A Noodle Shop / |r Kenneth Chan -- |t Transformation and glamour in the cross-cultural makeover : Return to Eden, Khoon Bhari Maang and the avenging woman in popular Hindi cinema / |r Michael Lawrence -- |t Translating cool : cinematic exchange between Hong Kong, Hollywood and Bollywood / |r Rashna Wadia Richards -- |t Trading places : Das doppelte Lottchen and The Parent Trap / |r Constantine Verevis -- |g Part III. |t Auteurs and critics. |t A tale of two balloons : intercultural cinema and transnational nostalgia in Le voyage du ballon rouge / |r David Scott Diffrient and Carl R. Burgchardt -- |t 'Crazed heat' : Nakahira Ko and the transnational self-remake / |r David Dreser -- |t Remaking Funny Games : Michael Haneke's cross-cultural experiement / |r Kathleen Loock -- |t Reinterpreting revenge : authorship, excess and the critical reception of Spike Lee's Oldboy / |r Daniel Martin -- |t The transnational film remake in the American press / |r Daniel Herbert. |
520 | |a What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bête Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings. | ||
650 | 0 | |a Film remakes |v Cross-cultural studies. | |
650 | 0 | |a Motion pictures and transnationalism. |0 http://id.loc.gov/authorities/subjects/sh2009000009 | |
650 | 6 | |a Nouvelles versions (Films) |v Études transculturelles. | |
650 | 6 | |a Cinéma et transnationalisme. | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
650 | 7 | |a Film remakes |2 fast | |
650 | 7 | |a Motion pictures and transnationalism |2 fast | |
655 | 0 | |a Electronic books. | |
655 | 7 | |a Cross-cultural studies |2 fast | |
700 | 1 | |a Smith, Iain Robert, |e editor. | |
700 | 1 | |a Verevis, Constantine, |e editor. | |
758 | |i has work: |a Transnational film remakes (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFDXk39brb6pKPDHFr6V83 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |t Transnational film remakes. |d Edinburgh : Edinburgh University Press, [2017] |z 1474407242 |w (DLC) 2016590559 |w (OCoLC)959950004 |
830 | 0 | |a Traditions in world cinema. | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn983277091 |
---|---|
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adam_text | |
any_adam_object | |
author2 | Smith, Iain Robert Verevis, Constantine |
author2_role | edt edt |
author2_variant | i r s ir irs c v cv |
author_additional | Iain Robert Smith and Constantine Verevis -- Lucy Mazdon -- R. Barton Palmer -- Andy Willis -- Iain Robert Smith -- Kenneth Chan -- Michael Lawrence -- Rashna Wadia Richards -- Constantine Verevis -- David Scott Diffrient and Carl R. Burgchardt -- David Dreser -- Kathleen Loock -- Daniel Martin -- Daniel Herbert. |
author_facet | Smith, Iain Robert Verevis, Constantine |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.R45 T83 2017eb |
callnumber-search | PN1995.9.R45 T83 2017eb |
callnumber-sort | PN 41995.9 R45 T83 42017EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction : transnational film remakes / Genres and traditions. Disrupting the remake : The Girl with the Dragon Tattoo / Fritz Lang remakes Jean Renoir for Hollywood : film noir in three national voices / The cultural politics of remaking Spanish horror films in the twenty-first century : Quarantine and Come Out and Play / 'For the dead travel fast' : the transnational afterlives of Dracula / Gender and performance. The Chinese cinematic remake as transnational appeal : Zhang Yimou's A woman, A Gun and A Noodle Shop / Transformation and glamour in the cross-cultural makeover : Return to Eden, Khoon Bhari Maang and the avenging woman in popular Hindi cinema / Translating cool : cinematic exchange between Hong Kong, Hollywood and Bollywood / Trading places : Das doppelte Lottchen and The Parent Trap / Auteurs and critics. A tale of two balloons : intercultural cinema and transnational nostalgia in Le voyage du ballon rouge / 'Crazed heat' : Nakahira Ko and the transnational self-remake / Remaking Funny Games : Michael Haneke's cross-cultural experiement / Reinterpreting revenge : authorship, excess and the critical reception of Spike Lee's Oldboy / The transnational film remake in the American press / |
ctrlnum | (OCoLC)983277091 |
dewey-full | 791.436 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.436 |
dewey-search | 791.436 |
dewey-sort | 3791.436 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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Barton Palmer --</subfield><subfield code="t">The cultural politics of remaking Spanish horror films in the twenty-first century : Quarantine and Come Out and Play /</subfield><subfield code="r">Andy Willis --</subfield><subfield code="t">'For the dead travel fast' : the transnational afterlives of Dracula /</subfield><subfield code="r">Iain Robert Smith --</subfield><subfield code="g">Part II.</subfield><subfield code="t">Gender and performance.</subfield><subfield code="t">The Chinese cinematic remake as transnational appeal : Zhang Yimou's A woman, A Gun and A Noodle Shop /</subfield><subfield code="r">Kenneth Chan --</subfield><subfield code="t">Transformation and glamour in the cross-cultural makeover : Return to Eden, Khoon Bhari Maang and the avenging woman in popular Hindi cinema /</subfield><subfield code="r">Michael Lawrence --</subfield><subfield code="t">Translating cool : cinematic exchange between Hong Kong, Hollywood and Bollywood /</subfield><subfield code="r">Rashna Wadia Richards --</subfield><subfield code="t">Trading places : Das doppelte Lottchen and The Parent Trap /</subfield><subfield code="r">Constantine Verevis --</subfield><subfield code="g">Part III.</subfield><subfield code="t">Auteurs and critics.</subfield><subfield code="t">A tale of two balloons : intercultural cinema and transnational nostalgia in Le voyage du ballon rouge /</subfield><subfield code="r">David Scott Diffrient and Carl R. Burgchardt --</subfield><subfield code="t">'Crazed heat' : Nakahira Ko and the transnational self-remake /</subfield><subfield code="r">David Dreser --</subfield><subfield code="t">Remaking Funny Games : Michael Haneke's cross-cultural experiement /</subfield><subfield code="r">Kathleen Loock --</subfield><subfield code="t">Reinterpreting revenge : authorship, excess and the critical reception of Spike Lee's Oldboy /</subfield><subfield code="r">Daniel Martin --</subfield><subfield code="t">The transnational film remake in the American press /</subfield><subfield code="r">Daniel Herbert.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. 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genre | Electronic books. Cross-cultural studies fast |
genre_facet | Electronic books. Cross-cultural studies |
id | ZDB-4-EBA-ocn983277091 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:27:47Z |
institution | BVB |
isbn | 9781474407250 1474407250 9781474407267 1474407269 9781474434812 1474434819 |
language | English |
lccn | 2016590559 |
oclc_num | 983277091 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (ix, 238 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Edinburgh University Press, |
record_format | marc |
series | Traditions in world cinema. |
series2 | Traditions in world cinema |
spelling | Transnational film remakes / edited by Iain Robert Smitn and Constantine Verevis. Edinburgh : Edinburgh University Press, [2017] ©2017 1 online resource (ix, 238 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in world cinema Includes bibliographical references and index. Print version record. Introduction : transnational film remakes / Iain Robert Smith and Constantine Verevis -- Part I. Genres and traditions. Disrupting the remake : The Girl with the Dragon Tattoo / Lucy Mazdon -- Fritz Lang remakes Jean Renoir for Hollywood : film noir in three national voices / R. Barton Palmer -- The cultural politics of remaking Spanish horror films in the twenty-first century : Quarantine and Come Out and Play / Andy Willis -- 'For the dead travel fast' : the transnational afterlives of Dracula / Iain Robert Smith -- Part II. Gender and performance. The Chinese cinematic remake as transnational appeal : Zhang Yimou's A woman, A Gun and A Noodle Shop / Kenneth Chan -- Transformation and glamour in the cross-cultural makeover : Return to Eden, Khoon Bhari Maang and the avenging woman in popular Hindi cinema / Michael Lawrence -- Translating cool : cinematic exchange between Hong Kong, Hollywood and Bollywood / Rashna Wadia Richards -- Trading places : Das doppelte Lottchen and The Parent Trap / Constantine Verevis -- Part III. Auteurs and critics. A tale of two balloons : intercultural cinema and transnational nostalgia in Le voyage du ballon rouge / David Scott Diffrient and Carl R. Burgchardt -- 'Crazed heat' : Nakahira Ko and the transnational self-remake / David Dreser -- Remaking Funny Games : Michael Haneke's cross-cultural experiement / Kathleen Loock -- Reinterpreting revenge : authorship, excess and the critical reception of Spike Lee's Oldboy / Daniel Martin -- The transnational film remake in the American press / Daniel Herbert. What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bête Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings. Film remakes Cross-cultural studies. Motion pictures and transnationalism. http://id.loc.gov/authorities/subjects/sh2009000009 Nouvelles versions (Films) Études transculturelles. Cinéma et transnationalisme. PERFORMING ARTS Film & Video Reference. bisacsh Film remakes fast Motion pictures and transnationalism fast Electronic books. Cross-cultural studies fast Smith, Iain Robert, editor. Verevis, Constantine, editor. has work: Transnational film remakes (Text) https://id.oclc.org/worldcat/entity/E39PCFDXk39brb6pKPDHFr6V83 https://id.oclc.org/worldcat/ontology/hasWork Print version: Transnational film remakes. Edinburgh : Edinburgh University Press, [2017] 1474407242 (DLC) 2016590559 (OCoLC)959950004 Traditions in world cinema. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584875 Volltext |
spellingShingle | Transnational film remakes / Traditions in world cinema. Introduction : transnational film remakes / Genres and traditions. Disrupting the remake : The Girl with the Dragon Tattoo / Fritz Lang remakes Jean Renoir for Hollywood : film noir in three national voices / The cultural politics of remaking Spanish horror films in the twenty-first century : Quarantine and Come Out and Play / 'For the dead travel fast' : the transnational afterlives of Dracula / Gender and performance. The Chinese cinematic remake as transnational appeal : Zhang Yimou's A woman, A Gun and A Noodle Shop / Transformation and glamour in the cross-cultural makeover : Return to Eden, Khoon Bhari Maang and the avenging woman in popular Hindi cinema / Translating cool : cinematic exchange between Hong Kong, Hollywood and Bollywood / Trading places : Das doppelte Lottchen and The Parent Trap / Auteurs and critics. A tale of two balloons : intercultural cinema and transnational nostalgia in Le voyage du ballon rouge / 'Crazed heat' : Nakahira Ko and the transnational self-remake / Remaking Funny Games : Michael Haneke's cross-cultural experiement / Reinterpreting revenge : authorship, excess and the critical reception of Spike Lee's Oldboy / The transnational film remake in the American press / Film remakes Cross-cultural studies. Motion pictures and transnationalism. http://id.loc.gov/authorities/subjects/sh2009000009 Nouvelles versions (Films) Études transculturelles. Cinéma et transnationalisme. PERFORMING ARTS Film & Video Reference. bisacsh Film remakes fast Motion pictures and transnationalism fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2009000009 |
title | Transnational film remakes / |
title_alt | Introduction : transnational film remakes / Genres and traditions. Disrupting the remake : The Girl with the Dragon Tattoo / Fritz Lang remakes Jean Renoir for Hollywood : film noir in three national voices / The cultural politics of remaking Spanish horror films in the twenty-first century : Quarantine and Come Out and Play / 'For the dead travel fast' : the transnational afterlives of Dracula / Gender and performance. The Chinese cinematic remake as transnational appeal : Zhang Yimou's A woman, A Gun and A Noodle Shop / Transformation and glamour in the cross-cultural makeover : Return to Eden, Khoon Bhari Maang and the avenging woman in popular Hindi cinema / Translating cool : cinematic exchange between Hong Kong, Hollywood and Bollywood / Trading places : Das doppelte Lottchen and The Parent Trap / Auteurs and critics. A tale of two balloons : intercultural cinema and transnational nostalgia in Le voyage du ballon rouge / 'Crazed heat' : Nakahira Ko and the transnational self-remake / Remaking Funny Games : Michael Haneke's cross-cultural experiement / Reinterpreting revenge : authorship, excess and the critical reception of Spike Lee's Oldboy / The transnational film remake in the American press / |
title_auth | Transnational film remakes / |
title_exact_search | Transnational film remakes / |
title_full | Transnational film remakes / edited by Iain Robert Smitn and Constantine Verevis. |
title_fullStr | Transnational film remakes / edited by Iain Robert Smitn and Constantine Verevis. |
title_full_unstemmed | Transnational film remakes / edited by Iain Robert Smitn and Constantine Verevis. |
title_short | Transnational film remakes / |
title_sort | transnational film remakes |
topic | Film remakes Cross-cultural studies. Motion pictures and transnationalism. http://id.loc.gov/authorities/subjects/sh2009000009 Nouvelles versions (Films) Études transculturelles. Cinéma et transnationalisme. PERFORMING ARTS Film & Video Reference. bisacsh Film remakes fast Motion pictures and transnationalism fast |
topic_facet | Film remakes Cross-cultural studies. Motion pictures and transnationalism. Nouvelles versions (Films) Études transculturelles. Cinéma et transnationalisme. PERFORMING ARTS Film & Video Reference. Film remakes Motion pictures and transnationalism Electronic books. Cross-cultural studies |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584875 |
work_keys_str_mv | AT smithiainrobert transnationalfilmremakes AT verevisconstantine transnationalfilmremakes |