Raphael and the redefinition of art in Renaissance Italy /:
Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Cambridge University Press,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry. |
| Beschreibung: | 1 online resource (xi, 304 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781108147354 1108147356 9781316460030 1316460037 1107591120 9781107591127 |
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| 520 | 8 | |a Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry. | |
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| 505 | 8 | |a 3 The Rationalization of Labor; Vasari's Testimony; Other Sources; Modern Scholarship; The Economic-Historical Context; Conclusion; Bibliography; Index; Cover. | |
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| contents | Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; Introduction; 1 Universa Pingendi Ratio; Vasari on Raphael's Stylistic Development; A Modern Assessment of Vasari's Account; The Theory of Imitation; The Afterlife of the Ottimo Universale; 2 The Systematicity of Representation; Unpacking Decorum; "Everything in its Silence Seems to Speak"; Discursivity and Decoration: The Loggia of Leo X; Discursivity and Devotion: Madonnas and Altarpieces; Portraiture and the Order of the Genres; Conclusion: Repacking Decorum. 3 The Rationalization of Labor; Vasari's Testimony; Other Sources; Modern Scholarship; The Economic-Historical Context; Conclusion; Bibliography; Index; Cover. |
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| spelling | Williams, Robert, 1955-2018, author. https://id.oclc.org/worldcat/entity/E39PBJxxfPKcxRqRJQrvx3tFrq Raphael and the redefinition of art in Renaissance Italy / Robert Williams, UC Santa Barbara. New York : Cambridge University Press, 2017. 1 online resource (xi, 304 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry. Print version record. Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; Introduction; 1 Universa Pingendi Ratio; Vasari on Raphael's Stylistic Development; A Modern Assessment of Vasari's Account; The Theory of Imitation; The Afterlife of the Ottimo Universale; 2 The Systematicity of Representation; Unpacking Decorum; "Everything in its Silence Seems to Speak"; Discursivity and Decoration: The Loggia of Leo X; Discursivity and Devotion: Madonnas and Altarpieces; Portraiture and the Order of the Genres; Conclusion: Repacking Decorum. 3 The Rationalization of Labor; Vasari's Testimony; Other Sources; Modern Scholarship; The Economic-Historical Context; Conclusion; Bibliography; Index; Cover. Raphael, 1483-1520 Criticism and interpretation. Raphael, 1483-1520 fast Art, Italian Historiography. Art, Renaissance Historiography. Art italien Historiographie. Art de la Renaissance Historiographie. HISTORY Europe General. bisacsh ART History General. bisacsh Art, Italian Historiography fast Art, Renaissance Historiography fast Criticism, interpretation, etc. fast has work: Raphael and the redefinition of art in Renaissance Italy (Text) https://id.oclc.org/worldcat/entity/E39PCH6x8GGjbhcMWxkd4BFGBP https://id.oclc.org/worldcat/ontology/hasWork Print version: Williams, Robert, 1955- Raphael and the redefinition of art in Renaissance Italy. New York : Cambridge University Press, 2017 9781107131507 (DLC) 2016050606 (OCoLC)962141067 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1491890 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1491890 Volltext |
| spellingShingle | Williams, Robert, 1955-2018 Raphael and the redefinition of art in Renaissance Italy / Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; Introduction; 1 Universa Pingendi Ratio; Vasari on Raphael's Stylistic Development; A Modern Assessment of Vasari's Account; The Theory of Imitation; The Afterlife of the Ottimo Universale; 2 The Systematicity of Representation; Unpacking Decorum; "Everything in its Silence Seems to Speak"; Discursivity and Decoration: The Loggia of Leo X; Discursivity and Devotion: Madonnas and Altarpieces; Portraiture and the Order of the Genres; Conclusion: Repacking Decorum. 3 The Rationalization of Labor; Vasari's Testimony; Other Sources; Modern Scholarship; The Economic-Historical Context; Conclusion; Bibliography; Index; Cover. Raphael, 1483-1520 Criticism and interpretation. Raphael, 1483-1520 fast Art, Italian Historiography. Art, Renaissance Historiography. Art italien Historiographie. Art de la Renaissance Historiographie. HISTORY Europe General. bisacsh ART History General. bisacsh Art, Italian Historiography fast Art, Renaissance Historiography fast |
| title | Raphael and the redefinition of art in Renaissance Italy / |
| title_auth | Raphael and the redefinition of art in Renaissance Italy / |
| title_exact_search | Raphael and the redefinition of art in Renaissance Italy / |
| title_full | Raphael and the redefinition of art in Renaissance Italy / Robert Williams, UC Santa Barbara. |
| title_fullStr | Raphael and the redefinition of art in Renaissance Italy / Robert Williams, UC Santa Barbara. |
| title_full_unstemmed | Raphael and the redefinition of art in Renaissance Italy / Robert Williams, UC Santa Barbara. |
| title_short | Raphael and the redefinition of art in Renaissance Italy / |
| title_sort | raphael and the redefinition of art in renaissance italy |
| topic | Raphael, 1483-1520 Criticism and interpretation. Raphael, 1483-1520 fast Art, Italian Historiography. Art, Renaissance Historiography. Art italien Historiographie. Art de la Renaissance Historiographie. HISTORY Europe General. bisacsh ART History General. bisacsh Art, Italian Historiography fast Art, Renaissance Historiography fast |
| topic_facet | Raphael, 1483-1520 Criticism and interpretation. Raphael, 1483-1520 Art, Italian Historiography. Art, Renaissance Historiography. Art italien Historiographie. Art de la Renaissance Historiographie. HISTORY Europe General. ART History General. Art, Italian Historiography Art, Renaissance Historiography Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1491890 |
| work_keys_str_mv | AT williamsrobert raphaelandtheredefinitionofartinrenaissanceitaly |