The Rite of spring at 100 /:
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of th...
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| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2017]
|
| Schriftenreihe: | Musical meaning and interpretation.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. |
| Beschreibung: | 1 online resource (xxv, 520 pages) : illustrations, music. |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 0253027357 9780253027351 9780253024442 0253024447 |
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| 245 | 0 | 4 | |a The Rite of spring at 100 / |c edited by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xxv, 520 pages) : |b illustrations, music. | ||
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| 490 | 1 | |a Musical meaning and interpretation | |
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| 588 | |a Online resource; description updated from ebook PDF (EBSCO, viewed on December 12, 2017). | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a Foreword: a total artwork: memorable resonances and reverberations in The rite -- Acknowledgments -- Editorial notes -- Introductory essay: Stravinsky's Russia and the politics of cultural ferment -- Part I. Dancing Le sacre across the century. 1. A century of Rites: the making of an avant-garde tradition ; 2. The rite of spring as a dance: recent re-visions ; 3. Re-sourcing Nijinsky: The rite of spring and Yvonne Rainer's RoS indexical ; 4. Death by dancing in Nijinsky's Rite -- Part II. Le sacre and Stravinsky in France. 5. Le sacre du printemps: a ballet for Paris ; 6. Styling Le sacre: The rite's role in French fashion ; 7. The rite of spring, national narratives, and estrangement ; 8. Formalizing a "purely acoustic" musical objectivity: another look at a 1915 interview with Stravinsky ; 9. Racism at The rite -- Part III. Observations on Le sacre in Russia. 10. Commentary and observations on Le sacre in Russia: an overview ; 11. Stravinsky, Roerich, and old Slavic rituals in The rite of spring ; 12. Orchestral sketches of Le sacre du printemps in the National Library of Russia ; 13. Yuri Nikolaevich Kholopov: his analytical comments on The rite of spring ; 14. Leonard Bernstein's 1959 triumph in the Soviet Union ; 15. The rite of spring in Russia ; 16. "I penetrated the mystery of the spring lapidary rhythms": Baroque topoi in The rite of spring ; 17. "The great sacrifice": contextualizing the dream ; 18. An interview with composer Vladimir Tarnopolski -- Part IV. The sounds of Le sacre. 19. The physicality of The rite: remarks on the forces of meter and their disruption ; 20. How not to hear Le sacre du printemps? Schoenberg's theories, Leibowitz's recording ; 21. Rethinking blocks and superimposition: form in the "Ritual of the two rival tribes" ; 22. Stravinsky at the crossroads after The rite: "Jeu de rossignol mécanique" (Performance of the mechanical nightingale) (1 August 1913) ; 23. Dissonant bells: The rite's "Sacrificial dance" 1913/2013 ; 24. Revisiting The rite in Stravinsky's later serial music ; 25. Dionysos Monometrikos plenary essay: Resisting The rite -- Bibliography -- List of contributors -- General index -- Index of composers and their works -- Index of choreographers. | |
| 520 | |a When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. | ||
| 600 | 1 | 0 | |a Stravinsky, Igor, |d 1882-1971. |t Vesna svi︠a︡shchennai︠a︡. |0 http://id.loc.gov/authorities/names/n81082738 |
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| 650 | 0 | |a Ballets |y 20th century |x History and criticism. | |
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| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
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| 650 | 7 | |a Musikalische Analyse |2 gnd | |
| 650 | 7 | |a Rezeption |2 gnd | |
| 651 | 7 | |a Frankreich |2 gnd | |
| 651 | 7 | |a Russland |2 gnd |0 http://d-nb.info/gnd/4076899-5 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
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| 700 | 1 | |a Horlacher, Gretchen Grace, |e editor |1 https://id.oclc.org/worldcat/entity/E39PCjwBd4vf7f8p43b4RBhQG3 | |
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| DE-BY-FWS_katkey | ZDB-4-EBA-ocn981967649 |
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| author2 | Neff, Severine, 1949- Carr, Maureen A. Horlacher, Gretchen Grace |
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| collection | ZDB-4-EBA |
| contents | Foreword: a total artwork: memorable resonances and reverberations in The rite -- Acknowledgments -- Editorial notes -- Introductory essay: Stravinsky's Russia and the politics of cultural ferment -- Part I. Dancing Le sacre across the century. 1. A century of Rites: the making of an avant-garde tradition ; 2. The rite of spring as a dance: recent re-visions ; 3. Re-sourcing Nijinsky: The rite of spring and Yvonne Rainer's RoS indexical ; 4. Death by dancing in Nijinsky's Rite -- Part II. Le sacre and Stravinsky in France. 5. Le sacre du printemps: a ballet for Paris ; 6. Styling Le sacre: The rite's role in French fashion ; 7. The rite of spring, national narratives, and estrangement ; 8. Formalizing a "purely acoustic" musical objectivity: another look at a 1915 interview with Stravinsky ; 9. Racism at The rite -- Part III. Observations on Le sacre in Russia. 10. Commentary and observations on Le sacre in Russia: an overview ; 11. Stravinsky, Roerich, and old Slavic rituals in The rite of spring ; 12. Orchestral sketches of Le sacre du printemps in the National Library of Russia ; 13. Yuri Nikolaevich Kholopov: his analytical comments on The rite of spring ; 14. Leonard Bernstein's 1959 triumph in the Soviet Union ; 15. The rite of spring in Russia ; 16. "I penetrated the mystery of the spring lapidary rhythms": Baroque topoi in The rite of spring ; 17. "The great sacrifice": contextualizing the dream ; 18. An interview with composer Vladimir Tarnopolski -- Part IV. The sounds of Le sacre. 19. The physicality of The rite: remarks on the forces of meter and their disruption ; 20. How not to hear Le sacre du printemps? Schoenberg's theories, Leibowitz's recording ; 21. Rethinking blocks and superimposition: form in the "Ritual of the two rival tribes" ; 22. Stravinsky at the crossroads after The rite: "Jeu de rossignol mécanique" (Performance of the mechanical nightingale) (1 August 1913) ; 23. Dissonant bells: The rite's "Sacrificial dance" 1913/2013 ; 24. Revisiting The rite in Stravinsky's later serial music ; 25. Dionysos Monometrikos plenary essay: Resisting The rite -- Bibliography -- List of contributors -- General index -- Index of composers and their works -- Index of choreographers. |
| ctrlnum | (OCoLC)981967649 |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Frankreich gnd Russland gnd http://d-nb.info/gnd/4076899-5 |
| geographic_facet | Frankreich Russland |
| id | ZDB-4-EBA-ocn981967649 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:46Z |
| institution | BVB |
| isbn | 0253027357 9780253027351 9780253024442 0253024447 |
| language | English |
| oclc_num | 981967649 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxv, 520 pages) : illustrations, music. |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Musical meaning and interpretation. |
| series2 | Musical meaning and interpretation |
| spelling | The Rite of spring at 100 / edited by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef. Bloomington, Indiana : Indiana University Press, [2017] ©2017 1 online resource (xxv, 520 pages) : illustrations, music. text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical meaning and interpretation Print version record. Online resource; description updated from ebook PDF (EBSCO, viewed on December 12, 2017). Includes bibliographical references and indexes. Foreword: a total artwork: memorable resonances and reverberations in The rite -- Acknowledgments -- Editorial notes -- Introductory essay: Stravinsky's Russia and the politics of cultural ferment -- Part I. Dancing Le sacre across the century. 1. A century of Rites: the making of an avant-garde tradition ; 2. The rite of spring as a dance: recent re-visions ; 3. Re-sourcing Nijinsky: The rite of spring and Yvonne Rainer's RoS indexical ; 4. Death by dancing in Nijinsky's Rite -- Part II. Le sacre and Stravinsky in France. 5. Le sacre du printemps: a ballet for Paris ; 6. Styling Le sacre: The rite's role in French fashion ; 7. The rite of spring, national narratives, and estrangement ; 8. Formalizing a "purely acoustic" musical objectivity: another look at a 1915 interview with Stravinsky ; 9. Racism at The rite -- Part III. Observations on Le sacre in Russia. 10. Commentary and observations on Le sacre in Russia: an overview ; 11. Stravinsky, Roerich, and old Slavic rituals in The rite of spring ; 12. Orchestral sketches of Le sacre du printemps in the National Library of Russia ; 13. Yuri Nikolaevich Kholopov: his analytical comments on The rite of spring ; 14. Leonard Bernstein's 1959 triumph in the Soviet Union ; 15. The rite of spring in Russia ; 16. "I penetrated the mystery of the spring lapidary rhythms": Baroque topoi in The rite of spring ; 17. "The great sacrifice": contextualizing the dream ; 18. An interview with composer Vladimir Tarnopolski -- Part IV. The sounds of Le sacre. 19. The physicality of The rite: remarks on the forces of meter and their disruption ; 20. How not to hear Le sacre du printemps? Schoenberg's theories, Leibowitz's recording ; 21. Rethinking blocks and superimposition: form in the "Ritual of the two rival tribes" ; 22. Stravinsky at the crossroads after The rite: "Jeu de rossignol mécanique" (Performance of the mechanical nightingale) (1 August 1913) ; 23. Dissonant bells: The rite's "Sacrificial dance" 1913/2013 ; 24. Revisiting The rite in Stravinsky's later serial music ; 25. Dionysos Monometrikos plenary essay: Resisting The rite -- Bibliography -- List of contributors -- General index -- Index of composers and their works -- Index of choreographers. When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. Stravinsky, Igor, 1882-1971. Vesna svi︠a︡shchennai︠a︡. http://id.loc.gov/authorities/names/n81082738 Vesna svi︠a︡shchennai︠a︡ (Stravinsky, Igor) fast Stravinsky, Igor 1882-1971 Le sacre du printemps gnd http://d-nb.info/gnd/300158289 Ballets 20th century History and criticism. Ballets 20e siècle Histoire et critique. MUSIC Musical Instruments General. bisacsh MUSIC Printed Music Band & Orchestra. bisacsh MUSIC Individual Composer & Musician. bisacsh Ballets fast Musikalische Analyse gnd Rezeption gnd Frankreich gnd Russland gnd http://d-nb.info/gnd/4076899-5 1900-1999 fast Criticism, interpretation, etc. fast Neff, Severine, 1949- editor https://id.oclc.org/worldcat/entity/E39PBJgCJK6rCDyPfMGrkvdfbd http://id.loc.gov/authorities/names/n92122628 Carr, Maureen A., editor https://id.oclc.org/worldcat/entity/E39PCjHFcrfvQMJfGmgmBtKBGd Horlacher, Gretchen Grace, editor https://id.oclc.org/worldcat/entity/E39PCjwBd4vf7f8p43b4RBhQG3 has work: The Rite of spring at 100 (Text) https://id.oclc.org/worldcat/entity/E39PCGBcvvGtkyyC9VF6CXpyr3 https://id.oclc.org/worldcat/ontology/hasWork Print version: 9780253024206 025302420X (DLC) 2016039558 (OCoLC)949750340 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1504518 Volltext |
| spellingShingle | The Rite of spring at 100 / Musical meaning and interpretation. Foreword: a total artwork: memorable resonances and reverberations in The rite -- Acknowledgments -- Editorial notes -- Introductory essay: Stravinsky's Russia and the politics of cultural ferment -- Part I. Dancing Le sacre across the century. 1. A century of Rites: the making of an avant-garde tradition ; 2. The rite of spring as a dance: recent re-visions ; 3. Re-sourcing Nijinsky: The rite of spring and Yvonne Rainer's RoS indexical ; 4. Death by dancing in Nijinsky's Rite -- Part II. Le sacre and Stravinsky in France. 5. Le sacre du printemps: a ballet for Paris ; 6. Styling Le sacre: The rite's role in French fashion ; 7. The rite of spring, national narratives, and estrangement ; 8. Formalizing a "purely acoustic" musical objectivity: another look at a 1915 interview with Stravinsky ; 9. Racism at The rite -- Part III. Observations on Le sacre in Russia. 10. Commentary and observations on Le sacre in Russia: an overview ; 11. Stravinsky, Roerich, and old Slavic rituals in The rite of spring ; 12. Orchestral sketches of Le sacre du printemps in the National Library of Russia ; 13. Yuri Nikolaevich Kholopov: his analytical comments on The rite of spring ; 14. Leonard Bernstein's 1959 triumph in the Soviet Union ; 15. The rite of spring in Russia ; 16. "I penetrated the mystery of the spring lapidary rhythms": Baroque topoi in The rite of spring ; 17. "The great sacrifice": contextualizing the dream ; 18. An interview with composer Vladimir Tarnopolski -- Part IV. The sounds of Le sacre. 19. The physicality of The rite: remarks on the forces of meter and their disruption ; 20. How not to hear Le sacre du printemps? Schoenberg's theories, Leibowitz's recording ; 21. Rethinking blocks and superimposition: form in the "Ritual of the two rival tribes" ; 22. Stravinsky at the crossroads after The rite: "Jeu de rossignol mécanique" (Performance of the mechanical nightingale) (1 August 1913) ; 23. Dissonant bells: The rite's "Sacrificial dance" 1913/2013 ; 24. Revisiting The rite in Stravinsky's later serial music ; 25. Dionysos Monometrikos plenary essay: Resisting The rite -- Bibliography -- List of contributors -- General index -- Index of composers and their works -- Index of choreographers. Stravinsky, Igor, 1882-1971. Vesna svi︠a︡shchennai︠a︡. http://id.loc.gov/authorities/names/n81082738 Vesna svi︠a︡shchennai︠a︡ (Stravinsky, Igor) fast Stravinsky, Igor 1882-1971 Le sacre du printemps gnd http://d-nb.info/gnd/300158289 Ballets 20th century History and criticism. Ballets 20e siècle Histoire et critique. MUSIC Musical Instruments General. bisacsh MUSIC Printed Music Band & Orchestra. bisacsh MUSIC Individual Composer & Musician. bisacsh Ballets fast Musikalische Analyse gnd Rezeption gnd |
| subject_GND | http://id.loc.gov/authorities/names/n81082738 http://d-nb.info/gnd/300158289 http://d-nb.info/gnd/4076899-5 |
| title | The Rite of spring at 100 / |
| title_auth | The Rite of spring at 100 / |
| title_exact_search | The Rite of spring at 100 / |
| title_full | The Rite of spring at 100 / edited by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef. |
| title_fullStr | The Rite of spring at 100 / edited by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef. |
| title_full_unstemmed | The Rite of spring at 100 / edited by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef. |
| title_short | The Rite of spring at 100 / |
| title_sort | rite of spring at 100 |
| topic | Stravinsky, Igor, 1882-1971. Vesna svi︠a︡shchennai︠a︡. http://id.loc.gov/authorities/names/n81082738 Vesna svi︠a︡shchennai︠a︡ (Stravinsky, Igor) fast Stravinsky, Igor 1882-1971 Le sacre du printemps gnd http://d-nb.info/gnd/300158289 Ballets 20th century History and criticism. Ballets 20e siècle Histoire et critique. MUSIC Musical Instruments General. bisacsh MUSIC Printed Music Band & Orchestra. bisacsh MUSIC Individual Composer & Musician. bisacsh Ballets fast Musikalische Analyse gnd Rezeption gnd |
| topic_facet | Stravinsky, Igor, 1882-1971. Vesna svi︠a︡shchennai︠a︡. Vesna svi︠a︡shchennai︠a︡ (Stravinsky, Igor) Stravinsky, Igor 1882-1971 Le sacre du printemps Ballets 20th century History and criticism. Ballets 20e siècle Histoire et critique. MUSIC Musical Instruments General. MUSIC Printed Music Band & Orchestra. MUSIC Individual Composer & Musician. Ballets Musikalische Analyse Rezeption Frankreich Russland Criticism, interpretation, etc. |
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