Sounding modernism :: rhythm and sonic mediation in modern literature and film /
This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2017]
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds. |
Beschreibung: | Papers originally presented at the conference Modern Soundscapes, held at the University of New South Wales in 2013. |
Beschreibung: | 1 online resource (vii, 254 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781474416375 1474416373 9781474416382 1474416381 |
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500 | |a Papers originally presented at the conference Modern Soundscapes, held at the University of New South Wales in 2013. | ||
505 | 0 | |a On not listening to modernism / Julian Murphet -- Advocating auricularisation : Virginia Woolf's "In the orchard" / Tom Vandevelde -- Bottled bands : automatic music and American media publics / Lisa Gitelman -- How to listen to Joyce : gramophones, voice and the limits of mediation / Helen Groth -- Sounding region, writing accent : A.G. Street and the BBC / Debra Rae Cohen -- Partial to opera : sounding Willa Cather's empty rooms / John Plotz -- Elliptical sound : audibility and the space of reading / Julie Beth Napolin -- Harsh sounds : George Gissing's penetrating literary voice / Penelope Hone -- Body and soul : modernism, metaphysics, rhyme / Sean Pryor -- Listening to the late cantos / Kristin Grogan -- The rhythms of character in Katherine Mansfield's "Miss Brill" / Helen Rydstrand -- The rhythm of the rails : sound and locomotion / Laura Marcus -- Two-step, nerve-tap, tanglefoot : tapdance typologies in cinema / Steven connor. | |
588 | 0 | |a Print version record. | |
520 | |a This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds. | ||
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author2 | Murphet, Julian Groth, Helen Hone, Penelope |
author2_role | edt edt edt |
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author_GND | http://id.loc.gov/authorities/names/n00026168 http://id.loc.gov/authorities/names/n2003013323 http://id.loc.gov/authorities/names/no2017055101 |
author_corporate | Australasian Association for Literature. Conference |
author_corporate_role | |
author_facet | Murphet, Julian Groth, Helen Hone, Penelope Australasian Association for Literature. Conference |
author_sort | Australasian Association for Literature. Conference |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | B - Philosophy, Psychology, Religion |
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callnumber-subject | B - Philosophy |
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collection | ZDB-4-EBA |
contents | On not listening to modernism / Julian Murphet -- Advocating auricularisation : Virginia Woolf's "In the orchard" / Tom Vandevelde -- Bottled bands : automatic music and American media publics / Lisa Gitelman -- How to listen to Joyce : gramophones, voice and the limits of mediation / Helen Groth -- Sounding region, writing accent : A.G. Street and the BBC / Debra Rae Cohen -- Partial to opera : sounding Willa Cather's empty rooms / John Plotz -- Elliptical sound : audibility and the space of reading / Julie Beth Napolin -- Harsh sounds : George Gissing's penetrating literary voice / Penelope Hone -- Body and soul : modernism, metaphysics, rhyme / Sean Pryor -- Listening to the late cantos / Kristin Grogan -- The rhythms of character in Katherine Mansfield's "Miss Brill" / Helen Rydstrand -- The rhythm of the rails : sound and locomotion / Laura Marcus -- Two-step, nerve-tap, tanglefoot : tapdance typologies in cinema / Steven connor. |
ctrlnum | (OCoLC)981838941 |
dewey-full | 121/.35 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 121 - Epistemology (Theory of knowledge) |
dewey-raw | 121/.35 |
dewey-search | 121/.35 |
dewey-sort | 3121 235 |
dewey-tens | 120 - Epistemology, causation, humankind |
discipline | Anglistik / Amerikanistik Philosophie |
format | Electronic eBook |
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indexdate | 2024-11-27T13:27:46Z |
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publisher | Edinburgh University Press, |
record_format | marc |
spelling | Australasian Association for Literature. Conference (7th : 2013 : University of New South Wales) http://id.loc.gov/authorities/names/no2017055071 Sounding modernism : rhythm and sonic mediation in modern literature and film / edited by Julian Murphet, Helen Groth and Penelope Hone. Edinburgh : Edinburgh University Press, [2017] ©2017 1 online resource (vii, 254 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Papers originally presented at the conference Modern Soundscapes, held at the University of New South Wales in 2013. On not listening to modernism / Julian Murphet -- Advocating auricularisation : Virginia Woolf's "In the orchard" / Tom Vandevelde -- Bottled bands : automatic music and American media publics / Lisa Gitelman -- How to listen to Joyce : gramophones, voice and the limits of mediation / Helen Groth -- Sounding region, writing accent : A.G. Street and the BBC / Debra Rae Cohen -- Partial to opera : sounding Willa Cather's empty rooms / John Plotz -- Elliptical sound : audibility and the space of reading / Julie Beth Napolin -- Harsh sounds : George Gissing's penetrating literary voice / Penelope Hone -- Body and soul : modernism, metaphysics, rhyme / Sean Pryor -- Listening to the late cantos / Kristin Grogan -- The rhythms of character in Katherine Mansfield's "Miss Brill" / Helen Rydstrand -- The rhythm of the rails : sound and locomotion / Laura Marcus -- Two-step, nerve-tap, tanglefoot : tapdance typologies in cinema / Steven connor. Print version record. This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds. Sound (Philosophy) Congresses. Sound in literature Congresses. Sound in motion pictures Congresses. Son (Philosophie) Congrès. Cinéma Son Congrès. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Sound in literature fast Sound in motion pictures fast Sound (Philosophy) fast Ästhetik gnd http://d-nb.info/gnd/4000626-8 Englisch gnd http://d-nb.info/gnd/4014777-0 Film gnd http://d-nb.info/gnd/4017102-4 Literatur gnd http://d-nb.info/gnd/4035964-5 Moderne gnd http://d-nb.info/gnd/4039827-4 Sound gnd http://d-nb.info/gnd/4181886-6 Electronic books. Conference papers and proceedings fast Murphet, Julian, editor. http://id.loc.gov/authorities/names/n00026168 Groth, Helen, editor. http://id.loc.gov/authorities/names/n2003013323 Hone, Penelope, editor. http://id.loc.gov/authorities/names/no2017055101 Print version: Australasian Association for Literature. Conference (7th : 2013 : University of New South Wales). Sounding modernism 9781474416368 (OCoLC)962233552 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584953 Volltext |
spellingShingle | Sounding modernism : rhythm and sonic mediation in modern literature and film / On not listening to modernism / Julian Murphet -- Advocating auricularisation : Virginia Woolf's "In the orchard" / Tom Vandevelde -- Bottled bands : automatic music and American media publics / Lisa Gitelman -- How to listen to Joyce : gramophones, voice and the limits of mediation / Helen Groth -- Sounding region, writing accent : A.G. Street and the BBC / Debra Rae Cohen -- Partial to opera : sounding Willa Cather's empty rooms / John Plotz -- Elliptical sound : audibility and the space of reading / Julie Beth Napolin -- Harsh sounds : George Gissing's penetrating literary voice / Penelope Hone -- Body and soul : modernism, metaphysics, rhyme / Sean Pryor -- Listening to the late cantos / Kristin Grogan -- The rhythms of character in Katherine Mansfield's "Miss Brill" / Helen Rydstrand -- The rhythm of the rails : sound and locomotion / Laura Marcus -- Two-step, nerve-tap, tanglefoot : tapdance typologies in cinema / Steven connor. Sound (Philosophy) Congresses. Sound in literature Congresses. Sound in motion pictures Congresses. Son (Philosophie) Congrès. Cinéma Son Congrès. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Sound in literature fast Sound in motion pictures fast Sound (Philosophy) fast Ästhetik gnd http://d-nb.info/gnd/4000626-8 Englisch gnd http://d-nb.info/gnd/4014777-0 Film gnd http://d-nb.info/gnd/4017102-4 Literatur gnd http://d-nb.info/gnd/4035964-5 Moderne gnd http://d-nb.info/gnd/4039827-4 Sound gnd http://d-nb.info/gnd/4181886-6 |
subject_GND | http://d-nb.info/gnd/4000626-8 http://d-nb.info/gnd/4014777-0 http://d-nb.info/gnd/4017102-4 http://d-nb.info/gnd/4035964-5 http://d-nb.info/gnd/4039827-4 http://d-nb.info/gnd/4181886-6 |
title | Sounding modernism : rhythm and sonic mediation in modern literature and film / |
title_auth | Sounding modernism : rhythm and sonic mediation in modern literature and film / |
title_exact_search | Sounding modernism : rhythm and sonic mediation in modern literature and film / |
title_full | Sounding modernism : rhythm and sonic mediation in modern literature and film / edited by Julian Murphet, Helen Groth and Penelope Hone. |
title_fullStr | Sounding modernism : rhythm and sonic mediation in modern literature and film / edited by Julian Murphet, Helen Groth and Penelope Hone. |
title_full_unstemmed | Sounding modernism : rhythm and sonic mediation in modern literature and film / edited by Julian Murphet, Helen Groth and Penelope Hone. |
title_short | Sounding modernism : |
title_sort | sounding modernism rhythm and sonic mediation in modern literature and film |
title_sub | rhythm and sonic mediation in modern literature and film / |
topic | Sound (Philosophy) Congresses. Sound in literature Congresses. Sound in motion pictures Congresses. Son (Philosophie) Congrès. Cinéma Son Congrès. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Sound in literature fast Sound in motion pictures fast Sound (Philosophy) fast Ästhetik gnd http://d-nb.info/gnd/4000626-8 Englisch gnd http://d-nb.info/gnd/4014777-0 Film gnd http://d-nb.info/gnd/4017102-4 Literatur gnd http://d-nb.info/gnd/4035964-5 Moderne gnd http://d-nb.info/gnd/4039827-4 Sound gnd http://d-nb.info/gnd/4181886-6 |
topic_facet | Sound (Philosophy) Congresses. Sound in literature Congresses. Sound in motion pictures Congresses. Son (Philosophie) Congrès. Cinéma Son Congrès. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Sound in literature Sound in motion pictures Sound (Philosophy) Ästhetik Englisch Film Literatur Moderne Sound Electronic books. Conference papers and proceedings |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584953 |
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