Abbas Kiarostami and film-philosophy /:
Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the di...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
2017.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noñl Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love. A deflationary, anti-theoretical film-philosophy through the cinema of Abbas Kiarostami. Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noó±l Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages 152-161) and index. |
| ISBN: | 9780748699919 0748699910 |
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| 505 | 0 | |a Acknowledgements -- Introduction: Abbas Kiarostami and film-philosophy -- "The Wind Will Carry Us:" cinematic scepticism -- "ABC Africa:" apparition and appearance -- "Ten:" everything there is to know -- "Five:" artifice and the ordinary -- "Shirin:" absorption and spectatorship -- "Certified Copy:" the comedy of remarriage in an age of digital reproducibility -- "Like Someone in Love:" the suspension of belief -- Bibliography -- Index. | |
| 520 | |a Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noñl Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love. A deflationary, anti-theoretical film-philosophy through the cinema of Abbas Kiarostami. Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noó±l Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love. | ||
| 504 | |a Includes bibliographical references (pages 152-161) and index. | ||
| 600 | 1 | 0 | |a Kiarostami, Abbas. |0 http://id.loc.gov/authorities/names/no98065081 |
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| contents | Acknowledgements -- Introduction: Abbas Kiarostami and film-philosophy -- "The Wind Will Carry Us:" cinematic scepticism -- "ABC Africa:" apparition and appearance -- "Ten:" everything there is to know -- "Five:" artifice and the ordinary -- "Shirin:" absorption and spectatorship -- "Certified Copy:" the comedy of remarriage in an age of digital reproducibility -- "Like Someone in Love:" the suspension of belief -- Bibliography -- Index. |
| ctrlnum | (OCoLC)981705048 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/01 |
| dewey-search | 791.43/01 |
| dewey-sort | 3791.43 11 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn981705048 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:23:23Z |
| institution | BVB |
| isbn | 9780748699919 0748699910 |
| language | English |
| lccn | 2017286121 |
| oclc_num | 981705048 |
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| spelling | Abbott, Mathew, author. Abbas Kiarostami and film-philosophy / Mathew Abbott. Edinburgh : Edinburgh University Press, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Acknowledgements -- Introduction: Abbas Kiarostami and film-philosophy -- "The Wind Will Carry Us:" cinematic scepticism -- "ABC Africa:" apparition and appearance -- "Ten:" everything there is to know -- "Five:" artifice and the ordinary -- "Shirin:" absorption and spectatorship -- "Certified Copy:" the comedy of remarriage in an age of digital reproducibility -- "Like Someone in Love:" the suspension of belief -- Bibliography -- Index. Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noñl Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love. A deflationary, anti-theoretical film-philosophy through the cinema of Abbas Kiarostami. Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noó±l Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love. Includes bibliographical references (pages 152-161) and index. Kiarostami, Abbas. http://id.loc.gov/authorities/names/no98065081 Kiarostami, Abbas fast https://id.oclc.org/worldcat/entity/E39PBJmhK8pYjYB7fdGHjqj3cP Motion pictures Philosophy. Cinéma Philosophie. PHILOSOPHY Aesthetics. bisacsh Motion pictures Philosophy fast has work: Abbas Kiarostami and film-philosophy (Text) https://id.oclc.org/worldcat/entity/E39PCH7fQrwCmFPMCqHG9YCxpd https://id.oclc.org/worldcat/ontology/hasWork Print version: 9780748699902 0748699902 (OCoLC)961212663 |
| spellingShingle | Abbott, Mathew Abbas Kiarostami and film-philosophy / Acknowledgements -- Introduction: Abbas Kiarostami and film-philosophy -- "The Wind Will Carry Us:" cinematic scepticism -- "ABC Africa:" apparition and appearance -- "Ten:" everything there is to know -- "Five:" artifice and the ordinary -- "Shirin:" absorption and spectatorship -- "Certified Copy:" the comedy of remarriage in an age of digital reproducibility -- "Like Someone in Love:" the suspension of belief -- Bibliography -- Index. Kiarostami, Abbas. http://id.loc.gov/authorities/names/no98065081 Kiarostami, Abbas fast https://id.oclc.org/worldcat/entity/E39PBJmhK8pYjYB7fdGHjqj3cP Motion pictures Philosophy. Cinéma Philosophie. PHILOSOPHY Aesthetics. bisacsh Motion pictures Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/names/no98065081 |
| title | Abbas Kiarostami and film-philosophy / |
| title_auth | Abbas Kiarostami and film-philosophy / |
| title_exact_search | Abbas Kiarostami and film-philosophy / |
| title_full | Abbas Kiarostami and film-philosophy / Mathew Abbott. |
| title_fullStr | Abbas Kiarostami and film-philosophy / Mathew Abbott. |
| title_full_unstemmed | Abbas Kiarostami and film-philosophy / Mathew Abbott. |
| title_short | Abbas Kiarostami and film-philosophy / |
| title_sort | abbas kiarostami and film philosophy |
| topic | Kiarostami, Abbas. http://id.loc.gov/authorities/names/no98065081 Kiarostami, Abbas fast https://id.oclc.org/worldcat/entity/E39PBJmhK8pYjYB7fdGHjqj3cP Motion pictures Philosophy. Cinéma Philosophie. PHILOSOPHY Aesthetics. bisacsh Motion pictures Philosophy fast |
| topic_facet | Kiarostami, Abbas. Kiarostami, Abbas Motion pictures Philosophy. Cinéma Philosophie. PHILOSOPHY Aesthetics. Motion pictures Philosophy |
| work_keys_str_mv | AT abbottmathew abbaskiarostamiandfilmphilosophy |