Hong Kong neo-noir /:
The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2017]
|
| Schriftenreihe: | Edinburgh studies in East Asian film.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genré⁰₉s possible future development. |
| Beschreibung: | 1 online resource (xiv, 266 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references (pages 233-244), filmography (pages 245-253) and index. |
| ISBN: | 9781474412674 147441267X 9781474412681 1474412688 |
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| 245 | 0 | 0 | |a Hong Kong neo-noir / |c edited by Esther C.M. Yau and Tony Williams. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xiv, 266 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh studies in East Asian film | |
| 504 | |a Includes bibliographical references (pages 233-244), filmography (pages 245-253) and index. | ||
| 505 | 0 | 0 | |t Machine generated contents note |g pt. One |t Seeds of Noir in Hong Kong Cinema -- |g 1. |t `A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid / |r Lisa Odham Stokes -- |g 2. |t Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57 / |r Law Kar -- |g 3. |t Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir / |r Kristof Van den Troost -- |g pt. Two |t Neo-Noir Films in Close-Up -- |g 4. |t Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir / |r Adam Bingham -- |g 5. |t Running on Karma: Hong Kong Noir and the Political Unconscious / |r Gina Marchetti -- |g 6. |t Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema / |r David Desser -- |g 7. |t Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films / |r Kwai-Cheung Lo -- |g pt. Three |t Cosmopolitan Cityspace and Neo-Noir -- |g 8. |t Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene / |r Julian Stringer -- |g 9. |t Running Out of Time, Hard-Boiled and 24-Hour Cityspace / |r Kenneth E. Hall -- |g 10. |t Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism / |r Jinhee Choi -- |g 11. |t The Tentacles of History: Shinjuku Incident's Return of the Repressed / |r Tony Williams. |
| 520 | |a The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genré⁰₉s possible future development. | ||
| 650 | 0 | |a Film noir |z China |z Hong Kong |x History and criticism. | |
| 650 | 6 | |a Films noirs |z Chine |z Hongkong |x Histoire et critique. | |
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| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Yau, Ching-Mei Esther, |e editor. |0 http://id.loc.gov/authorities/names/no91009553 | |
| 700 | 1 | |a Williams, Tony, |d 1946 January 11- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjF3MKwbVTkYvBPqgQWjvd | |
| 776 | 0 | 8 | |i Print version: |t Hong Kong neo-noir. |d Edinburgh : Edinburgh University Press Ltd, [2017] |z 9781474412667 |w (OCoLC)968287130 |
| 830 | 0 | |a Edinburgh studies in East Asian film. |0 http://id.loc.gov/authorities/names/no2014145303 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn981616512 |
|---|---|
| _version_ | 1829095103308759040 |
| adam_text | |
| any_adam_object | |
| author2 | Yau, Ching-Mei Esther Williams, Tony, 1946 January 11- |
| author2_role | edt edt |
| author2_variant | c m e y cme cmey t w tw |
| author_GND | http://id.loc.gov/authorities/names/no91009553 |
| author_additional | Lisa Odham Stokes -- Law Kar -- Kristof Van den Troost -- Adam Bingham -- Gina Marchetti -- David Desser -- Kwai-Cheung Lo -- Julian Stringer -- Kenneth E. Hall -- Jinhee Choi -- Tony Williams. |
| author_facet | Yau, Ching-Mei Esther Williams, Tony, 1946 January 11- |
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| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| contents | Machine generated contents note Seeds of Noir in Hong Kong Cinema -- `A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid / Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57 / Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir / Neo-Noir Films in Close-Up -- Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir / Running on Karma: Hong Kong Noir and the Political Unconscious / Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema / Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films / Cosmopolitan Cityspace and Neo-Noir -- Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene / Running Out of Time, Hard-Boiled and 24-Hour Cityspace / Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism / The Tentacles of History: Shinjuku Incident's Return of the Repressed / |
| ctrlnum | (OCoLC)981616512 |
| dewey-full | 791.43/655095125 |
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| dewey-raw | 791.43/655095125 |
| dewey-search | 791.43/655095125 |
| dewey-sort | 3791.43 9655095125 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| geographic | China Hong Kong fast https://id.oclc.org/worldcat/entity/E39PBJvt6xv8pV6CJd3DMttxjC |
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| id | ZDB-4-EBA-ocn981616512 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:43:42Z |
| institution | BVB |
| isbn | 9781474412674 147441267X 9781474412681 1474412688 |
| language | English |
| lccn | 2016590496 |
| oclc_num | 981616512 |
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| physical | 1 online resource (xiv, 266 pages) : illustrations. |
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| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Edinburgh studies in East Asian film. |
| series2 | Edinburgh studies in East Asian film |
| spelling | Hong Kong neo-noir / edited by Esther C.M. Yau and Tony Williams. Edinburgh : Edinburgh University Press, [2017] ©2017 1 online resource (xiv, 266 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Edinburgh studies in East Asian film Includes bibliographical references (pages 233-244), filmography (pages 245-253) and index. Machine generated contents note pt. One Seeds of Noir in Hong Kong Cinema -- 1. `A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid / Lisa Odham Stokes -- 2. Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57 / Law Kar -- 3. Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir / Kristof Van den Troost -- pt. Two Neo-Noir Films in Close-Up -- 4. Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir / Adam Bingham -- 5. Running on Karma: Hong Kong Noir and the Political Unconscious / Gina Marchetti -- 6. Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema / David Desser -- 7. Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films / Kwai-Cheung Lo -- pt. Three Cosmopolitan Cityspace and Neo-Noir -- 8. Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene / Julian Stringer -- 9. Running Out of Time, Hard-Boiled and 24-Hour Cityspace / Kenneth E. Hall -- 10. Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism / Jinhee Choi -- 11. The Tentacles of History: Shinjuku Incident's Return of the Repressed / Tony Williams. The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genré⁰₉s possible future development. Film noir China Hong Kong History and criticism. Films noirs Chine Hongkong Histoire et critique. PERFORMING ARTS / Film & Video / Reference bisacsh Film noir fast China Hong Kong fast https://id.oclc.org/worldcat/entity/E39PBJvt6xv8pV6CJd3DMttxjC Electronic books. Criticism, interpretation, etc. fast Yau, Ching-Mei Esther, editor. http://id.loc.gov/authorities/names/no91009553 Williams, Tony, 1946 January 11- editor. https://id.oclc.org/worldcat/entity/E39PCjF3MKwbVTkYvBPqgQWjvd Print version: Hong Kong neo-noir. Edinburgh : Edinburgh University Press Ltd, [2017] 9781474412667 (OCoLC)968287130 Edinburgh studies in East Asian film. http://id.loc.gov/authorities/names/no2014145303 |
| spellingShingle | Hong Kong neo-noir / Edinburgh studies in East Asian film. Machine generated contents note Seeds of Noir in Hong Kong Cinema -- `A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid / Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57 / Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir / Neo-Noir Films in Close-Up -- Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir / Running on Karma: Hong Kong Noir and the Political Unconscious / Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema / Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films / Cosmopolitan Cityspace and Neo-Noir -- Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene / Running Out of Time, Hard-Boiled and 24-Hour Cityspace / Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism / The Tentacles of History: Shinjuku Incident's Return of the Repressed / Film noir China Hong Kong History and criticism. Films noirs Chine Hongkong Histoire et critique. PERFORMING ARTS / Film & Video / Reference bisacsh Film noir fast |
| title | Hong Kong neo-noir / |
| title_alt | Machine generated contents note Seeds of Noir in Hong Kong Cinema -- `A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid / Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57 / Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir / Neo-Noir Films in Close-Up -- Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir / Running on Karma: Hong Kong Noir and the Political Unconscious / Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema / Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films / Cosmopolitan Cityspace and Neo-Noir -- Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene / Running Out of Time, Hard-Boiled and 24-Hour Cityspace / Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism / The Tentacles of History: Shinjuku Incident's Return of the Repressed / |
| title_auth | Hong Kong neo-noir / |
| title_exact_search | Hong Kong neo-noir / |
| title_full | Hong Kong neo-noir / edited by Esther C.M. Yau and Tony Williams. |
| title_fullStr | Hong Kong neo-noir / edited by Esther C.M. Yau and Tony Williams. |
| title_full_unstemmed | Hong Kong neo-noir / edited by Esther C.M. Yau and Tony Williams. |
| title_short | Hong Kong neo-noir / |
| title_sort | hong kong neo noir |
| topic | Film noir China Hong Kong History and criticism. Films noirs Chine Hongkong Histoire et critique. PERFORMING ARTS / Film & Video / Reference bisacsh Film noir fast |
| topic_facet | Film noir China Hong Kong History and criticism. Films noirs Chine Hongkong Histoire et critique. PERFORMING ARTS / Film & Video / Reference Film noir China Hong Kong Electronic books. Criticism, interpretation, etc. |
| work_keys_str_mv | AT yauchingmeiesther hongkongneonoir AT williamstony hongkongneonoir |