Woolf's ambiguities :: tonal modernism, narrative strategy, feminist precursors /
In a book that comparesVirginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative techniq...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ithaca :
Cornell University Press,
2017.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In a book that comparesVirginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work. Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-nove;" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments. |
Beschreibung: | 1 online resource (xvi, 226 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781501714474 1501714473 1501714457 9781501714450 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn979994664 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 170327t20172017nyu ob 001 0 eng | ||
010 | |a 2017014833 | ||
040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCQ |d OCLCF |d N$T |d YDX |d JSTOR |d EBLCP |d IDEBK |d YDX |d OCLCO |d CSAIL |d IDB |d MERER |d OCLCQ |d DLC |d CUY |d OCLCQ |d OCLCO |d EZ9 |d DEGRU |d INT |d OCLCQ |d OCLCO |d MERUC |d OCLCQ |d AU@ |d UKAHL |d OCLCQ |d UX1 |d ESU |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d HOPLA | ||
019 | |a 1151922965 | ||
020 | |a 9781501714474 |q (electronic book) | ||
020 | |a 1501714473 |q (electronic book) | ||
020 | |z 9781501714467 |q (epub) | ||
020 | |z 1501714465 |q (epub) | ||
020 | |z 9781501714450 |q (hardcover) | ||
020 | |a 1501714457 | ||
020 | |a 9781501714450 | ||
035 | |a (OCoLC)979994664 |z (OCoLC)1151922965 | ||
037 | |a 22573/ctt1w0d1wf |b JSTOR | ||
042 | |a pcc | ||
043 | |a e-uk--- | ||
050 | 1 | 4 | |a PR6045.O72 |b Z6975 2017 |
072 | 7 | |a LIT |x 004120 |2 bisacsh | |
072 | 7 | |a LIT004120 |2 bisacsh | |
072 | 7 | |a LIT006000 |2 bisacsh | |
072 | 7 | |a LIT004290 |2 bisacsh | |
082 | 7 | |a 823/.912 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Hite, Molly, |d 1947- |e author. |0 http://id.loc.gov/authorities/names/n83039957 | |
245 | 1 | 0 | |a Woolf's ambiguities : |b tonal modernism, narrative strategy, feminist precursors / |c Molly Hite. |
264 | 1 | |a Ithaca : |b Cornell University Press, |c 2017. | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource (xvi, 226 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Woolf's tone : listening to Mrs. Dalloway -- Tone and modernism : Jacob's room, To the lighthouse and The waves -- Not looking back through our mothers : Elizabeth Robins and the feminist polemical novel -- Making room for A room of one's own -- What girls should know : The voyage out and My little sister -- The professional and the poet : A dark lantern and Mrs. Dalloway -- Epilogue : the possibilities of The Pargiters. | |
588 | 0 | |a Online resource; title from digital title page (viewed on December 01, 2017). | |
520 | |a In a book that comparesVirginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work. Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-nove;" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments. | ||
600 | 1 | 0 | |a Woolf, Virginia, |d 1882-1941 |x Criticism and interpretation. |
600 | 1 | 1 | |a Woolf, Virginia, |d 1882-1941 |x Criticism and interpretation. |
600 | 1 | 7 | |a Woolf, Virginia, |d 1882-1941 |2 fast |
650 | 0 | |a Ambiguity in literature. |0 http://id.loc.gov/authorities/subjects/sh93008352 | |
650 | 0 | |a Modernism (Literature) |0 http://id.loc.gov/authorities/subjects/sh85086446 | |
650 | 0 | |a English fiction |x Women authors |x History and criticism. | |
650 | 6 | |a Ambiguïté dans la littérature. | |
650 | 6 | |a Modernisme (Littérature) | |
650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
650 | 7 | |a Ambiguity in literature |2 fast | |
650 | 7 | |a English fiction |x Women authors |2 fast | |
650 | 7 | |a Modernism (Literature) |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a Woolf's ambiguities (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFvtcXpMFhcjWRQjdPmFmm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Hite, Molly, 1947- |t Woolf's ambiguities. |d Ithaca : Cornell University Press, 2017 |z 9781501714450 |w (DLC) 2017014440 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1589188 |3 Volltext |
938 | |a hoopla Digital |b HOPL |n MWT12426286 | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH33647668 | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH32585041 | ||
938 | |a De Gruyter |b DEGR |n 9781501714474 | ||
938 | |a ProQuest Ebook Central |b EBLB |n EBL4987896 | ||
938 | |a EBSCOhost |b EBSC |n 1589188 | ||
938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis37899054 | ||
938 | |a YBP Library Services |b YANK |n 14886325 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn979994664 |
---|---|
_version_ | 1816882384290709504 |
adam_text | |
any_adam_object | |
author | Hite, Molly, 1947- |
author_GND | http://id.loc.gov/authorities/names/n83039957 |
author_facet | Hite, Molly, 1947- |
author_role | aut |
author_sort | Hite, Molly, 1947- |
author_variant | m h mh |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR6045 |
callnumber-raw | PR6045.O72 Z6975 2017 |
callnumber-search | PR6045.O72 Z6975 2017 |
callnumber-sort | PR 46045 O72 Z6975 42017 |
callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Woolf's tone : listening to Mrs. Dalloway -- Tone and modernism : Jacob's room, To the lighthouse and The waves -- Not looking back through our mothers : Elizabeth Robins and the feminist polemical novel -- Making room for A room of one's own -- What girls should know : The voyage out and My little sister -- The professional and the poet : A dark lantern and Mrs. Dalloway -- Epilogue : the possibilities of The Pargiters. |
ctrlnum | (OCoLC)979994664 |
dewey-full | 823/.912 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 823 - English fiction |
dewey-raw | 823/.912 |
dewey-search | 823/.912 |
dewey-sort | 3823 3912 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05355cam a2200793 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn979994664</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">170327t20172017nyu ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2017014833</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">JSTOR</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">CSAIL</subfield><subfield code="d">IDB</subfield><subfield code="d">MERER</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DLC</subfield><subfield code="d">CUY</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EZ9</subfield><subfield code="d">DEGRU</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AU@</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UX1</subfield><subfield code="d">ESU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">HOPLA</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1151922965</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501714474</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501714473</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781501714467</subfield><subfield code="q">(epub)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1501714465</subfield><subfield code="q">(epub)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781501714450</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501714457</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501714450</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)979994664</subfield><subfield code="z">(OCoLC)1151922965</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1w0d1wf</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-uk---</subfield></datafield><datafield tag="050" ind1="1" ind2="4"><subfield code="a">PR6045.O72</subfield><subfield code="b">Z6975 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">004120</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004120</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004290</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">823/.912</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hite, Molly,</subfield><subfield code="d">1947-</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n83039957</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Woolf's ambiguities :</subfield><subfield code="b">tonal modernism, narrative strategy, feminist precursors /</subfield><subfield code="c">Molly Hite.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca :</subfield><subfield code="b">Cornell University Press,</subfield><subfield code="c">2017.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 226 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Woolf's tone : listening to Mrs. Dalloway -- Tone and modernism : Jacob's room, To the lighthouse and The waves -- Not looking back through our mothers : Elizabeth Robins and the feminist polemical novel -- Making room for A room of one's own -- What girls should know : The voyage out and My little sister -- The professional and the poet : A dark lantern and Mrs. Dalloway -- Epilogue : the possibilities of The Pargiters.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on December 01, 2017).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In a book that comparesVirginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work. Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-nove;" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Woolf, Virginia,</subfield><subfield code="d">1882-1941</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="1"><subfield code="a">Woolf, Virginia,</subfield><subfield code="d">1882-1941</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Woolf, Virginia,</subfield><subfield code="d">1882-1941</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Ambiguity in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh93008352</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Modernism (Literature)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85086446</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English fiction</subfield><subfield code="x">Women authors</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Ambiguïté dans la littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Modernisme (Littérature)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM</subfield><subfield code="x">European</subfield><subfield code="x">English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Ambiguity in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">English fiction</subfield><subfield code="x">Women authors</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Modernism (Literature)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Woolf's ambiguities (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFvtcXpMFhcjWRQjdPmFmm</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Hite, Molly, 1947-</subfield><subfield code="t">Woolf's ambiguities.</subfield><subfield code="d">Ithaca : Cornell University Press, 2017</subfield><subfield code="z">9781501714450</subfield><subfield code="w">(DLC) 2017014440</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1589188</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">hoopla Digital</subfield><subfield code="b">HOPL</subfield><subfield code="n">MWT12426286</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33647668</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH32585041</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9781501714474</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4987896</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1589188</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis37899054</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">14886325</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn979994664 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:27:45Z |
institution | BVB |
isbn | 9781501714474 1501714473 1501714457 9781501714450 |
language | English |
lccn | 2017014833 |
oclc_num | 979994664 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xvi, 226 pages) |
psigel | ZDB-4-EBA |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Cornell University Press, |
record_format | marc |
spelling | Hite, Molly, 1947- author. http://id.loc.gov/authorities/names/n83039957 Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / Molly Hite. Ithaca : Cornell University Press, 2017. ©2017 1 online resource (xvi, 226 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Woolf's tone : listening to Mrs. Dalloway -- Tone and modernism : Jacob's room, To the lighthouse and The waves -- Not looking back through our mothers : Elizabeth Robins and the feminist polemical novel -- Making room for A room of one's own -- What girls should know : The voyage out and My little sister -- The professional and the poet : A dark lantern and Mrs. Dalloway -- Epilogue : the possibilities of The Pargiters. Online resource; title from digital title page (viewed on December 01, 2017). In a book that comparesVirginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work. Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-nove;" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments. Woolf, Virginia, 1882-1941 Criticism and interpretation. Woolf, Virginia, 1882-1941 fast Ambiguity in literature. http://id.loc.gov/authorities/subjects/sh93008352 Modernism (Literature) http://id.loc.gov/authorities/subjects/sh85086446 English fiction Women authors History and criticism. Ambiguïté dans la littérature. Modernisme (Littérature) LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Ambiguity in literature fast English fiction Women authors fast Modernism (Literature) fast Criticism, interpretation, etc. fast has work: Woolf's ambiguities (Text) https://id.oclc.org/worldcat/entity/E39PCFvtcXpMFhcjWRQjdPmFmm https://id.oclc.org/worldcat/ontology/hasWork Print version: Hite, Molly, 1947- Woolf's ambiguities. Ithaca : Cornell University Press, 2017 9781501714450 (DLC) 2017014440 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1589188 Volltext |
spellingShingle | Hite, Molly, 1947- Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / Woolf's tone : listening to Mrs. Dalloway -- Tone and modernism : Jacob's room, To the lighthouse and The waves -- Not looking back through our mothers : Elizabeth Robins and the feminist polemical novel -- Making room for A room of one's own -- What girls should know : The voyage out and My little sister -- The professional and the poet : A dark lantern and Mrs. Dalloway -- Epilogue : the possibilities of The Pargiters. Woolf, Virginia, 1882-1941 Criticism and interpretation. Woolf, Virginia, 1882-1941 fast Ambiguity in literature. http://id.loc.gov/authorities/subjects/sh93008352 Modernism (Literature) http://id.loc.gov/authorities/subjects/sh85086446 English fiction Women authors History and criticism. Ambiguïté dans la littérature. Modernisme (Littérature) LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Ambiguity in literature fast English fiction Women authors fast Modernism (Literature) fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh93008352 http://id.loc.gov/authorities/subjects/sh85086446 |
title | Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / |
title_auth | Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / |
title_exact_search | Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / |
title_full | Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / Molly Hite. |
title_fullStr | Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / Molly Hite. |
title_full_unstemmed | Woolf's ambiguities : tonal modernism, narrative strategy, feminist precursors / Molly Hite. |
title_short | Woolf's ambiguities : |
title_sort | woolf s ambiguities tonal modernism narrative strategy feminist precursors |
title_sub | tonal modernism, narrative strategy, feminist precursors / |
topic | Woolf, Virginia, 1882-1941 Criticism and interpretation. Woolf, Virginia, 1882-1941 fast Ambiguity in literature. http://id.loc.gov/authorities/subjects/sh93008352 Modernism (Literature) http://id.loc.gov/authorities/subjects/sh85086446 English fiction Women authors History and criticism. Ambiguïté dans la littérature. Modernisme (Littérature) LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Ambiguity in literature fast English fiction Women authors fast Modernism (Literature) fast |
topic_facet | Woolf, Virginia, 1882-1941 Criticism and interpretation. Woolf, Virginia, 1882-1941 Ambiguity in literature. Modernism (Literature) English fiction Women authors History and criticism. Ambiguïté dans la littérature. Modernisme (Littérature) LITERARY CRITICISM European English, Irish, Scottish, Welsh. Ambiguity in literature English fiction Women authors Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1589188 |
work_keys_str_mv | AT hitemolly woolfsambiguitiestonalmodernismnarrativestrategyfeministprecursors |