Blackface nation :: race, reform, and identity in American popular music, 1812-1925 /
As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in 'Blackface Nation', this struggle is espec...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
The University of Chicago Press,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in 'Blackface Nation', this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780226451787 022645178X |
Internformat
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| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 7 | |a 781.64089/96073 |2 23 | |
| 084 | |a LS 22525 |2 rvk | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Roberts, Brian, |d 1957- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjJTdKdWrxjhTBwqxVj4hd |0 http://id.loc.gov/authorities/names/n99264792 | |
| 245 | 1 | 0 | |a Blackface nation : |b race, reform, and identity in American popular music, 1812-1925 / |c Brian Roberts. |
| 264 | 1 | |a Chicago : |b The University of Chicago Press, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in 'Blackface Nation', this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed March 27, 2017). | |
| 505 | 0 | |a 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow's Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End. | |
| 650 | 0 | |a African Americans |x Music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2007100204 | |
| 650 | 0 | |a Popular music |z United States |y 19th century |x History and criticism. | |
| 650 | 0 | |a Popular music |z United States |y 20th century |x History and criticism. | |
| 650 | 0 | |a Minstrel music |z United States |x History and criticism. | |
| 650 | 0 | |a Music and race |z United States |x History. | |
| 650 | 6 | |a Musique populaire |z États-Unis |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |z États-Unis |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique de ménestrels (Théâtre américain) |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Musique et race |z États-Unis |x Histoire. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a African Americans |x Music |2 fast | |
| 650 | 7 | |a Minstrel music |2 fast | |
| 650 | 7 | |a Music and race |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 650 | 7 | |a Schwarze |2 gnd |0 http://d-nb.info/gnd/4116433-7 | |
| 650 | 7 | |a Ethnische Identität |2 gnd |0 http://d-nb.info/gnd/4153096-2 | |
| 650 | 7 | |a Afroamerikanische Musik |2 gnd |0 http://d-nb.info/gnd/4122767-0 | |
| 650 | 7 | |a Mittelstand |2 gnd |0 http://d-nb.info/gnd/4039713-0 | |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 653 | |a African Americans. | ||
| 653 | |a Hutchinson Family Singers. | ||
| 653 | |a Nineteenth Century. | ||
| 653 | |a United States History. | ||
| 653 | |a abolitionism. | ||
| 653 | |a blackface mMinstrelsy. | ||
| 653 | |a national identity. | ||
| 653 | |a patriotism. | ||
| 653 | |a popular culture. | ||
| 653 | |a popular music. | ||
| 653 | |a racism. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Blackface nation (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGccRxGbHQYt4VBMyKQM8y |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Roberts, Brian, 1957- |t Blackface nation. |d Chicago : The University of Chicago Press, 2017 |z 9780226451503 |w (DLC) 2016041541 |w (OCoLC)958779970 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1463643 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9780226451787 | ||
| 938 | |a EBSCOhost |b EBSC |n 1463643 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis37869906 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0001660447 | ||
| 938 | |a YBP Library Services |b YANK |n 13254017 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4826783 | ||
| 994 | |a 92 |b GEBAY | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn979417534 |
|---|---|
| _version_ | 1816882383668903936 |
| adam_text | |
| any_adam_object | |
| author | Roberts, Brian, 1957- |
| author_GND | http://id.loc.gov/authorities/names/n99264792 |
| author_facet | Roberts, Brian, 1957- |
| author_role | aut |
| author_sort | Roberts, Brian, 1957- |
| author_variant | b r br |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3479 |
| callnumber-raw | ML3479 .R63 2017eb |
| callnumber-search | ML3479 .R63 2017eb |
| callnumber-sort | ML 43479 R63 42017EB |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LS 22525 |
| collection | ZDB-4-EBA |
| contents | 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow's Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End. |
| ctrlnum | (OCoLC)979417534 |
| dewey-full | 781.64089/96073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64089/96073 |
| dewey-search | 781.64089/96073 |
| dewey-sort | 3781.64089 596073 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1800-1999 fast |
| era_facet | 1800-1999 |
| format | Electronic eBook |
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| geographic_facet | United States |
| id | ZDB-4-EBA-ocn979417534 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:45Z |
| institution | BVB |
| isbn | 9780226451787 022645178X |
| language | English |
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| publisher | The University of Chicago Press, |
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| spelling | Roberts, Brian, 1957- author. https://id.oclc.org/worldcat/entity/E39PCjJTdKdWrxjhTBwqxVj4hd http://id.loc.gov/authorities/names/n99264792 Blackface nation : race, reform, and identity in American popular music, 1812-1925 / Brian Roberts. Chicago : The University of Chicago Press, 2017. ©2017 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in 'Blackface Nation', this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. Online resource; title from PDF title page (EBSCO, viewed March 27, 2017). 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow's Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End. African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Popular music United States 19th century History and criticism. Popular music United States 20th century History and criticism. Minstrel music United States History and criticism. Music and race United States History. Musique populaire États-Unis 19e siècle Histoire et critique. Musique populaire États-Unis 20e siècle Histoire et critique. Musique de ménestrels (Théâtre américain) États-Unis Histoire et critique. Musique et race États-Unis Histoire. MUSIC Instruction & Study Theory. bisacsh African Americans Music fast Minstrel music fast Music and race fast Popular music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Schwarze gnd http://d-nb.info/gnd/4116433-7 Ethnische Identität gnd http://d-nb.info/gnd/4153096-2 Afroamerikanische Musik gnd http://d-nb.info/gnd/4122767-0 Mittelstand gnd http://d-nb.info/gnd/4039713-0 1800-1999 fast African Americans. Hutchinson Family Singers. Nineteenth Century. United States History. abolitionism. blackface mMinstrelsy. national identity. patriotism. popular culture. popular music. racism. Criticism, interpretation, etc. fast History fast has work: Blackface nation (Text) https://id.oclc.org/worldcat/entity/E39PCGccRxGbHQYt4VBMyKQM8y https://id.oclc.org/worldcat/ontology/hasWork Print version: Roberts, Brian, 1957- Blackface nation. Chicago : The University of Chicago Press, 2017 9780226451503 (DLC) 2016041541 (OCoLC)958779970 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1463643 Volltext |
| spellingShingle | Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812-1925 / 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow's Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End. African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Popular music United States 19th century History and criticism. Popular music United States 20th century History and criticism. Minstrel music United States History and criticism. Music and race United States History. Musique populaire États-Unis 19e siècle Histoire et critique. Musique populaire États-Unis 20e siècle Histoire et critique. Musique de ménestrels (Théâtre américain) États-Unis Histoire et critique. Musique et race États-Unis Histoire. MUSIC Instruction & Study Theory. bisacsh African Americans Music fast Minstrel music fast Music and race fast Popular music fast Schwarze gnd http://d-nb.info/gnd/4116433-7 Ethnische Identität gnd http://d-nb.info/gnd/4153096-2 Afroamerikanische Musik gnd http://d-nb.info/gnd/4122767-0 Mittelstand gnd http://d-nb.info/gnd/4039713-0 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2007100204 http://d-nb.info/gnd/4116433-7 http://d-nb.info/gnd/4153096-2 http://d-nb.info/gnd/4122767-0 http://d-nb.info/gnd/4039713-0 |
| title | Blackface nation : race, reform, and identity in American popular music, 1812-1925 / |
| title_auth | Blackface nation : race, reform, and identity in American popular music, 1812-1925 / |
| title_exact_search | Blackface nation : race, reform, and identity in American popular music, 1812-1925 / |
| title_full | Blackface nation : race, reform, and identity in American popular music, 1812-1925 / Brian Roberts. |
| title_fullStr | Blackface nation : race, reform, and identity in American popular music, 1812-1925 / Brian Roberts. |
| title_full_unstemmed | Blackface nation : race, reform, and identity in American popular music, 1812-1925 / Brian Roberts. |
| title_short | Blackface nation : |
| title_sort | blackface nation race reform and identity in american popular music 1812 1925 |
| title_sub | race, reform, and identity in American popular music, 1812-1925 / |
| topic | African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Popular music United States 19th century History and criticism. Popular music United States 20th century History and criticism. Minstrel music United States History and criticism. Music and race United States History. Musique populaire États-Unis 19e siècle Histoire et critique. Musique populaire États-Unis 20e siècle Histoire et critique. Musique de ménestrels (Théâtre américain) États-Unis Histoire et critique. Musique et race États-Unis Histoire. MUSIC Instruction & Study Theory. bisacsh African Americans Music fast Minstrel music fast Music and race fast Popular music fast Schwarze gnd http://d-nb.info/gnd/4116433-7 Ethnische Identität gnd http://d-nb.info/gnd/4153096-2 Afroamerikanische Musik gnd http://d-nb.info/gnd/4122767-0 Mittelstand gnd http://d-nb.info/gnd/4039713-0 |
| topic_facet | African Americans Music History and criticism. Popular music United States 19th century History and criticism. Popular music United States 20th century History and criticism. Minstrel music United States History and criticism. Music and race United States History. Musique populaire États-Unis 19e siècle Histoire et critique. Musique populaire États-Unis 20e siècle Histoire et critique. Musique de ménestrels (Théâtre américain) États-Unis Histoire et critique. Musique et race États-Unis Histoire. MUSIC Instruction & Study Theory. African Americans Music Minstrel music Music and race Popular music United States Schwarze Ethnische Identität Afroamerikanische Musik Mittelstand Criticism, interpretation, etc. History |
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