Film, art, and the third culture :: a naturalized aesthetics of film /
In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integr...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York, NY :
Oxford University Press,
2017.
|
| Ausgabe: | First edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. |
| Beschreibung: | 1 online resource (xvi, 294 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 263-279) and index. |
| ISBN: | 9780192507921 0192507923 9780191837791 0191837792 |
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| 245 | 1 | 0 | |a Film, art, and the third culture : |b a naturalized aesthetics of film / |c Murray Smith. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Oxford ; |a New York, NY : |b Oxford University Press, |c 2017. | |
| 300 | |a 1 online resource (xvi, 294 pages) : |b illustrations | ||
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| 588 | 0 | |a Online resource; title from digital title page (Oxford Scholarship Online, viewed October 17, 2019). | |
| 520 | |a In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. | ||
| 505 | 0 | |a Introduction -- Part I. Building the Third Culture: 1. Aesthetics naturalized ; 2. Triangulating aesthetic experience ; 3. The engine of reason and the pit of naturalism ; 4. Papaya, pomegranates, and green tea -- Part II. Science and Sentiment: 5. Who's afraid of Charles Darwin? ; 6. What difference does it make? ; 7. Empathy, expansionism, and the extended mind ; 10. Feeling prufish -- Conclusion. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85088085 | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
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| author | Smith, Murray, 1962- |
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| contents | Introduction -- Part I. Building the Third Culture: 1. Aesthetics naturalized ; 2. Triangulating aesthetic experience ; 3. The engine of reason and the pit of naturalism ; 4. Papaya, pomegranates, and green tea -- Part II. Science and Sentiment: 5. Who's afraid of Charles Darwin? ; 6. What difference does it make? ; 7. Empathy, expansionism, and the extended mind ; 10. Feeling prufish -- Conclusion. |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | First edition. |
| format | Electronic eBook |
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| spelling | Smith, Murray, 1962- author. https://id.oclc.org/worldcat/entity/E39PCjx3Y63PCpfyKk8bfGrJ8P http://id.loc.gov/authorities/names/n95042095 Film, art, and the third culture : a naturalized aesthetics of film / Murray Smith. First edition. Oxford ; New York, NY : Oxford University Press, 2017. 1 online resource (xvi, 294 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 263-279) and index. Online resource; title from digital title page (Oxford Scholarship Online, viewed October 17, 2019). In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Introduction -- Part I. Building the Third Culture: 1. Aesthetics naturalized ; 2. Triangulating aesthetic experience ; 3. The engine of reason and the pit of naturalism ; 4. Papaya, pomegranates, and green tea -- Part II. Science and Sentiment: 5. Who's afraid of Charles Darwin? ; 6. What difference does it make? ; 7. Empathy, expansionism, and the extended mind ; 10. Feeling prufish -- Conclusion. Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast Motion pictures Aesthetics fast has work: Film, art, and the third culture (Text) https://id.oclc.org/worldcat/entity/E39PCGqrPGGddgrXfhvmTyVYKd https://id.oclc.org/worldcat/ontology/hasWork Print version: Smith, Murray, 1962- Film, art, and the third culture. First edition. Oxford ; New York, NY : Oxford University Press, 2017 9780198790648 (DLC) 2016954539 (OCoLC)964383611 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1487105 Volltext |
| spellingShingle | Smith, Murray, 1962- Film, art, and the third culture : a naturalized aesthetics of film / Introduction -- Part I. Building the Third Culture: 1. Aesthetics naturalized ; 2. Triangulating aesthetic experience ; 3. The engine of reason and the pit of naturalism ; 4. Papaya, pomegranates, and green tea -- Part II. Science and Sentiment: 5. Who's afraid of Charles Darwin? ; 6. What difference does it make? ; 7. Empathy, expansionism, and the extended mind ; 10. Feeling prufish -- Conclusion. Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast Motion pictures Aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088085 |
| title | Film, art, and the third culture : a naturalized aesthetics of film / |
| title_auth | Film, art, and the third culture : a naturalized aesthetics of film / |
| title_exact_search | Film, art, and the third culture : a naturalized aesthetics of film / |
| title_full | Film, art, and the third culture : a naturalized aesthetics of film / Murray Smith. |
| title_fullStr | Film, art, and the third culture : a naturalized aesthetics of film / Murray Smith. |
| title_full_unstemmed | Film, art, and the third culture : a naturalized aesthetics of film / Murray Smith. |
| title_short | Film, art, and the third culture : |
| title_sort | film art and the third culture a naturalized aesthetics of film |
| title_sub | a naturalized aesthetics of film / |
| topic | Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast Motion pictures Aesthetics fast |
| topic_facet | Motion pictures Aesthetics. Motion pictures Philosophy. Cinéma Esthétique. Cinéma Philosophie. PERFORMING ARTS Reference. Motion pictures Philosophy Motion pictures Aesthetics |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1487105 |
| work_keys_str_mv | AT smithmurray filmartandthethirdcultureanaturalizedaestheticsoffilm |