Sonata fragments :: romantic narratives in Chopin, Schumann, and Brahms /
In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2017]
|
| Schriftenreihe: | Musical meaning and interpretation.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. |
| Beschreibung: | 1 online resource (ix, 203 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780253025456 0253025451 |
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| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2017] | |
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| 490 | 1 | |a Musical meaning and interpretation | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: romantic musical discourse, or, a rhetoric of romantic music -- Fragmentation and atemporality -- Fragmentation: aesthetics of nineteenth-century romanticism -- Atemporality in narrative and music -- Structural and rhetorical strategies in music with and without text -- Music with text: two slow movements by Brahms -- Music without text: forms of atemporality -- Brahms's piano sonatas -- Treatment of the medial caesura -- Treatment of the s-space -- Treatment of the development and recapitulation -- Treatment of the slow introduction and coda. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on October 11, 2017). | |
| 520 | |a In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. | ||
| 600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Schumann, Robert, |d 1810-1856 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Brahms, Johannes, |d 1833-1897 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Brahms, Johannes, |d 1833-1897 |2 fast |
| 600 | 1 | 7 | |a Chopin, Frédéric, |d 1810-1849 |2 fast |
| 600 | 1 | 7 | |a Schumann, Robert, |d 1810-1856 |2 fast |
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| author | Davis, Andrew C., 1973- |
| author_GND | http://id.loc.gov/authorities/names/no2003079254 |
| author_facet | Davis, Andrew C., 1973- |
| author_role | aut |
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| author_variant | a c d ac acd |
| building | Verbundindex |
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| callnumber-raw | ML1156 .D38 2017 |
| callnumber-search | ML1156 .D38 2017 |
| callnumber-sort | ML 41156 D38 42017 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction: romantic musical discourse, or, a rhetoric of romantic music -- Fragmentation and atemporality -- Fragmentation: aesthetics of nineteenth-century romanticism -- Atemporality in narrative and music -- Structural and rhetorical strategies in music with and without text -- Music with text: two slow movements by Brahms -- Music without text: forms of atemporality -- Brahms's piano sonatas -- Treatment of the medial caesura -- Treatment of the s-space -- Treatment of the development and recapitulation -- Treatment of the slow introduction and coda. |
| ctrlnum | (OCoLC)978351990 |
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| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/18309 |
| dewey-search | 786.2/18309 |
| dewey-sort | 3786.2 518309 |
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| discipline | Musikwissenschaft |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn978351990 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:44Z |
| institution | BVB |
| isbn | 9780253025456 0253025451 |
| language | English |
| lccn | 2017013823 |
| oclc_num | 978351990 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 203 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Musical meaning and interpretation. |
| series2 | Musical meaning and interpretation |
| spelling | Davis, Andrew C., 1973- author. http://id.loc.gov/authorities/names/no2003079254 Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / Andrew Davis. Bloomington, Indiana : Indiana University Press, [2017] 1 online resource (ix, 203 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical meaning and interpretation Includes bibliographical references and index. Introduction: romantic musical discourse, or, a rhetoric of romantic music -- Fragmentation and atemporality -- Fragmentation: aesthetics of nineteenth-century romanticism -- Atemporality in narrative and music -- Structural and rhetorical strategies in music with and without text -- Music with text: two slow movements by Brahms -- Music without text: forms of atemporality -- Brahms's piano sonatas -- Treatment of the medial caesura -- Treatment of the s-space -- Treatment of the development and recapitulation -- Treatment of the slow introduction and coda. Online resource; title from digital title page (viewed on October 11, 2017). In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. Chopin, Frédéric, 1810-1849 Criticism and interpretation. Schumann, Robert, 1810-1856 Criticism and interpretation. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast Chopin, Frédéric, 1810-1849 fast Schumann, Robert, 1810-1856 fast Sonata 19th century. Sonate 19e siècle. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh MUSIC Genres & Styles Classical. bisacsh Sonata fast 1800-1899 fast Criticism, interpretation, etc. fast has work: Sonata fragments (Text) https://id.oclc.org/worldcat/entity/E39PCGXjpBD3y4HgKFwWWjDRfC https://id.oclc.org/worldcat/ontology/hasWork Print version: Davis, Andrew C., 1973- Sonata fragments. Bloomington : Indiana University Press, 2017 9780253025333 (DLC) 2017008807 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1606813 Volltext |
| spellingShingle | Davis, Andrew C., 1973- Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / Musical meaning and interpretation. Introduction: romantic musical discourse, or, a rhetoric of romantic music -- Fragmentation and atemporality -- Fragmentation: aesthetics of nineteenth-century romanticism -- Atemporality in narrative and music -- Structural and rhetorical strategies in music with and without text -- Music with text: two slow movements by Brahms -- Music without text: forms of atemporality -- Brahms's piano sonatas -- Treatment of the medial caesura -- Treatment of the s-space -- Treatment of the development and recapitulation -- Treatment of the slow introduction and coda. Chopin, Frédéric, 1810-1849 Criticism and interpretation. Schumann, Robert, 1810-1856 Criticism and interpretation. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast Chopin, Frédéric, 1810-1849 fast Schumann, Robert, 1810-1856 fast Sonata 19th century. Sonate 19e siècle. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh MUSIC Genres & Styles Classical. bisacsh Sonata fast |
| title | Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / |
| title_auth | Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / |
| title_exact_search | Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / |
| title_full | Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / Andrew Davis. |
| title_fullStr | Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / Andrew Davis. |
| title_full_unstemmed | Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms / Andrew Davis. |
| title_short | Sonata fragments : |
| title_sort | sonata fragments romantic narratives in chopin schumann and brahms |
| title_sub | romantic narratives in Chopin, Schumann, and Brahms / |
| topic | Chopin, Frédéric, 1810-1849 Criticism and interpretation. Schumann, Robert, 1810-1856 Criticism and interpretation. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast Chopin, Frédéric, 1810-1849 fast Schumann, Robert, 1810-1856 fast Sonata 19th century. Sonate 19e siècle. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh MUSIC Genres & Styles Classical. bisacsh Sonata fast |
| topic_facet | Chopin, Frédéric, 1810-1849 Criticism and interpretation. Schumann, Robert, 1810-1856 Criticism and interpretation. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 Chopin, Frédéric, 1810-1849 Schumann, Robert, 1810-1856 Sonata 19th century. Sonate 19e siècle. MUSIC Musical Instruments Piano & Keyboard. MUSIC Printed Music Percussion. MUSIC Genres & Styles Classical. Sonata Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1606813 |
| work_keys_str_mv | AT davisandrewc sonatafragmentsromanticnarrativesinchopinschumannandbrahms |