The mysterious wall paintings of Teleilat Ghassul, Jordan :: in context /
This volume is primarily concerned with the re-analysis of the wall paintings from the Jordanian Chalcolithic period (ca. 4700-3700 BC) settlement site of Teleilat Ghassul, first excavated in 1929 by scholars from the Pontifical Biblical Institute Rome and latterly by Australians from the University...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford :
Archaeopress Publishing Ltd,
[2015]
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| Schriftenreihe: | Monographs of the Sydney University Teleilat Ghassul project ;
3. Archaeopress archaeology. |
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | This volume is primarily concerned with the re-analysis of the wall paintings from the Jordanian Chalcolithic period (ca. 4700-3700 BC) settlement site of Teleilat Ghassul, first excavated in 1929 by scholars from the Pontifical Biblical Institute Rome and latterly by Australians from the University of Sydney. The seven major paintings were re-analysed using a methodology based on contextualisation, digital reconstruction, experimental replication and subject analysis. |
| Beschreibung: | Available through Archaeopress Digital Subscription Service. |
| Beschreibung: | 1 online resource : illustrations (black and white, and colour). |
| Zielpublikum: | Specialized. |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 1784911712 9781784911713 |
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| 100 | 1 | |a Drabsch, Bernadette, |e author. | |
| 245 | 1 | 4 | |a The mysterious wall paintings of Teleilat Ghassul, Jordan : |b in context / |c Bernadette Drabsch. |
| 264 | 1 | |a Oxford : |b Archaeopress Publishing Ltd, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource : |b illustrations (black and white, and colour). | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Monographs of the Sydney University Teleilat Ghassul Project ; |v 3 | |
| 490 | 1 | |a Archaeopress archaeology | |
| 504 | |a Includes bibliographical references. | ||
| 520 | 8 | |a This volume is primarily concerned with the re-analysis of the wall paintings from the Jordanian Chalcolithic period (ca. 4700-3700 BC) settlement site of Teleilat Ghassul, first excavated in 1929 by scholars from the Pontifical Biblical Institute Rome and latterly by Australians from the University of Sydney. The seven major paintings were re-analysed using a methodology based on contextualisation, digital reconstruction, experimental replication and subject analysis. | |
| 521 | |a Specialized. | ||
| 588 | 0 | |a Online resource; title from home page (viewed on March 14, 2016). | |
| 500 | |a Available through Archaeopress Digital Subscription Service. | ||
| 505 | 0 | |a Cover -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- Plate 1: Re-arranged 'Star' procession -- Plate 2: Re-adjusted 'Tiger'/Mount Nebo Landscape fresco -- Plate 3: Re-arranged Hennessy 'Procession' fresco. Fragments, line art and interpretive sketch -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Figure 1. Les Personnages (Mallon et al. 1934:Pl. 66) -- Figure 2. L 'Oiseau (Mallon et al. 1934:Planche 57) -- Figure 4. L 'Etoile or 'Star of Ghassul' (Mallon et al. 1934:Frontispiece) -- Figure 5. Artist's copy of the 'Tiger' fresco showing the spook masks on the far left and bottom right. (North 1960:Plate II) -- Figure 7. Painted fragment with 'Zig-Zag' design as published (Hennessy 1969:Pl.VIa) -- Figure 9. 'The Garlanded Sickle' (Seaton in Bourke et al. 2000:65) -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul. | |
| 505 | 8 | |a South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul -- South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Figure 10. Map of the Chalcolithic sites in the Southern Levant (by author) -- Figure 11. View towards Mount Nebo and the other Mountains of Moab taken from Ghassul (Photograph by author, 2013) -- Figure 12. Illustration of wells on Tell III (Mallon et al. 1934:Fig 8, pg. 19, annotated by author) -- Figure 13. Fragment uncovered in square B1, house 31. The painted image shows a caprid and bird combination (Koeppel et al. 1940:Pl. 13.2) -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian. | |
| 505 | 8 | |a Figure 14. Plan of Tell 14 showing architectural clusters with child burials and wall paintings. Plan from Koeppel et al. 1940 (additions by author) -- Figure 15. Plan of the Sanctuary Complex in Area E (Used courtesy of Dr. S. Bourke) -- Figure 16. Infant jar burial from Teleilat Ghassul at The Jordan Museum, Amman -- Figure 17. A series of small cist tombs found at Adeimah (Mallon et al. 1934:plate 59) -- Figure 18. Plan of the Adeimah tumuli (Bourke 2002:17) -- Figure 19. Diagram showing the proposed ideology and funery processes of the Chalcolithic period (by author) -- Figure 20. An EBA stela from Tel Arad showing a resurrection scene, with the head of the person/deity depicted as a head of grain (Illustration by author after Amiran 1972b) -- Figure 21 Palestinian EB III cylinder seal impressions showing 'The Meeting' (Illustration by author after de Miroschedji 2011:76-77) -- Figure 22. Syrian and Mesopotamian cylinder seal impressions showing the theme of 'The meeting' (Illustration by author after de Miroschedji 2011:Fig. 4) -- Figure 23. Palestinian EB III figurine and Mesopotamian cylinder seal impressions showing banquet (Illustration by author after de Miroshedji 2011:Fig. 5) -- Figure 24. Palestinian and Mesopotamian cylinder seal impressions illustrating the ritualised sexual act (Illustration by author after de Miroshedji 2011:Fig. 6) -- Figure 25. Palestinian, Syrian and Mesopotamian cylinder seal impressions and graffiti showing dancers and musicians (Illustration by author after de Miroshedji 2011:Figs.7, 8) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors. | |
| 505 | 8 | |a Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors -- Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003). | |
| 505 | 8 | |a Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 35. Wall painting from Catal Huyuk Shrine VII.!4 (Illustration by author after Mellaart 1967) -- Figure 36. Painted fragments showing the 'Lion figures' from Arslantepe (Illustrated by author after Frangipane 2004) -- Figure 37. Wall painting fragment from Abu Hamid (Illustration by author after Dollfus 1993) -- Figure 38. Copper 'crown' from Nahal Mishmar (Illustration by author after Bar-Adon 1980) -- Figure 39. Figurines from Bir es-Safedi (Illustration by author after Levy 1986) -- Figure 40. Figurine from Shiqmim (Illustration by author after Levy & -- Golden 1996) -- Figure 41. Ossuary from Peqi'in Cave (Illustration by author after Gal et al. 1999) -- Figure 42. Basalt carving from the Golan (Illustration by author after Epstein 1998) -- Figure 43. Wall painting from Tell Halawa (Illustration by author after Luth 1989 -- Figure 44. Munbaqa wall painting (Illustration by author after Dunham 1993) -- Figure 45. Cow and calf fragment (Drawing by author after Holland 2010) -- Figure 46. Tomb 100 Painted Scene, Hierakonpolis/Nekhen (Illustration by author after Case & -- Crowfoot Payne 1962) -- Discovery and Archaeological Context -- A. 'Les Personnages', 'The Notables Frieze', 'Procession fresco' -- B Miscellaneous Painted Rooms of Tell 3 -- C 'L 'Oiseau' -- The Bird Painting -- D. The Spook Masks -- E. "L 'Etoile', 'The Star of Ghassul' -- F. North's Area A "Tiger" and Additional Spook Masks' -- G. North's Area E Geometric Paintings -- H. The 'Zig-Zag' painting -- I. Hennessy's 'Processional' fresco -- J. The 'Garlanded Sickle'. | |
| 650 | 0 | |a Mural painting and decoration |z Jordan |z Ghassul Site. | |
| 650 | 0 | |a Excavations (Archaeology) |z Jordan |z Ghassul Site. | |
| 650 | 0 | |a Copper age |z Jordan. |0 http://id.loc.gov/authorities/subjects/sh85032340 | |
| 651 | 0 | |a Ghassul Site (Jordan) |0 http://id.loc.gov/authorities/subjects/sh85054786 | |
| 650 | 6 | |a Fouilles (Archéologie) |z Jordanie |z Teleilāt Ghassūl (Site archéologique) | |
| 651 | 6 | |a Teleilāt Ghassūl (Jordanie : Site archéologique) | |
| 650 | 7 | |a SOCIAL SCIENCE / Archaeology |2 bisacsh | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn976022715 |
|---|---|
| _version_ | 1826942145116766208 |
| adam_text | |
| any_adam_object | |
| author | Drabsch, Bernadette |
| author_facet | Drabsch, Bernadette |
| author_role | aut |
| author_sort | Drabsch, Bernadette |
| author_variant | b d bd |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | G - Geography, Anthropology, Recreation |
| callnumber-label | GN778 |
| callnumber-raw | GN778.3.G48 D72 2015 |
| callnumber-search | GN778.3.G48 D72 2015 |
| callnumber-sort | GN 3778.3 G48 D72 42015 |
| callnumber-subject | GN - Anthropology |
| collection | ZDB-4-EBA |
| contents | Cover -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- Plate 1: Re-arranged 'Star' procession -- Plate 2: Re-adjusted 'Tiger'/Mount Nebo Landscape fresco -- Plate 3: Re-arranged Hennessy 'Procession' fresco. Fragments, line art and interpretive sketch -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Figure 1. Les Personnages (Mallon et al. 1934:Pl. 66) -- Figure 2. L 'Oiseau (Mallon et al. 1934:Planche 57) -- Figure 4. L 'Etoile or 'Star of Ghassul' (Mallon et al. 1934:Frontispiece) -- Figure 5. Artist's copy of the 'Tiger' fresco showing the spook masks on the far left and bottom right. (North 1960:Plate II) -- Figure 7. Painted fragment with 'Zig-Zag' design as published (Hennessy 1969:Pl.VIa) -- Figure 9. 'The Garlanded Sickle' (Seaton in Bourke et al. 2000:65) -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul. South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul -- South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Figure 10. Map of the Chalcolithic sites in the Southern Levant (by author) -- Figure 11. View towards Mount Nebo and the other Mountains of Moab taken from Ghassul (Photograph by author, 2013) -- Figure 12. Illustration of wells on Tell III (Mallon et al. 1934:Fig 8, pg. 19, annotated by author) -- Figure 13. Fragment uncovered in square B1, house 31. The painted image shows a caprid and bird combination (Koeppel et al. 1940:Pl. 13.2) -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian. Figure 14. Plan of Tell 14 showing architectural clusters with child burials and wall paintings. Plan from Koeppel et al. 1940 (additions by author) -- Figure 15. Plan of the Sanctuary Complex in Area E (Used courtesy of Dr. S. Bourke) -- Figure 16. Infant jar burial from Teleilat Ghassul at The Jordan Museum, Amman -- Figure 17. A series of small cist tombs found at Adeimah (Mallon et al. 1934:plate 59) -- Figure 18. Plan of the Adeimah tumuli (Bourke 2002:17) -- Figure 19. Diagram showing the proposed ideology and funery processes of the Chalcolithic period (by author) -- Figure 20. An EBA stela from Tel Arad showing a resurrection scene, with the head of the person/deity depicted as a head of grain (Illustration by author after Amiran 1972b) -- Figure 21 Palestinian EB III cylinder seal impressions showing 'The Meeting' (Illustration by author after de Miroschedji 2011:76-77) -- Figure 22. Syrian and Mesopotamian cylinder seal impressions showing the theme of 'The meeting' (Illustration by author after de Miroschedji 2011:Fig. 4) -- Figure 23. Palestinian EB III figurine and Mesopotamian cylinder seal impressions showing banquet (Illustration by author after de Miroshedji 2011:Fig. 5) -- Figure 24. Palestinian and Mesopotamian cylinder seal impressions illustrating the ritualised sexual act (Illustration by author after de Miroshedji 2011:Fig. 6) -- Figure 25. Palestinian, Syrian and Mesopotamian cylinder seal impressions and graffiti showing dancers and musicians (Illustration by author after de Miroshedji 2011:Figs.7, 8) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors. Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors -- Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003). Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 35. Wall painting from Catal Huyuk Shrine VII.!4 (Illustration by author after Mellaart 1967) -- Figure 36. Painted fragments showing the 'Lion figures' from Arslantepe (Illustrated by author after Frangipane 2004) -- Figure 37. Wall painting fragment from Abu Hamid (Illustration by author after Dollfus 1993) -- Figure 38. Copper 'crown' from Nahal Mishmar (Illustration by author after Bar-Adon 1980) -- Figure 39. Figurines from Bir es-Safedi (Illustration by author after Levy 1986) -- Figure 40. Figurine from Shiqmim (Illustration by author after Levy & -- Golden 1996) -- Figure 41. Ossuary from Peqi'in Cave (Illustration by author after Gal et al. 1999) -- Figure 42. Basalt carving from the Golan (Illustration by author after Epstein 1998) -- Figure 43. Wall painting from Tell Halawa (Illustration by author after Luth 1989 -- Figure 44. Munbaqa wall painting (Illustration by author after Dunham 1993) -- Figure 45. Cow and calf fragment (Drawing by author after Holland 2010) -- Figure 46. Tomb 100 Painted Scene, Hierakonpolis/Nekhen (Illustration by author after Case & -- Crowfoot Payne 1962) -- Discovery and Archaeological Context -- A. 'Les Personnages', 'The Notables Frieze', 'Procession fresco' -- B Miscellaneous Painted Rooms of Tell 3 -- C 'L 'Oiseau' -- The Bird Painting -- D. The Spook Masks -- E. "L 'Etoile', 'The Star of Ghassul' -- F. North's Area A "Tiger" and Additional Spook Masks' -- G. North's Area E Geometric Paintings -- H. The 'Zig-Zag' painting -- I. Hennessy's 'Processional' fresco -- J. The 'Garlanded Sickle'. |
| ctrlnum | (OCoLC)976022715 |
| dewey-full | 933.5 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 933 - Palestine to 70 |
| dewey-raw | 933.5 |
| dewey-search | 933.5 |
| dewey-sort | 3933.5 |
| dewey-tens | 930 - History of ancient world to ca. 499 |
| discipline | Geschichte |
| format | Electronic eBook |
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code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Drabsch, Bernadette,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The mysterious wall paintings of Teleilat Ghassul, Jordan :</subfield><subfield code="b">in context /</subfield><subfield code="c">Bernadette Drabsch.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford :</subfield><subfield code="b">Archaeopress Publishing Ltd,</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource :</subfield><subfield code="b">illustrations (black and white, and colour).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">still image</subfield><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Monographs of the Sydney University Teleilat Ghassul Project ;</subfield><subfield code="v">3</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Archaeopress archaeology</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">This volume is primarily concerned with the re-analysis of the wall paintings from the Jordanian Chalcolithic period (ca. 4700-3700 BC) settlement site of Teleilat Ghassul, first excavated in 1929 by scholars from the Pontifical Biblical Institute Rome and latterly by Australians from the University of Sydney. The seven major paintings were re-analysed using a methodology based on contextualisation, digital reconstruction, experimental replication and subject analysis.</subfield></datafield><datafield tag="521" ind1=" " ind2=" "><subfield code="a">Specialized.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from home page (viewed on March 14, 2016).</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Available through Archaeopress Digital Subscription Service.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- Plate 1: Re-arranged 'Star' procession -- Plate 2: Re-adjusted 'Tiger'/Mount Nebo Landscape fresco -- Plate 3: Re-arranged Hennessy 'Procession' fresco. Fragments, line art and interpretive sketch -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Figure 1. Les Personnages (Mallon et al. 1934:Pl. 66) -- Figure 2. L 'Oiseau (Mallon et al. 1934:Planche 57) -- Figure 4. L 'Etoile or 'Star of Ghassul' (Mallon et al. 1934:Frontispiece) -- Figure 5. Artist's copy of the 'Tiger' fresco showing the spook masks on the far left and bottom right. (North 1960:Plate II) -- Figure 7. Painted fragment with 'Zig-Zag' design as published (Hennessy 1969:Pl.VIa) -- Figure 9. 'The Garlanded Sickle' (Seaton in Bourke et al. 2000:65) -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul -- South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Figure 10. Map of the Chalcolithic sites in the Southern Levant (by author) -- Figure 11. View towards Mount Nebo and the other Mountains of Moab taken from Ghassul (Photograph by author, 2013) -- Figure 12. Illustration of wells on Tell III (Mallon et al. 1934:Fig 8, pg. 19, annotated by author) -- Figure 13. Fragment uncovered in square B1, house 31. The painted image shows a caprid and bird combination (Koeppel et al. 1940:Pl. 13.2) -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 14. Plan of Tell 14 showing architectural clusters with child burials and wall paintings. Plan from Koeppel et al. 1940 (additions by author) -- Figure 15. Plan of the Sanctuary Complex in Area E (Used courtesy of Dr. S. Bourke) -- Figure 16. Infant jar burial from Teleilat Ghassul at The Jordan Museum, Amman -- Figure 17. A series of small cist tombs found at Adeimah (Mallon et al. 1934:plate 59) -- Figure 18. Plan of the Adeimah tumuli (Bourke 2002:17) -- Figure 19. Diagram showing the proposed ideology and funery processes of the Chalcolithic period (by author) -- Figure 20. An EBA stela from Tel Arad showing a resurrection scene, with the head of the person/deity depicted as a head of grain (Illustration by author after Amiran 1972b) -- Figure 21 Palestinian EB III cylinder seal impressions showing 'The Meeting' (Illustration by author after de Miroschedji 2011:76-77) -- Figure 22. Syrian and Mesopotamian cylinder seal impressions showing the theme of 'The meeting' (Illustration by author after de Miroschedji 2011:Fig. 4) -- Figure 23. Palestinian EB III figurine and Mesopotamian cylinder seal impressions showing banquet (Illustration by author after de Miroshedji 2011:Fig. 5) -- Figure 24. Palestinian and Mesopotamian cylinder seal impressions illustrating the ritualised sexual act (Illustration by author after de Miroshedji 2011:Fig. 6) -- Figure 25. Palestinian, Syrian and Mesopotamian cylinder seal impressions and graffiti showing dancers and musicians (Illustration by author after de Miroshedji 2011:Figs.7, 8) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors -- Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans &amp -- Schwartz 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans &amp -- Schwartz 2003) -- Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans &amp -- Schwartz 2003).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans &amp -- Schwartz 2003) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 35. Wall painting from Catal Huyuk Shrine VII.!4 (Illustration by author after Mellaart 1967) -- Figure 36. Painted fragments showing the 'Lion figures' from Arslantepe (Illustrated by author after Frangipane 2004) -- Figure 37. Wall painting fragment from Abu Hamid (Illustration by author after Dollfus 1993) -- Figure 38. Copper 'crown' from Nahal Mishmar (Illustration by author after Bar-Adon 1980) -- Figure 39. Figurines from Bir es-Safedi (Illustration by author after Levy 1986) -- Figure 40. Figurine from Shiqmim (Illustration by author after Levy &amp -- Golden 1996) -- Figure 41. Ossuary from Peqi'in Cave (Illustration by author after Gal et al. 1999) -- Figure 42. Basalt carving from the Golan (Illustration by author after Epstein 1998) -- Figure 43. Wall painting from Tell Halawa (Illustration by author after Luth 1989 -- Figure 44. Munbaqa wall painting (Illustration by author after Dunham 1993) -- Figure 45. Cow and calf fragment (Drawing by author after Holland 2010) -- Figure 46. Tomb 100 Painted Scene, Hierakonpolis/Nekhen (Illustration by author after Case &amp -- Crowfoot Payne 1962) -- Discovery and Archaeological Context -- A. 'Les Personnages', 'The Notables Frieze', 'Procession fresco' -- B Miscellaneous Painted Rooms of Tell 3 -- C 'L 'Oiseau' -- The Bird Painting -- D. The Spook Masks -- E. "L 'Etoile', 'The Star of Ghassul' -- F. North's Area A "Tiger" and Additional Spook Masks' -- G. North's Area E Geometric Paintings -- H. The 'Zig-Zag' painting -- I. Hennessy's 'Processional' fresco -- J. 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| geographic | Ghassul Site (Jordan) http://id.loc.gov/authorities/subjects/sh85054786 Teleilāt Ghassūl (Jordanie : Site archéologique) Jordan fast https://id.oclc.org/worldcat/entity/E39PBJgMCMwpB3Qrd9t7MBYHG3 Jordan Ghassul Site fast |
| geographic_facet | Ghassul Site (Jordan) Teleilāt Ghassūl (Jordanie : Site archéologique) Jordan Jordan Ghassul Site |
| id | ZDB-4-EBA-ocn976022715 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:23:21Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/no2014145684 |
| isbn | 1784911712 9781784911713 |
| language | English |
| oclc_num | 976022715 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource : illustrations (black and white, and colour). |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Archaeopress Publishing Ltd, |
| record_format | marc |
| series | Monographs of the Sydney University Teleilat Ghassul project ; Archaeopress archaeology. |
| series2 | Monographs of the Sydney University Teleilat Ghassul Project ; Archaeopress archaeology |
| spelling | Drabsch, Bernadette, author. The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / Bernadette Drabsch. Oxford : Archaeopress Publishing Ltd, [2015] ©2015 1 online resource : illustrations (black and white, and colour). text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Monographs of the Sydney University Teleilat Ghassul Project ; 3 Archaeopress archaeology Includes bibliographical references. This volume is primarily concerned with the re-analysis of the wall paintings from the Jordanian Chalcolithic period (ca. 4700-3700 BC) settlement site of Teleilat Ghassul, first excavated in 1929 by scholars from the Pontifical Biblical Institute Rome and latterly by Australians from the University of Sydney. The seven major paintings were re-analysed using a methodology based on contextualisation, digital reconstruction, experimental replication and subject analysis. Specialized. Online resource; title from home page (viewed on March 14, 2016). Available through Archaeopress Digital Subscription Service. Cover -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- Plate 1: Re-arranged 'Star' procession -- Plate 2: Re-adjusted 'Tiger'/Mount Nebo Landscape fresco -- Plate 3: Re-arranged Hennessy 'Procession' fresco. Fragments, line art and interpretive sketch -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Figure 1. Les Personnages (Mallon et al. 1934:Pl. 66) -- Figure 2. L 'Oiseau (Mallon et al. 1934:Planche 57) -- Figure 4. L 'Etoile or 'Star of Ghassul' (Mallon et al. 1934:Frontispiece) -- Figure 5. Artist's copy of the 'Tiger' fresco showing the spook masks on the far left and bottom right. (North 1960:Plate II) -- Figure 7. Painted fragment with 'Zig-Zag' design as published (Hennessy 1969:Pl.VIa) -- Figure 9. 'The Garlanded Sickle' (Seaton in Bourke et al. 2000:65) -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul. South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul -- South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Figure 10. Map of the Chalcolithic sites in the Southern Levant (by author) -- Figure 11. View towards Mount Nebo and the other Mountains of Moab taken from Ghassul (Photograph by author, 2013) -- Figure 12. Illustration of wells on Tell III (Mallon et al. 1934:Fig 8, pg. 19, annotated by author) -- Figure 13. Fragment uncovered in square B1, house 31. The painted image shows a caprid and bird combination (Koeppel et al. 1940:Pl. 13.2) -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian. Figure 14. Plan of Tell 14 showing architectural clusters with child burials and wall paintings. Plan from Koeppel et al. 1940 (additions by author) -- Figure 15. Plan of the Sanctuary Complex in Area E (Used courtesy of Dr. S. Bourke) -- Figure 16. Infant jar burial from Teleilat Ghassul at The Jordan Museum, Amman -- Figure 17. A series of small cist tombs found at Adeimah (Mallon et al. 1934:plate 59) -- Figure 18. Plan of the Adeimah tumuli (Bourke 2002:17) -- Figure 19. Diagram showing the proposed ideology and funery processes of the Chalcolithic period (by author) -- Figure 20. An EBA stela from Tel Arad showing a resurrection scene, with the head of the person/deity depicted as a head of grain (Illustration by author after Amiran 1972b) -- Figure 21 Palestinian EB III cylinder seal impressions showing 'The Meeting' (Illustration by author after de Miroschedji 2011:76-77) -- Figure 22. Syrian and Mesopotamian cylinder seal impressions showing the theme of 'The meeting' (Illustration by author after de Miroschedji 2011:Fig. 4) -- Figure 23. Palestinian EB III figurine and Mesopotamian cylinder seal impressions showing banquet (Illustration by author after de Miroshedji 2011:Fig. 5) -- Figure 24. Palestinian and Mesopotamian cylinder seal impressions illustrating the ritualised sexual act (Illustration by author after de Miroshedji 2011:Fig. 6) -- Figure 25. Palestinian, Syrian and Mesopotamian cylinder seal impressions and graffiti showing dancers and musicians (Illustration by author after de Miroshedji 2011:Figs.7, 8) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors. Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors -- Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003). Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 35. Wall painting from Catal Huyuk Shrine VII.!4 (Illustration by author after Mellaart 1967) -- Figure 36. Painted fragments showing the 'Lion figures' from Arslantepe (Illustrated by author after Frangipane 2004) -- Figure 37. Wall painting fragment from Abu Hamid (Illustration by author after Dollfus 1993) -- Figure 38. Copper 'crown' from Nahal Mishmar (Illustration by author after Bar-Adon 1980) -- Figure 39. Figurines from Bir es-Safedi (Illustration by author after Levy 1986) -- Figure 40. Figurine from Shiqmim (Illustration by author after Levy & -- Golden 1996) -- Figure 41. Ossuary from Peqi'in Cave (Illustration by author after Gal et al. 1999) -- Figure 42. Basalt carving from the Golan (Illustration by author after Epstein 1998) -- Figure 43. Wall painting from Tell Halawa (Illustration by author after Luth 1989 -- Figure 44. Munbaqa wall painting (Illustration by author after Dunham 1993) -- Figure 45. Cow and calf fragment (Drawing by author after Holland 2010) -- Figure 46. Tomb 100 Painted Scene, Hierakonpolis/Nekhen (Illustration by author after Case & -- Crowfoot Payne 1962) -- Discovery and Archaeological Context -- A. 'Les Personnages', 'The Notables Frieze', 'Procession fresco' -- B Miscellaneous Painted Rooms of Tell 3 -- C 'L 'Oiseau' -- The Bird Painting -- D. The Spook Masks -- E. "L 'Etoile', 'The Star of Ghassul' -- F. North's Area A "Tiger" and Additional Spook Masks' -- G. North's Area E Geometric Paintings -- H. The 'Zig-Zag' painting -- I. Hennessy's 'Processional' fresco -- J. The 'Garlanded Sickle'. Mural painting and decoration Jordan Ghassul Site. Excavations (Archaeology) Jordan Ghassul Site. Copper age Jordan. http://id.loc.gov/authorities/subjects/sh85032340 Ghassul Site (Jordan) http://id.loc.gov/authorities/subjects/sh85054786 Fouilles (Archéologie) Jordanie Teleilāt Ghassūl (Site archéologique) Teleilāt Ghassūl (Jordanie : Site archéologique) SOCIAL SCIENCE / Archaeology bisacsh Copper age fast Excavations (Archaeology) fast Mural painting and decoration fast Jordan fast https://id.oclc.org/worldcat/entity/E39PBJgMCMwpB3Qrd9t7MBYHG3 Jordan Ghassul Site fast Archaeopress, publisher. http://id.loc.gov/authorities/names/no2014145684 has work: The mysterious wall paintings of Teleilat Ghassul, Jordan (Text) https://id.oclc.org/worldcat/entity/E39PCGXGGbMqwvPk4qhwrfg6PP https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781784911706 Monographs of the Sydney University Teleilat Ghassul project ; 3. http://id.loc.gov/authorities/names/no2001089041 Archaeopress archaeology. |
| spellingShingle | Drabsch, Bernadette The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / Monographs of the Sydney University Teleilat Ghassul project ; Archaeopress archaeology. Cover -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- Plate 1: Re-arranged 'Star' procession -- Plate 2: Re-adjusted 'Tiger'/Mount Nebo Landscape fresco -- Plate 3: Re-arranged Hennessy 'Procession' fresco. Fragments, line art and interpretive sketch -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.1 Introduction -- Chapter 1: Introduction -- Chapter 2: Culture, Materials and Context: The Ghassulian Culture, the Discovery and Original stated Contexts of the Wall Paintings -- Chapter 3: Analysis, Composition and Creation -- Chapter 4: Technology of Ancient Painted Wall Plaster and Modern Replication Studies -- Chapter 5: Discussion -- Art and Society in the Ghassulian -- Chapter 6: Conclusion -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Chapter 1.2 History of Research -- Discovery of the Wall Paintings at Teleilat Ghassul -- Figure 1. Les Personnages (Mallon et al. 1934:Pl. 66) -- Figure 2. L 'Oiseau (Mallon et al. 1934:Planche 57) -- Figure 4. L 'Etoile or 'Star of Ghassul' (Mallon et al. 1934:Frontispiece) -- Figure 5. Artist's copy of the 'Tiger' fresco showing the spook masks on the far left and bottom right. (North 1960:Plate II) -- Figure 7. Painted fragment with 'Zig-Zag' design as published (Hennessy 1969:Pl.VIa) -- Figure 9. 'The Garlanded Sickle' (Seaton in Bourke et al. 2000:65) -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul. South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Chapter 2.1 Geographical and Environmental Context -- Geo-Physical Environment -- The Site of Teleilat Ghassul -- South Levantine Chalcolithic Settlement Patterns -- Climate -- Agricultural Economy -- Water Supply -- Trade and Inter-regional Contact -- Summary -- Figure 10. Map of the Chalcolithic sites in the Southern Levant (by author) -- Figure 11. View towards Mount Nebo and the other Mountains of Moab taken from Ghassul (Photograph by author, 2013) -- Figure 12. Illustration of wells on Tell III (Mallon et al. 1934:Fig 8, pg. 19, annotated by author) -- Figure 13. Fragment uncovered in square B1, house 31. The painted image shows a caprid and bird combination (Koeppel et al. 1940:Pl. 13.2) -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian -- Chapter 2.2 Society, Culture and Ritual Context -- Cultural Change and Social Forms -- Ideology and Cult Practitioners in the Ghassulian Chalcolithic -- Burials and Belief -- Ilan and Rowan's Hypothesis -- de Miroschedji's Hypothesis -- The Banquet and Sacred Sexual Act -- 'The Meeting' -- Seaton's Hypothesis -- The Festivities -- Gardner, Campion and Polcaro's Hypotheses -- Levy's Hypothesis -- Summary: Ritual and Cult Practice in the Ghassulian. Figure 14. Plan of Tell 14 showing architectural clusters with child burials and wall paintings. Plan from Koeppel et al. 1940 (additions by author) -- Figure 15. Plan of the Sanctuary Complex in Area E (Used courtesy of Dr. S. Bourke) -- Figure 16. Infant jar burial from Teleilat Ghassul at The Jordan Museum, Amman -- Figure 17. A series of small cist tombs found at Adeimah (Mallon et al. 1934:plate 59) -- Figure 18. Plan of the Adeimah tumuli (Bourke 2002:17) -- Figure 19. Diagram showing the proposed ideology and funery processes of the Chalcolithic period (by author) -- Figure 20. An EBA stela from Tel Arad showing a resurrection scene, with the head of the person/deity depicted as a head of grain (Illustration by author after Amiran 1972b) -- Figure 21 Palestinian EB III cylinder seal impressions showing 'The Meeting' (Illustration by author after de Miroschedji 2011:76-77) -- Figure 22. Syrian and Mesopotamian cylinder seal impressions showing the theme of 'The meeting' (Illustration by author after de Miroschedji 2011:Fig. 4) -- Figure 23. Palestinian EB III figurine and Mesopotamian cylinder seal impressions showing banquet (Illustration by author after de Miroshedji 2011:Fig. 5) -- Figure 24. Palestinian and Mesopotamian cylinder seal impressions illustrating the ritualised sexual act (Illustration by author after de Miroshedji 2011:Fig. 6) -- Figure 25. Palestinian, Syrian and Mesopotamian cylinder seal impressions and graffiti showing dancers and musicians (Illustration by author after de Miroshedji 2011:Figs.7, 8) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Figure 26. Gilat 'Lady/Inanna' and 'Ram/Dumuzi' libation vessels (Illustration by author after Levy 2003) -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors. Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Chapter 2.3 Prehistoric Artistic Context -- Prehistoric Art A: Precursors -- Prehistoric Art B: Contemporary Non-Ghassulian art -- Prehistoric Art C: Art from South-Levantine Chalcolithic sites -- Prehistoric Art D: Post-Ghassulian wall paintings -- Painted structures in Predynastic Egypt -- Summary -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 27. Carved Pillar from Gobekli Tepe (Illustration by author after Peters and Schmidt 2004) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 28. Engraved stone from the Natufian site of Wadi Hammeh 27, Jordan (Illustration by author after Edwards 2013) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 29. Plaster statue with two heads from 'Ain Ghazal (Illustration by author after Rollefson 1985) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 30. Plastered statue from Jericho (Illustration by author after Kenyon 1957) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 31. Yarmoukian figurines (Illustration by author after Garfinkel 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 32. Floor painting from Tell Halula (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003). Figure 33. Ostriches or cranes from Bouqras (Illustration by author after Akkermans & -- Schwartz 2003) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 34. Hunting scene from Catal Huyuk (Illustration by author after Mellaart 1967) -- Figure 35. Wall painting from Catal Huyuk Shrine VII.!4 (Illustration by author after Mellaart 1967) -- Figure 36. Painted fragments showing the 'Lion figures' from Arslantepe (Illustrated by author after Frangipane 2004) -- Figure 37. Wall painting fragment from Abu Hamid (Illustration by author after Dollfus 1993) -- Figure 38. Copper 'crown' from Nahal Mishmar (Illustration by author after Bar-Adon 1980) -- Figure 39. Figurines from Bir es-Safedi (Illustration by author after Levy 1986) -- Figure 40. Figurine from Shiqmim (Illustration by author after Levy & -- Golden 1996) -- Figure 41. Ossuary from Peqi'in Cave (Illustration by author after Gal et al. 1999) -- Figure 42. Basalt carving from the Golan (Illustration by author after Epstein 1998) -- Figure 43. Wall painting from Tell Halawa (Illustration by author after Luth 1989 -- Figure 44. Munbaqa wall painting (Illustration by author after Dunham 1993) -- Figure 45. Cow and calf fragment (Drawing by author after Holland 2010) -- Figure 46. Tomb 100 Painted Scene, Hierakonpolis/Nekhen (Illustration by author after Case & -- Crowfoot Payne 1962) -- Discovery and Archaeological Context -- A. 'Les Personnages', 'The Notables Frieze', 'Procession fresco' -- B Miscellaneous Painted Rooms of Tell 3 -- C 'L 'Oiseau' -- The Bird Painting -- D. The Spook Masks -- E. "L 'Etoile', 'The Star of Ghassul' -- F. North's Area A "Tiger" and Additional Spook Masks' -- G. North's Area E Geometric Paintings -- H. The 'Zig-Zag' painting -- I. Hennessy's 'Processional' fresco -- J. The 'Garlanded Sickle'. Mural painting and decoration Jordan Ghassul Site. Excavations (Archaeology) Jordan Ghassul Site. Copper age Jordan. http://id.loc.gov/authorities/subjects/sh85032340 Fouilles (Archéologie) Jordanie Teleilāt Ghassūl (Site archéologique) SOCIAL SCIENCE / Archaeology bisacsh Copper age fast Excavations (Archaeology) fast Mural painting and decoration fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85032340 http://id.loc.gov/authorities/subjects/sh85054786 |
| title | The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / |
| title_auth | The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / |
| title_exact_search | The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / |
| title_full | The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / Bernadette Drabsch. |
| title_fullStr | The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / Bernadette Drabsch. |
| title_full_unstemmed | The mysterious wall paintings of Teleilat Ghassul, Jordan : in context / Bernadette Drabsch. |
| title_short | The mysterious wall paintings of Teleilat Ghassul, Jordan : |
| title_sort | mysterious wall paintings of teleilat ghassul jordan in context |
| title_sub | in context / |
| topic | Mural painting and decoration Jordan Ghassul Site. Excavations (Archaeology) Jordan Ghassul Site. Copper age Jordan. http://id.loc.gov/authorities/subjects/sh85032340 Fouilles (Archéologie) Jordanie Teleilāt Ghassūl (Site archéologique) SOCIAL SCIENCE / Archaeology bisacsh Copper age fast Excavations (Archaeology) fast Mural painting and decoration fast |
| topic_facet | Mural painting and decoration Jordan Ghassul Site. Excavations (Archaeology) Jordan Ghassul Site. Copper age Jordan. Ghassul Site (Jordan) Fouilles (Archéologie) Jordanie Teleilāt Ghassūl (Site archéologique) Teleilāt Ghassūl (Jordanie : Site archéologique) SOCIAL SCIENCE / Archaeology Copper age Excavations (Archaeology) Mural painting and decoration Jordan Jordan Ghassul Site |
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