China and the West :: music, representation, and reception /
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. The emergence of "Westernized" music from China -concurrent with the technological advances that have made global cu...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Ann Arbor :
University of Michigan Press,
[2017]
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| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. The emergence of "Westernized" music from China -concurrent with the technological advances that have made global culture widely accessible - has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks-exoticism, orientalism, globalization, transculturation, and hybridization-that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of "intercultural" compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic-even propagandistic-expression |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780472122714 0472122711 9780472900756 0472900757 |
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| 245 | 0 | 0 | |a China and the West : |b music, representation, and reception / |c edited by Hon-Lun Yang and Michael Saffle. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2017] | |
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed March 10, 2017). | |
| 520 | 8 | |a Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. The emergence of "Westernized" music from China -concurrent with the technological advances that have made global culture widely accessible - has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks-exoticism, orientalism, globalization, transculturation, and hybridization-that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of "intercultural" compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic-even propagandistic-expression | |
| 505 | 0 | 0 | |t Music, China, and the West : a musical-theoretical introduction / |r Hon-Lun Yang -- |t The pipe organ of the Baroque era in China / |r David Francis Urrows -- |t From colonial modernity to global identity : the Shanghai Municipal Orchestra / |r Hon-Lun Yang -- |t Calafati, Sou-Chong, Lang Lang, and Li Wei : two hundred years of "the Chinese" in Austrian music, drama, and film / |r Cornelia Szabâo-Knotik -- |t Eastern fantasies on Western stages : Chinese-themed operettas and musical comedies in turn-of-the-last-century London and New York / |r Michael Saffle -- |t The many lives of Flower drum song (1957-2002) : negotiating Chinese American identity in print, on stage, and on screen / |r James Deaville -- |t Deterritorializing spirituality : intercultural encounters in Iron road / |r Mary Ingraham -- |t Chinese opera percussion from model opera to Tan Dun / |r Nancy Yunhwa Rao -- |t Spanning the timbral divide : insiders, outsiders, and novelty in Chinese-Western fusion concertos / |r John Winzenburg -- |t Combinations of the familiar and the strange : aspects of Asian-Dutch encounters in recent music history / |r Emile Wennekes -- |t The Shanghai Quartet's Chinasong : a musical counterpart to English-language cultural revolution memoirs? / |r Eric Hung -- |t Contested imaginaries of collective harmony : the poetics and politics of "silk road" nostalgia in China and the West / |r Harm Langenkamp -- |t When a great nation emerges : Chinese music in the world / |r Frederick Lau -- |g A postscipt / |r Michael Saffle. |
| 546 | |a In English. | ||
| 542 | 1 | |f This work is licensed by Knowledge Unlatched under a Creative Commons license |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| 650 | 0 | |a Music |x Chinese influences. |0 http://id.loc.gov/authorities/subjects/sh86003678 | |
| 650 | 0 | |a Music |z China |x Western influences. | |
| 650 | 0 | |a Exoticism in music. |0 http://id.loc.gov/authorities/subjects/sh89000105 | |
| 650 | 0 | |a Orientalism in music. |0 http://id.loc.gov/authorities/subjects/sh2004002264 | |
| 650 | 6 | |a Musique |x Influence chinoise. | |
| 650 | 6 | |a Exotisme dans la musique. | |
| 650 | 6 | |a Orientalisme dans la musique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Exoticism in music |2 fast | |
| 650 | 7 | |a Music |x Chinese influences |2 fast | |
| 650 | 7 | |a Music |x Western influences |2 fast | |
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| 653 | |a Music | ||
| 653 | |a China | ||
| 700 | 1 | |a Yang, Hon-Lun, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjHbWmw4x6mjbKWjq6yhMd | |
| 700 | 1 | |a Saffle, Michael, |d 1946- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjrxygPTBfPwCw49kGr8qP | |
| 758 | |i has work: |a China and the West (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFMtMwDcGQGJwchV7VKRPP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t China and the West. |d Ann Arbor : University of Michigan Press, [2017] |w (DLC) 2016045491 |
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Datensatz im Suchindex
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| _version_ | 1816882381360988160 |
| adam_text | |
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| author2 | Yang, Hon-Lun Saffle, Michael, 1946- |
| author2_role | edt edt |
| author2_variant | h l y hly m s ms |
| author_additional | Hon-Lun Yang -- David Francis Urrows -- Cornelia Szabâo-Knotik -- Michael Saffle -- James Deaville -- Mary Ingraham -- Nancy Yunhwa Rao -- John Winzenburg -- Emile Wennekes -- Eric Hung -- Harm Langenkamp -- Frederick Lau -- Michael Saffle. |
| author_facet | Yang, Hon-Lun Saffle, Michael, 1946- |
| building | Verbundindex |
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| callnumber-first | M - Music |
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| callnumber-raw | ML193 .C45 2017eb |
| callnumber-search | ML193 .C45 2017eb |
| callnumber-sort | ML 3193 C45 42017EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Music, China, and the West : a musical-theoretical introduction / The pipe organ of the Baroque era in China / From colonial modernity to global identity : the Shanghai Municipal Orchestra / Calafati, Sou-Chong, Lang Lang, and Li Wei : two hundred years of "the Chinese" in Austrian music, drama, and film / Eastern fantasies on Western stages : Chinese-themed operettas and musical comedies in turn-of-the-last-century London and New York / The many lives of Flower drum song (1957-2002) : negotiating Chinese American identity in print, on stage, and on screen / Deterritorializing spirituality : intercultural encounters in Iron road / Chinese opera percussion from model opera to Tan Dun / Spanning the timbral divide : insiders, outsiders, and novelty in Chinese-Western fusion concertos / Combinations of the familiar and the strange : aspects of Asian-Dutch encounters in recent music history / The Shanghai Quartet's Chinasong : a musical counterpart to English-language cultural revolution memoirs? / Contested imaginaries of collective harmony : the poetics and politics of "silk road" nostalgia in China and the West / When a great nation emerges : Chinese music in the world / |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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The emergence of "Westernized" music from China -concurrent with the technological advances that have made global culture widely accessible - has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks-exoticism, orientalism, globalization, transculturation, and hybridization-that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of "intercultural" compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic-even propagandistic-expression</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Music, China, and the West : a musical-theoretical introduction /</subfield><subfield code="r">Hon-Lun Yang --</subfield><subfield code="t">The pipe organ of the Baroque era in China /</subfield><subfield code="r">David Francis Urrows --</subfield><subfield code="t">From colonial modernity to global identity : the Shanghai Municipal Orchestra /</subfield><subfield code="r">Hon-Lun Yang --</subfield><subfield code="t">Calafati, Sou-Chong, Lang Lang, and Li Wei : two hundred years of "the Chinese" in Austrian music, drama, and film /</subfield><subfield code="r">Cornelia Szabâo-Knotik --</subfield><subfield code="t">Eastern fantasies on Western stages : Chinese-themed operettas and musical comedies in turn-of-the-last-century London and New York /</subfield><subfield code="r">Michael Saffle --</subfield><subfield code="t">The many lives of Flower drum song (1957-2002) : negotiating Chinese American identity in print, on stage, and on screen /</subfield><subfield code="r">James Deaville --</subfield><subfield code="t">Deterritorializing spirituality : intercultural encounters in Iron road /</subfield><subfield code="r">Mary Ingraham --</subfield><subfield code="t">Chinese opera percussion from model opera to Tan Dun /</subfield><subfield code="r">Nancy Yunhwa Rao --</subfield><subfield code="t">Spanning the timbral divide : insiders, outsiders, and novelty in Chinese-Western fusion concertos /</subfield><subfield code="r">John Winzenburg --</subfield><subfield code="t">Combinations of the familiar and the strange : aspects of Asian-Dutch encounters in recent music history /</subfield><subfield code="r">Emile Wennekes 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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:42Z |
| institution | BVB |
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| language | English |
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| spelling | China and the West : music, representation, and reception / edited by Hon-Lun Yang and Michael Saffle. Ann Arbor : University of Michigan Press, [2017] ©2017 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed March 10, 2017). Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. The emergence of "Westernized" music from China -concurrent with the technological advances that have made global culture widely accessible - has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks-exoticism, orientalism, globalization, transculturation, and hybridization-that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of "intercultural" compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic-even propagandistic-expression Music, China, and the West : a musical-theoretical introduction / Hon-Lun Yang -- The pipe organ of the Baroque era in China / David Francis Urrows -- From colonial modernity to global identity : the Shanghai Municipal Orchestra / Hon-Lun Yang -- Calafati, Sou-Chong, Lang Lang, and Li Wei : two hundred years of "the Chinese" in Austrian music, drama, and film / Cornelia Szabâo-Knotik -- Eastern fantasies on Western stages : Chinese-themed operettas and musical comedies in turn-of-the-last-century London and New York / Michael Saffle -- The many lives of Flower drum song (1957-2002) : negotiating Chinese American identity in print, on stage, and on screen / James Deaville -- Deterritorializing spirituality : intercultural encounters in Iron road / Mary Ingraham -- Chinese opera percussion from model opera to Tan Dun / Nancy Yunhwa Rao -- Spanning the timbral divide : insiders, outsiders, and novelty in Chinese-Western fusion concertos / John Winzenburg -- Combinations of the familiar and the strange : aspects of Asian-Dutch encounters in recent music history / Emile Wennekes -- The Shanghai Quartet's Chinasong : a musical counterpart to English-language cultural revolution memoirs? / Eric Hung -- Contested imaginaries of collective harmony : the poetics and politics of "silk road" nostalgia in China and the West / Harm Langenkamp -- When a great nation emerges : Chinese music in the world / Frederick Lau -- A postscipt / Michael Saffle. In English. This work is licensed by Knowledge Unlatched under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Music Chinese influences. http://id.loc.gov/authorities/subjects/sh86003678 Music China Western influences. Exoticism in music. http://id.loc.gov/authorities/subjects/sh89000105 Orientalism in music. http://id.loc.gov/authorities/subjects/sh2004002264 Musique Influence chinoise. Exotisme dans la musique. Orientalisme dans la musique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC General. bisacsh Exoticism in music fast Music Chinese influences fast Music Western influences fast Orientalism in music fast China fast https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd Music China Yang, Hon-Lun, editor. https://id.oclc.org/worldcat/entity/E39PCjHbWmw4x6mjbKWjq6yhMd Saffle, Michael, 1946- editor. https://id.oclc.org/worldcat/entity/E39PCjrxygPTBfPwCw49kGr8qP has work: China and the West (Text) https://id.oclc.org/worldcat/entity/E39PCFMtMwDcGQGJwchV7VKRPP https://id.oclc.org/worldcat/ontology/hasWork Print version: China and the West. Ann Arbor : University of Michigan Press, [2017] (DLC) 2016045491 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1483759 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3078136 Volltext |
| spellingShingle | China and the West : music, representation, and reception / Music, China, and the West : a musical-theoretical introduction / The pipe organ of the Baroque era in China / From colonial modernity to global identity : the Shanghai Municipal Orchestra / Calafati, Sou-Chong, Lang Lang, and Li Wei : two hundred years of "the Chinese" in Austrian music, drama, and film / Eastern fantasies on Western stages : Chinese-themed operettas and musical comedies in turn-of-the-last-century London and New York / The many lives of Flower drum song (1957-2002) : negotiating Chinese American identity in print, on stage, and on screen / Deterritorializing spirituality : intercultural encounters in Iron road / Chinese opera percussion from model opera to Tan Dun / Spanning the timbral divide : insiders, outsiders, and novelty in Chinese-Western fusion concertos / Combinations of the familiar and the strange : aspects of Asian-Dutch encounters in recent music history / The Shanghai Quartet's Chinasong : a musical counterpart to English-language cultural revolution memoirs? / Contested imaginaries of collective harmony : the poetics and politics of "silk road" nostalgia in China and the West / When a great nation emerges : Chinese music in the world / Music Chinese influences. http://id.loc.gov/authorities/subjects/sh86003678 Music China Western influences. Exoticism in music. http://id.loc.gov/authorities/subjects/sh89000105 Orientalism in music. http://id.loc.gov/authorities/subjects/sh2004002264 Musique Influence chinoise. Exotisme dans la musique. Orientalisme dans la musique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC General. bisacsh Exoticism in music fast Music Chinese influences fast Music Western influences fast Orientalism in music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh86003678 http://id.loc.gov/authorities/subjects/sh89000105 http://id.loc.gov/authorities/subjects/sh2004002264 |
| title | China and the West : music, representation, and reception / |
| title_alt | Music, China, and the West : a musical-theoretical introduction / The pipe organ of the Baroque era in China / From colonial modernity to global identity : the Shanghai Municipal Orchestra / Calafati, Sou-Chong, Lang Lang, and Li Wei : two hundred years of "the Chinese" in Austrian music, drama, and film / Eastern fantasies on Western stages : Chinese-themed operettas and musical comedies in turn-of-the-last-century London and New York / The many lives of Flower drum song (1957-2002) : negotiating Chinese American identity in print, on stage, and on screen / Deterritorializing spirituality : intercultural encounters in Iron road / Chinese opera percussion from model opera to Tan Dun / Spanning the timbral divide : insiders, outsiders, and novelty in Chinese-Western fusion concertos / Combinations of the familiar and the strange : aspects of Asian-Dutch encounters in recent music history / The Shanghai Quartet's Chinasong : a musical counterpart to English-language cultural revolution memoirs? / Contested imaginaries of collective harmony : the poetics and politics of "silk road" nostalgia in China and the West / When a great nation emerges : Chinese music in the world / |
| title_auth | China and the West : music, representation, and reception / |
| title_exact_search | China and the West : music, representation, and reception / |
| title_full | China and the West : music, representation, and reception / edited by Hon-Lun Yang and Michael Saffle. |
| title_fullStr | China and the West : music, representation, and reception / edited by Hon-Lun Yang and Michael Saffle. |
| title_full_unstemmed | China and the West : music, representation, and reception / edited by Hon-Lun Yang and Michael Saffle. |
| title_short | China and the West : |
| title_sort | china and the west music representation and reception |
| title_sub | music, representation, and reception / |
| topic | Music Chinese influences. http://id.loc.gov/authorities/subjects/sh86003678 Music China Western influences. Exoticism in music. http://id.loc.gov/authorities/subjects/sh89000105 Orientalism in music. http://id.loc.gov/authorities/subjects/sh2004002264 Musique Influence chinoise. Exotisme dans la musique. Orientalisme dans la musique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC General. bisacsh Exoticism in music fast Music Chinese influences fast Music Western influences fast Orientalism in music fast |
| topic_facet | Music Chinese influences. Music China Western influences. Exoticism in music. Orientalism in music. Musique Influence chinoise. Exotisme dans la musique. Orientalisme dans la musique. MUSIC Genres & Styles Classical. MUSIC Reference. MUSIC General. Exoticism in music Music Chinese influences Music Western influences Orientalism in music China |
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