Off the page :: screenwriting in the era of media convergence /
"Due to rapid technological change, economic challenges facing media industries, and the writers' strike of 2007-08, screenwriting has been changing dramatically. While industry professionals in LA are still writing screenplays, what the studios want is changing, and there are new players...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oakland, California :
University of California Press,
[2017]
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Due to rapid technological change, economic challenges facing media industries, and the writers' strike of 2007-08, screenwriting has been changing dramatically. While industry professionals in LA are still writing screenplays, what the studios want is changing, and there are new players in the market. Larger studios have become more conservative about the 'tentpole' pictures they need to make their bottom lines work, relying more on sequels, remakes, and established properties with track records in other media. The spec market for pre-written scripts and pitches by established professionals is in drastic decline--and viable content creation by fans and amateurs is on the rise. At the same time new opportunities for writers are proliferating in TV, micro--budget independents, games, and emerging content platforms like iTunes and VOD services. Off the Page is designed to be used by students and writers who want to understand what studios want, and what kind of opportunities exist beyond the old-school three-act structure screenplay. The book addresses specific genres old and new, a wide range of media, as well as specific professional details like working collaboratively in a 'writer's room,' showrunning, and the specific ways that scripts themselves are now written."--Provided by publisher. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780520961043 0520961048 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn973481700 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 170221t20172017cau ob 001 0 eng | ||
010 | |a 2017008436 | ||
040 | |a DLC |b eng |e rda |c DLC |d OCLCF |d N$T |d EBLCP |d YDX |d CSAIL |d CNCGM |d JSTOR |d INT |d UAB |d DEGRU |d DLC |d OCLCO |d JTB |d OCLCO |d OCLCQ |d OCLCO |d YWS |d OCLCL | ||
020 | |a 9780520961043 |q (epub) | ||
020 | |a 0520961048 | ||
020 | |z 9780520285644 (cloth : alk. paper) | ||
035 | |a (OCoLC)973481700 | ||
037 | |a 22573/ctv1wq7b3 |b JSTOR | ||
042 | |a pcc | ||
043 | |a n-us--- |a n-us-ca | ||
050 | 0 | 0 | |a PN1996 |
072 | 7 | |a LAN |x 005000 |2 bisacsh | |
072 | 7 | |a LAN |x 015000 |2 bisacsh | |
072 | 7 | |a REF |x 026000 |2 bisacsh | |
072 | 7 | |a PER |x 016000 |2 bisacsh | |
082 | 7 | |a 808.2/3 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Bernardi, Daniel, |d 1964- |e author. |0 http://id.loc.gov/authorities/names/n95120377 | |
245 | 1 | 0 | |a Off the page : |b screenwriting in the era of media convergence / |c Daniel Bernardi and Julian Hoxter. |
264 | 1 | |a Oakland, California : |b University of California Press, |c [2017] | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource | ||
336 | |a text |2 rdacontent | ||
337 | |a computer |2 rdamedia | ||
338 | |a online resource |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction: screenwriting off the page -- Millennial manic: crisis and change in the business of screenwriting -- Atop the tentpole: hollywood screenwriting today -- Running the room: screenwriting in expanded television -- New markets and microbudgets: "independent" storytellers -- Screenwriter 2.0: the legitimation of writing for video games -- Conclusion: scripting boundaries. | |
520 | |a "Due to rapid technological change, economic challenges facing media industries, and the writers' strike of 2007-08, screenwriting has been changing dramatically. While industry professionals in LA are still writing screenplays, what the studios want is changing, and there are new players in the market. Larger studios have become more conservative about the 'tentpole' pictures they need to make their bottom lines work, relying more on sequels, remakes, and established properties with track records in other media. The spec market for pre-written scripts and pitches by established professionals is in drastic decline--and viable content creation by fans and amateurs is on the rise. At the same time new opportunities for writers are proliferating in TV, micro--budget independents, games, and emerging content platforms like iTunes and VOD services. Off the Page is designed to be used by students and writers who want to understand what studios want, and what kind of opportunities exist beyond the old-school three-act structure screenplay. The book addresses specific genres old and new, a wide range of media, as well as specific professional details like working collaboratively in a 'writer's room,' showrunning, and the specific ways that scripts themselves are now written."--Provided by publisher. | ||
588 | |a Description based on print version record and CIP data provided by publisher. | ||
650 | 0 | |a Motion picture authorship. |0 http://id.loc.gov/authorities/subjects/sh85088030 | |
650 | 0 | |a Motion picture plays. |0 http://id.loc.gov/authorities/subjects/sh85088064 | |
650 | 0 | |a Screenwriters |z United States. |0 http://id.loc.gov/authorities/subjects/sh96002202 | |
650 | 0 | |a Television writers |z United States. | |
651 | 0 | |a Hollywood (Los Angeles, Calif.) |0 http://id.loc.gov/authorities/names/n50038252 | |
650 | 6 | |a Cinéma |x Art d'écrire. | |
650 | 6 | |a Scénarios de cinéma. | |
650 | 6 | |a Scénaristes |z États-Unis. | |
650 | 6 | |a Auteurs de télévision |z États-Unis. | |
650 | 7 | |a screenplays. |2 aat | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Screenplays. |2 bisacsh | |
650 | 7 | |a Motion picture authorship |2 fast | |
650 | 7 | |a Motion picture plays |2 fast | |
650 | 7 | |a Screenwriters |2 fast | |
650 | 7 | |a Television writers |2 fast | |
651 | 7 | |a California |z Los Angeles |z Hollywood |2 fast | |
651 | 7 | |a United States |2 fast | |
653 | |a american film writing. | ||
653 | |a american screenwriters. | ||
653 | |a filmmakers. | ||
653 | |a hollywood. | ||
653 | |a independent screenwriting. | ||
653 | |a media studies. | ||
653 | |a motion pictures. | ||
653 | |a multimedia writing. | ||
653 | |a producers. | ||
653 | |a screenplays. | ||
653 | |a screenwriting for gaming. | ||
653 | |a screenwriting industry. | ||
653 | |a screenwriting software. | ||
653 | |a screenwriting. | ||
653 | |a script writing. | ||
653 | |a scripting. | ||
653 | |a showrunner. | ||
653 | |a showrunning. | ||
653 | |a television. | ||
653 | |a video game writing. | ||
653 | |a writers. | ||
653 | |a writing craft scripts. | ||
653 | |a writing for hollywood. | ||
653 | |a writing for media. | ||
653 | |a writing movies. | ||
653 | |a writing scripts. | ||
653 | |a writing video games. | ||
655 | 7 | |a Motion picture plays. |2 gsafd | |
700 | 1 | |a Hoxter, Julian, |e author. | |
758 | |i has work: |a Off the page (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFWbcC7bC4Vpx9FQthHHmd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Bernardi, Daniel, 1964- author. |t Off the page |d Oakland, California : University of California Press, [2017] |z 9780520285644 |w (DLC) 2017005898 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1564772 |3 Volltext |
938 | |a De Gruyter |b DEGR |n 9780520961043 | ||
938 | |a EBL - Ebook Library |b EBLB |n EBL4931554 | ||
938 | |a EBSCOhost |b EBSC |n 1564772 | ||
938 | |a YBP Library Services |b YANK |n 14440318 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn973481700 |
---|---|
_version_ | 1816882379273273344 |
adam_text | |
any_adam_object | |
author | Bernardi, Daniel, 1964- Hoxter, Julian |
author_GND | http://id.loc.gov/authorities/names/n95120377 |
author_facet | Bernardi, Daniel, 1964- Hoxter, Julian |
author_role | aut aut |
author_sort | Bernardi, Daniel, 1964- |
author_variant | d b db j h jh |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1996 |
callnumber-raw | PN1996 |
callnumber-search | PN1996 |
callnumber-sort | PN 41996 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction: screenwriting off the page -- Millennial manic: crisis and change in the business of screenwriting -- Atop the tentpole: hollywood screenwriting today -- Running the room: screenwriting in expanded television -- New markets and microbudgets: "independent" storytellers -- Screenwriter 2.0: the legitimation of writing for video games -- Conclusion: scripting boundaries. |
ctrlnum | (OCoLC)973481700 |
dewey-full | 808.2/3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 808 - Rhetoric & collections of literature |
dewey-raw | 808.2/3 |
dewey-search | 808.2/3 |
dewey-sort | 3808.2 13 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06002cam a2201117 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn973481700</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">170221t20172017cau ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2017008436</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">CSAIL</subfield><subfield code="d">CNCGM</subfield><subfield code="d">JSTOR</subfield><subfield code="d">INT</subfield><subfield code="d">UAB</subfield><subfield code="d">DEGRU</subfield><subfield code="d">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JTB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520961043</subfield><subfield code="q">(epub)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520961048</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520285644 (cloth : alk. paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)973481700</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1wq7b3</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield><subfield code="a">n-us-ca</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1996</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">005000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">REF</subfield><subfield code="x">026000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">016000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">808.2/3</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bernardi, Daniel,</subfield><subfield code="d">1964-</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n95120377</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Off the page :</subfield><subfield code="b">screenwriting in the era of media convergence /</subfield><subfield code="c">Daniel Bernardi and Julian Hoxter.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California :</subfield><subfield code="b">University of California Press,</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: screenwriting off the page -- Millennial manic: crisis and change in the business of screenwriting -- Atop the tentpole: hollywood screenwriting today -- Running the room: screenwriting in expanded television -- New markets and microbudgets: "independent" storytellers -- Screenwriter 2.0: the legitimation of writing for video games -- Conclusion: scripting boundaries.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Due to rapid technological change, economic challenges facing media industries, and the writers' strike of 2007-08, screenwriting has been changing dramatically. While industry professionals in LA are still writing screenplays, what the studios want is changing, and there are new players in the market. Larger studios have become more conservative about the 'tentpole' pictures they need to make their bottom lines work, relying more on sequels, remakes, and established properties with track records in other media. The spec market for pre-written scripts and pitches by established professionals is in drastic decline--and viable content creation by fans and amateurs is on the rise. At the same time new opportunities for writers are proliferating in TV, micro--budget independents, games, and emerging content platforms like iTunes and VOD services. Off the Page is designed to be used by students and writers who want to understand what studios want, and what kind of opportunities exist beyond the old-school three-act structure screenplay. The book addresses specific genres old and new, a wide range of media, as well as specific professional details like working collaboratively in a 'writer's room,' showrunning, and the specific ways that scripts themselves are now written."--Provided by publisher.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record and CIP data provided by publisher.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture authorship.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088030</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture plays.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088064</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Screenwriters</subfield><subfield code="z">United States.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh96002202</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Television writers</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="651" ind1=" " ind2="0"><subfield code="a">Hollywood (Los Angeles, Calif.)</subfield><subfield code="0">http://id.loc.gov/authorities/names/n50038252</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Art d'écrire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Scénarios de cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Scénaristes</subfield><subfield code="z">États-Unis.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Auteurs de télévision</subfield><subfield code="z">États-Unis.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">screenplays.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Composition & Creative Writing.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Rhetoric.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">REFERENCE</subfield><subfield code="x">Writing Skills.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Screenplays.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture authorship</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture plays</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Screenwriters</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Television writers</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">California</subfield><subfield code="z">Los Angeles</subfield><subfield code="z">Hollywood</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">american film writing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">american screenwriters.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">filmmakers.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">hollywood.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">independent screenwriting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">media studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">motion pictures.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">multimedia writing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">producers.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">screenplays.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">screenwriting for gaming.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">screenwriting industry.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">screenwriting software.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">screenwriting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">script writing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">scripting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">showrunner.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">showrunning.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">television.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">video game writing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">writers.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">writing craft scripts.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">writing for hollywood.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">writing for media.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">writing movies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">writing scripts.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">writing video games.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Motion picture plays.</subfield><subfield code="2">gsafd</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hoxter, Julian,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Off the page (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFWbcC7bC4Vpx9FQthHHmd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Bernardi, Daniel, 1964- author.</subfield><subfield code="t">Off the page</subfield><subfield code="d">Oakland, California : University of California Press, [2017]</subfield><subfield code="z">9780520285644</subfield><subfield code="w">(DLC) 2017005898</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1564772</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780520961043</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4931554</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1564772</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">14440318</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Motion picture plays. gsafd |
genre_facet | Motion picture plays. |
geographic | Hollywood (Los Angeles, Calif.) http://id.loc.gov/authorities/names/n50038252 California Los Angeles Hollywood fast United States fast |
geographic_facet | Hollywood (Los Angeles, Calif.) California Los Angeles Hollywood United States |
id | ZDB-4-EBA-ocn973481700 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:27:40Z |
institution | BVB |
isbn | 9780520961043 0520961048 |
language | English |
lccn | 2017008436 |
oclc_num | 973481700 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | University of California Press, |
record_format | marc |
spelling | Bernardi, Daniel, 1964- author. http://id.loc.gov/authorities/names/n95120377 Off the page : screenwriting in the era of media convergence / Daniel Bernardi and Julian Hoxter. Oakland, California : University of California Press, [2017] ©2017 1 online resource text rdacontent computer rdamedia online resource rdacarrier Includes bibliographical references and index. Introduction: screenwriting off the page -- Millennial manic: crisis and change in the business of screenwriting -- Atop the tentpole: hollywood screenwriting today -- Running the room: screenwriting in expanded television -- New markets and microbudgets: "independent" storytellers -- Screenwriter 2.0: the legitimation of writing for video games -- Conclusion: scripting boundaries. "Due to rapid technological change, economic challenges facing media industries, and the writers' strike of 2007-08, screenwriting has been changing dramatically. While industry professionals in LA are still writing screenplays, what the studios want is changing, and there are new players in the market. Larger studios have become more conservative about the 'tentpole' pictures they need to make their bottom lines work, relying more on sequels, remakes, and established properties with track records in other media. The spec market for pre-written scripts and pitches by established professionals is in drastic decline--and viable content creation by fans and amateurs is on the rise. At the same time new opportunities for writers are proliferating in TV, micro--budget independents, games, and emerging content platforms like iTunes and VOD services. Off the Page is designed to be used by students and writers who want to understand what studios want, and what kind of opportunities exist beyond the old-school three-act structure screenplay. The book addresses specific genres old and new, a wide range of media, as well as specific professional details like working collaboratively in a 'writer's room,' showrunning, and the specific ways that scripts themselves are now written."--Provided by publisher. Description based on print version record and CIP data provided by publisher. Motion picture authorship. http://id.loc.gov/authorities/subjects/sh85088030 Motion picture plays. http://id.loc.gov/authorities/subjects/sh85088064 Screenwriters United States. http://id.loc.gov/authorities/subjects/sh96002202 Television writers United States. Hollywood (Los Angeles, Calif.) http://id.loc.gov/authorities/names/n50038252 Cinéma Art d'écrire. Scénarios de cinéma. Scénaristes États-Unis. Auteurs de télévision États-Unis. screenplays. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh PERFORMING ARTS Screenplays. bisacsh Motion picture authorship fast Motion picture plays fast Screenwriters fast Television writers fast California Los Angeles Hollywood fast United States fast american film writing. american screenwriters. filmmakers. hollywood. independent screenwriting. media studies. motion pictures. multimedia writing. producers. screenplays. screenwriting for gaming. screenwriting industry. screenwriting software. screenwriting. script writing. scripting. showrunner. showrunning. television. video game writing. writers. writing craft scripts. writing for hollywood. writing for media. writing movies. writing scripts. writing video games. Motion picture plays. gsafd Hoxter, Julian, author. has work: Off the page (Text) https://id.oclc.org/worldcat/entity/E39PCFWbcC7bC4Vpx9FQthHHmd https://id.oclc.org/worldcat/ontology/hasWork Print version: Bernardi, Daniel, 1964- author. Off the page Oakland, California : University of California Press, [2017] 9780520285644 (DLC) 2017005898 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1564772 Volltext |
spellingShingle | Bernardi, Daniel, 1964- Hoxter, Julian Off the page : screenwriting in the era of media convergence / Introduction: screenwriting off the page -- Millennial manic: crisis and change in the business of screenwriting -- Atop the tentpole: hollywood screenwriting today -- Running the room: screenwriting in expanded television -- New markets and microbudgets: "independent" storytellers -- Screenwriter 2.0: the legitimation of writing for video games -- Conclusion: scripting boundaries. Motion picture authorship. http://id.loc.gov/authorities/subjects/sh85088030 Motion picture plays. http://id.loc.gov/authorities/subjects/sh85088064 Screenwriters United States. http://id.loc.gov/authorities/subjects/sh96002202 Television writers United States. Cinéma Art d'écrire. Scénarios de cinéma. Scénaristes États-Unis. Auteurs de télévision États-Unis. screenplays. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh PERFORMING ARTS Screenplays. bisacsh Motion picture authorship fast Motion picture plays fast Screenwriters fast Television writers fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088030 http://id.loc.gov/authorities/subjects/sh85088064 http://id.loc.gov/authorities/subjects/sh96002202 http://id.loc.gov/authorities/names/n50038252 |
title | Off the page : screenwriting in the era of media convergence / |
title_auth | Off the page : screenwriting in the era of media convergence / |
title_exact_search | Off the page : screenwriting in the era of media convergence / |
title_full | Off the page : screenwriting in the era of media convergence / Daniel Bernardi and Julian Hoxter. |
title_fullStr | Off the page : screenwriting in the era of media convergence / Daniel Bernardi and Julian Hoxter. |
title_full_unstemmed | Off the page : screenwriting in the era of media convergence / Daniel Bernardi and Julian Hoxter. |
title_short | Off the page : |
title_sort | off the page screenwriting in the era of media convergence |
title_sub | screenwriting in the era of media convergence / |
topic | Motion picture authorship. http://id.loc.gov/authorities/subjects/sh85088030 Motion picture plays. http://id.loc.gov/authorities/subjects/sh85088064 Screenwriters United States. http://id.loc.gov/authorities/subjects/sh96002202 Television writers United States. Cinéma Art d'écrire. Scénarios de cinéma. Scénaristes États-Unis. Auteurs de télévision États-Unis. screenplays. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh PERFORMING ARTS Screenplays. bisacsh Motion picture authorship fast Motion picture plays fast Screenwriters fast Television writers fast |
topic_facet | Motion picture authorship. Motion picture plays. Screenwriters United States. Television writers United States. Hollywood (Los Angeles, Calif.) Cinéma Art d'écrire. Scénarios de cinéma. Scénaristes États-Unis. Auteurs de télévision États-Unis. screenplays. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. PERFORMING ARTS Screenplays. Motion picture authorship Motion picture plays Screenwriters Television writers California Los Angeles Hollywood United States |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1564772 |
work_keys_str_mv | AT bernardidaniel offthepagescreenwritingintheeraofmediaconvergence AT hoxterjulian offthepagescreenwritingintheeraofmediaconvergence |