The conspiracy of modern art /:
In 'The Conspiracy of Modern Art' the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English Portuguese |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
[2017]
|
| Schriftenreihe: | Historical materialism book series ;
137. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In 'The Conspiracy of Modern Art' the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois?Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789004346086 9004346082 |
Internformat
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| 490 | 1 | |a Historical materialism book series ; |v volume 137 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a In 'The Conspiracy of Modern Art' the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois?Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s. | |
| 505 | 0 | |a Intro -- Contents -- Acknowledgements -- Credits -- Painting, Between Gewalt and Labour: Introduction to The Conspiracy of Modern Art (Edwards) -- Chapter 1. The Conspiracy of Modern Art -- Chapter 2. The Hemicycle: The Image of the Nation-Form -- Chapter 3. Marat by David: Photojournalism -- Chapter 4. Eighteenth Brumaire, the Fabrication of a Totem: Freud, David and Bonapartism -- Chapter 5. Remains of Voluptuousness -- Chapter 6. The Returns of Regicide -- Chapter 7. Parisian Scenes -- Chapter 8. Two Scenes on the Commodity -- Chapter 9. Painting as Labour-Form -- Chapter 10. Transition from Constructivism to Productivism, According to Tarabukin -- Chapter 11. Argan Seminar: Art, Value and Work -- Chapter 12. Political Economy of Modern Art I: Entries for Combat -- Chapter 13. Political Economy of Modern Art II: Lessons and Modes of Use -- Index of Artworks Cited -- Bibliography -- Index. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on July 02, 2019). | |
| 650 | 0 | |a Painting, Modern. |0 http://id.loc.gov/authorities/subjects/sh85096787 | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
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| 700 | 1 | |a Edwards, Steve, |d 1959- |e editor. |0 http://id.loc.gov/authorities/names/n2005073270 | |
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| adam_text | |
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| author | Martins, Luiz Renato |
| author2 | Edwards, Steve, 1959- Rezende, Renato, 1964- |
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| callnumber-label | ND160 |
| callnumber-raw | ND160 .M3813 2017 |
| callnumber-search | ND160 .M3813 2017 |
| callnumber-sort | ND 3160 M3813 42017 |
| callnumber-subject | ND - Painting |
| collection | ZDB-4-EBA |
| contents | Intro -- Contents -- Acknowledgements -- Credits -- Painting, Between Gewalt and Labour: Introduction to The Conspiracy of Modern Art (Edwards) -- Chapter 1. The Conspiracy of Modern Art -- Chapter 2. The Hemicycle: The Image of the Nation-Form -- Chapter 3. Marat by David: Photojournalism -- Chapter 4. Eighteenth Brumaire, the Fabrication of a Totem: Freud, David and Bonapartism -- Chapter 5. Remains of Voluptuousness -- Chapter 6. The Returns of Regicide -- Chapter 7. Parisian Scenes -- Chapter 8. Two Scenes on the Commodity -- Chapter 9. Painting as Labour-Form -- Chapter 10. Transition from Constructivism to Productivism, According to Tarabukin -- Chapter 11. Argan Seminar: Art, Value and Work -- Chapter 12. Political Economy of Modern Art I: Entries for Combat -- Chapter 13. Political Economy of Modern Art II: Lessons and Modes of Use -- Index of Artworks Cited -- Bibliography -- Index. |
| ctrlnum | (OCoLC)973222614 |
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| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.06 |
| dewey-search | 759.06 |
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| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:40Z |
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| language | English Portuguese |
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| spelling | Martins, Luiz Renato, author. http://id.loc.gov/authorities/names/n2017008782 Essays. Selections. English The conspiracy of modern art / by Luiz Renato Martins ; edited and introduced by Steve Edwards ; translated by Renato Rezende. Leiden ; Boston : Brill, [2017] ©2017 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Historical materialism book series ; volume 137 Includes bibliographical references and index. In 'The Conspiracy of Modern Art' the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois?Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s. Intro -- Contents -- Acknowledgements -- Credits -- Painting, Between Gewalt and Labour: Introduction to The Conspiracy of Modern Art (Edwards) -- Chapter 1. The Conspiracy of Modern Art -- Chapter 2. The Hemicycle: The Image of the Nation-Form -- Chapter 3. Marat by David: Photojournalism -- Chapter 4. Eighteenth Brumaire, the Fabrication of a Totem: Freud, David and Bonapartism -- Chapter 5. Remains of Voluptuousness -- Chapter 6. The Returns of Regicide -- Chapter 7. Parisian Scenes -- Chapter 8. Two Scenes on the Commodity -- Chapter 9. Painting as Labour-Form -- Chapter 10. Transition from Constructivism to Productivism, According to Tarabukin -- Chapter 11. Argan Seminar: Art, Value and Work -- Chapter 12. Political Economy of Modern Art I: Entries for Combat -- Chapter 13. Political Economy of Modern Art II: Lessons and Modes of Use -- Index of Artworks Cited -- Bibliography -- Index. Online resource; title from digital title page (viewed on July 02, 2019). Painting, Modern. http://id.loc.gov/authorities/subjects/sh85096787 ART History General. bisacsh Painting, Modern fast Edwards, Steve, 1959- editor. http://id.loc.gov/authorities/names/n2005073270 Rezende, Renato, 1964- translator. http://id.loc.gov/authorities/names/no2002009829 has work: The conspiracy of modern art (Text) https://id.oclc.org/worldcat/entity/E39PCGK4F9rpbtcgxywqhQtmgq https://id.oclc.org/worldcat/ontology/hasWork Print version: Martins, Luiz Renato. Conspiracy of modern art. Boston : Brill, 2017 9789004280045 (DLC) 2017006424 Historical materialism book series ; 137. http://id.loc.gov/authorities/names/n2002096283 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1507580 Volltext |
| spellingShingle | Martins, Luiz Renato The conspiracy of modern art / Historical materialism book series ; Intro -- Contents -- Acknowledgements -- Credits -- Painting, Between Gewalt and Labour: Introduction to The Conspiracy of Modern Art (Edwards) -- Chapter 1. The Conspiracy of Modern Art -- Chapter 2. The Hemicycle: The Image of the Nation-Form -- Chapter 3. Marat by David: Photojournalism -- Chapter 4. Eighteenth Brumaire, the Fabrication of a Totem: Freud, David and Bonapartism -- Chapter 5. Remains of Voluptuousness -- Chapter 6. The Returns of Regicide -- Chapter 7. Parisian Scenes -- Chapter 8. Two Scenes on the Commodity -- Chapter 9. Painting as Labour-Form -- Chapter 10. Transition from Constructivism to Productivism, According to Tarabukin -- Chapter 11. Argan Seminar: Art, Value and Work -- Chapter 12. Political Economy of Modern Art I: Entries for Combat -- Chapter 13. Political Economy of Modern Art II: Lessons and Modes of Use -- Index of Artworks Cited -- Bibliography -- Index. Painting, Modern. http://id.loc.gov/authorities/subjects/sh85096787 ART History General. bisacsh Painting, Modern fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85096787 |
| title | The conspiracy of modern art / |
| title_alt | Essays. |
| title_auth | The conspiracy of modern art / |
| title_exact_search | The conspiracy of modern art / |
| title_full | The conspiracy of modern art / by Luiz Renato Martins ; edited and introduced by Steve Edwards ; translated by Renato Rezende. |
| title_fullStr | The conspiracy of modern art / by Luiz Renato Martins ; edited and introduced by Steve Edwards ; translated by Renato Rezende. |
| title_full_unstemmed | The conspiracy of modern art / by Luiz Renato Martins ; edited and introduced by Steve Edwards ; translated by Renato Rezende. |
| title_short | The conspiracy of modern art / |
| title_sort | conspiracy of modern art |
| topic | Painting, Modern. http://id.loc.gov/authorities/subjects/sh85096787 ART History General. bisacsh Painting, Modern fast |
| topic_facet | Painting, Modern. ART History General. Painting, Modern |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1507580 |
| work_keys_str_mv | AT martinsluizrenato essays AT edwardssteve essays AT rezenderenato essays AT martinsluizrenato theconspiracyofmodernart AT edwardssteve theconspiracyofmodernart AT rezenderenato theconspiracyofmodernart AT martinsluizrenato conspiracyofmodernart AT edwardssteve conspiracyofmodernart AT rezenderenato conspiracyofmodernart |