Julien Duvivier /:
Duvivier was a giant of classic French cinema with a career spanning key moments of French film history. This analysis goes beyond its historical range to engage with key debates in film studies: notably auteurism, stardom and questions of the national.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester :
Manchester University Press,
[2017]
|
| Schriftenreihe: | French film directors.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Duvivier was a giant of classic French cinema with a career spanning key moments of French film history. This analysis goes beyond its historical range to engage with key debates in film studies: notably auteurism, stardom and questions of the national. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781526107619 1526107619 9781526124111 1526124114 9781526107626 1526107627 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn972478066 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 170214s2017 enk ob 001 0beng d | ||
| 010 | |a 2016590162 | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d EBLCP |d N$T |d YDX |d OCLCF |d CCO |d STBDS |d NLE |d UKMGB |d OTZ |d P@U |d LEAUB |d UKAHL |d OCLCQ |d OCLCO |d NLW |d OCLCQ |d OCL |d OCLCQ |d ESU |d AUD |d JSTOR |d VT2 |d K6U |d OCLCO |d OCLCQ |d DEGRU |d OCLCO |d OCLCL |d OCLCQ | ||
| 015 | |a GBB795658 |2 bnb | ||
| 015 | |a GBB724377 |2 bnb | ||
| 015 | |a GBC2J2872 |2 bnb | ||
| 016 | 7 | |a 018364080 |2 Uk | |
| 016 | 7 | |a 018230540 |2 Uk | |
| 016 | 7 | |a 020695787 |2 Uk | |
| 019 | |a 972799661 |a 972947166 |a 973113847 |a 973181876 |a 973303841 |a 973370360 |a 973533545 |a 973766484 |a 973796279 |a 1085605015 |a 1164786601 |a 1262675934 | ||
| 020 | |a 9781526107619 |q (electronic bk.) | ||
| 020 | |a 1526107619 |q (electronic bk.) | ||
| 020 | |a 9781526124111 | ||
| 020 | |a 1526124114 | ||
| 020 | |a 9781526107626 |q (ePub ebook) | ||
| 020 | |a 1526107627 | ||
| 020 | |z 0719091144 | ||
| 020 | |z 9780719091148 | ||
| 020 | |z 9781526139559 |q (paperback) | ||
| 024 | 7 | |a 10.7765/9781526107619 |2 doi | |
| 035 | |a (OCoLC)972478066 |z (OCoLC)972799661 |z (OCoLC)972947166 |z (OCoLC)973113847 |z (OCoLC)973181876 |z (OCoLC)973303841 |z (OCoLC)973370360 |z (OCoLC)973533545 |z (OCoLC)973766484 |z (OCoLC)973796279 |z (OCoLC)1085605015 |z (OCoLC)1164786601 |z (OCoLC)1262675934 | ||
| 037 | |a 9781526107619 |b Ingram Content Group | ||
| 037 | |a 22573/ctv189c977 |b JSTOR | ||
| 043 | |a e-fr--- | ||
| 050 | 4 | |a PN1998.3.D93 |b M33 2017 | |
| 072 | 7 | |a BIO |x 005000 |2 bisacsh | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a MUP12 |2 mup | |
| 072 | 7 | |a APFA |2 bicssc | |
| 072 | 7 | |a PER004030 |2 bisach | |
| 072 | 7 | |a ATFA |2 thema | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 072 | 7 | |a PER |x 004010 |2 bisacsh | |
| 072 | 7 | |a PER |x 018000 |2 bisacsh | |
| 082 | 7 | |a 791.4302/33092 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a McCann, Ben, |e author. |0 http://id.loc.gov/authorities/names/nb2001026356 | |
| 245 | 1 | 0 | |a Julien Duvivier / |c Ben McCann. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a French film directors | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource, title from PDF title page (EBSCO, viewed February 26, 2017). | |
| 505 | 0 | |a Cover; Half-title; Series Information; Title page; Copyright information; Dedication; Table of contents; List of Figures; Series editors' foreword; Acknowledgements; Introduction: we need to talk about Julien; References; 1 The 'impure' auteur; Beginnings; Restoring a reputation; Adaptateur or auteur?; Themes and patterns; Men's stories ... ; ... but not women's stories; 'Black realism'; The outsider coming in; The group; Style and technique; Setting; 'Colour'; Cinematography; Song and music; References; 2 Duvivier's silent films; From Haceldama to L'Homme à l'Hispano: a style is born | |
| 505 | 8 | |a Experimenting with form1929: towards a new aesthetic; Duvivier and religion; Conclusion; References; 3 Sound, image, Gabin: Duvivier and the 1930s; Experiments in sound; Interlude: (re-.)making Poil de carotte (1925, 1932); Five little pieces; Fixing a style: Duvivier, Gabin, and poetic realism; Un Carnet de bal (1937); Towards the 'end of the day'; Conclusion; References; 4 'Piloting with concentration': Julien goes to Hollywood; To America and back ... ; ... and back again; Lydia (1941); Tales of Manhattan (1942) and Flesh and Fantasy (1943); The Impostor (1944) | |
| 505 | 8 | |a From Bosley to Bazin: the critical receptionConclusion; References; 5 1946-.56: darkness and light; Panique (1946): the homecoming; Interlude: Duvivier the film critic; Anna Karenina (1948); Au royaume des cieux (1949) and Black Jack (1950); Narrative experiments: Sous le ciel de Paris (1951) and La Fête à Henriette (1952); Box-.office successes: Le Petit monde de Don Camillo (1952) and Le Retour de Don Camillo (1953); Tonal swerves: L'Affaire Maurizius (1954) and Marianne de ma jeunesse (1955); 'Surrounded by monsters': Voici le temps des assassins (1956); Conclusion; References | |
| 505 | 8 | |a 6 Late styleDuvivier, the tradition of quality, and François Truffaut; Working with stars: L'Homme à l'imperméable (1957), Pot-. Bouille (1957), and La Femme et le pantin (1959); Marie-. Octobre (1959); Embracing the New Wave? The case of La Grande vie (1960) and Boulevard (1960); Le Diable et les dix commandements (1962); 'But leave it to Mr. Duvivier': a trio of noir; Conclusion; References; Conclusion; References; Filmography; Select bibliography; Index | |
| 520 | |a Duvivier was a giant of classic French cinema with a career spanning key moments of French film history. This analysis goes beyond its historical range to engage with key debates in film studies: notably auteurism, stardom and questions of the national. | ||
| 546 | |a In English. | ||
| 600 | 1 | 0 | |a Duvivier, Julien, |d 1896-1967. |0 http://id.loc.gov/authorities/names/no90009823 |
| 600 | 1 | 1 | |a Duvivier, Julien, |d 1896-1967 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Duvivier, Julien, |d 1896-1967 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjCMcQmGXTtfC76QPyKh3 |
| 650 | 0 | |a Motion picture producers and directors |z France |v Biography. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z France |v Biographies. | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Entertainment & Performing Arts. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 655 | 7 | |a Biographies |2 fast | |
| 776 | 0 | 8 | |i Print version: |a McCann, Ben. |t Julien Duvivier. |d Manchester : Manchester University Press, ©2017 |
| 830 | 0 | |a French film directors. |0 http://id.loc.gov/authorities/names/no98111173 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1466977 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9781526107619 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH30694689 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4806698 | ||
| 938 | |a EBSCOhost |b EBSC |n 1466977 | ||
| 938 | |a Project MUSE |b MUSE |n muse72912 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0001721793 | ||
| 938 | |a YBP Library Services |b YANK |n 13503006 | ||
| 938 | |a YBP Library Services |b YANK |n 14274912 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn972478066 |
|---|---|
| _version_ | 1816882378406100993 |
| adam_text | |
| any_adam_object | |
| author | McCann, Ben |
| author_GND | http://id.loc.gov/authorities/names/nb2001026356 |
| author_facet | McCann, Ben |
| author_role | aut |
| author_sort | McCann, Ben |
| author_variant | b m bm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.D93 M33 2017 |
| callnumber-search | PN1998.3.D93 M33 2017 |
| callnumber-sort | PN 41998.3 D93 M33 42017 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Cover; Half-title; Series Information; Title page; Copyright information; Dedication; Table of contents; List of Figures; Series editors' foreword; Acknowledgements; Introduction: we need to talk about Julien; References; 1 The 'impure' auteur; Beginnings; Restoring a reputation; Adaptateur or auteur?; Themes and patterns; Men's stories ... ; ... but not women's stories; 'Black realism'; The outsider coming in; The group; Style and technique; Setting; 'Colour'; Cinematography; Song and music; References; 2 Duvivier's silent films; From Haceldama to L'Homme à l'Hispano: a style is born Experimenting with form1929: towards a new aesthetic; Duvivier and religion; Conclusion; References; 3 Sound, image, Gabin: Duvivier and the 1930s; Experiments in sound; Interlude: (re-.)making Poil de carotte (1925, 1932); Five little pieces; Fixing a style: Duvivier, Gabin, and poetic realism; Un Carnet de bal (1937); Towards the 'end of the day'; Conclusion; References; 4 'Piloting with concentration': Julien goes to Hollywood; To America and back ... ; ... and back again; Lydia (1941); Tales of Manhattan (1942) and Flesh and Fantasy (1943); The Impostor (1944) From Bosley to Bazin: the critical receptionConclusion; References; 5 1946-.56: darkness and light; Panique (1946): the homecoming; Interlude: Duvivier the film critic; Anna Karenina (1948); Au royaume des cieux (1949) and Black Jack (1950); Narrative experiments: Sous le ciel de Paris (1951) and La Fête à Henriette (1952); Box-.office successes: Le Petit monde de Don Camillo (1952) and Le Retour de Don Camillo (1953); Tonal swerves: L'Affaire Maurizius (1954) and Marianne de ma jeunesse (1955); 'Surrounded by monsters': Voici le temps des assassins (1956); Conclusion; References 6 Late styleDuvivier, the tradition of quality, and François Truffaut; Working with stars: L'Homme à l'imperméable (1957), Pot-. Bouille (1957), and La Femme et le pantin (1959); Marie-. Octobre (1959); Embracing the New Wave? The case of La Grande vie (1960) and Boulevard (1960); Le Diable et les dix commandements (1962); 'But leave it to Mr. Duvivier': a trio of noir; Conclusion; References; Conclusion; References; Filmography; Select bibliography; Index |
| ctrlnum | (OCoLC)972478066 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06682cam a2200997 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn972478066</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu|||unuuu</controlfield><controlfield tag="008">170214s2017 enk ob 001 0beng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2016590162</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCF</subfield><subfield code="d">CCO</subfield><subfield code="d">STBDS</subfield><subfield code="d">NLE</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OTZ</subfield><subfield code="d">P@U</subfield><subfield code="d">LEAUB</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">NLW</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ESU</subfield><subfield code="d">AUD</subfield><subfield code="d">JSTOR</subfield><subfield code="d">VT2</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB795658</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB724377</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBC2J2872</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">018364080</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">018230540</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">020695787</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">972799661</subfield><subfield code="a">972947166</subfield><subfield code="a">973113847</subfield><subfield code="a">973181876</subfield><subfield code="a">973303841</subfield><subfield code="a">973370360</subfield><subfield code="a">973533545</subfield><subfield code="a">973766484</subfield><subfield code="a">973796279</subfield><subfield code="a">1085605015</subfield><subfield code="a">1164786601</subfield><subfield code="a">1262675934</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781526107619</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1526107619</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781526124111</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1526124114</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781526107626</subfield><subfield code="q">(ePub ebook)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1526107627</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0719091144</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780719091148</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781526139559</subfield><subfield code="q">(paperback)</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7765/9781526107619</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)972478066</subfield><subfield code="z">(OCoLC)972799661</subfield><subfield code="z">(OCoLC)972947166</subfield><subfield code="z">(OCoLC)973113847</subfield><subfield code="z">(OCoLC)973181876</subfield><subfield code="z">(OCoLC)973303841</subfield><subfield code="z">(OCoLC)973370360</subfield><subfield code="z">(OCoLC)973533545</subfield><subfield code="z">(OCoLC)973766484</subfield><subfield code="z">(OCoLC)973796279</subfield><subfield code="z">(OCoLC)1085605015</subfield><subfield code="z">(OCoLC)1164786601</subfield><subfield code="z">(OCoLC)1262675934</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781526107619</subfield><subfield code="b">Ingram Content Group</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv189c977</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-fr---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.D93</subfield><subfield code="b">M33 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">BIO</subfield><subfield code="x">005000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUP12</subfield><subfield code="2">mup</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">APFA</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisach</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ATFA</subfield><subfield code="2">thema</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">018000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.4302/33092</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McCann, Ben,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nb2001026356</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Julien Duvivier /</subfield><subfield code="c">Ben McCann.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Manchester :</subfield><subfield code="b">Manchester University Press,</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">French film directors</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource, title from PDF title page (EBSCO, viewed February 26, 2017).</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Half-title; Series Information; Title page; Copyright information; Dedication; Table of contents; List of Figures; Series editors' foreword; Acknowledgements; Introduction: we need to talk about Julien; References; 1 The 'impure' auteur; Beginnings; Restoring a reputation; Adaptateur or auteur?; Themes and patterns; Men's stories ... ; ... but not women's stories; 'Black realism'; The outsider coming in; The group; Style and technique; Setting; 'Colour'; Cinematography; Song and music; References; 2 Duvivier's silent films; From Haceldama to L'Homme à l'Hispano: a style is born</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Experimenting with form1929: towards a new aesthetic; Duvivier and religion; Conclusion; References; 3 Sound, image, Gabin: Duvivier and the 1930s; Experiments in sound; Interlude: (re-.)making Poil de carotte (1925, 1932); Five little pieces; Fixing a style: Duvivier, Gabin, and poetic realism; Un Carnet de bal (1937); Towards the 'end of the day'; Conclusion; References; 4 'Piloting with concentration': Julien goes to Hollywood; To America and back ... ; ... and back again; Lydia (1941); Tales of Manhattan (1942) and Flesh and Fantasy (1943); The Impostor (1944)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">From Bosley to Bazin: the critical receptionConclusion; References; 5 1946-.56: darkness and light; Panique (1946): the homecoming; Interlude: Duvivier the film critic; Anna Karenina (1948); Au royaume des cieux (1949) and Black Jack (1950); Narrative experiments: Sous le ciel de Paris (1951) and La Fête à Henriette (1952); Box-.office successes: Le Petit monde de Don Camillo (1952) and Le Retour de Don Camillo (1953); Tonal swerves: L'Affaire Maurizius (1954) and Marianne de ma jeunesse (1955); 'Surrounded by monsters': Voici le temps des assassins (1956); Conclusion; References</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">6 Late styleDuvivier, the tradition of quality, and François Truffaut; Working with stars: L'Homme à l'imperméable (1957), Pot-. Bouille (1957), and La Femme et le pantin (1959); Marie-. Octobre (1959); Embracing the New Wave? The case of La Grande vie (1960) and Boulevard (1960); Le Diable et les dix commandements (1962); 'But leave it to Mr. Duvivier': a trio of noir; Conclusion; References; Conclusion; References; Filmography; Select bibliography; Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Duvivier was a giant of classic French cinema with a career spanning key moments of French film history. This analysis goes beyond its historical range to engage with key debates in film studies: notably auteurism, stardom and questions of the national.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Duvivier, Julien,</subfield><subfield code="d">1896-1967.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no90009823</subfield></datafield><datafield tag="600" ind1="1" ind2="1"><subfield code="a">Duvivier, Julien,</subfield><subfield code="d">1896-1967</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Duvivier, Julien,</subfield><subfield code="d">1896-1967</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJjCMcQmGXTtfC76QPyKh3</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">France</subfield><subfield code="v">Biography.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Producteurs et réalisateurs de cinéma</subfield><subfield code="z">France</subfield><subfield code="v">Biographies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY</subfield><subfield code="x">Entertainment & Performing Arts.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture producers and directors</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">France</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Biographies</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">McCann, Ben.</subfield><subfield code="t">Julien Duvivier.</subfield><subfield code="d">Manchester : Manchester University Press, ©2017</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">French film directors.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no98111173</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1466977</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9781526107619</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH30694689</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4806698</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1466977</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse72912</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Oxford University Press USA</subfield><subfield code="b">OUPR</subfield><subfield code="n">EDZ0001721793</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13503006</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">14274912</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Biographies fast |
| genre_facet | Biographies |
| geographic | France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP |
| geographic_facet | France |
| id | ZDB-4-EBA-ocn972478066 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:40Z |
| institution | BVB |
| isbn | 9781526107619 1526107619 9781526124111 1526124114 9781526107626 1526107627 |
| language | English |
| lccn | 2016590162 |
| oclc_num | 972478066 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Manchester University Press, |
| record_format | marc |
| series | French film directors. |
| series2 | French film directors |
| spelling | McCann, Ben, author. http://id.loc.gov/authorities/names/nb2001026356 Julien Duvivier / Ben McCann. Manchester : Manchester University Press, [2017] ©2017 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier French film directors Includes bibliographical references and index. Online resource, title from PDF title page (EBSCO, viewed February 26, 2017). Cover; Half-title; Series Information; Title page; Copyright information; Dedication; Table of contents; List of Figures; Series editors' foreword; Acknowledgements; Introduction: we need to talk about Julien; References; 1 The 'impure' auteur; Beginnings; Restoring a reputation; Adaptateur or auteur?; Themes and patterns; Men's stories ... ; ... but not women's stories; 'Black realism'; The outsider coming in; The group; Style and technique; Setting; 'Colour'; Cinematography; Song and music; References; 2 Duvivier's silent films; From Haceldama to L'Homme à l'Hispano: a style is born Experimenting with form1929: towards a new aesthetic; Duvivier and religion; Conclusion; References; 3 Sound, image, Gabin: Duvivier and the 1930s; Experiments in sound; Interlude: (re-.)making Poil de carotte (1925, 1932); Five little pieces; Fixing a style: Duvivier, Gabin, and poetic realism; Un Carnet de bal (1937); Towards the 'end of the day'; Conclusion; References; 4 'Piloting with concentration': Julien goes to Hollywood; To America and back ... ; ... and back again; Lydia (1941); Tales of Manhattan (1942) and Flesh and Fantasy (1943); The Impostor (1944) From Bosley to Bazin: the critical receptionConclusion; References; 5 1946-.56: darkness and light; Panique (1946): the homecoming; Interlude: Duvivier the film critic; Anna Karenina (1948); Au royaume des cieux (1949) and Black Jack (1950); Narrative experiments: Sous le ciel de Paris (1951) and La Fête à Henriette (1952); Box-.office successes: Le Petit monde de Don Camillo (1952) and Le Retour de Don Camillo (1953); Tonal swerves: L'Affaire Maurizius (1954) and Marianne de ma jeunesse (1955); 'Surrounded by monsters': Voici le temps des assassins (1956); Conclusion; References 6 Late styleDuvivier, the tradition of quality, and François Truffaut; Working with stars: L'Homme à l'imperméable (1957), Pot-. Bouille (1957), and La Femme et le pantin (1959); Marie-. Octobre (1959); Embracing the New Wave? The case of La Grande vie (1960) and Boulevard (1960); Le Diable et les dix commandements (1962); 'But leave it to Mr. Duvivier': a trio of noir; Conclusion; References; Conclusion; References; Filmography; Select bibliography; Index Duvivier was a giant of classic French cinema with a career spanning key moments of French film history. This analysis goes beyond its historical range to engage with key debates in film studies: notably auteurism, stardom and questions of the national. In English. Duvivier, Julien, 1896-1967. http://id.loc.gov/authorities/names/no90009823 Duvivier, Julien, 1896-1967 Criticism and interpretation. Duvivier, Julien, 1896-1967 fast https://id.oclc.org/worldcat/entity/E39PBJjCMcQmGXTtfC76QPyKh3 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. BIOGRAPHY & AUTOBIOGRAPHY Entertainment & Performing Arts. bisacsh PERFORMING ARTS Reference. bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture producers and directors fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Biographies fast Print version: McCann, Ben. Julien Duvivier. Manchester : Manchester University Press, ©2017 French film directors. http://id.loc.gov/authorities/names/no98111173 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1466977 Volltext |
| spellingShingle | McCann, Ben Julien Duvivier / French film directors. Cover; Half-title; Series Information; Title page; Copyright information; Dedication; Table of contents; List of Figures; Series editors' foreword; Acknowledgements; Introduction: we need to talk about Julien; References; 1 The 'impure' auteur; Beginnings; Restoring a reputation; Adaptateur or auteur?; Themes and patterns; Men's stories ... ; ... but not women's stories; 'Black realism'; The outsider coming in; The group; Style and technique; Setting; 'Colour'; Cinematography; Song and music; References; 2 Duvivier's silent films; From Haceldama to L'Homme à l'Hispano: a style is born Experimenting with form1929: towards a new aesthetic; Duvivier and religion; Conclusion; References; 3 Sound, image, Gabin: Duvivier and the 1930s; Experiments in sound; Interlude: (re-.)making Poil de carotte (1925, 1932); Five little pieces; Fixing a style: Duvivier, Gabin, and poetic realism; Un Carnet de bal (1937); Towards the 'end of the day'; Conclusion; References; 4 'Piloting with concentration': Julien goes to Hollywood; To America and back ... ; ... and back again; Lydia (1941); Tales of Manhattan (1942) and Flesh and Fantasy (1943); The Impostor (1944) From Bosley to Bazin: the critical receptionConclusion; References; 5 1946-.56: darkness and light; Panique (1946): the homecoming; Interlude: Duvivier the film critic; Anna Karenina (1948); Au royaume des cieux (1949) and Black Jack (1950); Narrative experiments: Sous le ciel de Paris (1951) and La Fête à Henriette (1952); Box-.office successes: Le Petit monde de Don Camillo (1952) and Le Retour de Don Camillo (1953); Tonal swerves: L'Affaire Maurizius (1954) and Marianne de ma jeunesse (1955); 'Surrounded by monsters': Voici le temps des assassins (1956); Conclusion; References 6 Late styleDuvivier, the tradition of quality, and François Truffaut; Working with stars: L'Homme à l'imperméable (1957), Pot-. Bouille (1957), and La Femme et le pantin (1959); Marie-. Octobre (1959); Embracing the New Wave? The case of La Grande vie (1960) and Boulevard (1960); Le Diable et les dix commandements (1962); 'But leave it to Mr. Duvivier': a trio of noir; Conclusion; References; Conclusion; References; Filmography; Select bibliography; Index Duvivier, Julien, 1896-1967. http://id.loc.gov/authorities/names/no90009823 Duvivier, Julien, 1896-1967 Criticism and interpretation. Duvivier, Julien, 1896-1967 fast https://id.oclc.org/worldcat/entity/E39PBJjCMcQmGXTtfC76QPyKh3 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. BIOGRAPHY & AUTOBIOGRAPHY Entertainment & Performing Arts. bisacsh PERFORMING ARTS Reference. bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture producers and directors fast |
| subject_GND | http://id.loc.gov/authorities/names/no90009823 |
| title | Julien Duvivier / |
| title_auth | Julien Duvivier / |
| title_exact_search | Julien Duvivier / |
| title_full | Julien Duvivier / Ben McCann. |
| title_fullStr | Julien Duvivier / Ben McCann. |
| title_full_unstemmed | Julien Duvivier / Ben McCann. |
| title_short | Julien Duvivier / |
| title_sort | julien duvivier |
| topic | Duvivier, Julien, 1896-1967. http://id.loc.gov/authorities/names/no90009823 Duvivier, Julien, 1896-1967 Criticism and interpretation. Duvivier, Julien, 1896-1967 fast https://id.oclc.org/worldcat/entity/E39PBJjCMcQmGXTtfC76QPyKh3 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. BIOGRAPHY & AUTOBIOGRAPHY Entertainment & Performing Arts. bisacsh PERFORMING ARTS Reference. bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture producers and directors fast |
| topic_facet | Duvivier, Julien, 1896-1967. Duvivier, Julien, 1896-1967 Criticism and interpretation. Duvivier, Julien, 1896-1967 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. BIOGRAPHY & AUTOBIOGRAPHY Entertainment & Performing Arts. PERFORMING ARTS Reference. PERFORMING ARTS / Film & Video / History & Criticism Motion picture producers and directors France Biographies |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1466977 |
| work_keys_str_mv | AT mccannben julienduvivier |