Beyond boundaries :: rethinking music circulation in early modern England /
English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professiona...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2017]
|
| Schriftenreihe: | Music and the early modern imagination.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780253024978 0253024978 |
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| 505 | 0 | |a Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres. | |
| 505 | 8 | |a 5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England. | |
| 505 | 8 | |a 12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. | |
| 520 | 8 | |a English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice. | |
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| 650 | 6 | |a Musique |z Angleterre |y 16e siècle |x Histoire et critique. | |
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| author2 | Austern, Linda Phyllis, 1957- Bailey, Candace, 1963- Eubanks Winkler, Amanda |
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| author_facet | Austern, Linda Phyllis, 1957- Bailey, Candace, 1963- Eubanks Winkler, Amanda |
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| contents | Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres. 5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England. 12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. |
| ctrlnum | (OCoLC)969433855 |
| dewey-full | 780.942 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.942 |
| dewey-search | 780.942 |
| dewey-sort | 3780.942 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1500-1799 fast |
| era_facet | 1500-1799 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C |
| geographic_facet | England |
| id | ZDB-4-EBA-ocn969433855 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:38Z |
| institution | BVB |
| isbn | 9780253024978 0253024978 |
| language | English |
| oclc_num | 969433855 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Music and the early modern imagination. |
| series2 | Music and the early modern imagination |
| spelling | Beyond boundaries : rethinking music circulation in early modern England / edited by Linda Phyllis Austern, Candace Bailey and Amamda Eubanks Winkler. Bloomington, Indiana : Indiana University Press, [2017] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Music and the early modern imagination Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed February 27, 2017). Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres. 5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England. 12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice. Music England 16th century History and criticism. Music England 17th century History and criticism. Music England 18th century History and criticism. Musique Angleterre 16e siècle Histoire et critique. Musique Angleterre 17e siècle Histoire et critique. Musique Angleterre 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC Genres & Styles General. bisacsh Music fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C Musique Angleterre Histoire et critique. ram 1500-1799 fast Criticism, interpretation, etc. fast Austern, Linda Phyllis, 1957- editor. http://id.loc.gov/authorities/names/n88676086 Bailey, Candace, 1963- editor. http://id.loc.gov/authorities/names/no93038740 Eubanks Winkler, Amanda, editor. has work: Beyond boundaries (Text) https://id.oclc.org/worldcat/entity/E39PCFXQdMv869XyhBtYWB4qry https://id.oclc.org/worldcat/ontology/hasWork Print version: 025302479X 9780253024794 (OCoLC)949913305 Music and the early modern imagination. http://id.loc.gov/authorities/names/no2008086661 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1453591 Volltext |
| spellingShingle | Beyond boundaries : rethinking music circulation in early modern England / Music and the early modern imagination. Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres. 5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England. 12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. Music England 16th century History and criticism. Music England 17th century History and criticism. Music England 18th century History and criticism. Musique Angleterre 16e siècle Histoire et critique. Musique Angleterre 17e siècle Histoire et critique. Musique Angleterre 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC Genres & Styles General. bisacsh Music fast Musique Angleterre Histoire et critique. ram |
| title | Beyond boundaries : rethinking music circulation in early modern England / |
| title_auth | Beyond boundaries : rethinking music circulation in early modern England / |
| title_exact_search | Beyond boundaries : rethinking music circulation in early modern England / |
| title_full | Beyond boundaries : rethinking music circulation in early modern England / edited by Linda Phyllis Austern, Candace Bailey and Amamda Eubanks Winkler. |
| title_fullStr | Beyond boundaries : rethinking music circulation in early modern England / edited by Linda Phyllis Austern, Candace Bailey and Amamda Eubanks Winkler. |
| title_full_unstemmed | Beyond boundaries : rethinking music circulation in early modern England / edited by Linda Phyllis Austern, Candace Bailey and Amamda Eubanks Winkler. |
| title_short | Beyond boundaries : |
| title_sort | beyond boundaries rethinking music circulation in early modern england |
| title_sub | rethinking music circulation in early modern England / |
| topic | Music England 16th century History and criticism. Music England 17th century History and criticism. Music England 18th century History and criticism. Musique Angleterre 16e siècle Histoire et critique. Musique Angleterre 17e siècle Histoire et critique. Musique Angleterre 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC Genres & Styles General. bisacsh Music fast Musique Angleterre Histoire et critique. ram |
| topic_facet | Music England 16th century History and criticism. Music England 17th century History and criticism. Music England 18th century History and criticism. Musique Angleterre 16e siècle Histoire et critique. Musique Angleterre 17e siècle Histoire et critique. Musique Angleterre 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. MUSIC Genres & Styles General. Music England Musique Angleterre Histoire et critique. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1453591 |
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