Samuel Beckett and cinema /:
In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full exte...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Academic,
2017.
|
| Schriftenreihe: | Historicizing modernism.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud. |
| Beschreibung: | 1 online resource (224 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781472533234 1472533232 1472527372 9781472527370 |
Internformat
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| 520 | 8 | |a In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud. | |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn966641372 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:35Z |
| institution | BVB |
| isbn | 9781472533234 1472533232 1472527372 9781472527370 |
| language | English |
| oclc_num | 966641372 |
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| publisher | Bloomsbury Academic, |
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| series | Historicizing modernism. |
| series2 | Historicizing Modernism |
| spelling | Paraskeva, Anthony, author. http://id.loc.gov/authorities/names/no2013108239 Samuel Beckett and cinema / Anthony Paraskeva. London : Bloomsbury Academic, 2017. 1 online resource (224 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Historicizing Modernism In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud. Print version record. Includes bibliographical references and index. Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- 1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. 'texte théâtre film': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogénie, the Close-Up, Gender Performance -- Bibliography -- Index. Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 fast https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Cinéma et littérature. Films, cinema. bicssc Literary studies: from c 1900. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Motion pictures and literature fast Criticism, interpretation, etc. fast has work: Samuel Beckett and cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGwDCw8FycPkJYJk6JRRDm https://id.oclc.org/worldcat/ontology/hasWork Print version: Paraskeva, Anthony. Samuel Beckett and cinema. London : Bloomsbury Academic 2017 9781472524980 (OCoLC)957546141 Historicizing modernism. http://id.loc.gov/authorities/names/no2011102090 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1441734 Volltext |
| spellingShingle | Paraskeva, Anthony Samuel Beckett and cinema / Historicizing modernism. Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- 1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. 'texte théâtre film': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogénie, the Close-Up, Gender Performance -- Bibliography -- Index. Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 fast https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Cinéma et littérature. Films, cinema. bicssc Literary studies: from c 1900. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Motion pictures and literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088132 |
| title | Samuel Beckett and cinema / |
| title_auth | Samuel Beckett and cinema / |
| title_exact_search | Samuel Beckett and cinema / |
| title_full | Samuel Beckett and cinema / Anthony Paraskeva. |
| title_fullStr | Samuel Beckett and cinema / Anthony Paraskeva. |
| title_full_unstemmed | Samuel Beckett and cinema / Anthony Paraskeva. |
| title_short | Samuel Beckett and cinema / |
| title_sort | samuel beckett and cinema |
| topic | Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 fast https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Cinéma et littérature. Films, cinema. bicssc Literary studies: from c 1900. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Motion pictures and literature fast |
| topic_facet | Beckett, Samuel, 1906-1989 Criticism and interpretation. Beckett, Samuel, 1906-1989 Motion pictures and literature. Cinéma et littérature. Films, cinema. Literary studies: from c 1900. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Motion pictures and literature Criticism, interpretation, etc. |
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