Hawaiian Hula `Olapa :: stylized embodiment, percussion, and chanted oral poetry /
Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bielefeld :
Transcript Verlag,
2016.
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Schriftenreihe: | Theater (Transcript (Firm)) ;
Bd. 91. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words instills an oscillating effect of multisensory experience which echoes a deep rooted sense concerned with place, distinct environmental features, and story line. The study appeals to discussions on intermediality, metaphoricity, and to an anthropology of the senses. It outlines practice as research and embodied knowledge as tools to conduct performance analysis. |
Beschreibung: | 1 online resource (337 pages) |
Bibliographie: | Includes bibliographical references (pages 323-333). |
ISBN: | 3839436699 9783839436691 |
Internformat
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245 | 1 | 0 | |a Hawaiian Hula `Olapa : |b stylized embodiment, percussion, and chanted oral poetry / |c Monika Lilleike. |
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546 | |a In English, with abstract in German. | ||
505 | 0 | 0 | |g Table of Contents ; |g Preface ; |g Acknowledgements ; |g Introduction ; 1. |t Studies on Traditional Hawaiian Hula ; |g 1.1 |t A Brief History of Hula and Principle Features of Hula'Olapa Performance Practice ; |g 1.2 |t Academic Research on Traditional Hawaiian Hula. |
505 | 0 | 0 | |g 1.3 |t A Case Study on Hula 'Olapa Performance Practice |g 1.4 |t Chapter Outline ; |g Part I. |t METHODS ; |t Methods I: |t Practice as Research ; |g 2. |t Practice as Research: A Principal Method of Embodied Knowledge Inquiry in Performance Studies ; |g 2.1 |t The Master-Disciple Relation as Research Method. |
505 | 0 | 0 | |g 2.2 |t Embodiment, Practice, and Perception: Key Concepts of Cultural and Performance Studies Applied to Practice as Research |g 2.2.1 |t The Concept of Embodiment ; |g 2.3 |t Practice as Research and the Embodied Mind Condition. |
505 | 0 | 0 | |g 2.4 |t Self-Reflexivity of the Performer: A Tool of Inquiry about Embodied Knowledge |g 2.5 |t Embodied Knowledge and the Senses ; |g 2.6 |t Practice as Research and Studies of the Particular ; |g Methods II: |t Interart Aesthetics and Performance Analysis ; |g 3. |t Concepts and Methodological Considerations. |
505 | 0 | 0 | |g 3.1 |t Convergence |g 3.1.1 |t Intersensoriality ; |g 3.1.2 |t Interplay, Interdependence, and the Study of Media Combinations ; |g 3.2 |t Elements of Convergence in Performance ; |g 3.2.1 |t The Body Can Do it All: The Medial, Material, and Sensory Aspects of Embodiment. |
520 | |a Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words instills an oscillating effect of multisensory experience which echoes a deep rooted sense concerned with place, distinct environmental features, and story line. The study appeals to discussions on intermediality, metaphoricity, and to an anthropology of the senses. It outlines practice as research and embodied knowledge as tools to conduct performance analysis. | ||
650 | 0 | |a Hula (Dance) |z Hawaii |x History. | |
650 | 0 | |a Hulas (Music) |x History and criticism. | |
650 | 0 | |a Hawaiian chants |x History and criticism. | |
650 | 0 | |a Performing arts |z Hawaii. | |
650 | 0 | |a Oral tradition |z Hawaii. | |
651 | 0 | |a Hawaii |x Social life and customs. | |
650 | 6 | |a Hula-hula (Danse) |z Hawaii |x Histoire. | |
650 | 6 | |a Arts du spectacle |z Hawaii. | |
650 | 6 | |a Tradition orale |z Hawaii. | |
651 | 6 | |a Hawaii |x Murs et coutumes. | |
650 | 7 | |a GAMES |x Reference. |2 bisacsh | |
650 | 7 | |a GAMES |x Travel Games. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS / Theater / History & Criticism |2 bisacsh | |
650 | 7 | |a Hawaiian chants |2 fast | |
650 | 7 | |a Hula (Dance) |2 fast | |
650 | 7 | |a Hulas (Music) |2 fast | |
650 | 7 | |a Manners and customs |2 fast | |
650 | 7 | |a Oral tradition |2 fast | |
650 | 7 | |a Performing arts |2 fast | |
651 | 7 | |a Hawaii |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpDHCHq4YQD6kcFmkwpyd | |
650 | 7 | |a Hula |g Tanz |2 gnd | |
650 | 7 | |a Performance |g Künste |2 gnd |0 http://d-nb.info/gnd/4173750-7 | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
655 | 7 | |a History |2 fast | |
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DE-BY-FWS_katkey | ZDB-4-EBA-ocn966362371 |
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adam_text | |
any_adam_object | |
author | Lilleike, Monika |
author_GND | http://id.loc.gov/authorities/names/no2017044855 |
author_facet | Lilleike, Monika |
author_role | aut |
author_sort | Lilleike, Monika |
author_variant | m l ml |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | G - Geography, Anthropology, Recreation |
callnumber-label | GV1796 |
callnumber-raw | GV1796.H8 L55 2016 |
callnumber-search | GV1796.H8 L55 2016 |
callnumber-sort | GV 41796 H8 L55 42016 |
callnumber-subject | GV - Leisure and Recreation |
collection | ZDB-4-EBA |
contents | Studies on Traditional Hawaiian Hula ; A Brief History of Hula and Principle Features of Hula'Olapa Performance Practice ; Academic Research on Traditional Hawaiian Hula. A Case Study on Hula 'Olapa Performance Practice Chapter Outline ; METHODS ; Methods I: Practice as Research ; Practice as Research: A Principal Method of Embodied Knowledge Inquiry in Performance Studies ; The Master-Disciple Relation as Research Method. Embodiment, Practice, and Perception: Key Concepts of Cultural and Performance Studies Applied to Practice as Research The Concept of Embodiment ; Practice as Research and the Embodied Mind Condition. Self-Reflexivity of the Performer: A Tool of Inquiry about Embodied Knowledge Embodied Knowledge and the Senses ; Practice as Research and Studies of the Particular ; Interart Aesthetics and Performance Analysis ; Concepts and Methodological Considerations. Convergence Intersensoriality ; Interplay, Interdependence, and the Study of Media Combinations ; Elements of Convergence in Performance ; The Body Can Do it All: The Medial, Material, and Sensory Aspects of Embodiment. |
ctrlnum | (OCoLC)966362371 |
dewey-full | 793.319969 |
dewey-hundreds | 700 - The arts |
dewey-ones | 793 - Indoor games and amusements |
dewey-raw | 793.319969 |
dewey-search | 793.319969 |
dewey-sort | 3793.319969 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Sport |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast History fast |
genre_facet | Criticism, interpretation, etc. History |
geographic | Hawaii Social life and customs. Hawaii Murs et coutumes. Hawaii fast https://id.oclc.org/worldcat/entity/E39PBJpDHCHq4YQD6kcFmkwpyd |
geographic_facet | Hawaii Social life and customs. Hawaii Murs et coutumes. Hawaii |
id | ZDB-4-EBA-ocn966362371 |
illustrated | Not Illustrated |
indexdate | 2024-10-25T16:23:31Z |
institution | BVB |
isbn | 3839436699 9783839436691 |
language | English |
oclc_num | 966362371 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource (337 pages) |
psigel | ZDB-4-EBA |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Transcript Verlag, |
record_format | marc |
series | Theater (Transcript (Firm)) ; |
series2 | Theatre studies ; |
spelling | Lilleike, Monika, author. http://id.loc.gov/authorities/names/no2017044855 Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / Monika Lilleike. Bielefeld : Transcript Verlag, 2016. 1 online resource (337 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Theatre studies ; volume 91 Print version record. Includes bibliographical references (pages 323-333). In English, with abstract in German. Table of Contents ; Preface ; Acknowledgements ; Introduction ; 1. Studies on Traditional Hawaiian Hula ; 1.1 A Brief History of Hula and Principle Features of Hula'Olapa Performance Practice ; 1.2 Academic Research on Traditional Hawaiian Hula. 1.3 A Case Study on Hula 'Olapa Performance Practice 1.4 Chapter Outline ; Part I. METHODS ; Methods I: Practice as Research ; 2. Practice as Research: A Principal Method of Embodied Knowledge Inquiry in Performance Studies ; 2.1 The Master-Disciple Relation as Research Method. 2.2 Embodiment, Practice, and Perception: Key Concepts of Cultural and Performance Studies Applied to Practice as Research 2.2.1 The Concept of Embodiment ; 2.3 Practice as Research and the Embodied Mind Condition. 2.4 Self-Reflexivity of the Performer: A Tool of Inquiry about Embodied Knowledge 2.5 Embodied Knowledge and the Senses ; 2.6 Practice as Research and Studies of the Particular ; Methods II: Interart Aesthetics and Performance Analysis ; 3. Concepts and Methodological Considerations. 3.1 Convergence 3.1.1 Intersensoriality ; 3.1.2 Interplay, Interdependence, and the Study of Media Combinations ; 3.2 Elements of Convergence in Performance ; 3.2.1 The Body Can Do it All: The Medial, Material, and Sensory Aspects of Embodiment. Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words instills an oscillating effect of multisensory experience which echoes a deep rooted sense concerned with place, distinct environmental features, and story line. The study appeals to discussions on intermediality, metaphoricity, and to an anthropology of the senses. It outlines practice as research and embodied knowledge as tools to conduct performance analysis. Hula (Dance) Hawaii History. Hulas (Music) History and criticism. Hawaiian chants History and criticism. Performing arts Hawaii. Oral tradition Hawaii. Hawaii Social life and customs. Hula-hula (Danse) Hawaii Histoire. Arts du spectacle Hawaii. Tradition orale Hawaii. Hawaii Murs et coutumes. GAMES Reference. bisacsh GAMES Travel Games. bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Hawaiian chants fast Hula (Dance) fast Hulas (Music) fast Manners and customs fast Oral tradition fast Performing arts fast Hawaii fast https://id.oclc.org/worldcat/entity/E39PBJpDHCHq4YQD6kcFmkwpyd Hula Tanz gnd Performance Künste gnd http://d-nb.info/gnd/4173750-7 Criticism, interpretation, etc. fast History fast has work: Hawaiian Hula `Olapa (Text) https://id.oclc.org/worldcat/entity/E39PCG7GKvCYKpH3yWVF8DwqDC https://id.oclc.org/worldcat/ontology/hasWork Print version: 9783839436691 Print version: 9783837636697 3837636690 (OCoLC)973160895 Theater (Transcript (Firm)) ; Bd. 91. http://id.loc.gov/authorities/names/no2008182981 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1435792 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1435792 Volltext |
spellingShingle | Lilleike, Monika Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / Theater (Transcript (Firm)) ; Studies on Traditional Hawaiian Hula ; A Brief History of Hula and Principle Features of Hula'Olapa Performance Practice ; Academic Research on Traditional Hawaiian Hula. A Case Study on Hula 'Olapa Performance Practice Chapter Outline ; METHODS ; Methods I: Practice as Research ; Practice as Research: A Principal Method of Embodied Knowledge Inquiry in Performance Studies ; The Master-Disciple Relation as Research Method. Embodiment, Practice, and Perception: Key Concepts of Cultural and Performance Studies Applied to Practice as Research The Concept of Embodiment ; Practice as Research and the Embodied Mind Condition. Self-Reflexivity of the Performer: A Tool of Inquiry about Embodied Knowledge Embodied Knowledge and the Senses ; Practice as Research and Studies of the Particular ; Interart Aesthetics and Performance Analysis ; Concepts and Methodological Considerations. Convergence Intersensoriality ; Interplay, Interdependence, and the Study of Media Combinations ; Elements of Convergence in Performance ; The Body Can Do it All: The Medial, Material, and Sensory Aspects of Embodiment. Hula (Dance) Hawaii History. Hulas (Music) History and criticism. Hawaiian chants History and criticism. Performing arts Hawaii. Oral tradition Hawaii. Hula-hula (Danse) Hawaii Histoire. Arts du spectacle Hawaii. Tradition orale Hawaii. GAMES Reference. bisacsh GAMES Travel Games. bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Hawaiian chants fast Hula (Dance) fast Hulas (Music) fast Manners and customs fast Oral tradition fast Performing arts fast Hula Tanz gnd Performance Künste gnd http://d-nb.info/gnd/4173750-7 |
subject_GND | http://d-nb.info/gnd/4173750-7 |
title | Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / |
title_alt | Studies on Traditional Hawaiian Hula ; A Brief History of Hula and Principle Features of Hula'Olapa Performance Practice ; Academic Research on Traditional Hawaiian Hula. A Case Study on Hula 'Olapa Performance Practice Chapter Outline ; METHODS ; Methods I: Practice as Research ; Practice as Research: A Principal Method of Embodied Knowledge Inquiry in Performance Studies ; The Master-Disciple Relation as Research Method. Embodiment, Practice, and Perception: Key Concepts of Cultural and Performance Studies Applied to Practice as Research The Concept of Embodiment ; Practice as Research and the Embodied Mind Condition. Self-Reflexivity of the Performer: A Tool of Inquiry about Embodied Knowledge Embodied Knowledge and the Senses ; Practice as Research and Studies of the Particular ; Interart Aesthetics and Performance Analysis ; Concepts and Methodological Considerations. Convergence Intersensoriality ; Interplay, Interdependence, and the Study of Media Combinations ; Elements of Convergence in Performance ; The Body Can Do it All: The Medial, Material, and Sensory Aspects of Embodiment. |
title_auth | Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / |
title_exact_search | Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / |
title_full | Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / Monika Lilleike. |
title_fullStr | Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / Monika Lilleike. |
title_full_unstemmed | Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry / Monika Lilleike. |
title_short | Hawaiian Hula `Olapa : |
title_sort | hawaiian hula olapa stylized embodiment percussion and chanted oral poetry |
title_sub | stylized embodiment, percussion, and chanted oral poetry / |
topic | Hula (Dance) Hawaii History. Hulas (Music) History and criticism. Hawaiian chants History and criticism. Performing arts Hawaii. Oral tradition Hawaii. Hula-hula (Danse) Hawaii Histoire. Arts du spectacle Hawaii. Tradition orale Hawaii. GAMES Reference. bisacsh GAMES Travel Games. bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Hawaiian chants fast Hula (Dance) fast Hulas (Music) fast Manners and customs fast Oral tradition fast Performing arts fast Hula Tanz gnd Performance Künste gnd http://d-nb.info/gnd/4173750-7 |
topic_facet | Hula (Dance) Hawaii History. Hulas (Music) History and criticism. Hawaiian chants History and criticism. Performing arts Hawaii. Oral tradition Hawaii. Hawaii Social life and customs. Hula-hula (Danse) Hawaii Histoire. Arts du spectacle Hawaii. Tradition orale Hawaii. Hawaii Murs et coutumes. GAMES Reference. GAMES Travel Games. PERFORMING ARTS / Theater / History & Criticism Hawaiian chants Hula (Dance) Hulas (Music) Manners and customs Oral tradition Performing arts Hawaii Hula Tanz Performance Künste Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1435792 |
work_keys_str_mv | AT lilleikemonika hawaiianhulaolapastylizedembodimentpercussionandchantedoralpoetry |