Introduction to documentary /:
The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington :
Indiana University Press,
2017.
|
| Ausgabe: | Third edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre's distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo |
| Beschreibung: | 1 online resource (xvi, 258 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780253026903 0253026903 |
Internformat
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| 245 | 1 | 0 | |a Introduction to documentary / |c Bill Nichols. |
| 250 | |a Third edition. | ||
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c 2017. | |
| 300 | |a 1 online resource (xvi, 258 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. Where do I start? -- Appendix: Sample film project proposal. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre's distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo | |
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 6 | |a Documentaires |x Histoire et critique. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a Documentary films |2 fast | |
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| author | Nichols, Bill, 1942- |
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| contents | Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. Where do I start? -- Appendix: Sample film project proposal. |
| ctrlnum | (OCoLC)966315012 |
| dewey-full | 070.1/8 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.1/8 |
| dewey-search | 070.1/8 |
| dewey-sort | 270.1 18 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| edition | Third edition. |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:27:34Z |
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| language | English |
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| spelling | Nichols, Bill, 1942- author. http://id.loc.gov/authorities/names/n80017732 Introduction to documentary / Bill Nichols. Third edition. Bloomington : Indiana University Press, 2017. 1 online resource (xvi, 258 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. Where do I start? -- Appendix: Sample film project proposal. Print version record. The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre's distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast Criticism, interpretation, etc. fast has work: Introduction to documentary (Text) https://id.oclc.org/worldcat/entity/E39PCGyP4MBxDQ4pgXX86qM4HK https://id.oclc.org/worldcat/ontology/hasWork Print version: Nichols, Bill, 1942- Introduction to documentary. Third edition. Bloomington : Indiana University Press, 2017 9780253026903 (DLC) 2016045756 (OCoLC)959034718 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1478201 Volltext |
| spellingShingle | Nichols, Bill, 1942- Introduction to documentary / Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. Where do I start? -- Appendix: Sample film project proposal. Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast |
| title | Introduction to documentary / |
| title_auth | Introduction to documentary / |
| title_exact_search | Introduction to documentary / |
| title_full | Introduction to documentary / Bill Nichols. |
| title_fullStr | Introduction to documentary / Bill Nichols. |
| title_full_unstemmed | Introduction to documentary / Bill Nichols. |
| title_short | Introduction to documentary / |
| title_sort | introduction to documentary |
| topic | Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast |
| topic_facet | Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. Documentary films Criticism, interpretation, etc. |
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