Practices of abstract art :: between anarchism and appropriation /
Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abs...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Castle upon Tyne, UK :
Cambridge Scholars Publishing,
2016.
|
| Ausgabe: | First unabridged. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. |
| Beschreibung: | 1 online resource (xiii, 301 pages, 21 unnumbered pages of plates) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9781443856867 144385686X |
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| 250 | |a First unabridged. | ||
| 264 | 1 | |a New Castle upon Tyne, UK : |b Cambridge Scholars Publishing, |c 2016. | |
| 300 | |a 1 online resource (xiii, 301 pages, 21 unnumbered pages of plates) : |b illustrations (some color) | ||
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| 520 | |a Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. | ||
| 505 | 0 | 0 | |g Part one: |t The politics of abstract art: between the individual and the universal. |t Wassily Kandinsky and František Kupka: between metaphysics and psychophysics / |r Isabel Wünsche -- |t Creating the ideal: František Kupka's social reform and anarchist abstraction / |r Naomi Hume -- |t Kandinsky, anarchism, and the narrative of modernism / |r Rose-Carol Washton Long -- |t Producing a grammar of painting: color and form in the manuscripts of Ivan Kliun / |r Viktoria Schindler -- |t Barcelona--Paris--"New Cusco"--Montevideo: the routes to roots of Joaquín Torres-García's South American abstraction / |r Aarnoud Rommnes -- |t Congdon's abstract art and the metaphysics of immediacy / |r Nieves Acedo -- |t The abstraction of behavior / |r Gordon Monro -- |t Digital abstraction: modeling intersensory perception in electronic art / |r Birgit Mersmann. |g Part two: |t The interculturality of abstract art: between co-optation and appropriation. |t Ernst Wilhelm Nay: Vom Gestaltwert der Farbe--artistic concepts and cultural policy in postwar Germany / |r Franziska Müller -- |t Free art in free Berlin: German-American support for Berlin art in the 1950s / |r Dorothea Schöne -- |t The Russian boom: abstract art as a means for cultural diplomacy between the Soviet Union and West Germany (1970-1990) / |r Elena Korowin -- |t Abstract art in South Africa: then and now / |r Marilyn Martin -- |t What is the role of abstraction within the concerns of visual art language contemporaneously? / |r Wendy Kelly -- |t The appropriation of "abstraction" beyond the aesthetic / |r Wiebke Gronemeyer -- |t Refresh abstraction! day glo neo geo / |r Pamela C. Scorzin. |
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| _version_ | 1816882372344283136 |
| adam_text | |
| any_adam_object | |
| author2 | Wünsche, Isabel Gronemeyer, Wiebke |
| author2_role | edt edt |
| author2_variant | i w iw w g wg |
| author_additional | Isabel Wünsche -- Naomi Hume -- Rose-Carol Washton Long -- Viktoria Schindler -- Aarnoud Rommnes -- Nieves Acedo -- Gordon Monro -- Birgit Mersmann. Franziska Müller -- Dorothea Schöne -- Elena Korowin -- Marilyn Martin -- Wendy Kelly -- Wiebke Gronemeyer -- Pamela C. Scorzin. |
| author_facet | Wünsche, Isabel Gronemeyer, Wiebke |
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| callnumber-first | N - Fine Arts |
| callnumber-label | N6494 |
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| contents | The politics of abstract art: between the individual and the universal. Wassily Kandinsky and František Kupka: between metaphysics and psychophysics / Creating the ideal: František Kupka's social reform and anarchist abstraction / Kandinsky, anarchism, and the narrative of modernism / Producing a grammar of painting: color and form in the manuscripts of Ivan Kliun / Barcelona--Paris--"New Cusco"--Montevideo: the routes to roots of Joaquín Torres-García's South American abstraction / Congdon's abstract art and the metaphysics of immediacy / The abstraction of behavior / Digital abstraction: modeling intersensory perception in electronic art / The interculturality of abstract art: between co-optation and appropriation. Ernst Wilhelm Nay: Vom Gestaltwert der Farbe--artistic concepts and cultural policy in postwar Germany / Free art in free Berlin: German-American support for Berlin art in the 1950s / The Russian boom: abstract art as a means for cultural diplomacy between the Soviet Union and West Germany (1970-1990) / Abstract art in South Africa: then and now / What is the role of abstraction within the concerns of visual art language contemporaneously? / The appropriation of "abstraction" beyond the aesthetic / Refresh abstraction! day glo neo geo / |
| ctrlnum | (OCoLC)966288092 |
| dewey-full | 709.04052 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04052 |
| dewey-search | 709.04052 |
| dewey-sort | 3709.04052 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | First unabridged. |
| era | 1900-2099 fast |
| era_facet | 1900-2099 |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:27:34Z |
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| spelling | Practices of abstract art : between anarchism and appropriation / edited by Isabel Wünsche and Wiebke Gronemeyer. First unabridged. New Castle upon Tyne, UK : Cambridge Scholars Publishing, 2016. 1 online resource (xiii, 301 pages, 21 unnumbered pages of plates) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier nat Germans lcdgt gdr Women lcdgt Includes bibliographical references. Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. Part one: The politics of abstract art: between the individual and the universal. Wassily Kandinsky and František Kupka: between metaphysics and psychophysics / Isabel Wünsche -- Creating the ideal: František Kupka's social reform and anarchist abstraction / Naomi Hume -- Kandinsky, anarchism, and the narrative of modernism / Rose-Carol Washton Long -- Producing a grammar of painting: color and form in the manuscripts of Ivan Kliun / Viktoria Schindler -- Barcelona--Paris--"New Cusco"--Montevideo: the routes to roots of Joaquín Torres-García's South American abstraction / Aarnoud Rommnes -- Congdon's abstract art and the metaphysics of immediacy / Nieves Acedo -- The abstraction of behavior / Gordon Monro -- Digital abstraction: modeling intersensory perception in electronic art / Birgit Mersmann. Part two: The interculturality of abstract art: between co-optation and appropriation. Ernst Wilhelm Nay: Vom Gestaltwert der Farbe--artistic concepts and cultural policy in postwar Germany / Franziska Müller -- Free art in free Berlin: German-American support for Berlin art in the 1950s / Dorothea Schöne -- The Russian boom: abstract art as a means for cultural diplomacy between the Soviet Union and West Germany (1970-1990) / Elena Korowin -- Abstract art in South Africa: then and now / Marilyn Martin -- What is the role of abstraction within the concerns of visual art language contemporaneously? / Wendy Kelly -- The appropriation of "abstraction" beyond the aesthetic / Wiebke Gronemeyer -- Refresh abstraction! day glo neo geo / Pamela C. Scorzin. Print version record. Art, Abstract. http://id.loc.gov/authorities/subjects/sh85007522 Art, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85007805 Art, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2002000548 Art 20e siècle. Art 21e siècle. ART History General. bisacsh Art, Abstract fast Art, Modern fast 1900-2099 fast Informational works fast Informational works. lcgft http://id.loc.gov/authorities/genreForms/gf2014026113 Documents d'information. rvmgf Wünsche, Isabel, editor. Gronemeyer, Wiebke, editor. Print version: Practices of abstract art. First unabridged. New Castle upon Tyne, UK : Cambridge Scholars Publishing, 2016 1443897345 (OCoLC)954224700 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1439279 Volltext |
| spellingShingle | Practices of abstract art : between anarchism and appropriation / The politics of abstract art: between the individual and the universal. Wassily Kandinsky and František Kupka: between metaphysics and psychophysics / Creating the ideal: František Kupka's social reform and anarchist abstraction / Kandinsky, anarchism, and the narrative of modernism / Producing a grammar of painting: color and form in the manuscripts of Ivan Kliun / Barcelona--Paris--"New Cusco"--Montevideo: the routes to roots of Joaquín Torres-García's South American abstraction / Congdon's abstract art and the metaphysics of immediacy / The abstraction of behavior / Digital abstraction: modeling intersensory perception in electronic art / The interculturality of abstract art: between co-optation and appropriation. Ernst Wilhelm Nay: Vom Gestaltwert der Farbe--artistic concepts and cultural policy in postwar Germany / Free art in free Berlin: German-American support for Berlin art in the 1950s / The Russian boom: abstract art as a means for cultural diplomacy between the Soviet Union and West Germany (1970-1990) / Abstract art in South Africa: then and now / What is the role of abstraction within the concerns of visual art language contemporaneously? / The appropriation of "abstraction" beyond the aesthetic / Refresh abstraction! day glo neo geo / Art, Abstract. http://id.loc.gov/authorities/subjects/sh85007522 Art, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85007805 Art, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2002000548 Art 20e siècle. Art 21e siècle. ART History General. bisacsh Art, Abstract fast Art, Modern fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007522 http://id.loc.gov/authorities/subjects/sh85007805 http://id.loc.gov/authorities/subjects/sh2002000548 http://id.loc.gov/authorities/genreForms/gf2014026113 |
| title | Practices of abstract art : between anarchism and appropriation / |
| title_alt | The politics of abstract art: between the individual and the universal. Wassily Kandinsky and František Kupka: between metaphysics and psychophysics / Creating the ideal: František Kupka's social reform and anarchist abstraction / Kandinsky, anarchism, and the narrative of modernism / Producing a grammar of painting: color and form in the manuscripts of Ivan Kliun / Barcelona--Paris--"New Cusco"--Montevideo: the routes to roots of Joaquín Torres-García's South American abstraction / Congdon's abstract art and the metaphysics of immediacy / The abstraction of behavior / Digital abstraction: modeling intersensory perception in electronic art / The interculturality of abstract art: between co-optation and appropriation. Ernst Wilhelm Nay: Vom Gestaltwert der Farbe--artistic concepts and cultural policy in postwar Germany / Free art in free Berlin: German-American support for Berlin art in the 1950s / The Russian boom: abstract art as a means for cultural diplomacy between the Soviet Union and West Germany (1970-1990) / Abstract art in South Africa: then and now / What is the role of abstraction within the concerns of visual art language contemporaneously? / The appropriation of "abstraction" beyond the aesthetic / Refresh abstraction! day glo neo geo / |
| title_auth | Practices of abstract art : between anarchism and appropriation / |
| title_exact_search | Practices of abstract art : between anarchism and appropriation / |
| title_full | Practices of abstract art : between anarchism and appropriation / edited by Isabel Wünsche and Wiebke Gronemeyer. |
| title_fullStr | Practices of abstract art : between anarchism and appropriation / edited by Isabel Wünsche and Wiebke Gronemeyer. |
| title_full_unstemmed | Practices of abstract art : between anarchism and appropriation / edited by Isabel Wünsche and Wiebke Gronemeyer. |
| title_short | Practices of abstract art : |
| title_sort | practices of abstract art between anarchism and appropriation |
| title_sub | between anarchism and appropriation / |
| topic | Art, Abstract. http://id.loc.gov/authorities/subjects/sh85007522 Art, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85007805 Art, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2002000548 Art 20e siècle. Art 21e siècle. ART History General. bisacsh Art, Abstract fast Art, Modern fast |
| topic_facet | Art, Abstract. Art, Modern 20th century. Art, Modern 21st century. Art 20e siècle. Art 21e siècle. ART History General. Art, Abstract Art, Modern Informational works Informational works. Documents d'information. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1439279 |
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