The Euro-Western :: reframing gender, race and the 'other' in film /
Focuses on previously unstudied Italian, German and British films
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York, NY :
I.B. Tauris & Co. Ltd,
2016.
|
| Schriftenreihe: | Cinema and society.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Focuses on previously unstudied Italian, German and British films |
| Beschreibung: | Focuses on previously unstudied Italian, German and British films. |
| Beschreibung: | 1 online resource (x, 260 pages) |
| Bibliographie: | Includes select filmography, bibliographical references and index. |
| ISBN: | 9780857727381 0857727389 9780857729408 0857729403 1350988626 9781350988620 |
Internformat
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| 100 | 1 | |a Broughton, Lee, |d 1966- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjBhQXT8tpMQBjH4kCthBK |0 http://id.loc.gov/authorities/names/n2016041839 | |
| 245 | 1 | 4 | |a The Euro-Western : |b reframing gender, race and the 'other' in film / |c Lee Broughton. |
| 264 | 1 | |a London ; |a New York, NY : |b I.B. Tauris & Co. Ltd, |c 2016. | |
| 300 | |a 1 online resource (x, 260 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Cinema and Society | |
| 500 | |a Focuses on previously unstudied Italian, German and British films. | ||
| 504 | |a Includes select filmography, bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; endorsement; Title page; Copyright information; Table of contents; Acknowledgements; General Editor's Introduction; Introduction; Discussing the Western: the critical landscape; The Hollywood Western's representation of the 'Other' in brief and the structure of my study; Part I Indians in Europe: Indianthusiasm and the Representation of American Indians in West German Westerns; 1 West German Westerns: International Reception and Local Influences; Early affiliations and Nazi propaganda; The post war years and ethnic drag; Anthropology, Romanticism and German popular cinema. | |
| 505 | 8 | |a 2 The Representation of Indians in American Westerns'Bad' Indians outnumber 'good' Indians: The Big Trail (1930); Routed by the US Army: savage Indians and the 'Cavalry Trilogy' (1948-1950); Race relations and the pro-Indian Westerns: Broken Arrow (1950); Indians and Hollywood in the 1960s; 3 The Representation of Indians in West German Westerns; A new kind of cinematic Indian: Winnetou and The Treasure of Silver Lake (1962); Winnetou's central and commanding presence; Allegorical references to the recent past 1: the aesthetic of war. | |
| 505 | 8 | |a Allegorical references to the recent past 2: fascist figureheads, genocide and war crimes trialsThe significance of the landscape; Romanticism, Mountain films, inter-generational conflict and notions of Heimat; Groundbreaking representations of interracial romances: Winnetou the Warrior (1963) and Last of the Renegades (1964); Positive representations of 'mixed-blood' characters: The half-breed (1966); Part II Emancipation all'Italiana: The Representation of African Americans in Italian Westerns; 4 Italian Westerns: International Reception and Local Influences; Political stirrings. | |
| 505 | 8 | |a Leone, Morricone and examples of the more obviously 'local'The Southern Italians as 'Others'; Italy, Africa and images of black ethnicity in Italian cinema; The racial palimpsest in Italian Westerns; The circus and the street fair; 5 The Representation of Blacks in American Westerns; Early representations; A new black archetype: Vera Cruz (1954); The 'civil rights' Westerns of the 1960s; Reassessing black presence in 1960s US Westerns: Duel at Diablo (1966); The representation of black females in American Westerns; The Blaxploitation Westerns of the 1970s. | |
| 505 | 8 | |a 6 The Representation of Blacks in Italian WesternsRethinking the Black Venus: Lola Colt (1967) and The Great Silence (1968); Empowering the restricted black gaze; Freeing the fixed black female body; 'Sticking it to the Man' and interracial relationships; The black female action heroine; Reimagining the black male Westerner: Ace High (1968) and Boot Hill (1969); Finding the carnivalesque in Colizzi's films; Connecting the carnivalesque to Colizzi's black characters; Black anti-heroes; Part III Funny Men and Strong Women: The Representation of Frontier Femmes in British Westerns. | |
| 520 | 8 | |a Focuses on previously unstudied Italian, German and British films |b The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West Òthers': Native Americans, African Americans and so-called s̀trong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and Òther', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre. | |
| 650 | 0 | |a Western films |z Europe. | |
| 650 | 0 | |a Gender identity in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2004008298 | |
| 650 | 0 | |a Race in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2001008935 | |
| 650 | 0 | |a Black people in motion pictures. | |
| 650 | 0 | |a Women in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85147593 | |
| 650 | 0 | |a Spaghetti Westerns. |0 http://id.loc.gov/authorities/subjects/sh2001000474 | |
| 650 | 6 | |a Westerns-spaghetti. | |
| 650 | 6 | |a Identité de genre au cinéma. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Personnes noires au cinéma. | |
| 650 | 6 | |a Femmes au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Women in motion pictures |2 fast | |
| 650 | 7 | |a Black people in motion pictures |2 fast | |
| 650 | 7 | |a Gender identity in motion pictures |2 fast | |
| 650 | 7 | |a Race in motion pictures |2 fast | |
| 650 | 7 | |a Western films |2 fast | |
| 651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 758 | |i has work: |a The Euro-Western (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGw4jxvYmHy6bq4389tGRC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Broughton, Lee, 1966- |t Euro-Western. |d London ; New York, NY : I.B. Tauris & Co. Ltd, 2016 |z 1784533890 |w (OCoLC)953629155 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn965196773 |
|---|---|
| _version_ | 1816882371297804288 |
| adam_text | |
| any_adam_object | |
| author | Broughton, Lee, 1966- |
| author_GND | http://id.loc.gov/authorities/names/n2016041839 |
| author_facet | Broughton, Lee, 1966- |
| author_role | aut |
| author_sort | Broughton, Lee, 1966- |
| author_variant | l b lb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.W4 B76 2016eb |
| callnumber-search | PN1995.9.W4 B76 2016eb |
| callnumber-sort | PN 41995.9 W4 B76 42016EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Cover; Half-title; endorsement; Title page; Copyright information; Table of contents; Acknowledgements; General Editor's Introduction; Introduction; Discussing the Western: the critical landscape; The Hollywood Western's representation of the 'Other' in brief and the structure of my study; Part I Indians in Europe: Indianthusiasm and the Representation of American Indians in West German Westerns; 1 West German Westerns: International Reception and Local Influences; Early affiliations and Nazi propaganda; The post war years and ethnic drag; Anthropology, Romanticism and German popular cinema. 2 The Representation of Indians in American Westerns'Bad' Indians outnumber 'good' Indians: The Big Trail (1930); Routed by the US Army: savage Indians and the 'Cavalry Trilogy' (1948-1950); Race relations and the pro-Indian Westerns: Broken Arrow (1950); Indians and Hollywood in the 1960s; 3 The Representation of Indians in West German Westerns; A new kind of cinematic Indian: Winnetou and The Treasure of Silver Lake (1962); Winnetou's central and commanding presence; Allegorical references to the recent past 1: the aesthetic of war. Allegorical references to the recent past 2: fascist figureheads, genocide and war crimes trialsThe significance of the landscape; Romanticism, Mountain films, inter-generational conflict and notions of Heimat; Groundbreaking representations of interracial romances: Winnetou the Warrior (1963) and Last of the Renegades (1964); Positive representations of 'mixed-blood' characters: The half-breed (1966); Part II Emancipation all'Italiana: The Representation of African Americans in Italian Westerns; 4 Italian Westerns: International Reception and Local Influences; Political stirrings. Leone, Morricone and examples of the more obviously 'local'The Southern Italians as 'Others'; Italy, Africa and images of black ethnicity in Italian cinema; The racial palimpsest in Italian Westerns; The circus and the street fair; 5 The Representation of Blacks in American Westerns; Early representations; A new black archetype: Vera Cruz (1954); The 'civil rights' Westerns of the 1960s; Reassessing black presence in 1960s US Westerns: Duel at Diablo (1966); The representation of black females in American Westerns; The Blaxploitation Westerns of the 1970s. 6 The Representation of Blacks in Italian WesternsRethinking the Black Venus: Lola Colt (1967) and The Great Silence (1968); Empowering the restricted black gaze; Freeing the fixed black female body; 'Sticking it to the Man' and interracial relationships; The black female action heroine; Reimagining the black male Westerner: Ace High (1968) and Boot Hill (1969); Finding the carnivalesque in Colizzi's films; Connecting the carnivalesque to Colizzi's black characters; Black anti-heroes; Part III Funny Men and Strong Women: The Representation of Frontier Femmes in British Westerns. |
| ctrlnum | (OCoLC)965196773 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6278 |
| dewey-search | 791.43/6278 |
| dewey-sort | 3791.43 46278 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| geographic | Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq |
| geographic_facet | Europe |
| id | ZDB-4-EBA-ocn965196773 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:33Z |
| institution | BVB |
| isbn | 9780857727381 0857727389 9780857729408 0857729403 1350988626 9781350988620 |
| language | English |
| oclc_num | 965196773 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 260 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | I.B. Tauris & Co. Ltd, |
| record_format | marc |
| series | Cinema and society. |
| series2 | Cinema and Society |
| spelling | Broughton, Lee, 1966- author. https://id.oclc.org/worldcat/entity/E39PCjBhQXT8tpMQBjH4kCthBK http://id.loc.gov/authorities/names/n2016041839 The Euro-Western : reframing gender, race and the 'other' in film / Lee Broughton. London ; New York, NY : I.B. Tauris & Co. Ltd, 2016. 1 online resource (x, 260 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cinema and Society Focuses on previously unstudied Italian, German and British films. Includes select filmography, bibliographical references and index. Print version record. Cover; Half-title; endorsement; Title page; Copyright information; Table of contents; Acknowledgements; General Editor's Introduction; Introduction; Discussing the Western: the critical landscape; The Hollywood Western's representation of the 'Other' in brief and the structure of my study; Part I Indians in Europe: Indianthusiasm and the Representation of American Indians in West German Westerns; 1 West German Westerns: International Reception and Local Influences; Early affiliations and Nazi propaganda; The post war years and ethnic drag; Anthropology, Romanticism and German popular cinema. 2 The Representation of Indians in American Westerns'Bad' Indians outnumber 'good' Indians: The Big Trail (1930); Routed by the US Army: savage Indians and the 'Cavalry Trilogy' (1948-1950); Race relations and the pro-Indian Westerns: Broken Arrow (1950); Indians and Hollywood in the 1960s; 3 The Representation of Indians in West German Westerns; A new kind of cinematic Indian: Winnetou and The Treasure of Silver Lake (1962); Winnetou's central and commanding presence; Allegorical references to the recent past 1: the aesthetic of war. Allegorical references to the recent past 2: fascist figureheads, genocide and war crimes trialsThe significance of the landscape; Romanticism, Mountain films, inter-generational conflict and notions of Heimat; Groundbreaking representations of interracial romances: Winnetou the Warrior (1963) and Last of the Renegades (1964); Positive representations of 'mixed-blood' characters: The half-breed (1966); Part II Emancipation all'Italiana: The Representation of African Americans in Italian Westerns; 4 Italian Westerns: International Reception and Local Influences; Political stirrings. Leone, Morricone and examples of the more obviously 'local'The Southern Italians as 'Others'; Italy, Africa and images of black ethnicity in Italian cinema; The racial palimpsest in Italian Westerns; The circus and the street fair; 5 The Representation of Blacks in American Westerns; Early representations; A new black archetype: Vera Cruz (1954); The 'civil rights' Westerns of the 1960s; Reassessing black presence in 1960s US Westerns: Duel at Diablo (1966); The representation of black females in American Westerns; The Blaxploitation Westerns of the 1970s. 6 The Representation of Blacks in Italian WesternsRethinking the Black Venus: Lola Colt (1967) and The Great Silence (1968); Empowering the restricted black gaze; Freeing the fixed black female body; 'Sticking it to the Man' and interracial relationships; The black female action heroine; Reimagining the black male Westerner: Ace High (1968) and Boot Hill (1969); Finding the carnivalesque in Colizzi's films; Connecting the carnivalesque to Colizzi's black characters; Black anti-heroes; Part III Funny Men and Strong Women: The Representation of Frontier Femmes in British Westerns. Focuses on previously unstudied Italian, German and British films The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West Òthers': Native Americans, African Americans and so-called s̀trong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and Òther', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre. Western films Europe. Gender identity in motion pictures. http://id.loc.gov/authorities/subjects/sh2004008298 Race in motion pictures. http://id.loc.gov/authorities/subjects/sh2001008935 Black people in motion pictures. Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Spaghetti Westerns. http://id.loc.gov/authorities/subjects/sh2001000474 Westerns-spaghetti. Identité de genre au cinéma. Race au cinéma. Personnes noires au cinéma. Femmes au cinéma. PERFORMING ARTS Reference. bisacsh Women in motion pictures fast Black people in motion pictures fast Gender identity in motion pictures fast Race in motion pictures fast Western films fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Performing Arts. ukslc has work: The Euro-Western (Text) https://id.oclc.org/worldcat/entity/E39PCGw4jxvYmHy6bq4389tGRC https://id.oclc.org/worldcat/ontology/hasWork Print version: Broughton, Lee, 1966- Euro-Western. London ; New York, NY : I.B. Tauris & Co. Ltd, 2016 1784533890 (OCoLC)953629155 Cinema and society. http://id.loc.gov/authorities/names/n83702361 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1429707 Volltext |
| spellingShingle | Broughton, Lee, 1966- The Euro-Western : reframing gender, race and the 'other' in film / Cinema and society. Cover; Half-title; endorsement; Title page; Copyright information; Table of contents; Acknowledgements; General Editor's Introduction; Introduction; Discussing the Western: the critical landscape; The Hollywood Western's representation of the 'Other' in brief and the structure of my study; Part I Indians in Europe: Indianthusiasm and the Representation of American Indians in West German Westerns; 1 West German Westerns: International Reception and Local Influences; Early affiliations and Nazi propaganda; The post war years and ethnic drag; Anthropology, Romanticism and German popular cinema. 2 The Representation of Indians in American Westerns'Bad' Indians outnumber 'good' Indians: The Big Trail (1930); Routed by the US Army: savage Indians and the 'Cavalry Trilogy' (1948-1950); Race relations and the pro-Indian Westerns: Broken Arrow (1950); Indians and Hollywood in the 1960s; 3 The Representation of Indians in West German Westerns; A new kind of cinematic Indian: Winnetou and The Treasure of Silver Lake (1962); Winnetou's central and commanding presence; Allegorical references to the recent past 1: the aesthetic of war. Allegorical references to the recent past 2: fascist figureheads, genocide and war crimes trialsThe significance of the landscape; Romanticism, Mountain films, inter-generational conflict and notions of Heimat; Groundbreaking representations of interracial romances: Winnetou the Warrior (1963) and Last of the Renegades (1964); Positive representations of 'mixed-blood' characters: The half-breed (1966); Part II Emancipation all'Italiana: The Representation of African Americans in Italian Westerns; 4 Italian Westerns: International Reception and Local Influences; Political stirrings. Leone, Morricone and examples of the more obviously 'local'The Southern Italians as 'Others'; Italy, Africa and images of black ethnicity in Italian cinema; The racial palimpsest in Italian Westerns; The circus and the street fair; 5 The Representation of Blacks in American Westerns; Early representations; A new black archetype: Vera Cruz (1954); The 'civil rights' Westerns of the 1960s; Reassessing black presence in 1960s US Westerns: Duel at Diablo (1966); The representation of black females in American Westerns; The Blaxploitation Westerns of the 1970s. 6 The Representation of Blacks in Italian WesternsRethinking the Black Venus: Lola Colt (1967) and The Great Silence (1968); Empowering the restricted black gaze; Freeing the fixed black female body; 'Sticking it to the Man' and interracial relationships; The black female action heroine; Reimagining the black male Westerner: Ace High (1968) and Boot Hill (1969); Finding the carnivalesque in Colizzi's films; Connecting the carnivalesque to Colizzi's black characters; Black anti-heroes; Part III Funny Men and Strong Women: The Representation of Frontier Femmes in British Westerns. Western films Europe. Gender identity in motion pictures. http://id.loc.gov/authorities/subjects/sh2004008298 Race in motion pictures. http://id.loc.gov/authorities/subjects/sh2001008935 Black people in motion pictures. Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Spaghetti Westerns. http://id.loc.gov/authorities/subjects/sh2001000474 Westerns-spaghetti. Identité de genre au cinéma. Race au cinéma. Personnes noires au cinéma. Femmes au cinéma. PERFORMING ARTS Reference. bisacsh Women in motion pictures fast Black people in motion pictures fast Gender identity in motion pictures fast Race in motion pictures fast Western films fast Performing Arts. ukslc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2004008298 http://id.loc.gov/authorities/subjects/sh2001008935 http://id.loc.gov/authorities/subjects/sh85147593 http://id.loc.gov/authorities/subjects/sh2001000474 |
| title | The Euro-Western : reframing gender, race and the 'other' in film / |
| title_auth | The Euro-Western : reframing gender, race and the 'other' in film / |
| title_exact_search | The Euro-Western : reframing gender, race and the 'other' in film / |
| title_full | The Euro-Western : reframing gender, race and the 'other' in film / Lee Broughton. |
| title_fullStr | The Euro-Western : reframing gender, race and the 'other' in film / Lee Broughton. |
| title_full_unstemmed | The Euro-Western : reframing gender, race and the 'other' in film / Lee Broughton. |
| title_short | The Euro-Western : |
| title_sort | euro western reframing gender race and the other in film |
| title_sub | reframing gender, race and the 'other' in film / |
| topic | Western films Europe. Gender identity in motion pictures. http://id.loc.gov/authorities/subjects/sh2004008298 Race in motion pictures. http://id.loc.gov/authorities/subjects/sh2001008935 Black people in motion pictures. Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Spaghetti Westerns. http://id.loc.gov/authorities/subjects/sh2001000474 Westerns-spaghetti. Identité de genre au cinéma. Race au cinéma. Personnes noires au cinéma. Femmes au cinéma. PERFORMING ARTS Reference. bisacsh Women in motion pictures fast Black people in motion pictures fast Gender identity in motion pictures fast Race in motion pictures fast Western films fast Performing Arts. ukslc |
| topic_facet | Western films Europe. Gender identity in motion pictures. Race in motion pictures. Black people in motion pictures. Women in motion pictures. Spaghetti Westerns. Westerns-spaghetti. Identité de genre au cinéma. Race au cinéma. Personnes noires au cinéma. Femmes au cinéma. PERFORMING ARTS Reference. Women in motion pictures Black people in motion pictures Gender identity in motion pictures Race in motion pictures Western films Europe Performing Arts. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1429707 |
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