Mixing music /:
This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London :
Routledge,
2017.
|
| Schriftenreihe: | Perspectives on music production.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record's production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process. |
| Beschreibung: | 1 online resource |
| ISBN: | 9781317295518 131729551X |
Internformat
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| 245 | 1 | 0 | |a Mixing music / |c Russ Hepworth-Sawyer & Jay Hodgson. |
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| 505 | 0 | |a Exploring of the mix: historical milestones and expanded perspectives -- How to listen, what to hear -- Proxemic interaction in popular music recordings -- Top down mixing -- a 12-step mixing programme -- Mixing in the box -- Audio editing in/and mixing -- Pre-production in mixing: mixing in pre-production -- Between speakers: discussions on mixing : mixing for markets : mixing in/and modern electronic music production -- Groove and the grid: mixing contemporary hip hop -- The mix is, the mix is not -- Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing -- Mix as auditory response -- An intelligent systems approach to mixing multitrack audio -- How can academic practice inform mix-craft? -- The dreaded mix sign-off: handing over to mastering -- Conclusion: mixing as part-history, part-present and part-future. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record's production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process. | ||
| 650 | 0 | |a Popular music |x Production and direction. | |
| 650 | 0 | |a Sound recordings |x Production and direction. |0 http://id.loc.gov/authorities/subjects/sh88003431 | |
| 650 | 6 | |a Musique populaire |x Production et mise en scène. | |
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| 650 | 7 | |a Sound recordings |x Production and direction |2 fast | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn965196739 |
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| _version_ | 1816882371290464256 |
| adam_text | |
| any_adam_object | |
| author | Hepworth-Sawyer, Russ Hodgson, Jay |
| author_facet | Hepworth-Sawyer, Russ Hodgson, Jay |
| author_role | aut aut |
| author_sort | Hepworth-Sawyer, Russ |
| author_variant | r h s rhs j h jh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3790 |
| callnumber-raw | ML3790 .H492 2017eb |
| callnumber-search | ML3790 .H492 2017eb |
| callnumber-sort | ML 43790 H492 42017EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Exploring of the mix: historical milestones and expanded perspectives -- How to listen, what to hear -- Proxemic interaction in popular music recordings -- Top down mixing -- a 12-step mixing programme -- Mixing in the box -- Audio editing in/and mixing -- Pre-production in mixing: mixing in pre-production -- Between speakers: discussions on mixing : mixing for markets : mixing in/and modern electronic music production -- Groove and the grid: mixing contemporary hip hop -- The mix is, the mix is not -- Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing -- Mix as auditory response -- An intelligent systems approach to mixing multitrack audio -- How can academic practice inform mix-craft? -- The dreaded mix sign-off: handing over to mastering -- Conclusion: mixing as part-history, part-present and part-future. |
| ctrlnum | (OCoLC)965196739 |
| dewey-full | 781.49 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.49 |
| dewey-search | 781.49 |
| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn965196739 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:33Z |
| institution | BVB |
| isbn | 9781317295518 131729551X |
| language | English |
| oclc_num | 965196739 |
| open_access_boolean | |
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| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Routledge, |
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| series | Perspectives on music production. |
| series2 | Perspectives on music production |
| spelling | Hepworth-Sawyer, Russ, author. Mixing music / Russ Hepworth-Sawyer & Jay Hodgson. New York ; London : Routledge, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Perspectives on music production Exploring of the mix: historical milestones and expanded perspectives -- How to listen, what to hear -- Proxemic interaction in popular music recordings -- Top down mixing -- a 12-step mixing programme -- Mixing in the box -- Audio editing in/and mixing -- Pre-production in mixing: mixing in pre-production -- Between speakers: discussions on mixing : mixing for markets : mixing in/and modern electronic music production -- Groove and the grid: mixing contemporary hip hop -- The mix is, the mix is not -- Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing -- Mix as auditory response -- An intelligent systems approach to mixing multitrack audio -- How can academic practice inform mix-craft? -- The dreaded mix sign-off: handing over to mastering -- Conclusion: mixing as part-history, part-present and part-future. Print version record. This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record's production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process. Popular music Production and direction. Sound recordings Production and direction. http://id.loc.gov/authorities/subjects/sh88003431 Musique populaire Production et mise en scène. MUSIC Instruction & Study Theory. bisacsh Sound recordings Production and direction fast Hodgson, Jay, author. has work: Mixing Music (Text) https://id.oclc.org/worldcat/entity/E39PCXjpkJtJv6C4DBdjCh6gw3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Hepworth-Sawyer, Russ. Mixing music. New York ; London : Routledge, 2017 9781138182042 (DLC) 2016029195 (OCoLC)952470346 Perspectives on music production. http://id.loc.gov/authorities/names/no2016083577 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1430117 Volltext |
| spellingShingle | Hepworth-Sawyer, Russ Hodgson, Jay Mixing music / Perspectives on music production. Exploring of the mix: historical milestones and expanded perspectives -- How to listen, what to hear -- Proxemic interaction in popular music recordings -- Top down mixing -- a 12-step mixing programme -- Mixing in the box -- Audio editing in/and mixing -- Pre-production in mixing: mixing in pre-production -- Between speakers: discussions on mixing : mixing for markets : mixing in/and modern electronic music production -- Groove and the grid: mixing contemporary hip hop -- The mix is, the mix is not -- Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing -- Mix as auditory response -- An intelligent systems approach to mixing multitrack audio -- How can academic practice inform mix-craft? -- The dreaded mix sign-off: handing over to mastering -- Conclusion: mixing as part-history, part-present and part-future. Popular music Production and direction. Sound recordings Production and direction. http://id.loc.gov/authorities/subjects/sh88003431 Musique populaire Production et mise en scène. MUSIC Instruction & Study Theory. bisacsh Sound recordings Production and direction fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh88003431 |
| title | Mixing music / |
| title_auth | Mixing music / |
| title_exact_search | Mixing music / |
| title_full | Mixing music / Russ Hepworth-Sawyer & Jay Hodgson. |
| title_fullStr | Mixing music / Russ Hepworth-Sawyer & Jay Hodgson. |
| title_full_unstemmed | Mixing music / Russ Hepworth-Sawyer & Jay Hodgson. |
| title_short | Mixing music / |
| title_sort | mixing music |
| topic | Popular music Production and direction. Sound recordings Production and direction. http://id.loc.gov/authorities/subjects/sh88003431 Musique populaire Production et mise en scène. MUSIC Instruction & Study Theory. bisacsh Sound recordings Production and direction fast |
| topic_facet | Popular music Production and direction. Sound recordings Production and direction. Musique populaire Production et mise en scène. MUSIC Instruction & Study Theory. Sound recordings Production and direction |
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