Sabotage art :: politics and iconoclasm in contemporary Latin America /
Sabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commo...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris,
2016.
|
| Schriftenreihe: | International library of modern and contemporary art ;
28. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Sabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. 'Sabotage art' reveals how contemporary Latin American artists have resorted to 'sabotage' strategies to bridge the gap between aesthetics and politics, and seeks to understand the mystification, cooption and commercialisation of this new, dissident work. |
| Beschreibung: | 1 online resource (xvii, 238 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780857729132 0857729136 0857727087 9780857727084 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn965196484 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 161205s2016 enka ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDX |d IDEBK |d EBLCP |d MERUC |d IDB |d OCLCQ |d NLE |d UKMGB |d OCLCQ |d UKAHL |d OCLCQ |d K6U |d OCLCQ |d BLOOM |d OCLCQ |d OCLCO |d SGP |d OCLCQ |d OCLCO |d OCLCL | ||
| 015 | |a GBB948784 |2 bnb | ||
| 016 | 7 | |a 018223117 |2 Uk | |
| 016 | 7 | |a 019286994 |2 Uk | |
| 019 | |a 965480138 |a 965739161 |a 966254693 |a 1001795783 |a 1107074317 |a 1107488897 | ||
| 020 | |a 9780857729132 |q (electronic bk.) | ||
| 020 | |a 0857729136 |q (electronic bk.) | ||
| 020 | |a 0857727087 | ||
| 020 | |a 9780857727084 | ||
| 020 | |z 9781784532253 | ||
| 020 | |z 1784532258 | ||
| 020 | |z 9780857727084 |q (epdf) | ||
| 035 | |a (OCoLC)965196484 |z (OCoLC)965480138 |z (OCoLC)965739161 |z (OCoLC)966254693 |z (OCoLC)1001795783 |z (OCoLC)1107074317 |z (OCoLC)1107488897 | ||
| 037 | |a 9780857729132 |b Ingram Content Group | ||
| 043 | |a cl----- | ||
| 050 | 4 | |a N72.P6 |b S236 2016eb | |
| 072 | 7 | |a ART |x 000000 |2 bisacsh | |
| 082 | 7 | |a 701/.03 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Sabotage art : |b politics and iconoclasm in contemporary Latin America / |c edited by Sophie Halart and Mara Polgovsky Ezcurra. |
| 264 | 1 | |a London : |b I.B. Tauris, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xvii, 238 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a International library of modern and contemporary art ; |v 28 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Sabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. 'Sabotage art' reveals how contemporary Latin American artists have resorted to 'sabotage' strategies to bridge the gap between aesthetics and politics, and seeks to understand the mystification, cooption and commercialisation of this new, dissident work. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Endorsement; Title page; Copyright information; Table of contents; List of Images; Notes on Contributors; Acknowledgments; Introduction; References; Part I Material Sabotage: Ensnaring, Burning, Trespassing; 1 Entrap, Engulf, Overwhelm; 'Laying Traps and Dangling Baits'; Subjects into Objects; Countercultural Carnival; References; 2 Shaman, Thespian, Saboteur; Potlatch; A System of Giving; Letter Bombing; Serialized Incineration; ... by Way of Proximity; References; 3 Pictorial Eviscerations, Emblems and Self-Immolation in Mexico; I. Insubordination; II. Decorum. | |
| 505 | 8 | |a III. Self-ImmolationIV. Sabotage; The Poetics of the Razor Blade; ¡Oh Santa Bandera!: Civic Decorum, Disrespect and Dissensus; Coda: `The same indocile innocence'; References; 4 Bureaucratic Sabotage; Systems Art and Bureaucratic Systems; The Big Monster; Tactic I: Trickery and Stealth; Tactic II: Ridicule, Jam and Infest the System; Tactic III: Disruption and Overidentification; Administered Society and the Body; References; Part II Cannons and Canons: Explosive vs. Implosive Postures; 5 Cogs and Clogs; Interrupted Flows: Neo-Avant-Garde Art in Chile and Argentina. | |
| 505 | 8 | |a Political Orthodoxy and Committed ArtistsArgentine Mass Media Art and (Anti- )Happenings; CADA and the Chilean Escena de Avanzada; Latin American Conceptualism: Sabotaging Art History?; The Saboteur Saboté or the Limits of Art as Subversive Practice; The End of Mass Media Art and Tucumán Arde; NO +; Conceptualism, Inc.; Global Art and Local Re-Readings; References; 6 Impossible Objects; Empty Shoe Box; Yielding Stone; The Found Object; Surrealist Legacies in Latin America; References; 7 El Museo de la Calle ; Bartering at El Cartucho. | |
| 505 | 8 | |a From the Aesthetics of Hunger to the Aestheticization of PovertyCollecting, Representing: Paths and Diversions; References; 8 Stay at Your Own Risk; A Participative Community Can Be Risky as Well ... ; References; 9 'The Space of Appearance'; References; Index. | |
| 650 | 0 | |a Art |x Political aspects |z Latin America. | |
| 650 | 0 | |a Iconoclasm in art. |0 http://id.loc.gov/authorities/subjects/sh2003000045 | |
| 650 | 0 | |a Radicalism in art. |0 http://id.loc.gov/authorities/subjects/sh97000670 | |
| 650 | 6 | |a Art |x Aspect politique |z Amérique latine. | |
| 650 | 6 | |a Iconoclasme dans l'art. | |
| 650 | 6 | |a Radicalisme dans l'art. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Art |x Political aspects |2 fast | |
| 650 | 7 | |a Iconoclasm in art |2 fast | |
| 650 | 7 | |a Radicalism in art |2 fast | |
| 651 | 7 | |a Latin America |2 fast | |
| 700 | 1 | |a Halart, Sophie, |e editor. | |
| 700 | 1 | |a Polgovsky Ezcurra, Mara, |e editor. | |
| 758 | |i has work: |a Sabotage art (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFwQcrV4wtKyVWfdbfQP43 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Sabotage art. |d London : I.B. Tauris, 2016 |z 9781784532253 |w (OCoLC)947096942 |
| 830 | 0 | |a International library of modern and contemporary art ; |v 28. |0 http://id.loc.gov/authorities/names/no2013071192 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1430968 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32249029 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32217462 | ||
| 938 | |a Bloomsbury Publishing |b BLOO |n 9781350987906 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4756002 | ||
| 938 | |a EBSCOhost |b EBSC |n 1430968 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis37110628 | ||
| 938 | |a YBP Library Services |b YANK |n 301337797 | ||
| 938 | |a YBP Library Services |b YANK |n 13288251 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn965196484 |
|---|---|
| _version_ | 1816882371277881345 |
| adam_text | |
| any_adam_object | |
| author2 | Halart, Sophie Polgovsky Ezcurra, Mara |
| author2_role | edt edt |
| author2_variant | s h sh e m p em emp |
| author_facet | Halart, Sophie Polgovsky Ezcurra, Mara |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N72 |
| callnumber-raw | N72.P6 S236 2016eb |
| callnumber-search | N72.P6 S236 2016eb |
| callnumber-sort | N 272 P6 S236 42016EB |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Cover; Half-title; Endorsement; Title page; Copyright information; Table of contents; List of Images; Notes on Contributors; Acknowledgments; Introduction; References; Part I Material Sabotage: Ensnaring, Burning, Trespassing; 1 Entrap, Engulf, Overwhelm; 'Laying Traps and Dangling Baits'; Subjects into Objects; Countercultural Carnival; References; 2 Shaman, Thespian, Saboteur; Potlatch; A System of Giving; Letter Bombing; Serialized Incineration; ... by Way of Proximity; References; 3 Pictorial Eviscerations, Emblems and Self-Immolation in Mexico; I. Insubordination; II. Decorum. III. Self-ImmolationIV. Sabotage; The Poetics of the Razor Blade; ¡Oh Santa Bandera!: Civic Decorum, Disrespect and Dissensus; Coda: `The same indocile innocence'; References; 4 Bureaucratic Sabotage; Systems Art and Bureaucratic Systems; The Big Monster; Tactic I: Trickery and Stealth; Tactic II: Ridicule, Jam and Infest the System; Tactic III: Disruption and Overidentification; Administered Society and the Body; References; Part II Cannons and Canons: Explosive vs. Implosive Postures; 5 Cogs and Clogs; Interrupted Flows: Neo-Avant-Garde Art in Chile and Argentina. Political Orthodoxy and Committed ArtistsArgentine Mass Media Art and (Anti- )Happenings; CADA and the Chilean Escena de Avanzada; Latin American Conceptualism: Sabotaging Art History?; The Saboteur Saboté or the Limits of Art as Subversive Practice; The End of Mass Media Art and Tucumán Arde; NO +; Conceptualism, Inc.; Global Art and Local Re-Readings; References; 6 Impossible Objects; Empty Shoe Box; Yielding Stone; The Found Object; Surrealist Legacies in Latin America; References; 7 El Museo de la Calle ; Bartering at El Cartucho. From the Aesthetics of Hunger to the Aestheticization of PovertyCollecting, Representing: Paths and Diversions; References; 8 Stay at Your Own Risk; A Participative Community Can Be Risky as Well ... ; References; 9 'The Space of Appearance'; References; Index. |
| ctrlnum | (OCoLC)965196484 |
| dewey-full | 701/.03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.03 |
| dewey-search | 701/.03 |
| dewey-sort | 3701 13 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05995cam a2200817 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn965196484</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">161205s2016 enka ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">IDEBK</subfield><subfield code="d">EBLCP</subfield><subfield code="d">MERUC</subfield><subfield code="d">IDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">NLE</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BLOOM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SGP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB948784</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">018223117</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019286994</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">965480138</subfield><subfield code="a">965739161</subfield><subfield code="a">966254693</subfield><subfield code="a">1001795783</subfield><subfield code="a">1107074317</subfield><subfield code="a">1107488897</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780857729132</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0857729136</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0857727087</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780857727084</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781784532253</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1784532258</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780857727084</subfield><subfield code="q">(epdf)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)965196484</subfield><subfield code="z">(OCoLC)965480138</subfield><subfield code="z">(OCoLC)965739161</subfield><subfield code="z">(OCoLC)966254693</subfield><subfield code="z">(OCoLC)1001795783</subfield><subfield code="z">(OCoLC)1107074317</subfield><subfield code="z">(OCoLC)1107488897</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9780857729132</subfield><subfield code="b">Ingram Content Group</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">cl-----</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N72.P6</subfield><subfield code="b">S236 2016eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">701/.03</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Sabotage art :</subfield><subfield code="b">politics and iconoclasm in contemporary Latin America /</subfield><subfield code="c">edited by Sophie Halart and Mara Polgovsky Ezcurra.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London :</subfield><subfield code="b">I.B. Tauris,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvii, 238 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">International library of modern and contemporary art ;</subfield><subfield code="v">28</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Sabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. 'Sabotage art' reveals how contemporary Latin American artists have resorted to 'sabotage' strategies to bridge the gap between aesthetics and politics, and seeks to understand the mystification, cooption and commercialisation of this new, dissident work.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Half-title; Endorsement; Title page; Copyright information; Table of contents; List of Images; Notes on Contributors; Acknowledgments; Introduction; References; Part I Material Sabotage: Ensnaring, Burning, Trespassing; 1 Entrap, Engulf, Overwhelm; 'Laying Traps and Dangling Baits'; Subjects into Objects; Countercultural Carnival; References; 2 Shaman, Thespian, Saboteur; Potlatch; A System of Giving; Letter Bombing; Serialized Incineration; ... by Way of Proximity; References; 3 Pictorial Eviscerations, Emblems and Self-Immolation in Mexico; I. Insubordination; II. Decorum.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">III. Self-ImmolationIV. Sabotage; The Poetics of the Razor Blade; ¡Oh Santa Bandera!: Civic Decorum, Disrespect and Dissensus; Coda: `The same indocile innocence'; References; 4 Bureaucratic Sabotage; Systems Art and Bureaucratic Systems; The Big Monster; Tactic I: Trickery and Stealth; Tactic II: Ridicule, Jam and Infest the System; Tactic III: Disruption and Overidentification; Administered Society and the Body; References; Part II Cannons and Canons: Explosive vs. Implosive Postures; 5 Cogs and Clogs; Interrupted Flows: Neo-Avant-Garde Art in Chile and Argentina.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Political Orthodoxy and Committed ArtistsArgentine Mass Media Art and (Anti- )Happenings; CADA and the Chilean Escena de Avanzada; Latin American Conceptualism: Sabotaging Art History?; The Saboteur Saboté or the Limits of Art as Subversive Practice; The End of Mass Media Art and Tucumán Arde; NO +; Conceptualism, Inc.; Global Art and Local Re-Readings; References; 6 Impossible Objects; Empty Shoe Box; Yielding Stone; The Found Object; Surrealist Legacies in Latin America; References; 7 El Museo de la Calle ; Bartering at El Cartucho.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">From the Aesthetics of Hunger to the Aestheticization of PovertyCollecting, Representing: Paths and Diversions; References; 8 Stay at Your Own Risk; A Participative Community Can Be Risky as Well ... ; References; 9 'The Space of Appearance'; References; Index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art</subfield><subfield code="x">Political aspects</subfield><subfield code="z">Latin America.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Iconoclasm in art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2003000045</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Radicalism in art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh97000670</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art</subfield><subfield code="x">Aspect politique</subfield><subfield code="z">Amérique latine.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Iconoclasme dans l'art.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Radicalisme dans l'art.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art</subfield><subfield code="x">Political aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Iconoclasm in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Radicalism in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Latin America</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Halart, Sophie,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Polgovsky Ezcurra, Mara,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Sabotage art (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFwQcrV4wtKyVWfdbfQP43</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Sabotage art.</subfield><subfield code="d">London : I.B. Tauris, 2016</subfield><subfield code="z">9781784532253</subfield><subfield code="w">(OCoLC)947096942</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">International library of modern and contemporary art ;</subfield><subfield code="v">28.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2013071192</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1430968</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH32249029</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH32217462</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">9781350987906</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4756002</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1430968</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis37110628</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301337797</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13288251</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| geographic | Latin America fast |
| geographic_facet | Latin America |
| id | ZDB-4-EBA-ocn965196484 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:33Z |
| institution | BVB |
| isbn | 9780857729132 0857729136 0857727087 9780857727084 |
| language | English |
| oclc_num | 965196484 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvii, 238 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | I.B. Tauris, |
| record_format | marc |
| series | International library of modern and contemporary art ; |
| series2 | International library of modern and contemporary art ; |
| spelling | Sabotage art : politics and iconoclasm in contemporary Latin America / edited by Sophie Halart and Mara Polgovsky Ezcurra. London : I.B. Tauris, 2016. ©2016 1 online resource (xvii, 238 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier International library of modern and contemporary art ; 28 Includes bibliographical references and index. Sabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. 'Sabotage art' reveals how contemporary Latin American artists have resorted to 'sabotage' strategies to bridge the gap between aesthetics and politics, and seeks to understand the mystification, cooption and commercialisation of this new, dissident work. Print version record. Cover; Half-title; Endorsement; Title page; Copyright information; Table of contents; List of Images; Notes on Contributors; Acknowledgments; Introduction; References; Part I Material Sabotage: Ensnaring, Burning, Trespassing; 1 Entrap, Engulf, Overwhelm; 'Laying Traps and Dangling Baits'; Subjects into Objects; Countercultural Carnival; References; 2 Shaman, Thespian, Saboteur; Potlatch; A System of Giving; Letter Bombing; Serialized Incineration; ... by Way of Proximity; References; 3 Pictorial Eviscerations, Emblems and Self-Immolation in Mexico; I. Insubordination; II. Decorum. III. Self-ImmolationIV. Sabotage; The Poetics of the Razor Blade; ¡Oh Santa Bandera!: Civic Decorum, Disrespect and Dissensus; Coda: `The same indocile innocence'; References; 4 Bureaucratic Sabotage; Systems Art and Bureaucratic Systems; The Big Monster; Tactic I: Trickery and Stealth; Tactic II: Ridicule, Jam and Infest the System; Tactic III: Disruption and Overidentification; Administered Society and the Body; References; Part II Cannons and Canons: Explosive vs. Implosive Postures; 5 Cogs and Clogs; Interrupted Flows: Neo-Avant-Garde Art in Chile and Argentina. Political Orthodoxy and Committed ArtistsArgentine Mass Media Art and (Anti- )Happenings; CADA and the Chilean Escena de Avanzada; Latin American Conceptualism: Sabotaging Art History?; The Saboteur Saboté or the Limits of Art as Subversive Practice; The End of Mass Media Art and Tucumán Arde; NO +; Conceptualism, Inc.; Global Art and Local Re-Readings; References; 6 Impossible Objects; Empty Shoe Box; Yielding Stone; The Found Object; Surrealist Legacies in Latin America; References; 7 El Museo de la Calle ; Bartering at El Cartucho. From the Aesthetics of Hunger to the Aestheticization of PovertyCollecting, Representing: Paths and Diversions; References; 8 Stay at Your Own Risk; A Participative Community Can Be Risky as Well ... ; References; 9 'The Space of Appearance'; References; Index. Art Political aspects Latin America. Iconoclasm in art. http://id.loc.gov/authorities/subjects/sh2003000045 Radicalism in art. http://id.loc.gov/authorities/subjects/sh97000670 Art Aspect politique Amérique latine. Iconoclasme dans l'art. Radicalisme dans l'art. ART General. bisacsh Art Political aspects fast Iconoclasm in art fast Radicalism in art fast Latin America fast Halart, Sophie, editor. Polgovsky Ezcurra, Mara, editor. has work: Sabotage art (Text) https://id.oclc.org/worldcat/entity/E39PCFwQcrV4wtKyVWfdbfQP43 https://id.oclc.org/worldcat/ontology/hasWork Print version: Sabotage art. London : I.B. Tauris, 2016 9781784532253 (OCoLC)947096942 International library of modern and contemporary art ; 28. http://id.loc.gov/authorities/names/no2013071192 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1430968 Volltext |
| spellingShingle | Sabotage art : politics and iconoclasm in contemporary Latin America / International library of modern and contemporary art ; Cover; Half-title; Endorsement; Title page; Copyright information; Table of contents; List of Images; Notes on Contributors; Acknowledgments; Introduction; References; Part I Material Sabotage: Ensnaring, Burning, Trespassing; 1 Entrap, Engulf, Overwhelm; 'Laying Traps and Dangling Baits'; Subjects into Objects; Countercultural Carnival; References; 2 Shaman, Thespian, Saboteur; Potlatch; A System of Giving; Letter Bombing; Serialized Incineration; ... by Way of Proximity; References; 3 Pictorial Eviscerations, Emblems and Self-Immolation in Mexico; I. Insubordination; II. Decorum. III. Self-ImmolationIV. Sabotage; The Poetics of the Razor Blade; ¡Oh Santa Bandera!: Civic Decorum, Disrespect and Dissensus; Coda: `The same indocile innocence'; References; 4 Bureaucratic Sabotage; Systems Art and Bureaucratic Systems; The Big Monster; Tactic I: Trickery and Stealth; Tactic II: Ridicule, Jam and Infest the System; Tactic III: Disruption and Overidentification; Administered Society and the Body; References; Part II Cannons and Canons: Explosive vs. Implosive Postures; 5 Cogs and Clogs; Interrupted Flows: Neo-Avant-Garde Art in Chile and Argentina. Political Orthodoxy and Committed ArtistsArgentine Mass Media Art and (Anti- )Happenings; CADA and the Chilean Escena de Avanzada; Latin American Conceptualism: Sabotaging Art History?; The Saboteur Saboté or the Limits of Art as Subversive Practice; The End of Mass Media Art and Tucumán Arde; NO +; Conceptualism, Inc.; Global Art and Local Re-Readings; References; 6 Impossible Objects; Empty Shoe Box; Yielding Stone; The Found Object; Surrealist Legacies in Latin America; References; 7 El Museo de la Calle ; Bartering at El Cartucho. From the Aesthetics of Hunger to the Aestheticization of PovertyCollecting, Representing: Paths and Diversions; References; 8 Stay at Your Own Risk; A Participative Community Can Be Risky as Well ... ; References; 9 'The Space of Appearance'; References; Index. Art Political aspects Latin America. Iconoclasm in art. http://id.loc.gov/authorities/subjects/sh2003000045 Radicalism in art. http://id.loc.gov/authorities/subjects/sh97000670 Art Aspect politique Amérique latine. Iconoclasme dans l'art. Radicalisme dans l'art. ART General. bisacsh Art Political aspects fast Iconoclasm in art fast Radicalism in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2003000045 http://id.loc.gov/authorities/subjects/sh97000670 |
| title | Sabotage art : politics and iconoclasm in contemporary Latin America / |
| title_auth | Sabotage art : politics and iconoclasm in contemporary Latin America / |
| title_exact_search | Sabotage art : politics and iconoclasm in contemporary Latin America / |
| title_full | Sabotage art : politics and iconoclasm in contemporary Latin America / edited by Sophie Halart and Mara Polgovsky Ezcurra. |
| title_fullStr | Sabotage art : politics and iconoclasm in contemporary Latin America / edited by Sophie Halart and Mara Polgovsky Ezcurra. |
| title_full_unstemmed | Sabotage art : politics and iconoclasm in contemporary Latin America / edited by Sophie Halart and Mara Polgovsky Ezcurra. |
| title_short | Sabotage art : |
| title_sort | sabotage art politics and iconoclasm in contemporary latin america |
| title_sub | politics and iconoclasm in contemporary Latin America / |
| topic | Art Political aspects Latin America. Iconoclasm in art. http://id.loc.gov/authorities/subjects/sh2003000045 Radicalism in art. http://id.loc.gov/authorities/subjects/sh97000670 Art Aspect politique Amérique latine. Iconoclasme dans l'art. Radicalisme dans l'art. ART General. bisacsh Art Political aspects fast Iconoclasm in art fast Radicalism in art fast |
| topic_facet | Art Political aspects Latin America. Iconoclasm in art. Radicalism in art. Art Aspect politique Amérique latine. Iconoclasme dans l'art. Radicalisme dans l'art. ART General. Art Political aspects Iconoclasm in art Radicalism in art Latin America |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1430968 |
| work_keys_str_mv | AT halartsophie sabotageartpoliticsandiconoclasmincontemporarylatinamerica AT polgovskyezcurramara sabotageartpoliticsandiconoclasmincontemporarylatinamerica |