Dance and drama in French baroque opera :: a history /
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom :
Cambridge University Press,
2016.
|
| Schriftenreihe: | Cambridge studies in opera.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement is essential to understanding the work. The book considers the operas of Lully and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera. |
| Beschreibung: | 1 online resource (xx, 484 pages .) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781316481080 1316481085 9781316778692 131677869X 1316502783 9781316502785 |
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| 245 | 1 | 0 | |a Dance and drama in French baroque opera : |b a history / |c Rebecca Harris-Warrick. |
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| 520 | 8 | |a Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement is essential to understanding the work. The book considers the operas of Lully and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera. | |
| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Figures; Acknowledgements; Notes to the text; List of Abbreviations; Introduction; Part I Lully; 1 The Dramaturgy of Lully's Divertissements; Alceste (1674); Atys (1676); Armide (1686); Inside and Outside the Divertissement; 2 Constructing the Divertissement; Primary Sources; Interpreting the Didascalies; The Mechanics of Lully's Divertissements; The Characters; Staging the Dancers and the Chorus; Dance Inside of Choruses; The Choreographic Treatment of Dance-Songs; Independent Instrumental Dances | |
| 505 | 8 | |a Chaconnes and PassacaillesDivertissement Architecture; The Dramaturgical Implications of Mechanics; Reading the Texts; Text and Action; Celebrations; 3 Dance Foundations; Basic Principles of Baroque Dance; Movement Vocabulary; Dance-Types; Construction of Choreographies; Lully's Dance Troupe; 4 Dance Practices on Stage; The Dancing Forces; Counting the Dancers; Distributing the Dancers; Deploying the Dancers Across a Divertissement; Style and Expression; Musical Characterization; Key; Form; Texture and Orchestration; Phrase Structure; Instrumental Music and Movement; 5 Prologues; Atys; Armide | |
| 505 | 8 | |a 6 The Lighter Side of LullyLes Fêtes de l'Amour et de Bacchus; Cadmus et Hermione, Alceste, and Thésée; Le Carnaval; Psyché; Le Triomphe de l'Amour; Acis et Galatée; Part II The Rival Muses in the Age of Campra; 7 The Muses Take the Stage; Genre Terminology; Sources; Reading the Cast Lists in Librettos; 8 Thalie, Muse of Comedy; The Decade after Lully; "Italy" Comes to the Opéra; L'Europe galante (1697); Les Fêtes vénitiennes (1710); 9 Thalie Visits the Fairs; Appropriated Frames; Operatic Parodies; Dancing Master Scenes; The Masked Ball on Stage; Comic Simultaneity; "Fragments" as a Genre | |
| 505 | 8 | |a 10 The Contested ComicDomestication; Le Carnaval et la Folie (1704); Les Fragments de M. de Lully (1702); Les Fêtes de Thalie (1714); The Realm of the Héroïque; Les Fêtes grecques et romaines (1723); La Reine des Péris (1725); Naturalizing Novelty; 11 Melpomène, Muse of Tragedy; Achille et Polixène (1687); Médée (1693); Tancrède (1702); Hypmermnestre (1716); Jephté (1732); 12 Melpomène Adapts; Three Divertissement Types; Italianisms in the Tragédie en Musique; Pastoral Divertissements; Nautical Divertissements; Lully Revivals; 13 Terpsichore, Muse of the Dance | |
| 505 | 8 | |a The Dance Troupe During the Early Eighteenth CenturyPersonnel and Staffing; The Stars of the Troupe; A Case Study: The Dumoulin Brothers; Crossovers; Les Caractères de la danse and Its Offspring; The Symphonies of Jean-Féry Rebel; Operatic Incarnations; Shared Practices; "Tous vos pas sont des sentiments"; 14 In the Traces of Terpsichore; Notated Choreographies "Dansées à l'Opéra"; Soloists as Choreographers; Dance Types, New or Newly Characterized; "Venetian" Dances; Dances for Arlequin; Peasant Dances; Entrée grave; Menuet; Passepied; Tambourin; Contredanse; Who Dances Where | |
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| adam_text | |
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| author | Harris-Warrick, Rebecca |
| author_facet | Harris-Warrick, Rebecca |
| author_role | aut |
| author_sort | Harris-Warrick, Rebecca |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML1727 |
| callnumber-raw | ML1727.2 .H37 2016 |
| callnumber-search | ML1727.2 .H37 2016 |
| callnumber-sort | ML 41727.2 H37 42016 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Figures; Acknowledgements; Notes to the text; List of Abbreviations; Introduction; Part I Lully; 1 The Dramaturgy of Lully's Divertissements; Alceste (1674); Atys (1676); Armide (1686); Inside and Outside the Divertissement; 2 Constructing the Divertissement; Primary Sources; Interpreting the Didascalies; The Mechanics of Lully's Divertissements; The Characters; Staging the Dancers and the Chorus; Dance Inside of Choruses; The Choreographic Treatment of Dance-Songs; Independent Instrumental Dances Chaconnes and PassacaillesDivertissement Architecture; The Dramaturgical Implications of Mechanics; Reading the Texts; Text and Action; Celebrations; 3 Dance Foundations; Basic Principles of Baroque Dance; Movement Vocabulary; Dance-Types; Construction of Choreographies; Lully's Dance Troupe; 4 Dance Practices on Stage; The Dancing Forces; Counting the Dancers; Distributing the Dancers; Deploying the Dancers Across a Divertissement; Style and Expression; Musical Characterization; Key; Form; Texture and Orchestration; Phrase Structure; Instrumental Music and Movement; 5 Prologues; Atys; Armide 6 The Lighter Side of LullyLes Fêtes de l'Amour et de Bacchus; Cadmus et Hermione, Alceste, and Thésée; Le Carnaval; Psyché; Le Triomphe de l'Amour; Acis et Galatée; Part II The Rival Muses in the Age of Campra; 7 The Muses Take the Stage; Genre Terminology; Sources; Reading the Cast Lists in Librettos; 8 Thalie, Muse of Comedy; The Decade after Lully; "Italy" Comes to the Opéra; L'Europe galante (1697); Les Fêtes vénitiennes (1710); 9 Thalie Visits the Fairs; Appropriated Frames; Operatic Parodies; Dancing Master Scenes; The Masked Ball on Stage; Comic Simultaneity; "Fragments" as a Genre 10 The Contested ComicDomestication; Le Carnaval et la Folie (1704); Les Fragments de M. de Lully (1702); Les Fêtes de Thalie (1714); The Realm of the Héroïque; Les Fêtes grecques et romaines (1723); La Reine des Péris (1725); Naturalizing Novelty; 11 Melpomène, Muse of Tragedy; Achille et Polixène (1687); Médée (1693); Tancrède (1702); Hypmermnestre (1716); Jephté (1732); 12 Melpomène Adapts; Three Divertissement Types; Italianisms in the Tragédie en Musique; Pastoral Divertissements; Nautical Divertissements; Lully Revivals; 13 Terpsichore, Muse of the Dance The Dance Troupe During the Early Eighteenth CenturyPersonnel and Staffing; The Stars of the Troupe; A Case Study: The Dumoulin Brothers; Crossovers; Les Caractères de la danse and Its Offspring; The Symphonies of Jean-Féry Rebel; Operatic Incarnations; Shared Practices; "Tous vos pas sont des sentiments"; 14 In the Traces of Terpsichore; Notated Choreographies "Dansées à l'Opéra"; Soloists as Choreographers; Dance Types, New or Newly Characterized; "Venetian" Dances; Dances for Arlequin; Peasant Dances; Entrée grave; Menuet; Passepied; Tambourin; Contredanse; Who Dances Where |
| ctrlnum | (OCoLC)964546195 |
| dewey-full | 782.10944/09032 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.10944/09032 |
| dewey-search | 782.10944/09032 |
| dewey-sort | 3782.10944 49032 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1600-1799 fast |
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| format | Electronic eBook |
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Alceste, and Thésée; Le Carnaval; Psyché; Le Triomphe de l'Amour; Acis et Galatée; Part II The Rival Muses in the Age of Campra; 7 The Muses Take the Stage; Genre Terminology; Sources; Reading the Cast Lists in Librettos; 8 Thalie, Muse of Comedy; The Decade after Lully; "Italy" Comes to the Opéra; L'Europe galante (1697); Les Fêtes vénitiennes (1710); 9 Thalie Visits the Fairs; Appropriated Frames; Operatic Parodies; Dancing Master Scenes; The Masked Ball on Stage; Comic Simultaneity; "Fragments" as a Genre</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">10 The Contested ComicDomestication; Le Carnaval et la Folie (1704); Les Fragments de M. de Lully (1702); Les Fêtes de Thalie (1714); The Realm of the Héroïque; Les Fêtes grecques et romaines (1723); La Reine des Péris (1725); Naturalizing Novelty; 11 Melpomène, Muse of Tragedy; Achille et Polixène (1687); Médée (1693); Tancrède (1702); Hypmermnestre (1716); Jephté (1732); 12 Melpomène Adapts; Three 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| genre | History fast |
| genre_facet | History |
| geographic | France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Frankreich gnd |
| geographic_facet | France Frankreich |
| id | ZDB-4-EBA-ocn964546195 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:32Z |
| institution | BVB |
| isbn | 9781316481080 1316481085 9781316778692 131677869X 1316502783 9781316502785 |
| language | English |
| oclc_num | 964546195 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xx, 484 pages .) |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Cambridge University Press, |
| record_format | marc |
| series | Cambridge studies in opera. |
| series2 | Cambridge studies in opera |
| spelling | Harris-Warrick, Rebecca, author. Dance and drama in French baroque opera : a history / Rebecca Harris-Warrick. Cambridge, United Kingdom : Cambridge University Press, 2016. 1 online resource (xx, 484 pages .) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cambridge studies in opera Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement is essential to understanding the work. The book considers the operas of Lully and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera. Includes bibliographical references and index. Print version record. Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Figures; Acknowledgements; Notes to the text; List of Abbreviations; Introduction; Part I Lully; 1 The Dramaturgy of Lully's Divertissements; Alceste (1674); Atys (1676); Armide (1686); Inside and Outside the Divertissement; 2 Constructing the Divertissement; Primary Sources; Interpreting the Didascalies; The Mechanics of Lully's Divertissements; The Characters; Staging the Dancers and the Chorus; Dance Inside of Choruses; The Choreographic Treatment of Dance-Songs; Independent Instrumental Dances Chaconnes and PassacaillesDivertissement Architecture; The Dramaturgical Implications of Mechanics; Reading the Texts; Text and Action; Celebrations; 3 Dance Foundations; Basic Principles of Baroque Dance; Movement Vocabulary; Dance-Types; Construction of Choreographies; Lully's Dance Troupe; 4 Dance Practices on Stage; The Dancing Forces; Counting the Dancers; Distributing the Dancers; Deploying the Dancers Across a Divertissement; Style and Expression; Musical Characterization; Key; Form; Texture and Orchestration; Phrase Structure; Instrumental Music and Movement; 5 Prologues; Atys; Armide 6 The Lighter Side of LullyLes Fêtes de l'Amour et de Bacchus; Cadmus et Hermione, Alceste, and Thésée; Le Carnaval; Psyché; Le Triomphe de l'Amour; Acis et Galatée; Part II The Rival Muses in the Age of Campra; 7 The Muses Take the Stage; Genre Terminology; Sources; Reading the Cast Lists in Librettos; 8 Thalie, Muse of Comedy; The Decade after Lully; "Italy" Comes to the Opéra; L'Europe galante (1697); Les Fêtes vénitiennes (1710); 9 Thalie Visits the Fairs; Appropriated Frames; Operatic Parodies; Dancing Master Scenes; The Masked Ball on Stage; Comic Simultaneity; "Fragments" as a Genre 10 The Contested ComicDomestication; Le Carnaval et la Folie (1704); Les Fragments de M. de Lully (1702); Les Fêtes de Thalie (1714); The Realm of the Héroïque; Les Fêtes grecques et romaines (1723); La Reine des Péris (1725); Naturalizing Novelty; 11 Melpomène, Muse of Tragedy; Achille et Polixène (1687); Médée (1693); Tancrède (1702); Hypmermnestre (1716); Jephté (1732); 12 Melpomène Adapts; Three Divertissement Types; Italianisms in the Tragédie en Musique; Pastoral Divertissements; Nautical Divertissements; Lully Revivals; 13 Terpsichore, Muse of the Dance The Dance Troupe During the Early Eighteenth CenturyPersonnel and Staffing; The Stars of the Troupe; A Case Study: The Dumoulin Brothers; Crossovers; Les Caractères de la danse and Its Offspring; The Symphonies of Jean-Féry Rebel; Operatic Incarnations; Shared Practices; "Tous vos pas sont des sentiments"; 14 In the Traces of Terpsichore; Notated Choreographies "Dansées à l'Opéra"; Soloists as Choreographers; Dance Types, New or Newly Characterized; "Venetian" Dances; Dances for Arlequin; Peasant Dances; Entrée grave; Menuet; Passepied; Tambourin; Contredanse; Who Dances Where Lully, Jean-Baptiste, 1632-1687. Operas. Operas (Lully, Jean-Baptiste) fast Dance in opera History 17th century. Dance in opera History 18th century. Opera Dramaturgy. http://id.loc.gov/authorities/subjects/sh85094903 Opera France 17th century. Opera France 18th century. http://id.loc.gov/authorities/subjects/sh2006004026 Opéra Dramaturgie. Opéra France 17e siècle. Opéra France 18e siècle. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Dance in opera fast Opera fast Opera Dramaturgy fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Barock gnd Oper gnd Tanz gnd http://d-nb.info/gnd/4059028-8 Dramaturgie gnd http://d-nb.info/gnd/4124796-6 Frankreich gnd 1600-1799 fast History fast has work: Dance and drama in French Baroque opera (Text) https://id.oclc.org/worldcat/entity/E39PCGPm3bPPQpgfHfwqtfCjVK https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781107137899 1107137896 (DLC) 2016023675 (OCoLC)946968074 Cambridge studies in opera. http://id.loc.gov/authorities/names/n96110197 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1362674 Volltext |
| spellingShingle | Harris-Warrick, Rebecca Dance and drama in French baroque opera : a history / Cambridge studies in opera. Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Figures; Acknowledgements; Notes to the text; List of Abbreviations; Introduction; Part I Lully; 1 The Dramaturgy of Lully's Divertissements; Alceste (1674); Atys (1676); Armide (1686); Inside and Outside the Divertissement; 2 Constructing the Divertissement; Primary Sources; Interpreting the Didascalies; The Mechanics of Lully's Divertissements; The Characters; Staging the Dancers and the Chorus; Dance Inside of Choruses; The Choreographic Treatment of Dance-Songs; Independent Instrumental Dances Chaconnes and PassacaillesDivertissement Architecture; The Dramaturgical Implications of Mechanics; Reading the Texts; Text and Action; Celebrations; 3 Dance Foundations; Basic Principles of Baroque Dance; Movement Vocabulary; Dance-Types; Construction of Choreographies; Lully's Dance Troupe; 4 Dance Practices on Stage; The Dancing Forces; Counting the Dancers; Distributing the Dancers; Deploying the Dancers Across a Divertissement; Style and Expression; Musical Characterization; Key; Form; Texture and Orchestration; Phrase Structure; Instrumental Music and Movement; 5 Prologues; Atys; Armide 6 The Lighter Side of LullyLes Fêtes de l'Amour et de Bacchus; Cadmus et Hermione, Alceste, and Thésée; Le Carnaval; Psyché; Le Triomphe de l'Amour; Acis et Galatée; Part II The Rival Muses in the Age of Campra; 7 The Muses Take the Stage; Genre Terminology; Sources; Reading the Cast Lists in Librettos; 8 Thalie, Muse of Comedy; The Decade after Lully; "Italy" Comes to the Opéra; L'Europe galante (1697); Les Fêtes vénitiennes (1710); 9 Thalie Visits the Fairs; Appropriated Frames; Operatic Parodies; Dancing Master Scenes; The Masked Ball on Stage; Comic Simultaneity; "Fragments" as a Genre 10 The Contested ComicDomestication; Le Carnaval et la Folie (1704); Les Fragments de M. de Lully (1702); Les Fêtes de Thalie (1714); The Realm of the Héroïque; Les Fêtes grecques et romaines (1723); La Reine des Péris (1725); Naturalizing Novelty; 11 Melpomène, Muse of Tragedy; Achille et Polixène (1687); Médée (1693); Tancrède (1702); Hypmermnestre (1716); Jephté (1732); 12 Melpomène Adapts; Three Divertissement Types; Italianisms in the Tragédie en Musique; Pastoral Divertissements; Nautical Divertissements; Lully Revivals; 13 Terpsichore, Muse of the Dance The Dance Troupe During the Early Eighteenth CenturyPersonnel and Staffing; The Stars of the Troupe; A Case Study: The Dumoulin Brothers; Crossovers; Les Caractères de la danse and Its Offspring; The Symphonies of Jean-Féry Rebel; Operatic Incarnations; Shared Practices; "Tous vos pas sont des sentiments"; 14 In the Traces of Terpsichore; Notated Choreographies "Dansées à l'Opéra"; Soloists as Choreographers; Dance Types, New or Newly Characterized; "Venetian" Dances; Dances for Arlequin; Peasant Dances; Entrée grave; Menuet; Passepied; Tambourin; Contredanse; Who Dances Where Lully, Jean-Baptiste, 1632-1687. Operas. Operas (Lully, Jean-Baptiste) fast Dance in opera History 17th century. Dance in opera History 18th century. Opera Dramaturgy. http://id.loc.gov/authorities/subjects/sh85094903 Opera France 17th century. Opera France 18th century. http://id.loc.gov/authorities/subjects/sh2006004026 Opéra Dramaturgie. Opéra France 17e siècle. Opéra France 18e siècle. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Dance in opera fast Opera fast Opera Dramaturgy fast Barock gnd Oper gnd Tanz gnd http://d-nb.info/gnd/4059028-8 Dramaturgie gnd http://d-nb.info/gnd/4124796-6 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85094903 http://id.loc.gov/authorities/subjects/sh2006004026 http://d-nb.info/gnd/4059028-8 http://d-nb.info/gnd/4124796-6 |
| title | Dance and drama in French baroque opera : a history / |
| title_auth | Dance and drama in French baroque opera : a history / |
| title_exact_search | Dance and drama in French baroque opera : a history / |
| title_full | Dance and drama in French baroque opera : a history / Rebecca Harris-Warrick. |
| title_fullStr | Dance and drama in French baroque opera : a history / Rebecca Harris-Warrick. |
| title_full_unstemmed | Dance and drama in French baroque opera : a history / Rebecca Harris-Warrick. |
| title_short | Dance and drama in French baroque opera : |
| title_sort | dance and drama in french baroque opera a history |
| title_sub | a history / |
| topic | Lully, Jean-Baptiste, 1632-1687. Operas. Operas (Lully, Jean-Baptiste) fast Dance in opera History 17th century. Dance in opera History 18th century. Opera Dramaturgy. http://id.loc.gov/authorities/subjects/sh85094903 Opera France 17th century. Opera France 18th century. http://id.loc.gov/authorities/subjects/sh2006004026 Opéra Dramaturgie. Opéra France 17e siècle. Opéra France 18e siècle. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Dance in opera fast Opera fast Opera Dramaturgy fast Barock gnd Oper gnd Tanz gnd http://d-nb.info/gnd/4059028-8 Dramaturgie gnd http://d-nb.info/gnd/4124796-6 |
| topic_facet | Lully, Jean-Baptiste, 1632-1687. Operas. Operas (Lully, Jean-Baptiste) Dance in opera History 17th century. Dance in opera History 18th century. Opera Dramaturgy. Opera France 17th century. Opera France 18th century. Opéra Dramaturgie. Opéra France 17e siècle. Opéra France 18e siècle. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Dance in opera Opera Opera Dramaturgy France Barock Oper Tanz Dramaturgie Frankreich History |
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| work_keys_str_mv | AT harriswarrickrebecca danceanddramainfrenchbaroqueoperaahistory |