Music after the fall :: modern composition and culture since 1989 /
Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the cont...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California :
University of California Press,
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside an. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520959040 0520959043 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn964527593 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 161129t20172017cau ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d EBLCP |d IDB |d UAB |d YDX |d CSAIL |d TEFOD |d OCL |d BUF |d CUS |d STBDS |d JSTOR |d OCLCQ |d KSU |d COF |d UEJ |d OTZ |d OCLCQ |d LEAUB |d OL$ |d DEGRU |d OCLCQ |d S2H |d OCLCO |d OCL |d JTB |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d INARC |d OCLCQ |d OCLCO |d YWS |d OCLCL | ||
| 020 | |a 9780520959040 |q (electronic bk.) | ||
| 020 | |a 0520959043 |q (electronic bk.) | ||
| 020 | |z 9780520283145 | ||
| 020 | |z 0520283147 | ||
| 020 | |z 9780520283152 | ||
| 020 | |z 0520283155 | ||
| 035 | |a (OCoLC)964527593 | ||
| 037 | |a 3E54EB37-B25B-4D18-8C0B-6F8076083149 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 22573/ctv1wqgm3 |b JSTOR | ||
| 050 | 4 | |a ML197 |b .R94 2017eb | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 020000 |2 bisacsh | |
| 082 | 7 | |a 780.9/04 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Rutherford-Johnson, Tim, |e author. | |
| 245 | 1 | 0 | |a Music after the fall : |b modern composition and culture since 1989 / |c Tim Rutherford-Johnson. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; List of illustrations; Acknowledgments; 1. 1989 and After; 2. Mediation and the Marketplace; 3. Permission: Freedom, Choice, and the Body; 4. Fluidity: Digital Translations, Displacements, and Journeys; 5. Mobility: Worldwide Flows, Networks, and Archipelagos; 6. Superabundance: Spectacle, Scale, and Excess; 7. Loss: Ruins, Memorials, and Documents; 8. Recovery: Gaps between Past and Present; Appendix 1: Recommended Listening; Appendix 2: Further Reading; Notes; Index. | |
| 520 | |a Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside an. | ||
| 650 | 0 | |a Music |y 20th century |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2001000180 | |
| 650 | 0 | |a Music |y 21st century |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects |x History |y 20th century. | |
| 650 | 0 | |a Music |x Social aspects |x History |y 21st century. | |
| 650 | 6 | |a Musique |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Musique |x Aspect social |x Histoire |y 21e siècle. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 653 | |a arts and entertainment. | ||
| 653 | |a cold war era music. | ||
| 653 | |a concert hall. | ||
| 653 | |a crossover work. | ||
| 653 | |a evolution of music. | ||
| 653 | |a excess. | ||
| 653 | |a experimental music. | ||
| 653 | |a fluidity. | ||
| 653 | |a music composition. | ||
| 653 | |a music criticism. | ||
| 653 | |a music theory. | ||
| 653 | |a musical anthropology. | ||
| 653 | |a musical theorists. | ||
| 653 | |a musician. | ||
| 653 | |a musicians. | ||
| 653 | |a permission. | ||
| 653 | |a political and cultural influence. | ||
| 653 | |a remix culture. | ||
| 653 | |a sampling music. | ||
| 653 | |a sound art. | ||
| 653 | |a string quartets. | ||
| 653 | |a western art. | ||
| 655 | 7 | |a Music |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Music. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026952 | |
| 655 | 7 | |a Musique. |2 rvmgf | |
| 758 | |i has work: |a Music after the fall (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGDQhhdRY6CWTp6hvCKrv3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Rutherford-Johnson, Tim. |t Music after the fall. |d Oakland, California : University of California Press, [2017] |z 9780520283145 |w (DLC) 2016040711 |w (OCoLC)958262850 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1427754 |3 Volltext |
| 938 | |a Internet Archive |b INAR |n musicafterfallmo0000ruth | ||
| 938 | |a De Gruyter |b DEGR |n 9780520959040 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4711979 | ||
| 938 | |a EBSCOhost |b EBSC |n 1427754 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0001740196 | ||
| 938 | |a YBP Library Services |b YANK |n 13275977 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn964527593 |
|---|---|
| _version_ | 1816882370698018816 |
| adam_text | |
| any_adam_object | |
| author | Rutherford-Johnson, Tim |
| author_facet | Rutherford-Johnson, Tim |
| author_role | aut |
| author_sort | Rutherford-Johnson, Tim |
| author_variant | t r j trj |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML197 |
| callnumber-raw | ML197 .R94 2017eb |
| callnumber-search | ML197 .R94 2017eb |
| callnumber-sort | ML 3197 R94 42017EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; List of illustrations; Acknowledgments; 1. 1989 and After; 2. Mediation and the Marketplace; 3. Permission: Freedom, Choice, and the Body; 4. Fluidity: Digital Translations, Displacements, and Journeys; 5. Mobility: Worldwide Flows, Networks, and Archipelagos; 6. Superabundance: Spectacle, Scale, and Excess; 7. Loss: Ruins, Memorials, and Documents; 8. Recovery: Gaps between Past and Present; Appendix 1: Recommended Listening; Appendix 2: Further Reading; Notes; Index. |
| ctrlnum | (OCoLC)964527593 |
| dewey-full | 780.9/04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/04 |
| dewey-search | 780.9/04 |
| dewey-sort | 3780.9 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-2099 fast |
| era_facet | 1900-2099 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05172cam a2201033 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn964527593</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">161129t20172017cau ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDB</subfield><subfield code="d">UAB</subfield><subfield code="d">YDX</subfield><subfield code="d">CSAIL</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCL</subfield><subfield code="d">BUF</subfield><subfield code="d">CUS</subfield><subfield code="d">STBDS</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">KSU</subfield><subfield code="d">COF</subfield><subfield code="d">UEJ</subfield><subfield code="d">OTZ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LEAUB</subfield><subfield code="d">OL$</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">S2H</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">JTB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520959040</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520959043</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520283145</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0520283147</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520283152</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0520283155</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)964527593</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">3E54EB37-B25B-4D18-8C0B-6F8076083149</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1wqgm3</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML197</subfield><subfield code="b">.R94 2017eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">033000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">020000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">780.9/04</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rutherford-Johnson, Tim,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music after the fall :</subfield><subfield code="b">modern composition and culture since 1989 /</subfield><subfield code="c">Tim Rutherford-Johnson.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California :</subfield><subfield code="b">University of California Press,</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Contents; List of illustrations; Acknowledgments; 1. 1989 and After; 2. Mediation and the Marketplace; 3. Permission: Freedom, Choice, and the Body; 4. Fluidity: Digital Translations, Displacements, and Journeys; 5. Mobility: Worldwide Flows, Networks, and Archipelagos; 6. Superabundance: Spectacle, Scale, and Excess; 7. Loss: Ruins, Memorials, and Documents; 8. Recovery: Gaps between Past and Present; Appendix 1: Recommended Listening; Appendix 2: Further Reading; Notes; Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside an.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2001000180</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="y">21st century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Social aspects</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Social aspects</subfield><subfield code="x">History</subfield><subfield code="y">21st century.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="y">21e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="x">Aspect social</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="x">Aspect social</subfield><subfield code="x">Histoire</subfield><subfield code="y">21e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-2099</subfield><subfield code="2">fast</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">arts and entertainment.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">cold war era music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">concert hall.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">crossover work.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">evolution of music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">excess.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">experimental music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">fluidity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">music composition.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">music criticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">music theory.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">musical anthropology.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">musical theorists.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">musician.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">musicians.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">permission.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">political and cultural influence.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">remix culture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">sampling music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">sound art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">string quartets.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">western art.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Music.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2014026952</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Musique.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Music after the fall (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGDQhhdRY6CWTp6hvCKrv3</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Rutherford-Johnson, Tim.</subfield><subfield code="t">Music after the fall.</subfield><subfield code="d">Oakland, California : University of California Press, [2017]</subfield><subfield code="z">9780520283145</subfield><subfield code="w">(DLC) 2016040711</subfield><subfield code="w">(OCoLC)958262850</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1427754</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">musicafterfallmo0000ruth</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780520959040</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4711979</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1427754</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Oxford University Press USA</subfield><subfield code="b">OUPR</subfield><subfield code="n">EDZ0001740196</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13275977</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Music fast Criticism, interpretation, etc. fast History fast Music. lcgft http://id.loc.gov/authorities/genreForms/gf2014026952 Musique. rvmgf |
| genre_facet | Music Criticism, interpretation, etc. History Music. Musique. |
| id | ZDB-4-EBA-ocn964527593 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:32Z |
| institution | BVB |
| isbn | 9780520959040 0520959043 |
| language | English |
| oclc_num | 964527593 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Rutherford-Johnson, Tim, author. Music after the fall : modern composition and culture since 1989 / Tim Rutherford-Johnson. Oakland, California : University of California Press, [2017] ©2017 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Cover; Contents; List of illustrations; Acknowledgments; 1. 1989 and After; 2. Mediation and the Marketplace; 3. Permission: Freedom, Choice, and the Body; 4. Fluidity: Digital Translations, Displacements, and Journeys; 5. Mobility: Worldwide Flows, Networks, and Archipelagos; 6. Superabundance: Spectacle, Scale, and Excess; 7. Loss: Ruins, Memorials, and Documents; 8. Recovery: Gaps between Past and Present; Appendix 1: Recommended Listening; Appendix 2: Further Reading; Notes; Index. Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside an. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music 21st century History and criticism. Music Social aspects History 20th century. Music Social aspects History 21st century. Musique 21e siècle Histoire et critique. Musique Aspect social Histoire 20e siècle. Musique Aspect social Histoire 21e siècle. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC History & Criticism. bisacsh Music fast Music Social aspects fast 1900-2099 fast arts and entertainment. cold war era music. concert hall. crossover work. evolution of music. excess. experimental music. fluidity. music composition. music criticism. music theory. musical anthropology. musical theorists. musician. musicians. permission. political and cultural influence. remix culture. sampling music. sound art. string quartets. western art. Criticism, interpretation, etc. fast History fast Music. lcgft http://id.loc.gov/authorities/genreForms/gf2014026952 Musique. rvmgf has work: Music after the fall (Text) https://id.oclc.org/worldcat/entity/E39PCGDQhhdRY6CWTp6hvCKrv3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Rutherford-Johnson, Tim. Music after the fall. Oakland, California : University of California Press, [2017] 9780520283145 (DLC) 2016040711 (OCoLC)958262850 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1427754 Volltext |
| spellingShingle | Rutherford-Johnson, Tim Music after the fall : modern composition and culture since 1989 / Cover; Contents; List of illustrations; Acknowledgments; 1. 1989 and After; 2. Mediation and the Marketplace; 3. Permission: Freedom, Choice, and the Body; 4. Fluidity: Digital Translations, Displacements, and Journeys; 5. Mobility: Worldwide Flows, Networks, and Archipelagos; 6. Superabundance: Spectacle, Scale, and Excess; 7. Loss: Ruins, Memorials, and Documents; 8. Recovery: Gaps between Past and Present; Appendix 1: Recommended Listening; Appendix 2: Further Reading; Notes; Index. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music 21st century History and criticism. Music Social aspects History 20th century. Music Social aspects History 21st century. Musique 21e siècle Histoire et critique. Musique Aspect social Histoire 20e siècle. Musique Aspect social Histoire 21e siècle. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC History & Criticism. bisacsh Music fast Music Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001000180 http://id.loc.gov/authorities/genreForms/gf2014026952 |
| title | Music after the fall : modern composition and culture since 1989 / |
| title_auth | Music after the fall : modern composition and culture since 1989 / |
| title_exact_search | Music after the fall : modern composition and culture since 1989 / |
| title_full | Music after the fall : modern composition and culture since 1989 / Tim Rutherford-Johnson. |
| title_fullStr | Music after the fall : modern composition and culture since 1989 / Tim Rutherford-Johnson. |
| title_full_unstemmed | Music after the fall : modern composition and culture since 1989 / Tim Rutherford-Johnson. |
| title_short | Music after the fall : |
| title_sort | music after the fall modern composition and culture since 1989 |
| title_sub | modern composition and culture since 1989 / |
| topic | Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music 21st century History and criticism. Music Social aspects History 20th century. Music Social aspects History 21st century. Musique 21e siècle Histoire et critique. Musique Aspect social Histoire 20e siècle. Musique Aspect social Histoire 21e siècle. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC History & Criticism. bisacsh Music fast Music Social aspects fast |
| topic_facet | Music 20th century History and criticism. Music 21st century History and criticism. Music Social aspects History 20th century. Music Social aspects History 21st century. Musique 21e siècle Histoire et critique. Musique Aspect social Histoire 20e siècle. Musique Aspect social Histoire 21e siècle. MUSIC Genres & Styles Classical. MUSIC Reference. MUSIC History & Criticism. Music Music Social aspects Criticism, interpretation, etc. History Music. Musique. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1427754 |
| work_keys_str_mv | AT rutherfordjohnsontim musicafterthefallmoderncompositionandculturesince1989 |