In secrecy's shadow :: the OSS and CIA in Hollywood cinema, 1941-1979 /
A comprehensive, archivally researched history of the CIA and Hollywood cinema. During the Second World War hundreds of Hollywood filmmakers under the command of the legendary director John Ford enlisted in the OSS to produce training, reconnaissance and propaganda films. This wartime bond continued...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburg :
Edinburgh University Press,
2016.
|
| Schriftenreihe: | Traditions in American cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A comprehensive, archivally researched history of the CIA and Hollywood cinema. During the Second World War hundreds of Hollywood filmmakers under the command of the legendary director John Ford enlisted in the OSS to produce training, reconnaissance and propaganda films. This wartime bond continued into the post-war period, when a number of studios produced films advocating the creation of a permanent peacetime successor to the OSS: what became the Central Intelligence Agency. By the 1960s however, Hollywood's increasingly irreverent attitude towards the CIA reflected a growing public anxiety about excessive US government secrecy. In Secrecy's Shadow provides the first comprehensive history of the birth and development of Hollywood's relationship with American intelligence. It takes an interdisciplinary approach, synthesizing literatures and methodologies from diplomatic history, film studies and cultural theory, and it presents new perspectives on a number of major filmmakers including Darryl F. Zanuck, Alfred Hitchcock and John Ford. Based on research conducted in over 20 archival repositories across the United States and UK, In Secrecy's Shadow explores the revolution in the relationship between Hollywood and the secret state, from unwavering trust and cooperation to extreme scepticism and paranoia, and demonstrates the debilitating effects of secrecy upon public trust in government and the stability of national memory. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and indexes |
| ISBN: | 0748693009 9780748693009 9781474421935 1474421938 9780748692996 0748692991 |
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| 100 | 1 | |a Willmetts, Simon. | |
| 245 | 1 | 0 | |a In secrecy's shadow : |b the OSS and CIA in Hollywood cinema, 1941-1979 / |c Simon Willmetts. |
| 260 | |a Edinburg : |b Edinburgh University Press, |c 2016. | ||
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| 490 | 1 | |a Traditions in American cinema | |
| 504 | |a Includes bibliographical references and indexes | ||
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| 520 | |a A comprehensive, archivally researched history of the CIA and Hollywood cinema. During the Second World War hundreds of Hollywood filmmakers under the command of the legendary director John Ford enlisted in the OSS to produce training, reconnaissance and propaganda films. This wartime bond continued into the post-war period, when a number of studios produced films advocating the creation of a permanent peacetime successor to the OSS: what became the Central Intelligence Agency. By the 1960s however, Hollywood's increasingly irreverent attitude towards the CIA reflected a growing public anxiety about excessive US government secrecy. In Secrecy's Shadow provides the first comprehensive history of the birth and development of Hollywood's relationship with American intelligence. It takes an interdisciplinary approach, synthesizing literatures and methodologies from diplomatic history, film studies and cultural theory, and it presents new perspectives on a number of major filmmakers including Darryl F. Zanuck, Alfred Hitchcock and John Ford. Based on research conducted in over 20 archival repositories across the United States and UK, In Secrecy's Shadow explores the revolution in the relationship between Hollywood and the secret state, from unwavering trust and cooperation to extreme scepticism and paranoia, and demonstrates the debilitating effects of secrecy upon public trust in government and the stability of national memory. | ||
| 505 | 0 | 0 | |g 1. |t The Facts of War: Cinematic Intelligence and the Office of Strategic Services -- |t John Ford's Navy -- |t Weaponising Cinema -- |t Hollywood's Intelligence Archive -- |t Wild Bill Donovan and the Origins of the OSS Field Photographic Unit -- |t December 7th: Scripting an Intelligence Failure -- |t Zanuck, Ford and the Filming of the North African Invasion -- |t The Authority of Cinema at the Nuremberg Trials -- |g 2. |t `What is Past is Prologue': Hollywood's History of the OSS and the Establishment of the CIA -- |t Hollywood Enlists in General Donovan's Campaign for a Permanent Peacetime Intelligence Agency -- |t O.S.S. (1946) -- |t Cloak and Dagger (1946) -- |t 13 Rue Madeleine (1947) -- |g 3. |t Quiet Americans: The CIA and Hollywood in the Early Cold War -- |t Cherishing Anonymity: Hollywood and the CIA in the Early Cold War -- |t Dangerous Liaisons: The CIA in Hollywood -- |t Joseph Mankiewicz's The Quiet American (1958) -- |t Figaro Entertainment's Unmade CIA Semi-documentary TV Series -- |g 4. |t The Death of the `Big Lie' and the Emergence of Postmodern Incredulity in the Spy Cinema of the 1960s -- |t Our Man in Havana and the Origins of Cold War Satire -- |t North by Northwest (1959) -- |t The Man from U.N.C.L.E. and TV Spy Satire in the 1960s -- |t Parody Turns Political in The President's Analyst (1967) -- |g 5. |t Secrecy, Conspiracy, Cinema and the CIA in the 1970s -- |t Scorpio (1973) and CIA Public Relations -- |t The Spook Who Sat by the Door (1973) -- |t Watergate, The Parallax View (1974) and the Emergence of the Conspiracy Thriller -- |t Three Days of the Condor (1975) -- |t Emile de Antonio and Philip Agee: The Radical CIA Film that Never Was -- |t Fighting Back: The Birth of CIA Public Relations. |
| 610 | 1 | 0 | |a United States. |b Central Intelligence Agency |x In motion pictures. |
| 610 | 1 | 7 | |a United States. |b Central Intelligence Agency |2 fast |
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| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Spy films |z United States |x History and criticism. | |
| 650 | 6 | |a Films d'espionnage |z États-Unis |x Histoire et critique. | |
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| 650 | 7 | |a Spy films |2 fast | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Willmetts, Simon. |t In secrecy's shadow. |d Edinburg : Edinburgh University Press, 2016 |z 9780748692996 |z 0748692991 |
| 830 | 0 | |a Traditions in American cinema. |0 http://id.loc.gov/authorities/names/no2014085852 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn963702232 |
|---|---|
| _version_ | 1816882369800437760 |
| adam_text | |
| any_adam_object | |
| author | Willmetts, Simon |
| author_facet | Willmetts, Simon |
| author_role | |
| author_sort | Willmetts, Simon |
| author_variant | s w sw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.S68 W55 2016eb |
| callnumber-search | PN1995.9.S68 W55 2016eb |
| callnumber-sort | PN 41995.9 S68 W55 42016EB |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 59484 |
| collection | ZDB-4-EBA |
| contents | The Facts of War: Cinematic Intelligence and the Office of Strategic Services -- John Ford's Navy -- Weaponising Cinema -- Hollywood's Intelligence Archive -- Wild Bill Donovan and the Origins of the OSS Field Photographic Unit -- December 7th: Scripting an Intelligence Failure -- Zanuck, Ford and the Filming of the North African Invasion -- The Authority of Cinema at the Nuremberg Trials -- `What is Past is Prologue': Hollywood's History of the OSS and the Establishment of the CIA -- Hollywood Enlists in General Donovan's Campaign for a Permanent Peacetime Intelligence Agency -- O.S.S. (1946) -- Cloak and Dagger (1946) -- 13 Rue Madeleine (1947) -- Quiet Americans: The CIA and Hollywood in the Early Cold War -- Cherishing Anonymity: Hollywood and the CIA in the Early Cold War -- Dangerous Liaisons: The CIA in Hollywood -- Joseph Mankiewicz's The Quiet American (1958) -- Figaro Entertainment's Unmade CIA Semi-documentary TV Series -- The Death of the `Big Lie' and the Emergence of Postmodern Incredulity in the Spy Cinema of the 1960s -- Our Man in Havana and the Origins of Cold War Satire -- North by Northwest (1959) -- The Man from U.N.C.L.E. and TV Spy Satire in the 1960s -- Parody Turns Political in The President's Analyst (1967) -- Secrecy, Conspiracy, Cinema and the CIA in the 1970s -- Scorpio (1973) and CIA Public Relations -- The Spook Who Sat by the Door (1973) -- Watergate, The Parallax View (1974) and the Emergence of the Conspiracy Thriller -- Three Days of the Condor (1975) -- Emile de Antonio and Philip Agee: The Radical CIA Film that Never Was -- Fighting Back: The Birth of CIA Public Relations. |
| ctrlnum | (OCoLC)963702232 |
| dewey-full | 791.43/6581 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6581 |
| dewey-search | 791.43/6581 |
| dewey-sort | 3791.43 46581 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Los Angeles- Hollywood gnd |
| geographic_facet | United States Los Angeles- Hollywood |
| id | ZDB-4-EBA-ocn963702232 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:31Z |
| institution | BVB |
| isbn | 0748693009 9780748693009 9781474421935 1474421938 9780748692996 0748692991 |
| language | English |
| oclc_num | 963702232 |
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| physical | 1 online resource |
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| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Traditions in American cinema. |
| series2 | Traditions in American cinema |
| spelling | Willmetts, Simon. In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / Simon Willmetts. Edinburg : Edinburgh University Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in American cinema Includes bibliographical references and indexes Print version record. A comprehensive, archivally researched history of the CIA and Hollywood cinema. During the Second World War hundreds of Hollywood filmmakers under the command of the legendary director John Ford enlisted in the OSS to produce training, reconnaissance and propaganda films. This wartime bond continued into the post-war period, when a number of studios produced films advocating the creation of a permanent peacetime successor to the OSS: what became the Central Intelligence Agency. By the 1960s however, Hollywood's increasingly irreverent attitude towards the CIA reflected a growing public anxiety about excessive US government secrecy. In Secrecy's Shadow provides the first comprehensive history of the birth and development of Hollywood's relationship with American intelligence. It takes an interdisciplinary approach, synthesizing literatures and methodologies from diplomatic history, film studies and cultural theory, and it presents new perspectives on a number of major filmmakers including Darryl F. Zanuck, Alfred Hitchcock and John Ford. Based on research conducted in over 20 archival repositories across the United States and UK, In Secrecy's Shadow explores the revolution in the relationship between Hollywood and the secret state, from unwavering trust and cooperation to extreme scepticism and paranoia, and demonstrates the debilitating effects of secrecy upon public trust in government and the stability of national memory. 1. The Facts of War: Cinematic Intelligence and the Office of Strategic Services -- John Ford's Navy -- Weaponising Cinema -- Hollywood's Intelligence Archive -- Wild Bill Donovan and the Origins of the OSS Field Photographic Unit -- December 7th: Scripting an Intelligence Failure -- Zanuck, Ford and the Filming of the North African Invasion -- The Authority of Cinema at the Nuremberg Trials -- 2. `What is Past is Prologue': Hollywood's History of the OSS and the Establishment of the CIA -- Hollywood Enlists in General Donovan's Campaign for a Permanent Peacetime Intelligence Agency -- O.S.S. (1946) -- Cloak and Dagger (1946) -- 13 Rue Madeleine (1947) -- 3. Quiet Americans: The CIA and Hollywood in the Early Cold War -- Cherishing Anonymity: Hollywood and the CIA in the Early Cold War -- Dangerous Liaisons: The CIA in Hollywood -- Joseph Mankiewicz's The Quiet American (1958) -- Figaro Entertainment's Unmade CIA Semi-documentary TV Series -- 4. The Death of the `Big Lie' and the Emergence of Postmodern Incredulity in the Spy Cinema of the 1960s -- Our Man in Havana and the Origins of Cold War Satire -- North by Northwest (1959) -- The Man from U.N.C.L.E. and TV Spy Satire in the 1960s -- Parody Turns Political in The President's Analyst (1967) -- 5. Secrecy, Conspiracy, Cinema and the CIA in the 1970s -- Scorpio (1973) and CIA Public Relations -- The Spook Who Sat by the Door (1973) -- Watergate, The Parallax View (1974) and the Emergence of the Conspiracy Thriller -- Three Days of the Condor (1975) -- Emile de Antonio and Philip Agee: The Radical CIA Film that Never Was -- Fighting Back: The Birth of CIA Public Relations. United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency fast USA Office of Strategic Services gnd http://d-nb.info/gnd/2083772-0 USA Central Intelligence Agency gnd http://d-nb.info/gnd/1021698-4 Bibel Philemonbrief gnd Spy films United States History and criticism. Films d'espionnage États-Unis Histoire et critique. PERFORMING ARTS Reference. bisacsh Motion pictures fast Spy films fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Los Angeles- Hollywood gnd Central Illustration Agency In motion pictures United States Office of Strategic Services In motion pictures Motion pictures History United States Criticism, interpretation, etc. fast Print version: Willmetts, Simon. In secrecy's shadow. Edinburg : Edinburgh University Press, 2016 9780748692996 0748692991 Traditions in American cinema. http://id.loc.gov/authorities/names/no2014085852 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1424218 Volltext |
| spellingShingle | Willmetts, Simon In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / Traditions in American cinema. The Facts of War: Cinematic Intelligence and the Office of Strategic Services -- John Ford's Navy -- Weaponising Cinema -- Hollywood's Intelligence Archive -- Wild Bill Donovan and the Origins of the OSS Field Photographic Unit -- December 7th: Scripting an Intelligence Failure -- Zanuck, Ford and the Filming of the North African Invasion -- The Authority of Cinema at the Nuremberg Trials -- `What is Past is Prologue': Hollywood's History of the OSS and the Establishment of the CIA -- Hollywood Enlists in General Donovan's Campaign for a Permanent Peacetime Intelligence Agency -- O.S.S. (1946) -- Cloak and Dagger (1946) -- 13 Rue Madeleine (1947) -- Quiet Americans: The CIA and Hollywood in the Early Cold War -- Cherishing Anonymity: Hollywood and the CIA in the Early Cold War -- Dangerous Liaisons: The CIA in Hollywood -- Joseph Mankiewicz's The Quiet American (1958) -- Figaro Entertainment's Unmade CIA Semi-documentary TV Series -- The Death of the `Big Lie' and the Emergence of Postmodern Incredulity in the Spy Cinema of the 1960s -- Our Man in Havana and the Origins of Cold War Satire -- North by Northwest (1959) -- The Man from U.N.C.L.E. and TV Spy Satire in the 1960s -- Parody Turns Political in The President's Analyst (1967) -- Secrecy, Conspiracy, Cinema and the CIA in the 1970s -- Scorpio (1973) and CIA Public Relations -- The Spook Who Sat by the Door (1973) -- Watergate, The Parallax View (1974) and the Emergence of the Conspiracy Thriller -- Three Days of the Condor (1975) -- Emile de Antonio and Philip Agee: The Radical CIA Film that Never Was -- Fighting Back: The Birth of CIA Public Relations. United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency fast USA Office of Strategic Services gnd http://d-nb.info/gnd/2083772-0 USA Central Intelligence Agency gnd http://d-nb.info/gnd/1021698-4 Bibel Philemonbrief gnd Spy films United States History and criticism. Films d'espionnage États-Unis Histoire et critique. PERFORMING ARTS Reference. bisacsh Motion pictures fast Spy films fast |
| subject_GND | http://d-nb.info/gnd/2083772-0 http://d-nb.info/gnd/1021698-4 |
| title | In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / |
| title_alt | The Facts of War: Cinematic Intelligence and the Office of Strategic Services -- John Ford's Navy -- Weaponising Cinema -- Hollywood's Intelligence Archive -- Wild Bill Donovan and the Origins of the OSS Field Photographic Unit -- December 7th: Scripting an Intelligence Failure -- Zanuck, Ford and the Filming of the North African Invasion -- The Authority of Cinema at the Nuremberg Trials -- `What is Past is Prologue': Hollywood's History of the OSS and the Establishment of the CIA -- Hollywood Enlists in General Donovan's Campaign for a Permanent Peacetime Intelligence Agency -- O.S.S. (1946) -- Cloak and Dagger (1946) -- 13 Rue Madeleine (1947) -- Quiet Americans: The CIA and Hollywood in the Early Cold War -- Cherishing Anonymity: Hollywood and the CIA in the Early Cold War -- Dangerous Liaisons: The CIA in Hollywood -- Joseph Mankiewicz's The Quiet American (1958) -- Figaro Entertainment's Unmade CIA Semi-documentary TV Series -- The Death of the `Big Lie' and the Emergence of Postmodern Incredulity in the Spy Cinema of the 1960s -- Our Man in Havana and the Origins of Cold War Satire -- North by Northwest (1959) -- The Man from U.N.C.L.E. and TV Spy Satire in the 1960s -- Parody Turns Political in The President's Analyst (1967) -- Secrecy, Conspiracy, Cinema and the CIA in the 1970s -- Scorpio (1973) and CIA Public Relations -- The Spook Who Sat by the Door (1973) -- Watergate, The Parallax View (1974) and the Emergence of the Conspiracy Thriller -- Three Days of the Condor (1975) -- Emile de Antonio and Philip Agee: The Radical CIA Film that Never Was -- Fighting Back: The Birth of CIA Public Relations. |
| title_auth | In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / |
| title_exact_search | In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / |
| title_full | In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / Simon Willmetts. |
| title_fullStr | In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / Simon Willmetts. |
| title_full_unstemmed | In secrecy's shadow : the OSS and CIA in Hollywood cinema, 1941-1979 / Simon Willmetts. |
| title_short | In secrecy's shadow : |
| title_sort | in secrecy s shadow the oss and cia in hollywood cinema 1941 1979 |
| title_sub | the OSS and CIA in Hollywood cinema, 1941-1979 / |
| topic | United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency fast USA Office of Strategic Services gnd http://d-nb.info/gnd/2083772-0 USA Central Intelligence Agency gnd http://d-nb.info/gnd/1021698-4 Bibel Philemonbrief gnd Spy films United States History and criticism. Films d'espionnage États-Unis Histoire et critique. PERFORMING ARTS Reference. bisacsh Motion pictures fast Spy films fast |
| topic_facet | United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency USA Office of Strategic Services USA Central Intelligence Agency Bibel Philemonbrief Spy films United States History and criticism. Films d'espionnage États-Unis Histoire et critique. PERFORMING ARTS Reference. Motion pictures Spy films United States Los Angeles- Hollywood Criticism, interpretation, etc. |
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