Music and culture in the Middle Ages and beyond :: liturgy, sources, symbolism /
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. Fo...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom :
Cambridge University Press,
2016.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781316663837 1316663833 9781316799765 131679976X 9781316799499 1316799492 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn962438513 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 161111s2016 enk ob 001 0 eng d | ||
| 040 | |a YDX |b eng |e pn |c YDX |d OCLCO |d N$T |d IDEBK |d EBLCP |d OCLCQ |d OCLCF |d CSAIL |d UAB |d UPM |d OCLCQ |d OCL |d OCLCQ |d U3W |d OCLCQ |d INT |d OTZ |d OCLCQ |d LEAUB |d UKAHL |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
| 019 | |a 962806971 |a 962822729 |a 962842597 |a 964537544 |a 964546205 |a 965534761 |a 966555971 |a 966583806 | ||
| 020 | |a 9781316663837 |q (electronic bk.) | ||
| 020 | |a 1316663833 |q (electronic bk.) | ||
| 020 | |a 9781316799765 |q (electronic bk.) | ||
| 020 | |a 131679976X |q (electronic bk.) | ||
| 020 | |a 9781316799499 | ||
| 020 | |a 1316799492 | ||
| 020 | |z 9781107158375 | ||
| 020 | |z 1107158370 | ||
| 035 | |a (OCoLC)962438513 |z (OCoLC)962806971 |z (OCoLC)962822729 |z (OCoLC)962842597 |z (OCoLC)964537544 |z (OCoLC)964546205 |z (OCoLC)965534761 |z (OCoLC)966555971 |z (OCoLC)966583806 | ||
| 050 | 4 | |a ML172 |b .M84 2016 | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 082 | 7 | |a 780.9/02 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Music and culture in the Middle Ages and beyond : |b liturgy, sources, symbolism / |c edited by Benjamin Brand, David J. Rothenberg. |
| 264 | 1 | |a Cambridge, United Kingdom : |b Cambridge University Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; List of tables; List of examples; Note on Contributors; Introduction; I. Chant, Liturgy, and Ritual; II. Archival and Source Studies; III. Symbolism; Part I Chant, Liturgy, and Ritual; 1 Music and Liturgy in Medieval Capua; Appendix 1a Manuscripts in and/or from Capua, mostly liturgical, and in rough chronological order; Appendix 1b Manuscripts of Capua cited by scholars by now evidently lost. | |
| 505 | 8 | |a Appendix 2 List of external processions from Milan, Biblioteca capitolare, MS E. II. 13 (fifteenth century) Appendix 3 Persistence of the Old Beneventan Rite at Capua; 2 The Model Antiphon Series Primum quaerite in Hucbald's Office In plateis and in Other Post-Carolingian Chant; Hucbald's Office In plateis and the Model Antiphons; The Model Antiphons and Other Early Numerical Offices; The Model Antiphons and Latin Mass Proper Chant; Model Antiphons and Gregorian Chant; The Two Earliest-Known Sources for the Model Antiphons; Conclusions; 3 Singing from the Pulpit. | |
| 505 | 8 | |a 4 Liturgy and Politics in Renaissance Florence5 Music and Pageantry in the Formation of Hispano-Christian Identity; "La Noche Triste": An Essential Preamble; Civic and Religious Ceremonies on the Feast of St. Hippolytus; The Feast of St. Hippolytus in the Christian Formation of the Aztecs; Singing and Dancing on the Feast of St. Hippolytus; Part II Archival and Source Studies; 6 The Sources and the Sanctorale; Dating Liturgical Manuscripts; 7 Vernacular Contexts for the Monophonic Motet; 8 Tradition and Innovation in Fourteenth-Century Instrumental Music; Soft Instruments, ca. 1330-1400. | |
| 505 | 8 | |a Loud Instruments: 1300-1400Conclusion; 9 Melchior or Marchion de Civilibus, prepositus brixiensis; Padua, 1410-11; New Documents in Brescia; Padua, Vicenza, and Venice, from 1425; 10 Papal Musicians at Cambrai in the Early Fifteenth Century; 11 Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome; Part III Symbolism; 12 The Gate that Carries Christ; 13 A Musical Lesson for a King from the Roman de Fauvel; I; II; III; IV; 14 Preaching to the Choir?; Celebrating the Domus Dei in Song and Sermon. | |
| 505 | 8 | |a Obrecht's Factor orbis and Laudemus nunc Dominum: Transformations in Song and Sermon15 The Madonna Triptych; Bibliography; Manuscripts; Printed Works Before 1600; Printed Works After 1600; Index. | |
| 650 | 0 | |a Music |y 500-1400 |x History and criticism. | |
| 650 | 0 | |a Music |y 15th century |x History and criticism. | |
| 650 | 0 | |a Music |y 16th century |x History and criticism. | |
| 650 | 6 | |a Musique |y 500-1400 |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 15e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 16e siècle |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 648 | 7 | |a 500-1599 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Brand, Benjamin David, |d 1977- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjKcwdwQhcHxdb7htQWjvd |0 http://id.loc.gov/authorities/names/no2008075377 | |
| 700 | 1 | |a Rothenberg, David J. |q (David Joseph), |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjrdfJQwKwbCtrRKQgkGQC |0 http://id.loc.gov/authorities/names/n2010041241 | |
| 758 | |i has work: |a Music and culture in the Middle Ages and beyond (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFYhQ6crqkBQWfXM6GGGpP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Music and culture in the Middle Ages and beyond. |d Cambridge, United Kingdom : Cambridge University Press, 2016 |z 9781107158375 |w (DLC) 2016032795 |w (OCoLC)956583798 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1362683 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33405127 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32044741 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH31959208 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4697949 | ||
| 938 | |a EBSCOhost |b EBSC |n 1362683 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis36979716 | ||
| 938 | |a YBP Library Services |b YANK |n 13259206 | ||
| 938 | |a YBP Library Services |b YANK |n 13260887 | ||
| 938 | |a YBP Library Services |b YANK |n 13260365 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn962438513 |
|---|---|
| _version_ | 1816882369108377601 |
| adam_text | |
| any_adam_object | |
| author2 | Brand, Benjamin David, 1977- Rothenberg, David J. (David Joseph) |
| author2_role | edt edt |
| author2_variant | b d b bd bdb d j r dj djr |
| author_GND | http://id.loc.gov/authorities/names/no2008075377 http://id.loc.gov/authorities/names/n2010041241 |
| author_facet | Brand, Benjamin David, 1977- Rothenberg, David J. (David Joseph) |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML172 |
| callnumber-raw | ML172 .M84 2016 |
| callnumber-search | ML172 .M84 2016 |
| callnumber-sort | ML 3172 M84 42016 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; List of tables; List of examples; Note on Contributors; Introduction; I. Chant, Liturgy, and Ritual; II. Archival and Source Studies; III. Symbolism; Part I Chant, Liturgy, and Ritual; 1 Music and Liturgy in Medieval Capua; Appendix 1a Manuscripts in and/or from Capua, mostly liturgical, and in rough chronological order; Appendix 1b Manuscripts of Capua cited by scholars by now evidently lost. Appendix 2 List of external processions from Milan, Biblioteca capitolare, MS E. II. 13 (fifteenth century) Appendix 3 Persistence of the Old Beneventan Rite at Capua; 2 The Model Antiphon Series Primum quaerite in Hucbald's Office In plateis and in Other Post-Carolingian Chant; Hucbald's Office In plateis and the Model Antiphons; The Model Antiphons and Other Early Numerical Offices; The Model Antiphons and Latin Mass Proper Chant; Model Antiphons and Gregorian Chant; The Two Earliest-Known Sources for the Model Antiphons; Conclusions; 3 Singing from the Pulpit. 4 Liturgy and Politics in Renaissance Florence5 Music and Pageantry in the Formation of Hispano-Christian Identity; "La Noche Triste": An Essential Preamble; Civic and Religious Ceremonies on the Feast of St. Hippolytus; The Feast of St. Hippolytus in the Christian Formation of the Aztecs; Singing and Dancing on the Feast of St. Hippolytus; Part II Archival and Source Studies; 6 The Sources and the Sanctorale; Dating Liturgical Manuscripts; 7 Vernacular Contexts for the Monophonic Motet; 8 Tradition and Innovation in Fourteenth-Century Instrumental Music; Soft Instruments, ca. 1330-1400. Loud Instruments: 1300-1400Conclusion; 9 Melchior or Marchion de Civilibus, prepositus brixiensis; Padua, 1410-11; New Documents in Brescia; Padua, Vicenza, and Venice, from 1425; 10 Papal Musicians at Cambrai in the Early Fifteenth Century; 11 Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome; Part III Symbolism; 12 The Gate that Carries Christ; 13 A Musical Lesson for a King from the Roman de Fauvel; I; II; III; IV; 14 Preaching to the Choir?; Celebrating the Domus Dei in Song and Sermon. Obrecht's Factor orbis and Laudemus nunc Dominum: Transformations in Song and Sermon15 The Madonna Triptych; Bibliography; Manuscripts; Printed Works Before 1600; Printed Works After 1600; Index. |
| ctrlnum | (OCoLC)962438513 |
| dewey-full | 780.9/02 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/02 |
| dewey-search | 780.9/02 |
| dewey-sort | 3780.9 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 500-1599 fast |
| era_facet | 500-1599 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07077cam a2200769 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn962438513</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">161111s2016 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">YDX</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N$T</subfield><subfield code="d">IDEBK</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">CSAIL</subfield><subfield code="d">UAB</subfield><subfield code="d">UPM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INT</subfield><subfield code="d">OTZ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LEAUB</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">962806971</subfield><subfield code="a">962822729</subfield><subfield code="a">962842597</subfield><subfield code="a">964537544</subfield><subfield code="a">964546205</subfield><subfield code="a">965534761</subfield><subfield code="a">966555971</subfield><subfield code="a">966583806</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316663837</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1316663833</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316799765</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">131679976X</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316799499</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1316799492</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781107158375</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1107158370</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)962438513</subfield><subfield code="z">(OCoLC)962806971</subfield><subfield code="z">(OCoLC)962822729</subfield><subfield code="z">(OCoLC)962842597</subfield><subfield code="z">(OCoLC)964537544</subfield><subfield code="z">(OCoLC)964546205</subfield><subfield code="z">(OCoLC)965534761</subfield><subfield code="z">(OCoLC)966555971</subfield><subfield code="z">(OCoLC)966583806</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML172</subfield><subfield code="b">.M84 2016</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">033000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">780.9/02</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Music and culture in the Middle Ages and beyond :</subfield><subfield code="b">liturgy, sources, symbolism /</subfield><subfield code="c">edited by Benjamin Brand, David J. Rothenberg.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom :</subfield><subfield code="b">Cambridge University Press,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; List of tables; List of examples; Note on Contributors; Introduction; I. Chant, Liturgy, and Ritual; II. Archival and Source Studies; III. Symbolism; Part I Chant, Liturgy, and Ritual; 1 Music and Liturgy in Medieval Capua; Appendix 1a Manuscripts in and/or from Capua, mostly liturgical, and in rough chronological order; Appendix 1b Manuscripts of Capua cited by scholars by now evidently lost.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Appendix 2 List of external processions from Milan, Biblioteca capitolare, MS E. II. 13 (fifteenth century) Appendix 3 Persistence of the Old Beneventan Rite at Capua; 2 The Model Antiphon Series Primum quaerite in Hucbald's Office In plateis and in Other Post-Carolingian Chant; Hucbald's Office In plateis and the Model Antiphons; The Model Antiphons and Other Early Numerical Offices; The Model Antiphons and Latin Mass Proper Chant; Model Antiphons and Gregorian Chant; The Two Earliest-Known Sources for the Model Antiphons; Conclusions; 3 Singing from the Pulpit.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">4 Liturgy and Politics in Renaissance Florence5 Music and Pageantry in the Formation of Hispano-Christian Identity; "La Noche Triste": An Essential Preamble; Civic and Religious Ceremonies on the Feast of St. Hippolytus; The Feast of St. Hippolytus in the Christian Formation of the Aztecs; Singing and Dancing on the Feast of St. Hippolytus; Part II Archival and Source Studies; 6 The Sources and the Sanctorale; Dating Liturgical Manuscripts; 7 Vernacular Contexts for the Monophonic Motet; 8 Tradition and Innovation in Fourteenth-Century Instrumental Music; Soft Instruments, ca. 1330-1400.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Loud Instruments: 1300-1400Conclusion; 9 Melchior or Marchion de Civilibus, prepositus brixiensis; Padua, 1410-11; New Documents in Brescia; Padua, Vicenza, and Venice, from 1425; 10 Papal Musicians at Cambrai in the Early Fifteenth Century; 11 Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome; Part III Symbolism; 12 The Gate that Carries Christ; 13 A Musical Lesson for a King from the Roman de Fauvel; I; II; III; IV; 14 Preaching to the Choir?; Celebrating the Domus Dei in Song and Sermon.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Obrecht's Factor orbis and Laudemus nunc Dominum: Transformations in Song and Sermon15 The Madonna Triptych; Bibliography; Manuscripts; Printed Works Before 1600; Printed Works After 1600; Index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="y">500-1400</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="y">15th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="y">16th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="y">500-1400</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="y">15e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="y">16e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">500-1599</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brand, Benjamin David,</subfield><subfield code="d">1977-</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjKcwdwQhcHxdb7htQWjvd</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2008075377</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rothenberg, David J.</subfield><subfield code="q">(David Joseph),</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjrdfJQwKwbCtrRKQgkGQC</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2010041241</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Music and culture in the Middle Ages and beyond (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFYhQ6crqkBQWfXM6GGGpP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Music and culture in the Middle Ages and beyond.</subfield><subfield code="d">Cambridge, United Kingdom : Cambridge University Press, 2016</subfield><subfield code="z">9781107158375</subfield><subfield code="w">(DLC) 2016032795</subfield><subfield code="w">(OCoLC)956583798</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1362683</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33405127</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH32044741</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH31959208</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4697949</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1362683</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis36979716</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13259206</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13260887</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13260365</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn962438513 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:31Z |
| institution | BVB |
| isbn | 9781316663837 1316663833 9781316799765 131679976X 9781316799499 1316799492 |
| language | English |
| oclc_num | 962438513 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / edited by Benjamin Brand, David J. Rothenberg. Cambridge, United Kingdom : Cambridge University Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation. Includes bibliographical references and index. Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; List of tables; List of examples; Note on Contributors; Introduction; I. Chant, Liturgy, and Ritual; II. Archival and Source Studies; III. Symbolism; Part I Chant, Liturgy, and Ritual; 1 Music and Liturgy in Medieval Capua; Appendix 1a Manuscripts in and/or from Capua, mostly liturgical, and in rough chronological order; Appendix 1b Manuscripts of Capua cited by scholars by now evidently lost. Appendix 2 List of external processions from Milan, Biblioteca capitolare, MS E. II. 13 (fifteenth century) Appendix 3 Persistence of the Old Beneventan Rite at Capua; 2 The Model Antiphon Series Primum quaerite in Hucbald's Office In plateis and in Other Post-Carolingian Chant; Hucbald's Office In plateis and the Model Antiphons; The Model Antiphons and Other Early Numerical Offices; The Model Antiphons and Latin Mass Proper Chant; Model Antiphons and Gregorian Chant; The Two Earliest-Known Sources for the Model Antiphons; Conclusions; 3 Singing from the Pulpit. 4 Liturgy and Politics in Renaissance Florence5 Music and Pageantry in the Formation of Hispano-Christian Identity; "La Noche Triste": An Essential Preamble; Civic and Religious Ceremonies on the Feast of St. Hippolytus; The Feast of St. Hippolytus in the Christian Formation of the Aztecs; Singing and Dancing on the Feast of St. Hippolytus; Part II Archival and Source Studies; 6 The Sources and the Sanctorale; Dating Liturgical Manuscripts; 7 Vernacular Contexts for the Monophonic Motet; 8 Tradition and Innovation in Fourteenth-Century Instrumental Music; Soft Instruments, ca. 1330-1400. Loud Instruments: 1300-1400Conclusion; 9 Melchior or Marchion de Civilibus, prepositus brixiensis; Padua, 1410-11; New Documents in Brescia; Padua, Vicenza, and Venice, from 1425; 10 Papal Musicians at Cambrai in the Early Fifteenth Century; 11 Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome; Part III Symbolism; 12 The Gate that Carries Christ; 13 A Musical Lesson for a King from the Roman de Fauvel; I; II; III; IV; 14 Preaching to the Choir?; Celebrating the Domus Dei in Song and Sermon. Obrecht's Factor orbis and Laudemus nunc Dominum: Transformations in Song and Sermon15 The Madonna Triptych; Bibliography; Manuscripts; Printed Works Before 1600; Printed Works After 1600; Index. Music 500-1400 History and criticism. Music 15th century History and criticism. Music 16th century History and criticism. Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Musique 16e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast 500-1599 fast Criticism, interpretation, etc. fast Brand, Benjamin David, 1977- editor. https://id.oclc.org/worldcat/entity/E39PCjKcwdwQhcHxdb7htQWjvd http://id.loc.gov/authorities/names/no2008075377 Rothenberg, David J. (David Joseph), editor. https://id.oclc.org/worldcat/entity/E39PCjrdfJQwKwbCtrRKQgkGQC http://id.loc.gov/authorities/names/n2010041241 has work: Music and culture in the Middle Ages and beyond (Text) https://id.oclc.org/worldcat/entity/E39PCFYhQ6crqkBQWfXM6GGGpP https://id.oclc.org/worldcat/ontology/hasWork Print version: Music and culture in the Middle Ages and beyond. Cambridge, United Kingdom : Cambridge University Press, 2016 9781107158375 (DLC) 2016032795 (OCoLC)956583798 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1362683 Volltext |
| spellingShingle | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; List of tables; List of examples; Note on Contributors; Introduction; I. Chant, Liturgy, and Ritual; II. Archival and Source Studies; III. Symbolism; Part I Chant, Liturgy, and Ritual; 1 Music and Liturgy in Medieval Capua; Appendix 1a Manuscripts in and/or from Capua, mostly liturgical, and in rough chronological order; Appendix 1b Manuscripts of Capua cited by scholars by now evidently lost. Appendix 2 List of external processions from Milan, Biblioteca capitolare, MS E. II. 13 (fifteenth century) Appendix 3 Persistence of the Old Beneventan Rite at Capua; 2 The Model Antiphon Series Primum quaerite in Hucbald's Office In plateis and in Other Post-Carolingian Chant; Hucbald's Office In plateis and the Model Antiphons; The Model Antiphons and Other Early Numerical Offices; The Model Antiphons and Latin Mass Proper Chant; Model Antiphons and Gregorian Chant; The Two Earliest-Known Sources for the Model Antiphons; Conclusions; 3 Singing from the Pulpit. 4 Liturgy and Politics in Renaissance Florence5 Music and Pageantry in the Formation of Hispano-Christian Identity; "La Noche Triste": An Essential Preamble; Civic and Religious Ceremonies on the Feast of St. Hippolytus; The Feast of St. Hippolytus in the Christian Formation of the Aztecs; Singing and Dancing on the Feast of St. Hippolytus; Part II Archival and Source Studies; 6 The Sources and the Sanctorale; Dating Liturgical Manuscripts; 7 Vernacular Contexts for the Monophonic Motet; 8 Tradition and Innovation in Fourteenth-Century Instrumental Music; Soft Instruments, ca. 1330-1400. Loud Instruments: 1300-1400Conclusion; 9 Melchior or Marchion de Civilibus, prepositus brixiensis; Padua, 1410-11; New Documents in Brescia; Padua, Vicenza, and Venice, from 1425; 10 Papal Musicians at Cambrai in the Early Fifteenth Century; 11 Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome; Part III Symbolism; 12 The Gate that Carries Christ; 13 A Musical Lesson for a King from the Roman de Fauvel; I; II; III; IV; 14 Preaching to the Choir?; Celebrating the Domus Dei in Song and Sermon. Obrecht's Factor orbis and Laudemus nunc Dominum: Transformations in Song and Sermon15 The Madonna Triptych; Bibliography; Manuscripts; Printed Works Before 1600; Printed Works After 1600; Index. Music 500-1400 History and criticism. Music 15th century History and criticism. Music 16th century History and criticism. Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Musique 16e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast |
| title | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / |
| title_auth | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / |
| title_exact_search | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / |
| title_full | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / edited by Benjamin Brand, David J. Rothenberg. |
| title_fullStr | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / edited by Benjamin Brand, David J. Rothenberg. |
| title_full_unstemmed | Music and culture in the Middle Ages and beyond : liturgy, sources, symbolism / edited by Benjamin Brand, David J. Rothenberg. |
| title_short | Music and culture in the Middle Ages and beyond : |
| title_sort | music and culture in the middle ages and beyond liturgy sources symbolism |
| title_sub | liturgy, sources, symbolism / |
| topic | Music 500-1400 History and criticism. Music 15th century History and criticism. Music 16th century History and criticism. Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Musique 16e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast |
| topic_facet | Music 500-1400 History and criticism. Music 15th century History and criticism. Music 16th century History and criticism. Musique 500-1400 Histoire et critique. Musique 15e siècle Histoire et critique. Musique 16e siècle Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. Music Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1362683 |
| work_keys_str_mv | AT brandbenjamindavid musicandcultureinthemiddleagesandbeyondliturgysourcessymbolism AT rothenbergdavidj musicandcultureinthemiddleagesandbeyondliturgysourcessymbolism |