Aesthetics, arts and politics in a global world /:
A different set of purposes define culture today than those that preoccupied the world in the immediate decades of decolonization. Focusing on art and music in diverse parts of the world, Daniel Herwitz explores a world that has largely shifted from the earlier days of nationalism, decolonization an...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London, UK ; New York, NY, USA :
Bloomsbury Academic,
2017.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | A different set of purposes define culture today than those that preoccupied the world in the immediate decades of decolonization. Focusing on art and music in diverse parts of the world, Daniel Herwitz explores a world that has largely shifted from the earlier days of nationalism, decolonization and cultural exclusion, to one of global markets and networks. Using examples from India and Mexico to South Africa, Australia and China, Herwitz argues that the cultural politics and art being produced in these places are now post- postcolonial. Where the postcolonial downplayed formerly Eurocentric forms and celebrated art with national consciousness, the rules for 21st century cultural authenticity are quickly disappearing. Young people think of themselves in relation to global culture rather than nation--building; the project of producing a new and modern art for the incipient and rising postcolonial nation is out of date. By examining the shift in which art accesses the past and the rise of trends such as hitching consumer culture to celebrity forms and branding, Herwitz's original and engaging exploration of contemporary art captures the ways in which art has given way to a new form of production, altering everything from the role of tradition and heritage in contemporary art to the terms of its vision and circulation. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781474299695 1474299695 1474299679 9781474299671 |
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505 | 0 | 0 | |g 1. |t Introduction -- |g 2. |t Postcolonial modernism : the case of M.F. Husain -- |g 3. |t Postcolonial critique : Frida and Amrita -- |g 4. |t Preparing art for freedom in the New South Africa -- |g 5. |t Aboriginal, abstract, and Isi-Tsonga -- |g 6. |t Post-postcolonial : Figaro south of the Zambesi -- |g 7. |t Xu Bings archive of the past -- |g 8. |t The persistent witness : George Gittoes. |
520 | 8 | |a A different set of purposes define culture today than those that preoccupied the world in the immediate decades of decolonization. Focusing on art and music in diverse parts of the world, Daniel Herwitz explores a world that has largely shifted from the earlier days of nationalism, decolonization and cultural exclusion, to one of global markets and networks. Using examples from India and Mexico to South Africa, Australia and China, Herwitz argues that the cultural politics and art being produced in these places are now post- postcolonial. Where the postcolonial downplayed formerly Eurocentric forms and celebrated art with national consciousness, the rules for 21st century cultural authenticity are quickly disappearing. Young people think of themselves in relation to global culture rather than nation--building; the project of producing a new and modern art for the incipient and rising postcolonial nation is out of date. By examining the shift in which art accesses the past and the rise of trends such as hitching consumer culture to celebrity forms and branding, Herwitz's original and engaging exploration of contemporary art captures the ways in which art has given way to a new form of production, altering everything from the role of tradition and heritage in contemporary art to the terms of its vision and circulation. | |
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contents | Introduction -- Postcolonial modernism : the case of M.F. Husain -- Postcolonial critique : Frida and Amrita -- Preparing art for freedom in the New South Africa -- Aboriginal, abstract, and Isi-Tsonga -- Post-postcolonial : Figaro south of the Zambesi -- Xu Bings archive of the past -- The persistent witness : George Gittoes. |
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discipline | Kunstgeschichte |
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spelling | Herwitz, Daniel Alan, 1955- author. https://id.oclc.org/worldcat/entity/E39PCjt3F3PRd3MkfG8QbmDdcd Aesthetics, arts and politics in a global world / Daniel Herwitz. London, UK ; New York, NY, USA : Bloomsbury Academic, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed November 9, 2016). 1. Introduction -- 2. Postcolonial modernism : the case of M.F. Husain -- 3. Postcolonial critique : Frida and Amrita -- 4. Preparing art for freedom in the New South Africa -- 5. Aboriginal, abstract, and Isi-Tsonga -- 6. Post-postcolonial : Figaro south of the Zambesi -- 7. Xu Bings archive of the past -- 8. The persistent witness : George Gittoes. A different set of purposes define culture today than those that preoccupied the world in the immediate decades of decolonization. Focusing on art and music in diverse parts of the world, Daniel Herwitz explores a world that has largely shifted from the earlier days of nationalism, decolonization and cultural exclusion, to one of global markets and networks. Using examples from India and Mexico to South Africa, Australia and China, Herwitz argues that the cultural politics and art being produced in these places are now post- postcolonial. Where the postcolonial downplayed formerly Eurocentric forms and celebrated art with national consciousness, the rules for 21st century cultural authenticity are quickly disappearing. Young people think of themselves in relation to global culture rather than nation--building; the project of producing a new and modern art for the incipient and rising postcolonial nation is out of date. By examining the shift in which art accesses the past and the rise of trends such as hitching consumer culture to celebrity forms and branding, Herwitz's original and engaging exploration of contemporary art captures the ways in which art has given way to a new form of production, altering everything from the role of tradition and heritage in contemporary art to the terms of its vision and circulation. Postcolonialism and the arts. http://id.loc.gov/authorities/subjects/sh2001001629 Arts, Modern 21st century Themes, motives. Postcolonialisme et arts. Arts 21e siècle Thèmes, motifs. Philosophy: aesthetics. bicssc ART Performance. bisacsh ART Reference. bisacsh Arts, Modern Themes, motives fast Postcolonialism and the arts fast 2000-2099 fast has work: Aesthetics, arts and politics in a global world (Text) https://id.oclc.org/worldcat/entity/E39PCFPRHppxg7bdPRXJGFQwRX https://id.oclc.org/worldcat/ontology/hasWork Print version: Herwitz, Daniel Alan, 1955- Aesthetics, arts and politics in a global world 9781474299664 (DLC) 2016039280 (OCoLC)960762436 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1410241 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1410241 Volltext |
spellingShingle | Herwitz, Daniel Alan, 1955- Aesthetics, arts and politics in a global world / Introduction -- Postcolonial modernism : the case of M.F. Husain -- Postcolonial critique : Frida and Amrita -- Preparing art for freedom in the New South Africa -- Aboriginal, abstract, and Isi-Tsonga -- Post-postcolonial : Figaro south of the Zambesi -- Xu Bings archive of the past -- The persistent witness : George Gittoes. Postcolonialism and the arts. http://id.loc.gov/authorities/subjects/sh2001001629 Arts, Modern 21st century Themes, motives. Postcolonialisme et arts. Arts 21e siècle Thèmes, motifs. Philosophy: aesthetics. bicssc ART Performance. bisacsh ART Reference. bisacsh Arts, Modern Themes, motives fast Postcolonialism and the arts fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2001001629 |
title | Aesthetics, arts and politics in a global world / |
title_alt | Introduction -- Postcolonial modernism : the case of M.F. Husain -- Postcolonial critique : Frida and Amrita -- Preparing art for freedom in the New South Africa -- Aboriginal, abstract, and Isi-Tsonga -- Post-postcolonial : Figaro south of the Zambesi -- Xu Bings archive of the past -- The persistent witness : George Gittoes. |
title_auth | Aesthetics, arts and politics in a global world / |
title_exact_search | Aesthetics, arts and politics in a global world / |
title_full | Aesthetics, arts and politics in a global world / Daniel Herwitz. |
title_fullStr | Aesthetics, arts and politics in a global world / Daniel Herwitz. |
title_full_unstemmed | Aesthetics, arts and politics in a global world / Daniel Herwitz. |
title_short | Aesthetics, arts and politics in a global world / |
title_sort | aesthetics arts and politics in a global world |
topic | Postcolonialism and the arts. http://id.loc.gov/authorities/subjects/sh2001001629 Arts, Modern 21st century Themes, motives. Postcolonialisme et arts. Arts 21e siècle Thèmes, motifs. Philosophy: aesthetics. bicssc ART Performance. bisacsh ART Reference. bisacsh Arts, Modern Themes, motives fast Postcolonialism and the arts fast |
topic_facet | Postcolonialism and the arts. Arts, Modern 21st century Themes, motives. Postcolonialisme et arts. Arts 21e siècle Thèmes, motifs. Philosophy: aesthetics. ART Performance. ART Reference. Arts, Modern Themes, motives Postcolonialism and the arts |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1410241 |
work_keys_str_mv | AT herwitzdanielalan aestheticsartsandpoliticsinaglobalworld |