Composition, creative writing studies and the digital humanities /:
In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Compositi...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
2017.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom. |
| Beschreibung: | 1 online resource (xiv, 150 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781472591968 1472591968 9781472591951 147259195X 9781350001091 1350001090 1350102989 9781350102989 |
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| 520 | 8 | |a In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom. | |
| 505 | 0 | |a Digital pasts: on composition, creative writing, and emergent technologies -- Defining digital creative writing studies -- Ideology, subjectivity, and the creative writer in the digital age -- Process, genre, and technologizing the word -- Fenceless neighbors: on composition, creative writing, and emerging institutional practices. | |
| 505 | 0 | |a Title Page; Copyright Page; Contents; Acknowledgments; Foreword; Introduction; Aesthetics and "creative composition"; Creative writing and composition; Creative writing and technology; A note on categorical systems; Where I'm going, where I've been; Composition, creative writing studies, and the digital humanities; Note; Chapter 1: Digital Pasts: On Composition, Creative Writing, and Emergent Technologies; Creativity in composition; Invention and imagination in composition; Critical-creative composition; Composition, new media, and the rise of creative writing studies. | |
| 505 | 8 | |a Creative writing and the digital humanitiesNotes; Chapter 2: Defining Digital Creative Writing Studies; Creative writing scholarship and "craft criticism"; Hypertext and its descendents: Digital processes; Genre(s) growing; Authors, avatars, and identity: Managing authorship and ownership in a digital age; Institutionality; Craft and contours: English studies and digital craft criticism; Notes; Chapter 3: Ideology, Subjectivity, and the Creative Writer in the Digital Age; The "Big T" Text and the "little t" text; Voice and unoriginality; Medial ecologies and subject positions. | |
| 505 | 8 | |a A mediated writer's subjectivityElectronic ethos; Landscape as canvas: Rhythm science; Authors, institutions, and ideology; Notes; Chapter 4: Process, Genre, and Technologizing the Word; (Nervous) cultural conditions: Writing and the electromagnetic imaginary; Writing as technology; Genre, process, and the production of knowledge; Chapter 5: Fenceless Neighbors: On Composition, Creative Writing, and Emerging Institutional Practices; Methodological; Pedagogy; Disciplinary identity; Fenceless neighbors: Composition, creative writing studies, and the digital humanities; Works Cited; Index. | |
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| contents | Digital pasts: on composition, creative writing, and emergent technologies -- Defining digital creative writing studies -- Ideology, subjectivity, and the creative writer in the digital age -- Process, genre, and technologizing the word -- Fenceless neighbors: on composition, creative writing, and emerging institutional practices. Title Page; Copyright Page; Contents; Acknowledgments; Foreword; Introduction; Aesthetics and "creative composition"; Creative writing and composition; Creative writing and technology; A note on categorical systems; Where I'm going, where I've been; Composition, creative writing studies, and the digital humanities; Note; Chapter 1: Digital Pasts: On Composition, Creative Writing, and Emergent Technologies; Creativity in composition; Invention and imagination in composition; Critical-creative composition; Composition, new media, and the rise of creative writing studies. Creative writing and the digital humanitiesNotes; Chapter 2: Defining Digital Creative Writing Studies; Creative writing scholarship and "craft criticism"; Hypertext and its descendents: Digital processes; Genre(s) growing; Authors, avatars, and identity: Managing authorship and ownership in a digital age; Institutionality; Craft and contours: English studies and digital craft criticism; Notes; Chapter 3: Ideology, Subjectivity, and the Creative Writer in the Digital Age; The "Big T" Text and the "little t" text; Voice and unoriginality; Medial ecologies and subject positions. A mediated writer's subjectivityElectronic ethos; Landscape as canvas: Rhythm science; Authors, institutions, and ideology; Notes; Chapter 4: Process, Genre, and Technologizing the Word; (Nervous) cultural conditions: Writing and the electromagnetic imaginary; Writing as technology; Genre, process, and the production of knowledge; Chapter 5: Fenceless Neighbors: On Composition, Creative Writing, and Emerging Institutional Practices; Methodological; Pedagogy; Disciplinary identity; Fenceless neighbors: Composition, creative writing studies, and the digital humanities; Works Cited; Index. |
| ctrlnum | (OCoLC)962305426 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-raw | 800 |
| dewey-search | 800 |
| dewey-sort | 3800 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn962305426 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:30Z |
| institution | BVB |
| isbn | 9781472591968 1472591968 9781472591951 147259195X 9781350001091 1350001090 1350102989 9781350102989 |
| language | English |
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| physical | 1 online resource (xiv, 150 pages) |
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| publishDate | 2017 |
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| spelling | Koehler, Adam, author. http://id.loc.gov/authorities/names/no2011087274 Composition, creative writing studies and the digital humanities / Adam Koehler. London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017. ©2017 1 online resource (xiv, 150 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom. Digital pasts: on composition, creative writing, and emergent technologies -- Defining digital creative writing studies -- Ideology, subjectivity, and the creative writer in the digital age -- Process, genre, and technologizing the word -- Fenceless neighbors: on composition, creative writing, and emerging institutional practices. Title Page; Copyright Page; Contents; Acknowledgments; Foreword; Introduction; Aesthetics and "creative composition"; Creative writing and composition; Creative writing and technology; A note on categorical systems; Where I'm going, where I've been; Composition, creative writing studies, and the digital humanities; Note; Chapter 1: Digital Pasts: On Composition, Creative Writing, and Emergent Technologies; Creativity in composition; Invention and imagination in composition; Critical-creative composition; Composition, new media, and the rise of creative writing studies. Creative writing and the digital humanitiesNotes; Chapter 2: Defining Digital Creative Writing Studies; Creative writing scholarship and "craft criticism"; Hypertext and its descendents: Digital processes; Genre(s) growing; Authors, avatars, and identity: Managing authorship and ownership in a digital age; Institutionality; Craft and contours: English studies and digital craft criticism; Notes; Chapter 3: Ideology, Subjectivity, and the Creative Writer in the Digital Age; The "Big T" Text and the "little t" text; Voice and unoriginality; Medial ecologies and subject positions. A mediated writer's subjectivityElectronic ethos; Landscape as canvas: Rhythm science; Authors, institutions, and ideology; Notes; Chapter 4: Process, Genre, and Technologizing the Word; (Nervous) cultural conditions: Writing and the electromagnetic imaginary; Writing as technology; Genre, process, and the production of knowledge; Chapter 5: Fenceless Neighbors: On Composition, Creative Writing, and Emerging Institutional Practices; Methodological; Pedagogy; Disciplinary identity; Fenceless neighbors: Composition, creative writing studies, and the digital humanities; Works Cited; Index. Print version record. Creative writing Technological innovations. Création littéraire Innovations. Writing skills. bicssc Creative writing & creative writing guides. bicssc LITERARY CRITICISM General. bisacsh TRAVEL Special Interest Literary. bisacsh Digital humanities fast Digital Humanities gnd http://d-nb.info/gnd/1038714850 Literaturproduktion gnd http://d-nb.info/gnd/4167882-5 has work: Composition, creative writing studies, and the digital humanities (Text) https://id.oclc.org/worldcat/entity/E39PCGhYhBM6WHjrrxKT39cmq3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Koehler, Adam. Composition, creative writing studies and the digital humanities. London : Bloomsbury Academic 2017 9781472591944 (OCoLC)957546405 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1410237 Volltext |
| spellingShingle | Koehler, Adam Composition, creative writing studies and the digital humanities / Digital pasts: on composition, creative writing, and emergent technologies -- Defining digital creative writing studies -- Ideology, subjectivity, and the creative writer in the digital age -- Process, genre, and technologizing the word -- Fenceless neighbors: on composition, creative writing, and emerging institutional practices. Title Page; Copyright Page; Contents; Acknowledgments; Foreword; Introduction; Aesthetics and "creative composition"; Creative writing and composition; Creative writing and technology; A note on categorical systems; Where I'm going, where I've been; Composition, creative writing studies, and the digital humanities; Note; Chapter 1: Digital Pasts: On Composition, Creative Writing, and Emergent Technologies; Creativity in composition; Invention and imagination in composition; Critical-creative composition; Composition, new media, and the rise of creative writing studies. Creative writing and the digital humanitiesNotes; Chapter 2: Defining Digital Creative Writing Studies; Creative writing scholarship and "craft criticism"; Hypertext and its descendents: Digital processes; Genre(s) growing; Authors, avatars, and identity: Managing authorship and ownership in a digital age; Institutionality; Craft and contours: English studies and digital craft criticism; Notes; Chapter 3: Ideology, Subjectivity, and the Creative Writer in the Digital Age; The "Big T" Text and the "little t" text; Voice and unoriginality; Medial ecologies and subject positions. A mediated writer's subjectivityElectronic ethos; Landscape as canvas: Rhythm science; Authors, institutions, and ideology; Notes; Chapter 4: Process, Genre, and Technologizing the Word; (Nervous) cultural conditions: Writing and the electromagnetic imaginary; Writing as technology; Genre, process, and the production of knowledge; Chapter 5: Fenceless Neighbors: On Composition, Creative Writing, and Emerging Institutional Practices; Methodological; Pedagogy; Disciplinary identity; Fenceless neighbors: Composition, creative writing studies, and the digital humanities; Works Cited; Index. Creative writing Technological innovations. Création littéraire Innovations. Writing skills. bicssc Creative writing & creative writing guides. bicssc LITERARY CRITICISM General. bisacsh TRAVEL Special Interest Literary. bisacsh Digital humanities fast Digital Humanities gnd http://d-nb.info/gnd/1038714850 Literaturproduktion gnd http://d-nb.info/gnd/4167882-5 |
| subject_GND | http://d-nb.info/gnd/1038714850 http://d-nb.info/gnd/4167882-5 |
| title | Composition, creative writing studies and the digital humanities / |
| title_auth | Composition, creative writing studies and the digital humanities / |
| title_exact_search | Composition, creative writing studies and the digital humanities / |
| title_full | Composition, creative writing studies and the digital humanities / Adam Koehler. |
| title_fullStr | Composition, creative writing studies and the digital humanities / Adam Koehler. |
| title_full_unstemmed | Composition, creative writing studies and the digital humanities / Adam Koehler. |
| title_short | Composition, creative writing studies and the digital humanities / |
| title_sort | composition creative writing studies and the digital humanities |
| topic | Creative writing Technological innovations. Création littéraire Innovations. Writing skills. bicssc Creative writing & creative writing guides. bicssc LITERARY CRITICISM General. bisacsh TRAVEL Special Interest Literary. bisacsh Digital humanities fast Digital Humanities gnd http://d-nb.info/gnd/1038714850 Literaturproduktion gnd http://d-nb.info/gnd/4167882-5 |
| topic_facet | Creative writing Technological innovations. Création littéraire Innovations. Writing skills. Creative writing & creative writing guides. LITERARY CRITICISM General. TRAVEL Special Interest Literary. Digital humanities Digital Humanities Literaturproduktion |
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