Dismantling the dream factory :: gender, German cinema, and the postwar quest for a new film language /
The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Berghahn Books,
2009.
|
| Schriftenreihe: | Film Europa ;
v. 9. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to "dismantle the dream factory" of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 percent of cinema audiences a "women's cinema" emerged, which sought to. |
| Beschreibung: | 1 online resource (xiii, 304 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references (pages 283-289) and index. |
| ISBN: | 9781845459451 1845459458 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn961882790 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr mnummmmuuuu | ||
| 008 | 160907s2009 nyua ob 001 0 eng d | ||
| 010 | |a 2009032996 | ||
| 040 | |a ACLSE |b eng |e rda |e pn |c ACLSE |d OCLCO |d QCL |d OCLCQ |d OCLCF |d CDX |d E7B |d IDEBK |d SNK |d N$T |d YDXCP |d JSTOR |d CUS |d IAS |d OH1 |d VT2 |d AUD |d OCLCQ |d IOG |d U3W |d NLE |d UAB |d TXC |d AU@ |d UKMGB |d YOU |d DKC |d OCLCQ |d UKAHL |d EZ9 |d RECBK |d MM9 |d AJS |d OCLCO |d CUS |d DEGRU |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
| 015 | |a GBB7B7553 |2 bnb | ||
| 015 | |a GBA9A3635. |2 bnb | ||
| 016 | 7 | |a 015401712 |2 Uk | |
| 016 | 7 | |a 018404097 |2 Uk | |
| 016 | 7 | |a 015401712. |2 Uk | |
| 019 | |a 646009236 |a 974272109 |a 1017996297 |a 1086475973 |a 1163945957 |a 1170494512 |a 1180964935 |a 1190691360 |a 1197007363 |a 1206221431 | ||
| 020 | |a 9781845459451 | ||
| 020 | |a 1845459458 | ||
| 020 | |z 9781845456054 | ||
| 020 | |z 184545605X | ||
| 035 | |a (OCoLC)961882790 |z (OCoLC)646009236 |z (OCoLC)974272109 |z (OCoLC)1017996297 |z (OCoLC)1086475973 |z (OCoLC)1163945957 |z (OCoLC)1170494512 |z (OCoLC)1180964935 |z (OCoLC)1190691360 |z (OCoLC)1197007363 |z (OCoLC)1206221431 | ||
| 037 | |a 22573/ctt7j14sq |b JSTOR | ||
| 043 | |a e-gx--- | ||
| 050 | 4 | |a PN1993.5.G3 | |
| 072 | 7 | |a ART |x 057000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004040 |2 bisacsh | |
| 072 | 7 | |a PER004030 |2 bisacsh | |
| 072 | 7 | |a SOC032000 |2 bisacsh | |
| 072 | 7 | |a 1DFG. |2 bicssc | |
| 072 | 7 | |a APFA. |2 bicssc | |
| 072 | 7 | |a JFSJ. |2 bicssc | |
| 072 | 7 | |a 1DFG. |2 thema | |
| 072 | 7 | |a ATFA. |2 thema | |
| 072 | 7 | |a JBSF. |2 thema | |
| 072 | 7 | |a PER. |2 ukslc | |
| 082 | 7 | |a 791.430943/09044 |2 22 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Baer, Hester. |0 http://id.loc.gov/authorities/names/n00025336 | |
| 245 | 1 | 0 | |a Dismantling the dream factory : |b gender, German cinema, and the postwar quest for a new film language / |c Hester Baer. |
| 246 | 3 | 0 | |a Gender, German cinema, and the postwar quest for a new film language |
| 264 | 1 | |a New York : |b Berghahn Books, |c 2009. | |
| 300 | |a 1 online resource (xiii, 304 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Film Europa : German cinema in an international context ; |v v. 9 | |
| 504 | |a Includes bibliographical references (pages 283-289) and index. | ||
| 588 | 0 | |a Print version. | |
| 505 | 0 | |a Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture. | |
| 520 | |a The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to "dismantle the dream factory" of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 percent of cinema audiences a "women's cinema" emerged, which sought to. | ||
| 650 | 0 | |a Motion pictures |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures for women |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Motion picture audiences |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Women in motion pictures |x History |y 20th century. | |
| 650 | 6 | |a Cinéma |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect social |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Films de femme |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Publics |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Femmes au cinéma |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture audiences |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures for women |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Women in motion pictures |2 fast | |
| 651 | 7 | |a Germany |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd | |
| 650 | 7 | |a Film history, theory & criticism. |2 thema | |
| 650 | 7 | |a Gender studies, gender groups. |2 thema | |
| 650 | 7 | |a Germany. |2 thema | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Baer, Hester. |t Dismantling the dream factory. |d New York : Berghahn Books, 2009 |z 9781845456054 |w (DLC) 2009032996 |
| 830 | 0 | |a Film Europa ; |v v. 9. |0 http://id.loc.gov/authorities/names/no2005046361 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=416326 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9781845459451 | ||
| 938 | |a Recorded Books, LLC |b RECE |n rbeEB00825811 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH25968525 | ||
| 938 | |a ACLS Humanities E-Book |b ACLS |n MIU01100000000000000000610 | ||
| 938 | |a Coutts Information Services |b COUT |n 13831950 | ||
| 938 | |a ebrary |b EBRY |n ebr10394101 | ||
| 938 | |a EBSCOhost |b EBSC |n 416326 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n 262802 | ||
| 938 | |a YBP Library Services |b YANK |n 3341579 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn961882790 |
|---|---|
| _version_ | 1816882367720062976 |
| adam_text | |
| any_adam_object | |
| author | Baer, Hester |
| author_GND | http://id.loc.gov/authorities/names/n00025336 |
| author_facet | Baer, Hester |
| author_role | |
| author_sort | Baer, Hester |
| author_variant | h b hb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.G3 |
| callnumber-search | PN1993.5.G3 |
| callnumber-sort | PN 41993.5 G3 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture. |
| ctrlnum | (OCoLC)961882790 |
| dewey-full | 791.430943/09044 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430943/09044 |
| dewey-search | 791.430943/09044 |
| dewey-sort | 3791.430943 49044 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06717cam a2201069 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn961882790</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr mnummmmuuuu</controlfield><controlfield tag="008">160907s2009 nyua ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2009032996</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">ACLSE</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">ACLSE</subfield><subfield code="d">OCLCO</subfield><subfield code="d">QCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">CDX</subfield><subfield code="d">E7B</subfield><subfield code="d">IDEBK</subfield><subfield code="d">SNK</subfield><subfield code="d">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">JSTOR</subfield><subfield code="d">CUS</subfield><subfield code="d">IAS</subfield><subfield code="d">OH1</subfield><subfield code="d">VT2</subfield><subfield code="d">AUD</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">U3W</subfield><subfield code="d">NLE</subfield><subfield code="d">UAB</subfield><subfield code="d">TXC</subfield><subfield code="d">AU@</subfield><subfield code="d">UKMGB</subfield><subfield code="d">YOU</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKAHL</subfield><subfield code="d">EZ9</subfield><subfield code="d">RECBK</subfield><subfield code="d">MM9</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">CUS</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB7B7553</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBA9A3635.</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">015401712</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">018404097</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">015401712.</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">646009236</subfield><subfield code="a">974272109</subfield><subfield code="a">1017996297</subfield><subfield code="a">1086475973</subfield><subfield code="a">1163945957</subfield><subfield code="a">1170494512</subfield><subfield code="a">1180964935</subfield><subfield code="a">1190691360</subfield><subfield code="a">1197007363</subfield><subfield code="a">1206221431</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781845459451</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1845459458</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781845456054</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">184545605X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)961882790</subfield><subfield code="z">(OCoLC)646009236</subfield><subfield code="z">(OCoLC)974272109</subfield><subfield code="z">(OCoLC)1017996297</subfield><subfield code="z">(OCoLC)1086475973</subfield><subfield code="z">(OCoLC)1163945957</subfield><subfield code="z">(OCoLC)1170494512</subfield><subfield code="z">(OCoLC)1180964935</subfield><subfield code="z">(OCoLC)1190691360</subfield><subfield code="z">(OCoLC)1197007363</subfield><subfield code="z">(OCoLC)1206221431</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt7j14sq</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-gx---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1993.5.G3</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">057000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004040</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC032000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">1DFG.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">APFA.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JFSJ.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">1DFG.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ATFA.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JBSF.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER.</subfield><subfield code="2">ukslc</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.430943/09044</subfield><subfield code="2">22</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Baer, Hester.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n00025336</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Dismantling the dream factory :</subfield><subfield code="b">gender, German cinema, and the postwar quest for a new film language /</subfield><subfield code="c">Hester Baer.</subfield></datafield><datafield tag="246" ind1="3" ind2="0"><subfield code="a">Gender, German cinema, and the postwar quest for a new film language</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Berghahn Books,</subfield><subfield code="c">2009.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiii, 304 pages) :</subfield><subfield code="b">illustrations.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film Europa : German cinema in an international context ;</subfield><subfield code="v">v. 9</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 283-289) and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to "dismantle the dream factory" of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 percent of cinema audiences a "women's cinema" emerged, which sought to.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Germany</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Germany</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures for women</subfield><subfield code="z">Germany</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture audiences</subfield><subfield code="z">Germany</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Women in motion pictures</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">Allemagne</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Aspect social</subfield><subfield code="z">Allemagne</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Films de femme</subfield><subfield code="z">Allemagne</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Publics</subfield><subfield code="z">Allemagne</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Femmes au cinéma</subfield><subfield code="x">Histoire</subfield><subfield code="y">20e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">Film & Video.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture audiences</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures for women</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Women in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Germany</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film history, theory & criticism.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Gender studies, gender groups.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Germany.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Performing Arts.</subfield><subfield code="2">ukslc</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Baer, Hester.</subfield><subfield code="t">Dismantling the dream factory.</subfield><subfield code="d">New York : Berghahn Books, 2009</subfield><subfield code="z">9781845456054</subfield><subfield code="w">(DLC) 2009032996</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film Europa ;</subfield><subfield code="v">v. 9.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2005046361</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=416326</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9781845459451</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Recorded Books, LLC</subfield><subfield code="b">RECE</subfield><subfield code="n">rbeEB00825811</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH25968525</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ACLS Humanities E-Book</subfield><subfield code="b">ACLS</subfield><subfield code="n">MIU01100000000000000000610</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">13831950</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10394101</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">416326</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">262802</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">3341579</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| geographic | Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd |
| geographic_facet | Germany |
| id | ZDB-4-EBA-ocn961882790 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:29Z |
| institution | BVB |
| isbn | 9781845459451 1845459458 |
| language | English |
| lccn | 2009032996 |
| oclc_num | 961882790 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 304 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Berghahn Books, |
| record_format | marc |
| series | Film Europa ; |
| series2 | Film Europa : German cinema in an international context ; |
| spelling | Baer, Hester. http://id.loc.gov/authorities/names/n00025336 Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / Hester Baer. Gender, German cinema, and the postwar quest for a new film language New York : Berghahn Books, 2009. 1 online resource (xiii, 304 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Film Europa : German cinema in an international context ; v. 9 Includes bibliographical references (pages 283-289) and index. Print version. Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture. The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to "dismantle the dream factory" of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 percent of cinema audiences a "women's cinema" emerged, which sought to. Motion pictures Germany History 20th century. Motion pictures Social aspects Germany History 20th century. Motion pictures for women Germany History 20th century. Motion picture audiences Germany History 20th century. Women in motion pictures History 20th century. Cinéma Allemagne Histoire 20e siècle. Cinéma Aspect social Allemagne Histoire 20e siècle. Films de femme Allemagne Histoire 20e siècle. Cinéma Publics Allemagne Histoire 20e siècle. Femmes au cinéma Histoire 20e siècle. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture audiences fast Motion pictures fast Motion pictures for women fast Motion pictures Social aspects fast Women in motion pictures fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Film history, theory & criticism. thema Gender studies, gender groups. thema Germany. thema Performing Arts. ukslc 1900-1999 fast History fast Print version: Baer, Hester. Dismantling the dream factory. New York : Berghahn Books, 2009 9781845456054 (DLC) 2009032996 Film Europa ; v. 9. http://id.loc.gov/authorities/names/no2005046361 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=416326 Volltext |
| spellingShingle | Baer, Hester Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / Film Europa ; Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture. Motion pictures Germany History 20th century. Motion pictures Social aspects Germany History 20th century. Motion pictures for women Germany History 20th century. Motion picture audiences Germany History 20th century. Women in motion pictures History 20th century. Cinéma Allemagne Histoire 20e siècle. Cinéma Aspect social Allemagne Histoire 20e siècle. Films de femme Allemagne Histoire 20e siècle. Cinéma Publics Allemagne Histoire 20e siècle. Femmes au cinéma Histoire 20e siècle. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture audiences fast Motion pictures fast Motion pictures for women fast Motion pictures Social aspects fast Women in motion pictures fast Film history, theory & criticism. thema Gender studies, gender groups. thema Germany. thema Performing Arts. ukslc |
| title | Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / |
| title_alt | Gender, German cinema, and the postwar quest for a new film language |
| title_auth | Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / |
| title_exact_search | Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / |
| title_full | Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / Hester Baer. |
| title_fullStr | Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / Hester Baer. |
| title_full_unstemmed | Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language / Hester Baer. |
| title_short | Dismantling the dream factory : |
| title_sort | dismantling the dream factory gender german cinema and the postwar quest for a new film language |
| title_sub | gender, German cinema, and the postwar quest for a new film language / |
| topic | Motion pictures Germany History 20th century. Motion pictures Social aspects Germany History 20th century. Motion pictures for women Germany History 20th century. Motion picture audiences Germany History 20th century. Women in motion pictures History 20th century. Cinéma Allemagne Histoire 20e siècle. Cinéma Aspect social Allemagne Histoire 20e siècle. Films de femme Allemagne Histoire 20e siècle. Cinéma Publics Allemagne Histoire 20e siècle. Femmes au cinéma Histoire 20e siècle. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture audiences fast Motion pictures fast Motion pictures for women fast Motion pictures Social aspects fast Women in motion pictures fast Film history, theory & criticism. thema Gender studies, gender groups. thema Germany. thema Performing Arts. ukslc |
| topic_facet | Motion pictures Germany History 20th century. Motion pictures Social aspects Germany History 20th century. Motion pictures for women Germany History 20th century. Motion picture audiences Germany History 20th century. Women in motion pictures History 20th century. Cinéma Allemagne Histoire 20e siècle. Cinéma Aspect social Allemagne Histoire 20e siècle. Films de femme Allemagne Histoire 20e siècle. Cinéma Publics Allemagne Histoire 20e siècle. Femmes au cinéma Histoire 20e siècle. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video History & Criticism. Motion picture audiences Motion pictures Motion pictures for women Motion pictures Social aspects Women in motion pictures Germany Film history, theory & criticism. Gender studies, gender groups. Germany. Performing Arts. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=416326 |
| work_keys_str_mv | AT baerhester dismantlingthedreamfactorygendergermancinemaandthepostwarquestforanewfilmlanguage AT baerhester gendergermancinemaandthepostwarquestforanewfilmlanguage |