Moving viewers :: American film and the spectator's experience /
Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of mov...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
©2009.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences |
| Beschreibung: | 1 online resource (xii, 280 pages) |
| Bibliographie: | Includes bibliographical references (pages 253-267) and index. |
| ISBN: | 9780520943919 0520943910 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn961488915 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 080811s2009 caua ob 001 0 eng | ||
| 010 | |a 2021696699 | ||
| 040 | |a DLC |b eng |e pn |c DLC |d OCLCF |d TXC |d AZK |d CDX |d VLB |d ACLSE |d E7B |d P@U |d COO |d AGLDB |d OTZ |d U3W |d FIE |d UAB |d AU@ |d DKC |d DEGRU |d JTB |d UUO |d EUW |d LOA |d CCO |d PIFAG |d STF |d WRM |d NRAMU |d MM9 |d VT2 |d WYU |d G3B |d YOU |d TKN |d AUD |d CPO |d KIJ |d RRP |d EBLCP |d YDXCP |d N$T |d JSTOR |d DEBSZ |d ZCU |d MERUC |d IOG |d VTS |d ICG |d LVT |d M8D |d INARC |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d NUI |d OCLCQ | ||
| 015 | |a GBA906283 |2 bnb | ||
| 016 | 7 | |a 014883656 |2 Uk | |
| 019 | |a 670278205 |a 733997373 |a 749134593 |a 753658437 |a 773564868 |a 801665056 |a 874665017 |a 984656807 |a 993098503 |a 1167563904 |a 1302148481 | ||
| 020 | |a 9780520943919 |q (ebook) | ||
| 020 | |a 0520943910 | ||
| 020 | |z 9780520256958 |q (cloth ; |q alk. paper) | ||
| 020 | |z 0520256956 |q (cloth ; |q alk. paper) | ||
| 020 | |z 9780520256965 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 0520256964 |q (pbk. ; |q alk. paper) | ||
| 024 | 8 | |a 9786612772627 | |
| 035 | |a (OCoLC)961488915 |z (OCoLC)670278205 |z (OCoLC)733997373 |z (OCoLC)749134593 |z (OCoLC)753658437 |z (OCoLC)773564868 |z (OCoLC)801665056 |z (OCoLC)874665017 |z (OCoLC)984656807 |z (OCoLC)993098503 |z (OCoLC)1167563904 |z (OCoLC)1302148481 | ||
| 037 | |a 277262 |b MIL | ||
| 043 | |a n-us--- | ||
| 050 | 0 | 0 | |a PN1995.9.A8 |
| 070 | |a PN1995.9.A8 |b (INTERNET) | ||
| 072 | 7 | |a SOC |x 052000 |2 bisacsh | |
| 072 | 7 | |a PER004000 |2 bisacsh | |
| 082 | 7 | |a 302.23/43 |2 22 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Plantinga, Carl R. | |
| 245 | 1 | 0 | |a Moving viewers : |b American film and the spectator's experience / |c Carl Plantinga. |
| 260 | |a Berkeley : |b University of California Press, |c ©2009. | ||
| 300 | |a 1 online resource (xii, 280 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 253-267) and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and sympathetic narratives : Sympathetic and distanced narratives ; The paradox of negative emotions ; Hume on the paradox of tragedy ; Catharsis? ; Managing the negative emotions ; The spillover effect ; Fantasies of assurance and control ; Ideology in sympathetic and distanced narratives -- 7. The rhetoric of emotion: disgust and beyond : The affective rhetoric of film ; The case of disgust ; Disgust defined ; The rise of movie disgust ; The nature of movie disgust ; The rhetoric of movie disgust ; Polyester and ironic disgust ; The rhetoric of emotion in film -- Conclusion: Moving viewers. | |
| 520 | |a Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences | ||
| 650 | 0 | |a Motion picture audiences |x Psychology. | |
| 650 | 0 | |a Motion pictures |z United States. |0 http://id.loc.gov/authorities/subjects/sh85088112 | |
| 650 | 6 | |a Cinéma |x Publics |x Psychologie. | |
| 650 | 6 | |a Cinéma |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Motion picture audiences |x Psychology |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 653 | |a american film. | ||
| 653 | |a audience theory. | ||
| 653 | |a cinema and film. | ||
| 653 | |a cognitive science. | ||
| 653 | |a cultural studies. | ||
| 653 | |a desires. | ||
| 653 | |a emotional experience. | ||
| 653 | |a film criticism. | ||
| 653 | |a film studies. | ||
| 653 | |a film. | ||
| 653 | |a hollywood films. | ||
| 653 | |a mainstream narratives. | ||
| 653 | |a media studies. | ||
| 653 | |a movie criticism. | ||
| 653 | |a movie studies. | ||
| 653 | |a movie watching. | ||
| 653 | |a movies and emotions. | ||
| 653 | |a movies. | ||
| 653 | |a moving viewers. | ||
| 653 | |a negative emotions. | ||
| 653 | |a philosophical aesthetics. | ||
| 653 | |a pleasures. | ||
| 653 | |a psychology of spectatorship. | ||
| 653 | |a ritualistic fantasy. | ||
| 653 | |a sensual films. | ||
| 653 | |a spectators. | ||
| 653 | |a sympathetic narratives. | ||
| 653 | |a synesthesia. | ||
| 653 | |a the paradox of negative emotion. | ||
| 653 | |a watching a movie. | ||
| 655 | 7 | |a Motion pictures |2 fast | |
| 655 | 7 | |a Motion pictures. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026406 | |
| 655 | 7 | |a Films. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |t Moving viewers. |d Berkeley : University of California Press, ©2009 |z 9780520256958 |w (DLC) 2008035578 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=547356 |3 Volltext |
| 938 | |a ACLS Humanities E-Book |b ACLS |n HEB08117 | ||
| 938 | |a Coutts Information Services |b COUT |n 15337894 | ||
| 938 | |a De Gruyter |b DEGR |n 9780520943919 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL837157 | ||
| 938 | |a ebrary |b EBRY |n ebr10675731 | ||
| 938 | |a EBSCOhost |b EBSC |n 547356 | ||
| 938 | |a Internet Archive |b INAR |n movingviewersame0000plan | ||
| 938 | |a Project MUSE |b MUSE |n muse30322 | ||
| 938 | |a YBP Library Services |b YANK |n 7356586 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn961488915 |
|---|---|
| _version_ | 1816882367134957568 |
| adam_text | |
| any_adam_object | |
| author | Plantinga, Carl R. |
| author_facet | Plantinga, Carl R. |
| author_role | |
| author_sort | Plantinga, Carl R. |
| author_variant | c r p cr crp |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.A8 |
| callnumber-search | PN1995.9.A8 |
| callnumber-sort | PN 41995.9 A8 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and sympathetic narratives : Sympathetic and distanced narratives ; The paradox of negative emotions ; Hume on the paradox of tragedy ; Catharsis? ; Managing the negative emotions ; The spillover effect ; Fantasies of assurance and control ; Ideology in sympathetic and distanced narratives -- 7. The rhetoric of emotion: disgust and beyond : The affective rhetoric of film ; The case of disgust ; Disgust defined ; The rise of movie disgust ; The nature of movie disgust ; The rhetoric of movie disgust ; Polyester and ironic disgust ; The rhetoric of emotion in film -- Conclusion: Moving viewers. |
| ctrlnum | (OCoLC)961488915 |
| dewey-full | 302.23/43 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23/43 |
| dewey-search | 302.23/43 |
| dewey-sort | 3302.23 243 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07850cam a2201129 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn961488915</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">080811s2009 caua ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2021696699</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCF</subfield><subfield code="d">TXC</subfield><subfield code="d">AZK</subfield><subfield code="d">CDX</subfield><subfield code="d">VLB</subfield><subfield code="d">ACLSE</subfield><subfield code="d">E7B</subfield><subfield code="d">P@U</subfield><subfield code="d">COO</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OTZ</subfield><subfield code="d">U3W</subfield><subfield code="d">FIE</subfield><subfield code="d">UAB</subfield><subfield code="d">AU@</subfield><subfield code="d">DKC</subfield><subfield code="d">DEGRU</subfield><subfield code="d">JTB</subfield><subfield code="d">UUO</subfield><subfield code="d">EUW</subfield><subfield code="d">LOA</subfield><subfield code="d">CCO</subfield><subfield code="d">PIFAG</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">NRAMU</subfield><subfield code="d">MM9</subfield><subfield code="d">VT2</subfield><subfield code="d">WYU</subfield><subfield code="d">G3B</subfield><subfield code="d">YOU</subfield><subfield code="d">TKN</subfield><subfield code="d">AUD</subfield><subfield code="d">CPO</subfield><subfield code="d">KIJ</subfield><subfield code="d">RRP</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDXCP</subfield><subfield code="d">N$T</subfield><subfield code="d">JSTOR</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">ZCU</subfield><subfield code="d">MERUC</subfield><subfield code="d">IOG</subfield><subfield code="d">VTS</subfield><subfield code="d">ICG</subfield><subfield code="d">LVT</subfield><subfield code="d">M8D</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">NUI</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBA906283</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">014883656</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">670278205</subfield><subfield code="a">733997373</subfield><subfield code="a">749134593</subfield><subfield code="a">753658437</subfield><subfield code="a">773564868</subfield><subfield code="a">801665056</subfield><subfield code="a">874665017</subfield><subfield code="a">984656807</subfield><subfield code="a">993098503</subfield><subfield code="a">1167563904</subfield><subfield code="a">1302148481</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520943919</subfield><subfield code="q">(ebook)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520943910</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520256958</subfield><subfield code="q">(cloth ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0520256956</subfield><subfield code="q">(cloth ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520256965</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0520256964</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">9786612772627</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)961488915</subfield><subfield code="z">(OCoLC)670278205</subfield><subfield code="z">(OCoLC)733997373</subfield><subfield code="z">(OCoLC)749134593</subfield><subfield code="z">(OCoLC)753658437</subfield><subfield code="z">(OCoLC)773564868</subfield><subfield code="z">(OCoLC)801665056</subfield><subfield code="z">(OCoLC)874665017</subfield><subfield code="z">(OCoLC)984656807</subfield><subfield code="z">(OCoLC)993098503</subfield><subfield code="z">(OCoLC)1167563904</subfield><subfield code="z">(OCoLC)1302148481</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">277262</subfield><subfield code="b">MIL</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1995.9.A8</subfield></datafield><datafield tag="070" ind1=" " ind2=" "><subfield code="a">PN1995.9.A8</subfield><subfield code="b">(INTERNET)</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">302.23/43</subfield><subfield code="2">22</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Plantinga, Carl R.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Moving viewers :</subfield><subfield code="b">American film and the spectator's experience /</subfield><subfield code="c">Carl Plantinga.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Berkeley :</subfield><subfield code="b">University of California Press,</subfield><subfield code="c">©2009.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xii, 280 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 253-267) and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record and CIP data provided by publisher; resource not viewed.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and sympathetic narratives : Sympathetic and distanced narratives ; The paradox of negative emotions ; Hume on the paradox of tragedy ; Catharsis? ; Managing the negative emotions ; The spillover effect ; Fantasies of assurance and control ; Ideology in sympathetic and distanced narratives -- 7. The rhetoric of emotion: disgust and beyond : The affective rhetoric of film ; The case of disgust ; Disgust defined ; The rise of movie disgust ; The nature of movie disgust ; The rhetoric of movie disgust ; Polyester and ironic disgust ; The rhetoric of emotion in film -- Conclusion: Moving viewers.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture audiences</subfield><subfield code="x">Psychology.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088112</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Publics</subfield><subfield code="x">Psychologie.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">États-Unis.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture audiences</subfield><subfield code="x">Psychology</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">american film.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">audience theory.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">cinema and film.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">cognitive science.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">cultural studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">desires.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">emotional experience.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">film criticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">film studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">film.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">hollywood films.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">mainstream narratives.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">media studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">movie criticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">movie studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">movie watching.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">movies and emotions.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">movies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">moving viewers.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">negative emotions.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">philosophical aesthetics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">pleasures.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">psychology of spectatorship.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">ritualistic fantasy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">sensual films.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">spectators.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">sympathetic narratives.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">synesthesia.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">the paradox of negative emotion.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">watching a movie.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Motion pictures.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2011026406</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Films.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Moving viewers.</subfield><subfield code="d">Berkeley : University of California Press, ©2009</subfield><subfield code="z">9780520256958</subfield><subfield code="w">(DLC) 2008035578</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=547356</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ACLS Humanities E-Book</subfield><subfield code="b">ACLS</subfield><subfield code="n">HEB08117</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">15337894</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780520943919</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL837157</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10675731</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">547356</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">movingviewersame0000plan</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse30322</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">7356586</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Motion pictures fast Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films. rvmgf |
| genre_facet | Motion pictures Motion pictures. Films. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn961488915 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:29Z |
| institution | BVB |
| isbn | 9780520943919 0520943910 |
| language | English |
| lccn | 2021696699 |
| oclc_num | 961488915 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 280 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Plantinga, Carl R. Moving viewers : American film and the spectator's experience / Carl Plantinga. Berkeley : University of California Press, ©2009. 1 online resource (xii, 280 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 253-267) and index. Print version record and CIP data provided by publisher; resource not viewed. Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and sympathetic narratives : Sympathetic and distanced narratives ; The paradox of negative emotions ; Hume on the paradox of tragedy ; Catharsis? ; Managing the negative emotions ; The spillover effect ; Fantasies of assurance and control ; Ideology in sympathetic and distanced narratives -- 7. The rhetoric of emotion: disgust and beyond : The affective rhetoric of film ; The case of disgust ; Disgust defined ; The rise of movie disgust ; The nature of movie disgust ; The rhetoric of movie disgust ; Polyester and ironic disgust ; The rhetoric of emotion in film -- Conclusion: Moving viewers. Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences Motion picture audiences Psychology. Motion pictures United States. http://id.loc.gov/authorities/subjects/sh85088112 Cinéma Publics Psychologie. Cinéma États-Unis. PERFORMING ARTS Film & Video General. bisacsh Motion picture audiences Psychology fast Motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq american film. audience theory. cinema and film. cognitive science. cultural studies. desires. emotional experience. film criticism. film studies. film. hollywood films. mainstream narratives. media studies. movie criticism. movie studies. movie watching. movies and emotions. movies. moving viewers. negative emotions. philosophical aesthetics. pleasures. psychology of spectatorship. ritualistic fantasy. sensual films. spectators. sympathetic narratives. synesthesia. the paradox of negative emotion. watching a movie. Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films. rvmgf Print version: Moving viewers. Berkeley : University of California Press, ©2009 9780520256958 (DLC) 2008035578 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=547356 Volltext |
| spellingShingle | Plantinga, Carl R. Moving viewers : American film and the spectator's experience / Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and sympathetic narratives : Sympathetic and distanced narratives ; The paradox of negative emotions ; Hume on the paradox of tragedy ; Catharsis? ; Managing the negative emotions ; The spillover effect ; Fantasies of assurance and control ; Ideology in sympathetic and distanced narratives -- 7. The rhetoric of emotion: disgust and beyond : The affective rhetoric of film ; The case of disgust ; Disgust defined ; The rise of movie disgust ; The nature of movie disgust ; The rhetoric of movie disgust ; Polyester and ironic disgust ; The rhetoric of emotion in film -- Conclusion: Moving viewers. Motion picture audiences Psychology. Motion pictures United States. http://id.loc.gov/authorities/subjects/sh85088112 Cinéma Publics Psychologie. Cinéma États-Unis. PERFORMING ARTS Film & Video General. bisacsh Motion picture audiences Psychology fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088112 http://id.loc.gov/authorities/genreForms/gf2011026406 |
| title | Moving viewers : American film and the spectator's experience / |
| title_auth | Moving viewers : American film and the spectator's experience / |
| title_exact_search | Moving viewers : American film and the spectator's experience / |
| title_full | Moving viewers : American film and the spectator's experience / Carl Plantinga. |
| title_fullStr | Moving viewers : American film and the spectator's experience / Carl Plantinga. |
| title_full_unstemmed | Moving viewers : American film and the spectator's experience / Carl Plantinga. |
| title_short | Moving viewers : |
| title_sort | moving viewers american film and the spectator s experience |
| title_sub | American film and the spectator's experience / |
| topic | Motion picture audiences Psychology. Motion pictures United States. http://id.loc.gov/authorities/subjects/sh85088112 Cinéma Publics Psychologie. Cinéma États-Unis. PERFORMING ARTS Film & Video General. bisacsh Motion picture audiences Psychology fast Motion pictures fast |
| topic_facet | Motion picture audiences Psychology. Motion pictures United States. Cinéma Publics Psychologie. Cinéma États-Unis. PERFORMING ARTS Film & Video General. Motion picture audiences Psychology Motion pictures United States Motion pictures. Films. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=547356 |
| work_keys_str_mv | AT plantingacarlr movingviewersamericanfilmandthespectatorsexperience |