The art of law in Shakespeare /:
Through an examination of five plays by Shakespeare, Paul Raffield analyses the contiguous development of common law and poetic drama during the first decade of Jacobean rule. The broad premise of The Art of Law in Shakespeare is that the 'artificial reason' of law was a complex art form t...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford ; Portland, OR :
Hart Publishing,
2017.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Through an examination of five plays by Shakespeare, Paul Raffield analyses the contiguous development of common law and poetic drama during the first decade of Jacobean rule. The broad premise of The Art of Law in Shakespeare is that the 'artificial reason' of law was a complex art form that shared the same rhetorical strategy as the plays of Shakespeare. Common law and Shakespearean drama of this period employed various aesthetic devices to capture the imagination and the emotional attachment of their respective audiences. Common law of the Jacobean era, as spoken in the law courts, learnt at the Inns of Court and recorded in the law reports, used imagery that would have been familiar to audiences of Shakespeare's plays. In its juridical form, English law was intrinsically dramatic, its adversarial mode of expression being founded on an agonistic model. Conversely, Shakespeare borrowed from the common law some of its most critical themes: justice, legitimacy, sovereignty, community, fairness, and (above all else) humanity. Each chapter investigates a particular aspect of the common law, seen through the lens of a specific play by Shakespeare. Topics include the unprecedented significance of rhetorical skills to the practice and learning of common law (Love's Labour's Lost); the early modern treason trial as exemplar of the theatre of law (Macbeth); the art of law as the legitimate distillation of the law of nature (The Winter's Tale); the efforts of common lawyers to create an image of nationhood from both classical and Judeo-Christian mythography (Cymbeline); and the theatrical device of the island as microcosm of the Jacobean state and the project of imperial expansion (The Tempest). |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781509905485 1509905480 9781509905492 1509905499 |
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505 | 0 | |a Introduction -- 1. 'Fie, painted rhetoric!' Common Law, Satire and the Language of the Beast -- I. Oratory, Empire and Common Law -- II. Rhetoric, Method and the English Lawyer -- III. Our English Martiall: John Davies of the Middle Temple -- IV. Love's Labour's Lost, the Inns of Court and the Sweet Smoke of Rhetoric -- 2. Princes Set Upon Stages: Macbeth, Treason and the Theatre of Law -- I. Compassing or Imagining Regicide -- II. Of Such Horror, and Monstrous Nature: The Juridical Enactment of Betrayal -- III. Royal Succession as Theatre of the Whole World -- IV. Treason and the King's Two Bodies -- 3. The Winter's Tale: An Art Lawful as Eating -- I. Law, Literature and Genealogy -- II. Horticulture, Transformation and the Artifice of Law -- III. The Nature of Law -- IV. Inheritance, Gender and the Common Law Tradition -- V. The Arts of Portraiture and Politics -- 4. Cymbeline: Empire, Nationhood and the Jacobean Aeneid -- I. Some Footsteps in the Law -- II. A Law Inscribed upon the Heart -- III. Postnati. Calvin's Case and the Journey of Jacobean Law -- IV. The Divine Purpose, Nature and the Equivocal Image -- V. The Nationalist Ends of Myth -- 5. The Tempest: The Island of Law in Jacobean England -- I. Cannibals, Colonies and the Brave New World -- II. Utopia and the Legal Imagination -- III. Enchanted Islands of Common Law | |
520 | 8 | |a Through an examination of five plays by Shakespeare, Paul Raffield analyses the contiguous development of common law and poetic drama during the first decade of Jacobean rule. The broad premise of The Art of Law in Shakespeare is that the 'artificial reason' of law was a complex art form that shared the same rhetorical strategy as the plays of Shakespeare. Common law and Shakespearean drama of this period employed various aesthetic devices to capture the imagination and the emotional attachment of their respective audiences. Common law of the Jacobean era, as spoken in the law courts, learnt at the Inns of Court and recorded in the law reports, used imagery that would have been familiar to audiences of Shakespeare's plays. In its juridical form, English law was intrinsically dramatic, its adversarial mode of expression being founded on an agonistic model. Conversely, Shakespeare borrowed from the common law some of its most critical themes: justice, legitimacy, sovereignty, community, fairness, and (above all else) humanity. Each chapter investigates a particular aspect of the common law, seen through the lens of a specific play by Shakespeare. Topics include the unprecedented significance of rhetorical skills to the practice and learning of common law (Love's Labour's Lost); the early modern treason trial as exemplar of the theatre of law (Macbeth); the art of law as the legitimate distillation of the law of nature (The Winter's Tale); the efforts of common lawyers to create an image of nationhood from both classical and Judeo-Christian mythography (Cymbeline); and the theatrical device of the island as microcosm of the Jacobean state and the project of imperial expansion (The Tempest). | |
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contents | Introduction -- 1. 'Fie, painted rhetoric!' Common Law, Satire and the Language of the Beast -- I. Oratory, Empire and Common Law -- II. Rhetoric, Method and the English Lawyer -- III. Our English Martiall: John Davies of the Middle Temple -- IV. Love's Labour's Lost, the Inns of Court and the Sweet Smoke of Rhetoric -- 2. Princes Set Upon Stages: Macbeth, Treason and the Theatre of Law -- I. Compassing or Imagining Regicide -- II. Of Such Horror, and Monstrous Nature: The Juridical Enactment of Betrayal -- III. Royal Succession as Theatre of the Whole World -- IV. Treason and the King's Two Bodies -- 3. The Winter's Tale: An Art Lawful as Eating -- I. Law, Literature and Genealogy -- II. Horticulture, Transformation and the Artifice of Law -- III. The Nature of Law -- IV. Inheritance, Gender and the Common Law Tradition -- V. The Arts of Portraiture and Politics -- 4. Cymbeline: Empire, Nationhood and the Jacobean Aeneid -- I. Some Footsteps in the Law -- II. A Law Inscribed upon the Heart -- III. Postnati. Calvin's Case and the Journey of Jacobean Law -- IV. The Divine Purpose, Nature and the Equivocal Image -- V. The Nationalist Ends of Myth -- 5. The Tempest: The Island of Law in Jacobean England -- I. Cannibals, Colonies and the Brave New World -- II. Utopia and the Legal Imagination -- III. Enchanted Islands of Common Law |
ctrlnum | (OCoLC)961388855 |
dewey-full | 822.3/3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.3/3 |
dewey-search | 822.3/3 |
dewey-sort | 3822.3 13 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
era | 1500-1699 fast |
era_facet | 1500-1699 |
format | Electronic eBook |
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illustrated | Not Illustrated |
indexdate | 2024-11-27T13:27:29Z |
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isbn | 9781509905485 1509905480 9781509905492 1509905499 |
language | English |
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publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Hart Publishing, |
record_format | marc |
spelling | Raffield, Paul, author. The art of law in Shakespeare / Paul Raffield. Oxford ; Portland, OR : Hart Publishing, 2017. 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Includes bibliographical references and index. Description based on print version record and CIP data provided by publisher. Introduction -- 1. 'Fie, painted rhetoric!' Common Law, Satire and the Language of the Beast -- I. Oratory, Empire and Common Law -- II. Rhetoric, Method and the English Lawyer -- III. Our English Martiall: John Davies of the Middle Temple -- IV. Love's Labour's Lost, the Inns of Court and the Sweet Smoke of Rhetoric -- 2. Princes Set Upon Stages: Macbeth, Treason and the Theatre of Law -- I. Compassing or Imagining Regicide -- II. Of Such Horror, and Monstrous Nature: The Juridical Enactment of Betrayal -- III. Royal Succession as Theatre of the Whole World -- IV. Treason and the King's Two Bodies -- 3. The Winter's Tale: An Art Lawful as Eating -- I. Law, Literature and Genealogy -- II. Horticulture, Transformation and the Artifice of Law -- III. The Nature of Law -- IV. Inheritance, Gender and the Common Law Tradition -- V. The Arts of Portraiture and Politics -- 4. Cymbeline: Empire, Nationhood and the Jacobean Aeneid -- I. Some Footsteps in the Law -- II. A Law Inscribed upon the Heart -- III. Postnati. Calvin's Case and the Journey of Jacobean Law -- IV. The Divine Purpose, Nature and the Equivocal Image -- V. The Nationalist Ends of Myth -- 5. The Tempest: The Island of Law in Jacobean England -- I. Cannibals, Colonies and the Brave New World -- II. Utopia and the Legal Imagination -- III. Enchanted Islands of Common Law Through an examination of five plays by Shakespeare, Paul Raffield analyses the contiguous development of common law and poetic drama during the first decade of Jacobean rule. The broad premise of The Art of Law in Shakespeare is that the 'artificial reason' of law was a complex art form that shared the same rhetorical strategy as the plays of Shakespeare. Common law and Shakespearean drama of this period employed various aesthetic devices to capture the imagination and the emotional attachment of their respective audiences. Common law of the Jacobean era, as spoken in the law courts, learnt at the Inns of Court and recorded in the law reports, used imagery that would have been familiar to audiences of Shakespeare's plays. In its juridical form, English law was intrinsically dramatic, its adversarial mode of expression being founded on an agonistic model. Conversely, Shakespeare borrowed from the common law some of its most critical themes: justice, legitimacy, sovereignty, community, fairness, and (above all else) humanity. Each chapter investigates a particular aspect of the common law, seen through the lens of a specific play by Shakespeare. Topics include the unprecedented significance of rhetorical skills to the practice and learning of common law (Love's Labour's Lost); the early modern treason trial as exemplar of the theatre of law (Macbeth); the art of law as the legitimate distillation of the law of nature (The Winter's Tale); the efforts of common lawyers to create an image of nationhood from both classical and Judeo-Christian mythography (Cymbeline); and the theatrical device of the island as microcosm of the Jacobean state and the project of imperial expansion (The Tempest). Shakespeare, William, 1564-1616 Knowledge Law. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Law Great Britain History 16th century. Law Great Britain History 17th century. Law and literature History 16th century. Law and literature History 17th century. Law in literature. http://id.loc.gov/authorities/subjects/sh85075309 Droit et littérature Histoire 16e siècle. Droit et littérature Histoire 17e siècle. Droit dans la littérature. Shakespeare studies & criticism. bicssc Law. bicssc Legal history. bicssc Law Legal History. bisacsh Literary Criticism Shakespeare. bisacsh Law fast Law and literature fast Law in literature fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP 1500-1699 fast History fast has work: The art of law in Shakespeare (Text) https://id.oclc.org/worldcat/entity/E39PCFPqwywDMFdwG7kfQM4jG3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Raffield, Paul. Art of law in Shakespeare Oxford ; Portland, OR : Hart Publishing, 2017 9781509905478 (DLC) 2016037920 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1440180 Volltext |
spellingShingle | Raffield, Paul The art of law in Shakespeare / Introduction -- 1. 'Fie, painted rhetoric!' Common Law, Satire and the Language of the Beast -- I. Oratory, Empire and Common Law -- II. Rhetoric, Method and the English Lawyer -- III. Our English Martiall: John Davies of the Middle Temple -- IV. Love's Labour's Lost, the Inns of Court and the Sweet Smoke of Rhetoric -- 2. Princes Set Upon Stages: Macbeth, Treason and the Theatre of Law -- I. Compassing or Imagining Regicide -- II. Of Such Horror, and Monstrous Nature: The Juridical Enactment of Betrayal -- III. Royal Succession as Theatre of the Whole World -- IV. Treason and the King's Two Bodies -- 3. The Winter's Tale: An Art Lawful as Eating -- I. Law, Literature and Genealogy -- II. Horticulture, Transformation and the Artifice of Law -- III. The Nature of Law -- IV. Inheritance, Gender and the Common Law Tradition -- V. The Arts of Portraiture and Politics -- 4. Cymbeline: Empire, Nationhood and the Jacobean Aeneid -- I. Some Footsteps in the Law -- II. A Law Inscribed upon the Heart -- III. Postnati. Calvin's Case and the Journey of Jacobean Law -- IV. The Divine Purpose, Nature and the Equivocal Image -- V. The Nationalist Ends of Myth -- 5. The Tempest: The Island of Law in Jacobean England -- I. Cannibals, Colonies and the Brave New World -- II. Utopia and the Legal Imagination -- III. Enchanted Islands of Common Law Shakespeare, William, 1564-1616 Knowledge Law. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Law Great Britain History 16th century. Law Great Britain History 17th century. Law and literature History 16th century. Law and literature History 17th century. Law in literature. http://id.loc.gov/authorities/subjects/sh85075309 Droit et littérature Histoire 16e siècle. Droit et littérature Histoire 17e siècle. Droit dans la littérature. Shakespeare studies & criticism. bicssc Law. bicssc Legal history. bicssc Law Legal History. bisacsh Literary Criticism Shakespeare. bisacsh Law fast Law and literature fast Law in literature fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85075309 |
title | The art of law in Shakespeare / |
title_auth | The art of law in Shakespeare / |
title_exact_search | The art of law in Shakespeare / |
title_full | The art of law in Shakespeare / Paul Raffield. |
title_fullStr | The art of law in Shakespeare / Paul Raffield. |
title_full_unstemmed | The art of law in Shakespeare / Paul Raffield. |
title_short | The art of law in Shakespeare / |
title_sort | art of law in shakespeare |
topic | Shakespeare, William, 1564-1616 Knowledge Law. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Law Great Britain History 16th century. Law Great Britain History 17th century. Law and literature History 16th century. Law and literature History 17th century. Law in literature. http://id.loc.gov/authorities/subjects/sh85075309 Droit et littérature Histoire 16e siècle. Droit et littérature Histoire 17e siècle. Droit dans la littérature. Shakespeare studies & criticism. bicssc Law. bicssc Legal history. bicssc Law Legal History. bisacsh Literary Criticism Shakespeare. bisacsh Law fast Law and literature fast Law in literature fast |
topic_facet | Shakespeare, William, 1564-1616 Knowledge Law. Shakespeare, William, 1564-1616 Law Great Britain History 16th century. Law Great Britain History 17th century. Law and literature History 16th century. Law and literature History 17th century. Law in literature. Droit et littérature Histoire 16e siècle. Droit et littérature Histoire 17e siècle. Droit dans la littérature. Shakespeare studies & criticism. Law. Legal history. Law Legal History. Literary Criticism Shakespeare. Law Law and literature Law in literature Great Britain History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1440180 |
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