Studios before the system :: architecture, technology, and the emergence of cinematic space /
By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Columbia University Press,
[2015]
|
| Schriftenreihe: | Film and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France--the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères--as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape "By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. |
| Beschreibung: | 1 online resource (xii, 295 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 9780231539661 0231539665 |
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| 520 | 8 | |a By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France--the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères--as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape | |
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Black boxes and open-air stages: film studio technology and environmental control from the laboratory to the rooftop -- Georges Méliès's "Glass House": cineplasticity for a human-built world -- Dark studios and daylight factories: building cinema in New York City -- Studio factories and studio cities: Paris's Cités du Cinéma and the inconsistency of modernity -- The studio beyond the studio: nature, technology, and location in Southern California | |
| 520 | |a "By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. | ||
| 546 | |a In English. | ||
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| 830 | 0 | |a Film and culture. |0 http://id.loc.gov/authorities/names/n92059833 | |
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| author | Jacobson, Brian R. |
| author_GND | http://id.loc.gov/authorities/names/n2015014110 |
| author_facet | Jacobson, Brian R. |
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| contents | Black boxes and open-air stages: film studio technology and environmental control from the laboratory to the rooftop -- Georges Méliès's "Glass House": cineplasticity for a human-built world -- Dark studios and daylight factories: building cinema in New York City -- Studio factories and studio cities: Paris's Cités du Cinéma and the inconsistency of modernity -- The studio beyond the studio: nature, technology, and location in Southern California |
| ctrlnum | (OCoLC)960169543 |
| dewey-full | 384.8 |
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| dewey-ones | 384 - Communications |
| dewey-raw | 384.8 |
| dewey-search | 384.8 |
| dewey-sort | 3384.8 |
| dewey-tens | 380 - Commerce, communications, transportation |
| discipline | Wirtschaftswissenschaften |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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ind2="0"><subfield code="a">Studios before the system :</subfield><subfield code="b">architecture, technology, and the emergence of cinematic space /</subfield><subfield code="c">Brian R. 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From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Black boxes and open-air stages: film studio technology and environmental control from the laboratory to the rooftop -- Georges Méliès's "Glass House": cineplasticity for a human-built world -- Dark studios and daylight factories: building cinema in New York City -- Studio factories and studio cities: Paris's Cités du Cinéma and the inconsistency of modernity -- The studio beyond the studio: nature, technology, and location in Southern California</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. 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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn960169543 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:27Z |
| institution | BVB |
| isbn | 9780231539661 0231539665 |
| language | English |
| oclc_num | 960169543 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 295 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Columbia University Press, |
| record_format | marc |
| series | Film and culture. |
| series2 | Film and Culture. |
| spelling | Jacobson, Brian R., author. http://id.loc.gov/authorities/names/n2015014110 Studios before the system : architecture, technology, and the emergence of cinematic space / Brian R. Jacobson New York : Columbia University Press, [2015] ©2015 1 online resource (xii, 295 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Film and Culture. By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France--the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères--as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape Includes bibliographical references and index Black boxes and open-air stages: film studio technology and environmental control from the laboratory to the rooftop -- Georges Méliès's "Glass House": cineplasticity for a human-built world -- Dark studios and daylight factories: building cinema in New York City -- Studio factories and studio cities: Paris's Cités du Cinéma and the inconsistency of modernity -- The studio beyond the studio: nature, technology, and location in Southern California "By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. In English. Print version record Motion picture studios United States History 20th century. Motion picture industry History 20th century. Studios de cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Histoire 20e siècle. ARCHITECTURE Buildings Public, Commercial & Industrial. bisacsh Motion picture industry fast Motion picture studios fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Electronic books. History fast has work: Studios before the system (Text) https://id.oclc.org/worldcat/entity/E39PCGbV3xY3gRYkyxkkJqrqjP https://id.oclc.org/worldcat/ontology/hasWork Print version: Jacobson, Brian R. Studios before the system. New York : Columbia University Press, [2015] 9780231172806 (DLC) 2015007610 (OCoLC)904715516 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1044279 Volltext |
| spellingShingle | Jacobson, Brian R. Studios before the system : architecture, technology, and the emergence of cinematic space / Film and culture. Black boxes and open-air stages: film studio technology and environmental control from the laboratory to the rooftop -- Georges Méliès's "Glass House": cineplasticity for a human-built world -- Dark studios and daylight factories: building cinema in New York City -- Studio factories and studio cities: Paris's Cités du Cinéma and the inconsistency of modernity -- The studio beyond the studio: nature, technology, and location in Southern California Motion picture studios United States History 20th century. Motion picture industry History 20th century. Studios de cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Histoire 20e siècle. ARCHITECTURE Buildings Public, Commercial & Industrial. bisacsh Motion picture industry fast Motion picture studios fast |
| title | Studios before the system : architecture, technology, and the emergence of cinematic space / |
| title_auth | Studios before the system : architecture, technology, and the emergence of cinematic space / |
| title_exact_search | Studios before the system : architecture, technology, and the emergence of cinematic space / |
| title_full | Studios before the system : architecture, technology, and the emergence of cinematic space / Brian R. Jacobson |
| title_fullStr | Studios before the system : architecture, technology, and the emergence of cinematic space / Brian R. Jacobson |
| title_full_unstemmed | Studios before the system : architecture, technology, and the emergence of cinematic space / Brian R. Jacobson |
| title_short | Studios before the system : |
| title_sort | studios before the system architecture technology and the emergence of cinematic space |
| title_sub | architecture, technology, and the emergence of cinematic space / |
| topic | Motion picture studios United States History 20th century. Motion picture industry History 20th century. Studios de cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Histoire 20e siècle. ARCHITECTURE Buildings Public, Commercial & Industrial. bisacsh Motion picture industry fast Motion picture studios fast |
| topic_facet | Motion picture studios United States History 20th century. Motion picture industry History 20th century. Studios de cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Histoire 20e siècle. ARCHITECTURE Buildings Public, Commercial & Industrial. Motion picture industry Motion picture studios United States Electronic books. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1044279 |
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