The lives of paintings :: presence, agency and likeness in Venetian art of the sixteenth century /
"As this book shows, paintings in 16th-century Venice were often treated as living beings. On the basis of case studies, its author offers a detailed examination of the agency paintings and other two-dimensional images could exert. Grounded in the theoretical literature on the agency of materia...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
[Berlin] : Leiden :
De Gruyter ; Leiden University Press,
[2017]
|
Schriftenreihe: | Studien aus dem Warburg-Haus ;
Bd. 18. Reihe Kunst und Wirkmacht. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "As this book shows, paintings in 16th-century Venice were often treated as living beings. On the basis of case studies, its author offers a detailed examination of the agency paintings and other two-dimensional images could exert. Grounded in the theoretical literature on the agency of material things, the book contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects"-- |
Beschreibung: | 1 online resource (349 pages : illustrations (some color)) |
Bibliographie: | Includes bibliographical references (pages 293-314) and index. |
ISBN: | 9783110493467 3110493462 |
Internformat
MARC
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100 | 1 | |a Kessel, Elsje van, |e author. |0 http://id.loc.gov/authorities/names/no2014038943 | |
245 | 1 | 4 | |a The lives of paintings : |b presence, agency and likeness in Venetian art of the sixteenth century / |c Elsje van Kessel. |
264 | 1 | |a [Berlin] : |b De Gruyter ; |a Leiden : |b Leiden University Press, |c [2017] | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource (349 pages : |b illustrations (some color)) | ||
336 | |a text |b txt |2 rdacontent | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file | ||
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490 | 1 | |a Studien aus dem Warburg-Haus ; |v Bd. 18 | |
490 | 1 | |a Reihe Kunst und Wirkmacht / Art and agency | |
504 | |a Includes bibliographical references (pages 293-314) and index. | ||
505 | 0 | |a Introduction. -- At the Doge's Palace: setting the parameters -- The lives of paintings -- Venice as a case study -- Set-Up of the book ; -- A Modern Miracle: Christ Carrying the Cross in the Scuola di San Rocco. -- Genesis and early history -- 'Che muove le lacrime à pietosiriguardanti': the painting as a trigger of response frame and other sacred objects -- Adaptations -- The Scuola di San Rocco and the initiators of the cult -- The faithful -- The changing role of the artist -- Conclusion: the pious painter ; -- A Portrait Defaced: The Donor Portrait of Broccardo Malchiostro in the Duomo of Treviso. -- The Cappella dell'Annunziata -- Titain's Annunciation -- Artistic innovation as a problem -- Donor portraits -- Frontality -- In search of a culprit -- Image destruction and pictorial mockery -- Image destruction and ritual violence -- Iconoclasm and Christianity 0-- Conclusion: Malchiostro's end -- Excursus: ' ... maledetto il saper vostro ... ': Titian and poetic iconcolasm ; -- A Martyr of Painting: Irene di Spilimbergo, Titian, and Venetian Portraiture betwenn Life and Death. -- Irene di Spilimbergo, her life and her death -- The Washington portraits of Emilia and Irene -- A curious genesis -- Titian's authorship -- Agency in the art of painting -- Paintings as relics? -- The poem collection -- The volume as portrait -- 'La mia vera effigie' --- A fragmented image -- A debate of vital importance: Irene di Spilimbergo paints her self-portrait -- Nature jealous of art -- Conclusion: a fruitful afterlife? ; -- Politics, Portraits, and Love: Francesco Bembo, Bianca CApello and 'the Most Beautiful Contemporary Painting in Venice'. -- 'A figure so notorious for evil' -- A daughter of Venice -- The portrait -- Francesco Bembo, the poet -- Bembo's fame -- A civic ritual -- Francesco Bembo, a man in politics -- Conclusion: the politics of portraiture ; -- Conclusion. -- Epilogue: life in the collection. | |
536 | |a This publication has been made possible by funding from the Netherlands Organisation for Scientific Research (NWO) and the Carnegie Trust for the Universities of Scotland. | ||
520 | |a "As this book shows, paintings in 16th-century Venice were often treated as living beings. On the basis of case studies, its author offers a detailed examination of the agency paintings and other two-dimensional images could exert. Grounded in the theoretical literature on the agency of material things, the book contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects"-- |c Provided by publisher | ||
588 | 0 | |a Print version record. | |
546 | |a In English. | ||
650 | 0 | |a Painting, Italian |z Italy |z Venice |x History |y 16th century. | |
650 | 0 | |a Pictures |x Psychological aspects. | |
650 | 0 | |a Life in art. |0 http://id.loc.gov/authorities/subjects/sh85076825 | |
650 | 0 | |a Soul in art. |0 http://id.loc.gov/authorities/subjects/sh85125358 | |
650 | 0 | |a Art and society |z Italy |z Venice |x History |y 16th century. | |
651 | 0 | |a Venice (Italy) |x Civilization. |0 http://id.loc.gov/authorities/subjects/sh85142714 | |
650 | 6 | |a Peinture italienne |z Italie |z Venise |x Histoire |y 16e siècle. | |
650 | 6 | |a Illustrations, images, etc. |x Aspect psychologique. | |
650 | 6 | |a Vie dans l'art. | |
650 | 6 | |a Âme dans l'art. | |
650 | 6 | |a Art et société |z Italie |z Venise |x Histoire |y 16e siècle. | |
651 | 6 | |a Venise (Italie) |x Civilisation. | |
650 | 7 | |a ART |x History |x General. |2 bisacsh | |
650 | 7 | |a Art and society |2 fast | |
650 | 7 | |a Civilization |2 fast | |
650 | 7 | |a Life in art |2 fast | |
650 | 7 | |a Painting, Italian |2 fast | |
650 | 7 | |a Pictures |x Psychological aspects |2 fast | |
650 | 7 | |a Soul in art |2 fast | |
651 | 7 | |a Italy |z Venice |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdrJByRtHVPkRH39fYByd | |
648 | 7 | |a 1500-1599 |2 fast | |
655 | 7 | |a History |2 fast | |
758 | |i has work: |a The lives of paintings (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGwkTP9wT4XcqHh397WGpd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Kessel, Elsje van. |t Lives of paintings |z 9783110485899 |w (DLC) 2017013521 |w (OCoLC)958782895 |
830 | 0 | |a Studien aus dem Warburg-Haus ; |v Bd. 18. |0 http://id.loc.gov/authorities/names/nr99022537 | |
830 | 0 | |a Reihe Kunst und Wirkmacht. |0 http://id.loc.gov/authorities/names/no2013009119 | |
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938 | |a De Gruyter |b DEGR |n 9783110495775 | ||
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn960033941 |
---|---|
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adam_text | |
any_adam_object | |
author | Kessel, Elsje van |
author_GND | http://id.loc.gov/authorities/names/no2014038943 |
author_facet | Kessel, Elsje van |
author_role | aut |
author_sort | Kessel, Elsje van |
author_variant | e v k ev evk |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | ND621 |
callnumber-raw | ND621.V5 K47 2017eb |
callnumber-search | ND621.V5 K47 2017eb |
callnumber-sort | ND 3621 V5 K47 42017EB |
callnumber-subject | ND - Painting |
classification_rvk | LN 75810 |
collection | ZDB-4-EBA |
contents | Introduction. -- At the Doge's Palace: setting the parameters -- The lives of paintings -- Venice as a case study -- Set-Up of the book ; -- A Modern Miracle: Christ Carrying the Cross in the Scuola di San Rocco. -- Genesis and early history -- 'Che muove le lacrime à pietosiriguardanti': the painting as a trigger of response frame and other sacred objects -- Adaptations -- The Scuola di San Rocco and the initiators of the cult -- The faithful -- The changing role of the artist -- Conclusion: the pious painter ; -- A Portrait Defaced: The Donor Portrait of Broccardo Malchiostro in the Duomo of Treviso. -- The Cappella dell'Annunziata -- Titain's Annunciation -- Artistic innovation as a problem -- Donor portraits -- Frontality -- In search of a culprit -- Image destruction and pictorial mockery -- Image destruction and ritual violence -- Iconoclasm and Christianity 0-- Conclusion: Malchiostro's end -- Excursus: ' ... maledetto il saper vostro ... ': Titian and poetic iconcolasm ; -- A Martyr of Painting: Irene di Spilimbergo, Titian, and Venetian Portraiture betwenn Life and Death. -- Irene di Spilimbergo, her life and her death -- The Washington portraits of Emilia and Irene -- A curious genesis -- Titian's authorship -- Agency in the art of painting -- Paintings as relics? -- The poem collection -- The volume as portrait -- 'La mia vera effigie' --- A fragmented image -- A debate of vital importance: Irene di Spilimbergo paints her self-portrait -- Nature jealous of art -- Conclusion: a fruitful afterlife? ; -- Politics, Portraits, and Love: Francesco Bembo, Bianca CApello and 'the Most Beautiful Contemporary Painting in Venice'. -- 'A figure so notorious for evil' -- A daughter of Venice -- The portrait -- Francesco Bembo, the poet -- Bembo's fame -- A civic ritual -- Francesco Bembo, a man in politics -- Conclusion: the politics of portraiture ; -- Conclusion. -- Epilogue: life in the collection. |
ctrlnum | (OCoLC)960033941 |
dewey-full | 759.5/09031 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.5/09031 |
dewey-search | 759.5/09031 |
dewey-sort | 3759.5 49031 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | 1500-1599 fast |
era_facet | 1500-1599 |
format | Electronic eBook |
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genre | History fast |
genre_facet | History |
geographic | Venice (Italy) Civilization. http://id.loc.gov/authorities/subjects/sh85142714 Venise (Italie) Civilisation. Italy Venice fast https://id.oclc.org/worldcat/entity/E39PBJdrJByRtHVPkRH39fYByd |
geographic_facet | Venice (Italy) Civilization. Venise (Italie) Civilisation. Italy Venice |
id | ZDB-4-EBA-ocn960033941 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:27:26Z |
institution | BVB |
isbn | 9783110493467 3110493462 |
language | English |
oclc_num | 960033941 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (349 pages : illustrations (some color)) |
psigel | ZDB-4-EBA |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | De Gruyter ; Leiden University Press, |
record_format | marc |
series | Studien aus dem Warburg-Haus ; Reihe Kunst und Wirkmacht. |
series2 | Studien aus dem Warburg-Haus ; Reihe Kunst und Wirkmacht / Art and agency |
spelling | Kessel, Elsje van, author. http://id.loc.gov/authorities/names/no2014038943 The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / Elsje van Kessel. [Berlin] : De Gruyter ; Leiden : Leiden University Press, [2017] ©2017 1 online resource (349 pages : illustrations (some color)) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Studien aus dem Warburg-Haus ; Bd. 18 Reihe Kunst und Wirkmacht / Art and agency Includes bibliographical references (pages 293-314) and index. Introduction. -- At the Doge's Palace: setting the parameters -- The lives of paintings -- Venice as a case study -- Set-Up of the book ; -- A Modern Miracle: Christ Carrying the Cross in the Scuola di San Rocco. -- Genesis and early history -- 'Che muove le lacrime à pietosiriguardanti': the painting as a trigger of response frame and other sacred objects -- Adaptations -- The Scuola di San Rocco and the initiators of the cult -- The faithful -- The changing role of the artist -- Conclusion: the pious painter ; -- A Portrait Defaced: The Donor Portrait of Broccardo Malchiostro in the Duomo of Treviso. -- The Cappella dell'Annunziata -- Titain's Annunciation -- Artistic innovation as a problem -- Donor portraits -- Frontality -- In search of a culprit -- Image destruction and pictorial mockery -- Image destruction and ritual violence -- Iconoclasm and Christianity 0-- Conclusion: Malchiostro's end -- Excursus: ' ... maledetto il saper vostro ... ': Titian and poetic iconcolasm ; -- A Martyr of Painting: Irene di Spilimbergo, Titian, and Venetian Portraiture betwenn Life and Death. -- Irene di Spilimbergo, her life and her death -- The Washington portraits of Emilia and Irene -- A curious genesis -- Titian's authorship -- Agency in the art of painting -- Paintings as relics? -- The poem collection -- The volume as portrait -- 'La mia vera effigie' --- A fragmented image -- A debate of vital importance: Irene di Spilimbergo paints her self-portrait -- Nature jealous of art -- Conclusion: a fruitful afterlife? ; -- Politics, Portraits, and Love: Francesco Bembo, Bianca CApello and 'the Most Beautiful Contemporary Painting in Venice'. -- 'A figure so notorious for evil' -- A daughter of Venice -- The portrait -- Francesco Bembo, the poet -- Bembo's fame -- A civic ritual -- Francesco Bembo, a man in politics -- Conclusion: the politics of portraiture ; -- Conclusion. -- Epilogue: life in the collection. This publication has been made possible by funding from the Netherlands Organisation for Scientific Research (NWO) and the Carnegie Trust for the Universities of Scotland. "As this book shows, paintings in 16th-century Venice were often treated as living beings. On the basis of case studies, its author offers a detailed examination of the agency paintings and other two-dimensional images could exert. Grounded in the theoretical literature on the agency of material things, the book contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects"-- Provided by publisher Print version record. In English. Painting, Italian Italy Venice History 16th century. Pictures Psychological aspects. Life in art. http://id.loc.gov/authorities/subjects/sh85076825 Soul in art. http://id.loc.gov/authorities/subjects/sh85125358 Art and society Italy Venice History 16th century. Venice (Italy) Civilization. http://id.loc.gov/authorities/subjects/sh85142714 Peinture italienne Italie Venise Histoire 16e siècle. Illustrations, images, etc. Aspect psychologique. Vie dans l'art. Âme dans l'art. Art et société Italie Venise Histoire 16e siècle. Venise (Italie) Civilisation. ART History General. bisacsh Art and society fast Civilization fast Life in art fast Painting, Italian fast Pictures Psychological aspects fast Soul in art fast Italy Venice fast https://id.oclc.org/worldcat/entity/E39PBJdrJByRtHVPkRH39fYByd 1500-1599 fast History fast has work: The lives of paintings (Text) https://id.oclc.org/worldcat/entity/E39PCGwkTP9wT4XcqHh397WGpd https://id.oclc.org/worldcat/ontology/hasWork Print version: Kessel, Elsje van. Lives of paintings 9783110485899 (DLC) 2017013521 (OCoLC)958782895 Studien aus dem Warburg-Haus ; Bd. 18. http://id.loc.gov/authorities/names/nr99022537 Reihe Kunst und Wirkmacht. http://id.loc.gov/authorities/names/no2013009119 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1504930 Volltext |
spellingShingle | Kessel, Elsje van The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / Studien aus dem Warburg-Haus ; Reihe Kunst und Wirkmacht. Introduction. -- At the Doge's Palace: setting the parameters -- The lives of paintings -- Venice as a case study -- Set-Up of the book ; -- A Modern Miracle: Christ Carrying the Cross in the Scuola di San Rocco. -- Genesis and early history -- 'Che muove le lacrime à pietosiriguardanti': the painting as a trigger of response frame and other sacred objects -- Adaptations -- The Scuola di San Rocco and the initiators of the cult -- The faithful -- The changing role of the artist -- Conclusion: the pious painter ; -- A Portrait Defaced: The Donor Portrait of Broccardo Malchiostro in the Duomo of Treviso. -- The Cappella dell'Annunziata -- Titain's Annunciation -- Artistic innovation as a problem -- Donor portraits -- Frontality -- In search of a culprit -- Image destruction and pictorial mockery -- Image destruction and ritual violence -- Iconoclasm and Christianity 0-- Conclusion: Malchiostro's end -- Excursus: ' ... maledetto il saper vostro ... ': Titian and poetic iconcolasm ; -- A Martyr of Painting: Irene di Spilimbergo, Titian, and Venetian Portraiture betwenn Life and Death. -- Irene di Spilimbergo, her life and her death -- The Washington portraits of Emilia and Irene -- A curious genesis -- Titian's authorship -- Agency in the art of painting -- Paintings as relics? -- The poem collection -- The volume as portrait -- 'La mia vera effigie' --- A fragmented image -- A debate of vital importance: Irene di Spilimbergo paints her self-portrait -- Nature jealous of art -- Conclusion: a fruitful afterlife? ; -- Politics, Portraits, and Love: Francesco Bembo, Bianca CApello and 'the Most Beautiful Contemporary Painting in Venice'. -- 'A figure so notorious for evil' -- A daughter of Venice -- The portrait -- Francesco Bembo, the poet -- Bembo's fame -- A civic ritual -- Francesco Bembo, a man in politics -- Conclusion: the politics of portraiture ; -- Conclusion. -- Epilogue: life in the collection. Painting, Italian Italy Venice History 16th century. Pictures Psychological aspects. Life in art. http://id.loc.gov/authorities/subjects/sh85076825 Soul in art. http://id.loc.gov/authorities/subjects/sh85125358 Art and society Italy Venice History 16th century. Peinture italienne Italie Venise Histoire 16e siècle. Illustrations, images, etc. Aspect psychologique. Vie dans l'art. Âme dans l'art. Art et société Italie Venise Histoire 16e siècle. ART History General. bisacsh Art and society fast Civilization fast Life in art fast Painting, Italian fast Pictures Psychological aspects fast Soul in art fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85076825 http://id.loc.gov/authorities/subjects/sh85125358 http://id.loc.gov/authorities/subjects/sh85142714 |
title | The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / |
title_auth | The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / |
title_exact_search | The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / |
title_full | The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / Elsje van Kessel. |
title_fullStr | The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / Elsje van Kessel. |
title_full_unstemmed | The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century / Elsje van Kessel. |
title_short | The lives of paintings : |
title_sort | lives of paintings presence agency and likeness in venetian art of the sixteenth century |
title_sub | presence, agency and likeness in Venetian art of the sixteenth century / |
topic | Painting, Italian Italy Venice History 16th century. Pictures Psychological aspects. Life in art. http://id.loc.gov/authorities/subjects/sh85076825 Soul in art. http://id.loc.gov/authorities/subjects/sh85125358 Art and society Italy Venice History 16th century. Peinture italienne Italie Venise Histoire 16e siècle. Illustrations, images, etc. Aspect psychologique. Vie dans l'art. Âme dans l'art. Art et société Italie Venise Histoire 16e siècle. ART History General. bisacsh Art and society fast Civilization fast Life in art fast Painting, Italian fast Pictures Psychological aspects fast Soul in art fast |
topic_facet | Painting, Italian Italy Venice History 16th century. Pictures Psychological aspects. Life in art. Soul in art. Art and society Italy Venice History 16th century. Venice (Italy) Civilization. Peinture italienne Italie Venise Histoire 16e siècle. Illustrations, images, etc. Aspect psychologique. Vie dans l'art. Âme dans l'art. Art et société Italie Venise Histoire 16e siècle. Venise (Italie) Civilisation. ART History General. Art and society Civilization Life in art Painting, Italian Pictures Psychological aspects Soul in art Italy Venice History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1504930 |
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