Ashcan art, whiteness, and the unspectacular man /:
Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. As...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Bloomsbury Academic,
2017.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States. |
| Physical Description: | 1 online resource |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781501325762 1501325760 |
Staff View
MARC
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| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 520 | 8 | |a Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States. | |
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| 650 | 0 | |a Ashcan school of art. |0 http://id.loc.gov/authorities/subjects/sh85008591 | |
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| 650 | 6 | |a Ashcan school. | |
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| contents | What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men. |
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| genre | History fast |
| genre_facet | History |
| geographic | United States fast |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn959965530 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:43:23Z |
| institution | BVB |
| isbn | 9781501325762 1501325760 |
| language | English |
| lccn | 2016045819 |
| oclc_num | 959965530 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Boylan, Alexis L., author. Ashcan art, whiteness, and the unspectacular man / Alexis Boylan. 1704 New York : Bloomsbury Academic, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men. Print version record and CIP data provided by publisher; resource not viewed. Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States. Masculinity in art. http://id.loc.gov/authorities/subjects/sh96012017 Ashcan school of art. http://id.loc.gov/authorities/subjects/sh85008591 Painting, American 19th century Themes, motives. Painting, American 20th century Themes, motives. Art and society United States History 19th century. Art and society United States History 20th century. Masculinité dans l'art. Ashcan school. Peinture américaine 19e siècle Thèmes, motifs. Peinture américaine 20e siècle Thèmes, motifs. Art et société États-Unis Histoire 19e siècle. Art et société États-Unis Histoire 20e siècle. Ashcan School. aat History of art art & design styles. bicssc Individual artists, art monographs. bicssc Theory of art. bicssc ART Performance. bisacsh ART Reference. bisacsh Art and society fast Ashcan school of art fast Masculinity in art fast Painting, American Themes, motives fast United States fast 1800-1999 fast History fast has work: Ashcan art, Whiteness, and the unspectacular man (Text) https://id.oclc.org/worldcat/entity/E39PCGTRTXk7tXcFckyQVDqjkC https://id.oclc.org/worldcat/ontology/hasWork Print version: Boylan, Alexis L. Ashcan art, whiteness, and the unspectacular man. New York : Bloomsbury Academic, 2017 9781501325755 (DLC) 2016045135 |
| spellingShingle | Boylan, Alexis L. Ashcan art, whiteness, and the unspectacular man / What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men. Masculinity in art. http://id.loc.gov/authorities/subjects/sh96012017 Ashcan school of art. http://id.loc.gov/authorities/subjects/sh85008591 Painting, American 19th century Themes, motives. Painting, American 20th century Themes, motives. Art and society United States History 19th century. Art and society United States History 20th century. Masculinité dans l'art. Ashcan school. Peinture américaine 19e siècle Thèmes, motifs. Peinture américaine 20e siècle Thèmes, motifs. Art et société États-Unis Histoire 19e siècle. Art et société États-Unis Histoire 20e siècle. Ashcan School. aat History of art art & design styles. bicssc Individual artists, art monographs. bicssc Theory of art. bicssc ART Performance. bisacsh ART Reference. bisacsh Art and society fast Ashcan school of art fast Masculinity in art fast Painting, American Themes, motives fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh96012017 http://id.loc.gov/authorities/subjects/sh85008591 |
| title | Ashcan art, whiteness, and the unspectacular man / |
| title_auth | Ashcan art, whiteness, and the unspectacular man / |
| title_exact_search | Ashcan art, whiteness, and the unspectacular man / |
| title_full | Ashcan art, whiteness, and the unspectacular man / Alexis Boylan. |
| title_fullStr | Ashcan art, whiteness, and the unspectacular man / Alexis Boylan. |
| title_full_unstemmed | Ashcan art, whiteness, and the unspectacular man / Alexis Boylan. |
| title_short | Ashcan art, whiteness, and the unspectacular man / |
| title_sort | ashcan art whiteness and the unspectacular man |
| topic | Masculinity in art. http://id.loc.gov/authorities/subjects/sh96012017 Ashcan school of art. http://id.loc.gov/authorities/subjects/sh85008591 Painting, American 19th century Themes, motives. Painting, American 20th century Themes, motives. Art and society United States History 19th century. Art and society United States History 20th century. Masculinité dans l'art. Ashcan school. Peinture américaine 19e siècle Thèmes, motifs. Peinture américaine 20e siècle Thèmes, motifs. Art et société États-Unis Histoire 19e siècle. Art et société États-Unis Histoire 20e siècle. Ashcan School. aat History of art art & design styles. bicssc Individual artists, art monographs. bicssc Theory of art. bicssc ART Performance. bisacsh ART Reference. bisacsh Art and society fast Ashcan school of art fast Masculinity in art fast Painting, American Themes, motives fast |
| topic_facet | Masculinity in art. Ashcan school of art. Painting, American 19th century Themes, motives. Painting, American 20th century Themes, motives. Art and society United States History 19th century. Art and society United States History 20th century. Masculinité dans l'art. Ashcan school. Peinture américaine 19e siècle Thèmes, motifs. Peinture américaine 20e siècle Thèmes, motifs. Art et société États-Unis Histoire 19e siècle. Art et société États-Unis Histoire 20e siècle. Ashcan School. History of art art & design styles. Individual artists, art monographs. Theory of art. ART Performance. ART Reference. Art and society Ashcan school of art Masculinity in art Painting, American Themes, motives United States History |
| work_keys_str_mv | AT boylanalexisl ashcanartwhitenessandtheunspectacularman |