The act of documenting :: documentary film in the 21st century /
Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer, and the spectator are being dissolved. This text addresses what this means for docume...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer, and the spectator are being dissolved. This text addresses what this means for documentary's 21st century position as a genus in the 'class' cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; and for its future in a world where assumptions of photographic image integrity cannot be sustained. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501309199 1501309196 9781501309205 150130920X 1501309161 9781501309168 9781501309175 150130917X |
| Zugangseinschränkungen: | EBook access restricted to authorised ANU users only. |
Internformat
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| 100 | 1 | |a Winston, Brian, |e author. | |
| 245 | 1 | 4 | |a The act of documenting : |b documentary film in the 21st century / |c Brian Winston, Gail Vanstone and Wang Chi. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover page; Halftitle page; Title page; Copyright page; Epigraph page; Dedication page; Contents; Acknowledgments; Figures; Stills; AN AGENDA; 1. "A MUCH-HAILED TRIUMPH"; 2. "THE SHAKIEST OF FOUNDATIONS"; 3. THE ACT OF DOCUMENTING; PART 1 Digital Potentials; 1 "A Walk in the Woods"; 1. AUTHENTICITY; 2. TRUST; 3. SAVVY; 2 "A Breath of Fresh Air for the Documentary"; 1. CONTRADICTION; 2. GLOBALIZATION; 3 "Life as Narrativized"; 1. INTERPASSIVITY; 2. HOMO NARRANS; 3. SCRIPTRIX NARRANS; PART 2 Actual Effects . . .; 4 "To Thine Own Self be True"; 1. APPEARING; 2. BEHAVING; 5 "Giving Voice." | |
| 505 | 8 | |a 1. CONTROL2. CHANGE; 6 "To Make Space for the Un-thought"; 1. GENDER; 2. EMANCIPATION; 7 "Nous sommes dans lebain "/"We are Implicated"; 1. HARM; 2. RIGHTS; 8 "You Have to Make up Your Own Mind"; 1. EXPECTATIONS; 2. ASSUMPTIONS; 9 "When the Lights go up"; 1. OUTCOMES; 2. CONDITIONS; MINUTES: The Act of Documenting; Considerations; Bibliography; Index | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on December 02, 2016). | |
| 506 | 1 | |a EBook access restricted to authorised ANU users only. |5 ANU/ANV | |
| 520 | 1 | |a Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer, and the spectator are being dissolved. This text addresses what this means for documentary's 21st century position as a genus in the 'class' cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; and for its future in a world where assumptions of photographic image integrity cannot be sustained. | |
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 0 | |a Documentary films |x Production and direction. |0 http://id.loc.gov/authorities/subjects/sh85088119 | |
| 650 | 6 | |a Documentaires |x Production et réalisation. | |
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| 700 | 1 | |a Wang, Chi |c (Documentary film scholar), |e author. | |
| 776 | 0 | 8 | |i Print version: |a Winston, Brian. |t Act of documenting. |d New York : Bloomsbury Academic, 2017 |z 9781501309168 |w (DLC) 2016031068 |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816882363168194560 |
| adam_text | |
| any_adam_object | |
| author | Winston, Brian Vanstone, Gail Wang, Chi (Documentary film scholar) |
| author_facet | Winston, Brian Vanstone, Gail Wang, Chi (Documentary film scholar) |
| author_role | aut aut aut |
| author_sort | Winston, Brian |
| author_variant | b w bw g v gv c w cw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.D6 W56 2017 |
| callnumber-search | PN1995.9.D6 W56 2017 |
| callnumber-sort | PN 41995.9 D6 W56 42017 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Cover page; Halftitle page; Title page; Copyright page; Epigraph page; Dedication page; Contents; Acknowledgments; Figures; Stills; AN AGENDA; 1. "A MUCH-HAILED TRIUMPH"; 2. "THE SHAKIEST OF FOUNDATIONS"; 3. THE ACT OF DOCUMENTING; PART 1 Digital Potentials; 1 "A Walk in the Woods"; 1. AUTHENTICITY; 2. TRUST; 3. SAVVY; 2 "A Breath of Fresh Air for the Documentary"; 1. CONTRADICTION; 2. GLOBALIZATION; 3 "Life as Narrativized"; 1. INTERPASSIVITY; 2. HOMO NARRANS; 3. SCRIPTRIX NARRANS; PART 2 Actual Effects . . .; 4 "To Thine Own Self be True"; 1. APPEARING; 2. BEHAVING; 5 "Giving Voice." 1. CONTROL2. CHANGE; 6 "To Make Space for the Un-thought"; 1. GENDER; 2. EMANCIPATION; 7 "Nous sommes dans lebain "/"We are Implicated"; 1. HARM; 2. RIGHTS; 8 "You Have to Make up Your Own Mind"; 1. EXPECTATIONS; 2. ASSUMPTIONS; 9 "When the Lights go up"; 1. OUTCOMES; 2. CONDITIONS; MINUTES: The Act of Documenting; Considerations; Bibliography; Index |
| ctrlnum | (OCoLC)959373924 |
| dewey-full | 070.1/8 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.1/8 |
| dewey-search | 070.1/8 |
| dewey-sort | 270.1 18 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:25Z |
| institution | BVB |
| isbn | 9781501309199 1501309196 9781501309205 150130920X 1501309161 9781501309168 9781501309175 150130917X |
| language | English |
| lccn | 2016044509 |
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| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Winston, Brian, author. The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi. New York : Bloomsbury Academic, 2017. ©2017 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Includes bibliographical references and index. Cover page; Halftitle page; Title page; Copyright page; Epigraph page; Dedication page; Contents; Acknowledgments; Figures; Stills; AN AGENDA; 1. "A MUCH-HAILED TRIUMPH"; 2. "THE SHAKIEST OF FOUNDATIONS"; 3. THE ACT OF DOCUMENTING; PART 1 Digital Potentials; 1 "A Walk in the Woods"; 1. AUTHENTICITY; 2. TRUST; 3. SAVVY; 2 "A Breath of Fresh Air for the Documentary"; 1. CONTRADICTION; 2. GLOBALIZATION; 3 "Life as Narrativized"; 1. INTERPASSIVITY; 2. HOMO NARRANS; 3. SCRIPTRIX NARRANS; PART 2 Actual Effects . . .; 4 "To Thine Own Self be True"; 1. APPEARING; 2. BEHAVING; 5 "Giving Voice." 1. CONTROL2. CHANGE; 6 "To Make Space for the Un-thought"; 1. GENDER; 2. EMANCIPATION; 7 "Nous sommes dans lebain "/"We are Implicated"; 1. HARM; 2. RIGHTS; 8 "You Have to Make up Your Own Mind"; 1. EXPECTATIONS; 2. ASSUMPTIONS; 9 "When the Lights go up"; 1. OUTCOMES; 2. CONDITIONS; MINUTES: The Act of Documenting; Considerations; Bibliography; Index Online resource; title from digital title page (viewed on December 02, 2016). EBook access restricted to authorised ANU users only. ANU/ANV Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer, and the spectator are being dissolved. This text addresses what this means for documentary's 21st century position as a genus in the 'class' cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; and for its future in a world where assumptions of photographic image integrity cannot be sustained. Documentary films History and criticism. Documentary films Production and direction. http://id.loc.gov/authorities/subjects/sh85088119 Documentaires Production et réalisation. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast Documentary films Production and direction fast Criticism, interpretation, etc. fast Vanstone, Gail, author. Wang, Chi (Documentary film scholar), author. Print version: Winston, Brian. Act of documenting. New York : Bloomsbury Academic, 2017 9781501309168 (DLC) 2016031068 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1420783 Volltext |
| spellingShingle | Winston, Brian Vanstone, Gail Wang, Chi (Documentary film scholar) The act of documenting : documentary film in the 21st century / Cover page; Halftitle page; Title page; Copyright page; Epigraph page; Dedication page; Contents; Acknowledgments; Figures; Stills; AN AGENDA; 1. "A MUCH-HAILED TRIUMPH"; 2. "THE SHAKIEST OF FOUNDATIONS"; 3. THE ACT OF DOCUMENTING; PART 1 Digital Potentials; 1 "A Walk in the Woods"; 1. AUTHENTICITY; 2. TRUST; 3. SAVVY; 2 "A Breath of Fresh Air for the Documentary"; 1. CONTRADICTION; 2. GLOBALIZATION; 3 "Life as Narrativized"; 1. INTERPASSIVITY; 2. HOMO NARRANS; 3. SCRIPTRIX NARRANS; PART 2 Actual Effects . . .; 4 "To Thine Own Self be True"; 1. APPEARING; 2. BEHAVING; 5 "Giving Voice." 1. CONTROL2. CHANGE; 6 "To Make Space for the Un-thought"; 1. GENDER; 2. EMANCIPATION; 7 "Nous sommes dans lebain "/"We are Implicated"; 1. HARM; 2. RIGHTS; 8 "You Have to Make up Your Own Mind"; 1. EXPECTATIONS; 2. ASSUMPTIONS; 9 "When the Lights go up"; 1. OUTCOMES; 2. CONDITIONS; MINUTES: The Act of Documenting; Considerations; Bibliography; Index Documentary films History and criticism. Documentary films Production and direction. http://id.loc.gov/authorities/subjects/sh85088119 Documentaires Production et réalisation. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast Documentary films Production and direction fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088119 |
| title | The act of documenting : documentary film in the 21st century / |
| title_auth | The act of documenting : documentary film in the 21st century / |
| title_exact_search | The act of documenting : documentary film in the 21st century / |
| title_full | The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi. |
| title_fullStr | The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi. |
| title_full_unstemmed | The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi. |
| title_short | The act of documenting : |
| title_sort | act of documenting documentary film in the 21st century |
| title_sub | documentary film in the 21st century / |
| topic | Documentary films History and criticism. Documentary films Production and direction. http://id.loc.gov/authorities/subjects/sh85088119 Documentaires Production et réalisation. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast Documentary films Production and direction fast |
| topic_facet | Documentary films History and criticism. Documentary films Production and direction. Documentaires Production et réalisation. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. Documentary films Documentary films Production and direction Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1420783 |
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