Knowledge in motion :: perspectives of artistic and scientific research in dance /
"In globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English German |
| Veröffentlicht: |
Bielefeld :
Transcript,
[2007]
|
| Schriftenreihe: | TanzScripte ;
Bd. 9. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science"--Jacket |
| Beschreibung: | A selection of lectures held at the conference "Dance Congress Germany, [which] took place from 20-23 April 2006 at the House of World Cultures in Berlin"--Title page verso |
| Beschreibung: | 1 online resource (335 pages) : illustrations (chiefly color) |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9783839408094 3839408091 |
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| 245 | 0 | 0 | |a Knowledge in motion : |b perspectives of artistic and scientific research in dance / |c Sabine Gehm, Pirkko Husemann, Katharina von Wilcke (eds.) ; [translations from German, Bettina von Arps-Aubert]. |
| 264 | 1 | |a Bielefeld : |b Transcript, |c [2007] | |
| 264 | 4 | |c ©2007 | |
| 300 | |a 1 online resource (335 pages) : |b illustrations (chiefly color) | ||
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| 490 | 1 | |a TanzScripte ; |v volume 9 | |
| 546 | |a Translation of: Wissen in Bewegung : Perspektiven der künstlerischen und wissenschaftlichen Forschung im Tanz. | ||
| 500 | |a A selection of lectures held at the conference "Dance Congress Germany, [which] took place from 20-23 April 2006 at the House of World Cultures in Berlin"--Title page verso | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Preface / |r Hortensia Völckers -- |t Introduction / |r Sabine Gehm, Pirkko Husemann and Katharina von Wilcke -- |t Dance in a knowledge society / |r Gabriele Klein -- |t Dance as culture of knowledge : |t body memory and the challenge of theoretical knowledge / |r Gabriele Brandstetter -- |t Trickstering, hallucinating and exhausting production : |t the blackmarket for useful knowledge and non-knowledge / |r Bojana Cvejic -- |t What is an artistic laboratory? / |r a metalogue between Peter Stamer -- |t The mode of knowledge production in artistic research / |r Henk Borgdorff -- |t Artistic research as an expanded kind of choreography using the example of Emio Greco/PC / |r Marijke Hoogenboom -- |t Talking about scores : |t William Forsythe's vision for a new form of dance literature / |r Rebecca Groves, Norah Zuniga Shaw and Scott deLahunta -- |t If you don't know, why do you ask? An introduction to the method of Real-time composition / |r João Fiadeiro -- |t How do you want to work today? Notes on an alternative choreographic mode for the production of speech / |r Jeroen Peeters -- |t Making worlds available / |r Alva Noë -- |t Flickering and change / |r Meg Stuart in dialogue with Scott deLahunta -- |t Expeditions to the inner teacher : |t how the pioneers of movement studies inspire dance / |r Irene Sieben -- |t Sharing with others / |r Dieter Heitkamp in dialogue with Gabriele Wittmann -- |t About risks and side effects of dancing : |t dance medicine in dance training and the professional career / |r Eileen M. Wanke -- |t Capturing the essence : |t a personal view on dance history and reconstruction / |r Jason Beechey -- |t Re-constructions : |t figures of thought and figures of dance : |t Nijinsky's Faune : |t experiences with dancing competence / |r Claudia Jeschke -- |t What the body remembers : |t how Pina Bausch keeps her repertoire in shape / |r Norbert Servos -- |t Reconstructing Dore Hoyer's Affectos humanos / |r Yvonne Hardt on a discussion with Waltraud Luley, Susanne Linke and Martin Nachbar -- |t Digestion and infusion : |t ways of interpreting dance / |r Julia Cima in dialogue with Alexandra Baudelot -- |t The body as archive : |t on the difficult relationship between movement and history / |r Inge Baxmann -- |t For a participatory theatre : |t touching instead of fumbling / |r Felix Ruckert -- |t On the threshold : |t aesthetic experience in performances / |r Erika Fischer-Lichte -- |t The politics of collective attention / |r Rudi Laermans -- |t Generating space / |r Hooman Sharifi in dialogue with Björn Dirk Schlüter -- |t Critique versus critical practice? The impossibility and possibilities of contemporary dance critique / |r Constanze Klementz -- |t Performing the school / |r Boris Charmatz in dialogue with Jeroen Peeters on Bocal -- |t Building a common language / |r Thomas Lehmen in dialogue with Pirkko Husemann -- |t On considering a comparative approach : |t a model for classification of dance techniques / |r Kurt Koegel -- |t Break-up : |t new paths in dance education / |r Ingo Diehl -- |t Dance careers in transition : |t a field of action for dance in Germany? / |r Cornelia Dümcke -- |t Working on experience / |r Royston Maldoom in dialogue with Edith Boxberger -- |t Learning unconsciously / |r Linda Müller in dialogue with Silvia Stammen -- |t Art is not a luxury / |r Livia Patrizi in dialogue with Silvia Stammen -- |t The students have to come first / |r Hanna Hegenscheidt and Jo Parkes in dialogue with Elisabeth Nehring. |
| 520 | |a "In globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science"--Jacket | ||
| 545 | 0 | |a Sabine Gehm graduated in Cultural Studies and is artistic director of the festival Tanz Bremen. Pirkko Husemann is a theatre scholar and works as author and dramaturge in dance. Katharina von Wilcke graduated in German philology and works as independent cultural manager and curator in the field of dance and theatre. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Dance |x Research |v Congresses. | |
| 650 | 0 | |a Dance |x Study and teaching |v Congresses. | |
| 650 | 0 | |a Art and dance |v Congresses. | |
| 650 | 0 | |a Body image |v Congresses. | |
| 650 | 0 | |a Dance |x Philosophy |v Congresses. | |
| 650 | 0 | |a Dance |x Social aspects |v Congresses. | |
| 650 | 6 | |a Danse |x Recherche |v Congrès. | |
| 650 | 6 | |a Danse |x Étude et enseignement |v Congrès. | |
| 650 | 6 | |a Art et danse |v Congrès. | |
| 650 | 6 | |a Image du corps |v Congrès. | |
| 650 | 6 | |a Danse |x Philosophie |v Congrès. | |
| 650 | 6 | |a Danse |x Aspect social |v Congrès. | |
| 650 | 7 | |a Art and dance |2 fast | |
| 650 | 7 | |a Body image |2 fast | |
| 650 | 7 | |a Dance |x Philosophy |2 fast | |
| 650 | 7 | |a Dance |x Research |2 fast | |
| 650 | 7 | |a Dance |x Social aspects |2 fast | |
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| 655 | 7 | |a Conference papers and proceedings. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026068 | |
| 655 | 7 | |a Actes de congrès. |2 rvmgf | |
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| 700 | 1 | |a Husemann, Pirkko, |e editor. |0 http://id.loc.gov/authorities/names/nr2003004094 | |
| 700 | 1 | |a Wilcke, Katharina von, |e editor. |0 http://id.loc.gov/authorities/names/no2008120075 | |
| 711 | 2 | |a Tanzkongress Deutschland. |0 http://id.loc.gov/authorities/names/no2008138830 | |
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Datensatz im Suchindex
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| _version_ | 1816882362628177922 |
| adam_text | |
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| author2 | Gehm, Sabine Husemann, Pirkko Wilcke, Katharina von |
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| author_GND | http://id.loc.gov/authorities/names/no2008120074 http://id.loc.gov/authorities/names/nr2003004094 http://id.loc.gov/authorities/names/no2008120075 |
| author_additional | Hortensia Völckers -- Sabine Gehm, Pirkko Husemann and Katharina von Wilcke -- Gabriele Klein -- Gabriele Brandstetter -- Bojana Cvejic -- a metalogue between Peter Stamer -- Henk Borgdorff -- Marijke Hoogenboom -- Rebecca Groves, Norah Zuniga Shaw and Scott deLahunta -- João Fiadeiro -- Jeroen Peeters -- Alva Noë -- Meg Stuart in dialogue with Scott deLahunta -- Irene Sieben -- Dieter Heitkamp in dialogue with Gabriele Wittmann -- Eileen M. Wanke -- Jason Beechey -- Claudia Jeschke -- Norbert Servos -- Yvonne Hardt on a discussion with Waltraud Luley, Susanne Linke and Martin Nachbar -- Julia Cima in dialogue with Alexandra Baudelot -- Inge Baxmann -- Felix Ruckert -- Erika Fischer-Lichte -- Rudi Laermans -- Hooman Sharifi in dialogue with Björn Dirk Schlüter -- Constanze Klementz -- Boris Charmatz in dialogue with Jeroen Peeters on Bocal -- Thomas Lehmen in dialogue with Pirkko Husemann -- Kurt Koegel -- Ingo Diehl -- Cornelia Dümcke -- Royston Maldoom in dialogue with Edith Boxberger -- Linda Müller in dialogue with Silvia Stammen -- Livia Patrizi in dialogue with Silvia Stammen -- Hanna Hegenscheidt and Jo Parkes in dialogue with Elisabeth Nehring. |
| author_corporate | Tanzkongress Deutschland |
| author_corporate_role | |
| author_facet | Gehm, Sabine Husemann, Pirkko Wilcke, Katharina von Tanzkongress Deutschland |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | G - Geography, Anthropology, Recreation |
| callnumber-label | GV1588 |
| callnumber-raw | GV1588 .K56 2007 |
| callnumber-search | GV1588 .K56 2007 |
| callnumber-sort | GV 41588 K56 42007 |
| callnumber-subject | GV - Leisure and Recreation |
| collection | ZDB-4-EBA |
| contents | Preface / Introduction / Dance in a knowledge society / Dance as culture of knowledge : body memory and the challenge of theoretical knowledge / Trickstering, hallucinating and exhausting production : the blackmarket for useful knowledge and non-knowledge / What is an artistic laboratory? / The mode of knowledge production in artistic research / Artistic research as an expanded kind of choreography using the example of Emio Greco/PC / Talking about scores : William Forsythe's vision for a new form of dance literature / If you don't know, why do you ask? An introduction to the method of Real-time composition / How do you want to work today? Notes on an alternative choreographic mode for the production of speech / Making worlds available / Flickering and change / Expeditions to the inner teacher : how the pioneers of movement studies inspire dance / Sharing with others / About risks and side effects of dancing : dance medicine in dance training and the professional career / Capturing the essence : a personal view on dance history and reconstruction / Re-constructions : figures of thought and figures of dance : Nijinsky's Faune : experiences with dancing competence / What the body remembers : how Pina Bausch keeps her repertoire in shape / Reconstructing Dore Hoyer's Affectos humanos / Digestion and infusion : ways of interpreting dance / The body as archive : on the difficult relationship between movement and history / For a participatory theatre : touching instead of fumbling / On the threshold : aesthetic experience in performances / The politics of collective attention / Generating space / Critique versus critical practice? The impossibility and possibilities of contemporary dance critique / Performing the school / Building a common language / On considering a comparative approach : a model for classification of dance techniques / Break-up : new paths in dance education / Dance careers in transition : a field of action for dance in Germany? / Working on experience / Learning unconsciously / Art is not a luxury / The students have to come first / |
| ctrlnum | (OCoLC)959031625 |
| dewey-full | 793.3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 793 - Indoor games and amusements |
| dewey-raw | 793.3 |
| dewey-search | 793.3 |
| dewey-sort | 3793.3 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Sport |
| format | Electronic Conference Proceeding eBook |
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An introduction to the method of Real-time composition /</subfield><subfield code="r">João Fiadeiro --</subfield><subfield code="t">How do you want to work today? Notes on an alternative choreographic mode for the production of speech /</subfield><subfield code="r">Jeroen Peeters --</subfield><subfield code="t">Making worlds available /</subfield><subfield code="r">Alva Noë --</subfield><subfield code="t">Flickering and change /</subfield><subfield code="r">Meg Stuart in dialogue with Scott deLahunta --</subfield><subfield code="t">Expeditions to the inner teacher :</subfield><subfield code="t">how the pioneers of movement studies inspire dance /</subfield><subfield code="r">Irene Sieben --</subfield><subfield code="t">Sharing with others /</subfield><subfield code="r">Dieter Heitkamp in dialogue with Gabriele Wittmann --</subfield><subfield code="t">About risks and side effects of dancing :</subfield><subfield code="t">dance medicine in dance training and the professional career /</subfield><subfield code="r">Eileen M. 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| genre_facet | proceedings (reports) Conference papers and proceedings Conference papers and proceedings. Actes de congrès. |
| id | ZDB-4-EBA-ocn959031625 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:25Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/no2008138830 |
| isbn | 9783839408094 3839408091 |
| language | English German |
| oclc_num | 959031625 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (335 pages) : illustrations (chiefly color) |
| psigel | ZDB-4-EBA |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Transcript, |
| record_format | marc |
| series | TanzScripte ; |
| series2 | TanzScripte ; |
| spelling | Knowledge in motion : perspectives of artistic and scientific research in dance / Sabine Gehm, Pirkko Husemann, Katharina von Wilcke (eds.) ; [translations from German, Bettina von Arps-Aubert]. Bielefeld : Transcript, [2007] ©2007 1 online resource (335 pages) : illustrations (chiefly color) text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier TanzScripte ; volume 9 Translation of: Wissen in Bewegung : Perspektiven der künstlerischen und wissenschaftlichen Forschung im Tanz. A selection of lectures held at the conference "Dance Congress Germany, [which] took place from 20-23 April 2006 at the House of World Cultures in Berlin"--Title page verso Includes bibliographical references. Preface / Hortensia Völckers -- Introduction / Sabine Gehm, Pirkko Husemann and Katharina von Wilcke -- Dance in a knowledge society / Gabriele Klein -- Dance as culture of knowledge : body memory and the challenge of theoretical knowledge / Gabriele Brandstetter -- Trickstering, hallucinating and exhausting production : the blackmarket for useful knowledge and non-knowledge / Bojana Cvejic -- What is an artistic laboratory? / a metalogue between Peter Stamer -- The mode of knowledge production in artistic research / Henk Borgdorff -- Artistic research as an expanded kind of choreography using the example of Emio Greco/PC / Marijke Hoogenboom -- Talking about scores : William Forsythe's vision for a new form of dance literature / Rebecca Groves, Norah Zuniga Shaw and Scott deLahunta -- If you don't know, why do you ask? An introduction to the method of Real-time composition / João Fiadeiro -- How do you want to work today? Notes on an alternative choreographic mode for the production of speech / Jeroen Peeters -- Making worlds available / Alva Noë -- Flickering and change / Meg Stuart in dialogue with Scott deLahunta -- Expeditions to the inner teacher : how the pioneers of movement studies inspire dance / Irene Sieben -- Sharing with others / Dieter Heitkamp in dialogue with Gabriele Wittmann -- About risks and side effects of dancing : dance medicine in dance training and the professional career / Eileen M. Wanke -- Capturing the essence : a personal view on dance history and reconstruction / Jason Beechey -- Re-constructions : figures of thought and figures of dance : Nijinsky's Faune : experiences with dancing competence / Claudia Jeschke -- What the body remembers : how Pina Bausch keeps her repertoire in shape / Norbert Servos -- Reconstructing Dore Hoyer's Affectos humanos / Yvonne Hardt on a discussion with Waltraud Luley, Susanne Linke and Martin Nachbar -- Digestion and infusion : ways of interpreting dance / Julia Cima in dialogue with Alexandra Baudelot -- The body as archive : on the difficult relationship between movement and history / Inge Baxmann -- For a participatory theatre : touching instead of fumbling / Felix Ruckert -- On the threshold : aesthetic experience in performances / Erika Fischer-Lichte -- The politics of collective attention / Rudi Laermans -- Generating space / Hooman Sharifi in dialogue with Björn Dirk Schlüter -- Critique versus critical practice? The impossibility and possibilities of contemporary dance critique / Constanze Klementz -- Performing the school / Boris Charmatz in dialogue with Jeroen Peeters on Bocal -- Building a common language / Thomas Lehmen in dialogue with Pirkko Husemann -- On considering a comparative approach : a model for classification of dance techniques / Kurt Koegel -- Break-up : new paths in dance education / Ingo Diehl -- Dance careers in transition : a field of action for dance in Germany? / Cornelia Dümcke -- Working on experience / Royston Maldoom in dialogue with Edith Boxberger -- Learning unconsciously / Linda Müller in dialogue with Silvia Stammen -- Art is not a luxury / Livia Patrizi in dialogue with Silvia Stammen -- The students have to come first / Hanna Hegenscheidt and Jo Parkes in dialogue with Elisabeth Nehring. "In globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science"--Jacket Sabine Gehm graduated in Cultural Studies and is artistic director of the festival Tanz Bremen. Pirkko Husemann is a theatre scholar and works as author and dramaturge in dance. Katharina von Wilcke graduated in German philology and works as independent cultural manager and curator in the field of dance and theatre. Print version record. Dance Research Congresses. Dance Study and teaching Congresses. Art and dance Congresses. Body image Congresses. Dance Philosophy Congresses. Dance Social aspects Congresses. Danse Recherche Congrès. Danse Étude et enseignement Congrès. Art et danse Congrès. Image du corps Congrès. Danse Philosophie Congrès. Danse Aspect social Congrès. Art and dance fast Body image fast Dance Philosophy fast Dance Research fast Dance Social aspects fast Dance Study and teaching fast Dans. gtt Receptie. gtt proceedings (reports) aat Conference papers and proceedings fast Conference papers and proceedings. lcgft http://id.loc.gov/authorities/genreForms/gf2014026068 Actes de congrès. rvmgf Gehm, Sabine, editor. http://id.loc.gov/authorities/names/no2008120074 Husemann, Pirkko, editor. http://id.loc.gov/authorities/names/nr2003004094 Wilcke, Katharina von, editor. http://id.loc.gov/authorities/names/no2008120075 Tanzkongress Deutschland. http://id.loc.gov/authorities/names/no2008138830 has work: Knowledge in motion (Text) https://id.oclc.org/worldcat/entity/E39PCFw3rJtK4GkHJMTf7Vk4Md https://id.oclc.org/worldcat/ontology/hasWork Print version: Knowledge in motion. Bielefeld : Transcript, ©2007 9783899428094 (OCoLC)185038711 TanzScripte ; Bd. 9. http://id.loc.gov/authorities/names/no2006050913 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2264053 Volltext |
| spellingShingle | Knowledge in motion : perspectives of artistic and scientific research in dance / TanzScripte ; Preface / Introduction / Dance in a knowledge society / Dance as culture of knowledge : body memory and the challenge of theoretical knowledge / Trickstering, hallucinating and exhausting production : the blackmarket for useful knowledge and non-knowledge / What is an artistic laboratory? / The mode of knowledge production in artistic research / Artistic research as an expanded kind of choreography using the example of Emio Greco/PC / Talking about scores : William Forsythe's vision for a new form of dance literature / If you don't know, why do you ask? An introduction to the method of Real-time composition / How do you want to work today? Notes on an alternative choreographic mode for the production of speech / Making worlds available / Flickering and change / Expeditions to the inner teacher : how the pioneers of movement studies inspire dance / Sharing with others / About risks and side effects of dancing : dance medicine in dance training and the professional career / Capturing the essence : a personal view on dance history and reconstruction / Re-constructions : figures of thought and figures of dance : Nijinsky's Faune : experiences with dancing competence / What the body remembers : how Pina Bausch keeps her repertoire in shape / Reconstructing Dore Hoyer's Affectos humanos / Digestion and infusion : ways of interpreting dance / The body as archive : on the difficult relationship between movement and history / For a participatory theatre : touching instead of fumbling / On the threshold : aesthetic experience in performances / The politics of collective attention / Generating space / Critique versus critical practice? The impossibility and possibilities of contemporary dance critique / Performing the school / Building a common language / On considering a comparative approach : a model for classification of dance techniques / Break-up : new paths in dance education / Dance careers in transition : a field of action for dance in Germany? / Working on experience / Learning unconsciously / Art is not a luxury / The students have to come first / Dance Research Congresses. Dance Study and teaching Congresses. Art and dance Congresses. Body image Congresses. Dance Philosophy Congresses. Dance Social aspects Congresses. Danse Recherche Congrès. Danse Étude et enseignement Congrès. Art et danse Congrès. Image du corps Congrès. Danse Philosophie Congrès. Danse Aspect social Congrès. Art and dance fast Body image fast Dance Philosophy fast Dance Research fast Dance Social aspects fast Dance Study and teaching fast Dans. gtt Receptie. gtt |
| subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026068 |
| title | Knowledge in motion : perspectives of artistic and scientific research in dance / |
| title_alt | Preface / Introduction / Dance in a knowledge society / Dance as culture of knowledge : body memory and the challenge of theoretical knowledge / Trickstering, hallucinating and exhausting production : the blackmarket for useful knowledge and non-knowledge / What is an artistic laboratory? / The mode of knowledge production in artistic research / Artistic research as an expanded kind of choreography using the example of Emio Greco/PC / Talking about scores : William Forsythe's vision for a new form of dance literature / If you don't know, why do you ask? An introduction to the method of Real-time composition / How do you want to work today? Notes on an alternative choreographic mode for the production of speech / Making worlds available / Flickering and change / Expeditions to the inner teacher : how the pioneers of movement studies inspire dance / Sharing with others / About risks and side effects of dancing : dance medicine in dance training and the professional career / Capturing the essence : a personal view on dance history and reconstruction / Re-constructions : figures of thought and figures of dance : Nijinsky's Faune : experiences with dancing competence / What the body remembers : how Pina Bausch keeps her repertoire in shape / Reconstructing Dore Hoyer's Affectos humanos / Digestion and infusion : ways of interpreting dance / The body as archive : on the difficult relationship between movement and history / For a participatory theatre : touching instead of fumbling / On the threshold : aesthetic experience in performances / The politics of collective attention / Generating space / Critique versus critical practice? The impossibility and possibilities of contemporary dance critique / Performing the school / Building a common language / On considering a comparative approach : a model for classification of dance techniques / Break-up : new paths in dance education / Dance careers in transition : a field of action for dance in Germany? / Working on experience / Learning unconsciously / Art is not a luxury / The students have to come first / |
| title_auth | Knowledge in motion : perspectives of artistic and scientific research in dance / |
| title_exact_search | Knowledge in motion : perspectives of artistic and scientific research in dance / |
| title_full | Knowledge in motion : perspectives of artistic and scientific research in dance / Sabine Gehm, Pirkko Husemann, Katharina von Wilcke (eds.) ; [translations from German, Bettina von Arps-Aubert]. |
| title_fullStr | Knowledge in motion : perspectives of artistic and scientific research in dance / Sabine Gehm, Pirkko Husemann, Katharina von Wilcke (eds.) ; [translations from German, Bettina von Arps-Aubert]. |
| title_full_unstemmed | Knowledge in motion : perspectives of artistic and scientific research in dance / Sabine Gehm, Pirkko Husemann, Katharina von Wilcke (eds.) ; [translations from German, Bettina von Arps-Aubert]. |
| title_short | Knowledge in motion : |
| title_sort | knowledge in motion perspectives of artistic and scientific research in dance |
| title_sub | perspectives of artistic and scientific research in dance / |
| topic | Dance Research Congresses. Dance Study and teaching Congresses. Art and dance Congresses. Body image Congresses. Dance Philosophy Congresses. Dance Social aspects Congresses. Danse Recherche Congrès. Danse Étude et enseignement Congrès. Art et danse Congrès. Image du corps Congrès. Danse Philosophie Congrès. Danse Aspect social Congrès. Art and dance fast Body image fast Dance Philosophy fast Dance Research fast Dance Social aspects fast Dance Study and teaching fast Dans. gtt Receptie. gtt |
| topic_facet | Dance Research Congresses. Dance Study and teaching Congresses. Art and dance Congresses. Body image Congresses. Dance Philosophy Congresses. Dance Social aspects Congresses. Danse Recherche Congrès. Danse Étude et enseignement Congrès. Art et danse Congrès. Image du corps Congrès. Danse Philosophie Congrès. Danse Aspect social Congrès. Art and dance Body image Dance Philosophy Dance Research Dance Social aspects Dance Study and teaching Dans. Receptie. proceedings (reports) Conference papers and proceedings Conference papers and proceedings. Actes de congrès. |
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