Notions of genre :: writings on popular film before genre theory /
"Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attemp...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Regierungsdokument Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin :
University of Texas Press,
2016.
|
| Ausgabe: | First edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture"--The publisher. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781477311097 1477311092 9781477311103 1477311106 |
Internformat
MARC
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| 245 | 0 | 0 | |a Notions of genre : |b writings on popular film before genre theory / |c edited by Barry Keith Grant and Malisa Kurtz. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 7, 2016). | |
| 505 | 0 | |a Acknowledgments; Introduction (Barry Keith Grant and Malisa Kurtz); Part I. Comedy; 1. Comedy's Greatest Era (James Agee); 2. Silent Film Comedy (Siegfried Kracauer); 3. Uncle Sam's Funny Bone (Allen Eyles); 4. Whatever Happened to Hollywood Comedy? (Dwight Macdonald); 5. The Evolution of the Chase in the Silent Screen Comedy (Donald W. McCaffrey); 6. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and '30s (Carolyn and Harry Geduld); Part II. The Western; 7. The Psychological Appeal of the Hollywood Western (Frederick Elkin). | |
| 505 | 8 | |a 8. The Western, or the American Film Par Excellence (André Bazin)9. The Olympian Cowboy (Harry Schein); 10. The Changing Cowboy: From Dime Novel to Dollar Film (George Bluestone); 11. Sociological Symbolism of the ""Adult Western"" (Martin Nussbaum); 12. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western (Peter Homans); Part III. The Fantastic; 13. Supernaturalism in the Movies (Parker Tyler); 14. Reflections on Horror Movies (Robert Brustein); 15. A Brief, Tragical History of the Science Fiction Film (Richard Hodgens); 16. The Imagination of Disaster (Susan Sontag). | |
| 505 | 8 | |a 17. Extrapolative Cinema (Ivor A. Rogers)18. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film (R.H.W. Dillard); Part IV. Crime and Punishment; 19. The Gangster as Tragic Hero (Robert Warshow); 20. Evolution of the Thriller (Claude Chabrol); 21. Toward a Definition of Film Noir (Raymond Borde and Etienne Chaumeton); 22. Paint It Black: The Family Tree of the Film Noir (Raymond Durgnat); 23. Introduction to The Gangster Film (John Baxter); Untitled. | |
| 520 | |a "Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture"--The publisher. | ||
| 650 | 0 | |a Film genres. |0 http://id.loc.gov/authorities/subjects/sh86003119 | |
| 650 | 0 | |a Motion picture plays |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85088065 | |
| 650 | 0 | |a Motion picture authorship. |0 http://id.loc.gov/authorities/subjects/sh85088030 | |
| 650 | 6 | |a Genres cinématographiques. | |
| 650 | 6 | |a Scénarios de cinéma |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |x Art d'écrire. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Film genres |2 fast | |
| 650 | 7 | |a Motion picture authorship |2 fast | |
| 650 | 7 | |a Motion picture plays |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Grant, Barry Keith, |d 1947- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjDy638c4yFWKMvqXyjqDC |0 http://id.loc.gov/authorities/names/n83070137 | |
| 700 | 1 | |a Kurtz, Malisa, |e editor. |0 http://id.loc.gov/authorities/names/no2016010569 | |
| 758 | |i has work: |a Notions of genre (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGBb8krdJcwmWwQMkC3w3P |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Notions of genre. |b First edition. |d Austin : University of Texas Press, 2016 |z 9781477303757 |z 1477303758 |w (DLC) 2016003757 |w (OCoLC)936687486 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1346862 |3 Volltext |
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| _version_ | 1816882360614912000 |
| adam_text | |
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| author2 | Grant, Barry Keith, 1947- Kurtz, Malisa |
| author2_role | edt edt |
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| author_GND | http://id.loc.gov/authorities/names/n83070137 http://id.loc.gov/authorities/names/no2016010569 |
| author_facet | Grant, Barry Keith, 1947- Kurtz, Malisa |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 .N68 2016eb |
| callnumber-search | PN1995 .N68 2016eb |
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| collection | ZDB-4-EBA |
| contents | Acknowledgments; Introduction (Barry Keith Grant and Malisa Kurtz); Part I. Comedy; 1. Comedy's Greatest Era (James Agee); 2. Silent Film Comedy (Siegfried Kracauer); 3. Uncle Sam's Funny Bone (Allen Eyles); 4. Whatever Happened to Hollywood Comedy? (Dwight Macdonald); 5. The Evolution of the Chase in the Silent Screen Comedy (Donald W. McCaffrey); 6. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and '30s (Carolyn and Harry Geduld); Part II. The Western; 7. The Psychological Appeal of the Hollywood Western (Frederick Elkin). 8. The Western, or the American Film Par Excellence (André Bazin)9. The Olympian Cowboy (Harry Schein); 10. The Changing Cowboy: From Dime Novel to Dollar Film (George Bluestone); 11. Sociological Symbolism of the ""Adult Western"" (Martin Nussbaum); 12. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western (Peter Homans); Part III. The Fantastic; 13. Supernaturalism in the Movies (Parker Tyler); 14. Reflections on Horror Movies (Robert Brustein); 15. A Brief, Tragical History of the Science Fiction Film (Richard Hodgens); 16. The Imagination of Disaster (Susan Sontag). 17. Extrapolative Cinema (Ivor A. Rogers)18. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film (R.H.W. Dillard); Part IV. Crime and Punishment; 19. The Gangster as Tragic Hero (Robert Warshow); 20. Evolution of the Thriller (Claude Chabrol); 21. Toward a Definition of Film Noir (Raymond Borde and Etienne Chaumeton); 22. Paint It Black: The Family Tree of the Film Noir (Raymond Durgnat); 23. Introduction to The Gangster Film (John Baxter); Untitled. |
| ctrlnum | (OCoLC)957773252 |
| dewey-full | 791.43/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6 |
| dewey-search | 791.43/6 |
| dewey-sort | 3791.43 16 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | First edition. |
| format | Government Document Electronic eBook |
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Supernaturalism in the Movies (Parker Tyler); 14. Reflections on Horror Movies (Robert Brustein); 15. A Brief, Tragical History of the Science Fiction Film (Richard Hodgens); 16. The Imagination of Disaster (Susan Sontag).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">17. Extrapolative Cinema (Ivor A. Rogers)18. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film (R.H.W. Dillard); Part IV. Crime and Punishment; 19. The Gangster as Tragic Hero (Robert Warshow); 20. Evolution of the Thriller (Claude Chabrol); 21. Toward a Definition of Film Noir (Raymond Borde and Etienne Chaumeton); 22. Paint It Black: The Family Tree of the Film Noir (Raymond Durgnat); 23. Introduction to The Gangster Film (John Baxter); Untitled.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture"--The publisher.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Film genres.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh86003119</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture plays</subfield><subfield code="x">History and criticism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088065</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture authorship.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088030</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Genres cinématographiques.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Scénarios de cinéma</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Art d'écrire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film genres</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture authorship</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture plays</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grant, Barry Keith,</subfield><subfield code="d">1947-</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjDy638c4yFWKMvqXyjqDC</subfield><subfield code="0">http://id.loc.gov/authorities/names/n83070137</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kurtz, Malisa,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2016010569</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Notions of genre (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGBb8krdJcwmWwQMkC3w3P</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Notions of genre.</subfield><subfield code="b">First edition.</subfield><subfield code="d">Austin : University of Texas Press, 2016</subfield><subfield code="z">9781477303757</subfield><subfield code="z">1477303758</subfield><subfield code="w">(DLC) 2016003757</subfield><subfield code="w">(OCoLC)936687486</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1346862</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4770551</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1346862</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13150089</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn957773252 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:23Z |
| institution | BVB |
| isbn | 9781477311097 1477311092 9781477311103 1477311106 |
| language | English |
| oclc_num | 957773252 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University of Texas Press, |
| record_format | marc |
| spelling | Notions of genre : writings on popular film before genre theory / edited by Barry Keith Grant and Malisa Kurtz. First edition. Austin : University of Texas Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed September 7, 2016). Acknowledgments; Introduction (Barry Keith Grant and Malisa Kurtz); Part I. Comedy; 1. Comedy's Greatest Era (James Agee); 2. Silent Film Comedy (Siegfried Kracauer); 3. Uncle Sam's Funny Bone (Allen Eyles); 4. Whatever Happened to Hollywood Comedy? (Dwight Macdonald); 5. The Evolution of the Chase in the Silent Screen Comedy (Donald W. McCaffrey); 6. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and '30s (Carolyn and Harry Geduld); Part II. The Western; 7. The Psychological Appeal of the Hollywood Western (Frederick Elkin). 8. The Western, or the American Film Par Excellence (André Bazin)9. The Olympian Cowboy (Harry Schein); 10. The Changing Cowboy: From Dime Novel to Dollar Film (George Bluestone); 11. Sociological Symbolism of the ""Adult Western"" (Martin Nussbaum); 12. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western (Peter Homans); Part III. The Fantastic; 13. Supernaturalism in the Movies (Parker Tyler); 14. Reflections on Horror Movies (Robert Brustein); 15. A Brief, Tragical History of the Science Fiction Film (Richard Hodgens); 16. The Imagination of Disaster (Susan Sontag). 17. Extrapolative Cinema (Ivor A. Rogers)18. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film (R.H.W. Dillard); Part IV. Crime and Punishment; 19. The Gangster as Tragic Hero (Robert Warshow); 20. Evolution of the Thriller (Claude Chabrol); 21. Toward a Definition of Film Noir (Raymond Borde and Etienne Chaumeton); 22. Paint It Black: The Family Tree of the Film Noir (Raymond Durgnat); 23. Introduction to The Gangster Film (John Baxter); Untitled. "Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture"--The publisher. Film genres. http://id.loc.gov/authorities/subjects/sh86003119 Motion picture plays History and criticism. http://id.loc.gov/authorities/subjects/sh85088065 Motion picture authorship. http://id.loc.gov/authorities/subjects/sh85088030 Genres cinématographiques. Scénarios de cinéma Histoire et critique. Cinéma Art d'écrire. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Film genres fast Motion picture authorship fast Motion picture plays fast Criticism, interpretation, etc. fast Grant, Barry Keith, 1947- editor. https://id.oclc.org/worldcat/entity/E39PCjDy638c4yFWKMvqXyjqDC http://id.loc.gov/authorities/names/n83070137 Kurtz, Malisa, editor. http://id.loc.gov/authorities/names/no2016010569 has work: Notions of genre (Text) https://id.oclc.org/worldcat/entity/E39PCGBb8krdJcwmWwQMkC3w3P https://id.oclc.org/worldcat/ontology/hasWork Print version: Notions of genre. First edition. Austin : University of Texas Press, 2016 9781477303757 1477303758 (DLC) 2016003757 (OCoLC)936687486 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1346862 Volltext |
| spellingShingle | Notions of genre : writings on popular film before genre theory / Acknowledgments; Introduction (Barry Keith Grant and Malisa Kurtz); Part I. Comedy; 1. Comedy's Greatest Era (James Agee); 2. Silent Film Comedy (Siegfried Kracauer); 3. Uncle Sam's Funny Bone (Allen Eyles); 4. Whatever Happened to Hollywood Comedy? (Dwight Macdonald); 5. The Evolution of the Chase in the Silent Screen Comedy (Donald W. McCaffrey); 6. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and '30s (Carolyn and Harry Geduld); Part II. The Western; 7. The Psychological Appeal of the Hollywood Western (Frederick Elkin). 8. The Western, or the American Film Par Excellence (André Bazin)9. The Olympian Cowboy (Harry Schein); 10. The Changing Cowboy: From Dime Novel to Dollar Film (George Bluestone); 11. Sociological Symbolism of the ""Adult Western"" (Martin Nussbaum); 12. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western (Peter Homans); Part III. The Fantastic; 13. Supernaturalism in the Movies (Parker Tyler); 14. Reflections on Horror Movies (Robert Brustein); 15. A Brief, Tragical History of the Science Fiction Film (Richard Hodgens); 16. The Imagination of Disaster (Susan Sontag). 17. Extrapolative Cinema (Ivor A. Rogers)18. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film (R.H.W. Dillard); Part IV. Crime and Punishment; 19. The Gangster as Tragic Hero (Robert Warshow); 20. Evolution of the Thriller (Claude Chabrol); 21. Toward a Definition of Film Noir (Raymond Borde and Etienne Chaumeton); 22. Paint It Black: The Family Tree of the Film Noir (Raymond Durgnat); 23. Introduction to The Gangster Film (John Baxter); Untitled. Film genres. http://id.loc.gov/authorities/subjects/sh86003119 Motion picture plays History and criticism. http://id.loc.gov/authorities/subjects/sh85088065 Motion picture authorship. http://id.loc.gov/authorities/subjects/sh85088030 Genres cinématographiques. Scénarios de cinéma Histoire et critique. Cinéma Art d'écrire. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Film genres fast Motion picture authorship fast Motion picture plays fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh86003119 http://id.loc.gov/authorities/subjects/sh85088065 http://id.loc.gov/authorities/subjects/sh85088030 |
| title | Notions of genre : writings on popular film before genre theory / |
| title_auth | Notions of genre : writings on popular film before genre theory / |
| title_exact_search | Notions of genre : writings on popular film before genre theory / |
| title_full | Notions of genre : writings on popular film before genre theory / edited by Barry Keith Grant and Malisa Kurtz. |
| title_fullStr | Notions of genre : writings on popular film before genre theory / edited by Barry Keith Grant and Malisa Kurtz. |
| title_full_unstemmed | Notions of genre : writings on popular film before genre theory / edited by Barry Keith Grant and Malisa Kurtz. |
| title_short | Notions of genre : |
| title_sort | notions of genre writings on popular film before genre theory |
| title_sub | writings on popular film before genre theory / |
| topic | Film genres. http://id.loc.gov/authorities/subjects/sh86003119 Motion picture plays History and criticism. http://id.loc.gov/authorities/subjects/sh85088065 Motion picture authorship. http://id.loc.gov/authorities/subjects/sh85088030 Genres cinématographiques. Scénarios de cinéma Histoire et critique. Cinéma Art d'écrire. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Film genres fast Motion picture authorship fast Motion picture plays fast |
| topic_facet | Film genres. Motion picture plays History and criticism. Motion picture authorship. Genres cinématographiques. Scénarios de cinéma Histoire et critique. Cinéma Art d'écrire. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Film genres Motion picture authorship Motion picture plays Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1346862 |
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