Heaven, hell, and everything in between :: murals of the colonial Andes /
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin :
University of Texas Press,
2016.
|
| Ausgabe: | First edition. |
| Schriftenreihe: | Recovering languages and literacies of the Americas.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas' preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9781477300442 1477300449 1477309551 9781477309551 9781477300459 1477300457 |
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| 245 | 1 | 0 | |a Heaven, hell, and everything in between : |b murals of the colonial Andes / |c Ananda Cohen Suarez. |
| 250 | |a First edition. | ||
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| 505 | 0 | |a Introduction -- The painted walls of the Andes : chronology, techniques, and meanings -- The road to hell is paved with flowers : journeys to the afterlife at the church of Andahuaylillas -- Clothing the architectonic body : textile murals of the seventeenth and eighteenth centuries -- Turning the Jordan river into a pacarina : murals of the baptism of Christ at the churches of Urcos and Pitumarca -- Earthly violence/divine justice : Tadeo Escalante's urals at the church of Huaro -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas' preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals. | ||
| 650 | 0 | |a Art |x Political aspects |z Andes Region |x History. | |
| 650 | 0 | |a Art and society |z Andes Region |x History. | |
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| author | Cohen Suarez, Ananda |
| author_facet | Cohen Suarez, Ananda |
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| author_sort | Cohen Suarez, Ananda |
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| building | Verbundindex |
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| callnumber-first | F - General American History |
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| contents | Introduction -- The painted walls of the Andes : chronology, techniques, and meanings -- The road to hell is paved with flowers : journeys to the afterlife at the church of Andahuaylillas -- Clothing the architectonic body : textile murals of the seventeenth and eighteenth centuries -- Turning the Jordan river into a pacarina : murals of the baptism of Christ at the churches of Urcos and Pitumarca -- Earthly violence/divine justice : Tadeo Escalante's urals at the church of Huaro -- Conclusion. |
| ctrlnum | (OCoLC)957701152 |
| dewey-full | 751.7/3098 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 751 - Techniques, equipment, materials & forms |
| dewey-raw | 751.7/3098 |
| dewey-search | 751.7/3098 |
| dewey-sort | 3751.7 43098 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| edition | First edition. |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Spain Colonies America. Espagne Colonies Amérique. America fast Andes Region fast Peru Peru (Viceroyalty) fast |
| geographic_facet | Spain Colonies America. Espagne Colonies Amérique. America Andes Region Peru Peru (Viceroyalty) |
| id | ZDB-4-EBA-ocn957701152 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:22Z |
| institution | BVB |
| isbn | 9781477300442 1477300449 1477309551 9781477309551 9781477300459 1477300457 |
| language | English |
| oclc_num | 957701152 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University of Texas Press, |
| record_format | marc |
| series | Recovering languages and literacies of the Americas. |
| series2 | Recovering languages and literacies of the Americas Mellon Foundation Initiative |
| spelling | Cohen Suarez, Ananda, author. Heaven, hell, and everything in between : murals of the colonial Andes / Ananda Cohen Suarez. First edition. Austin : University of Texas Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Recovering languages and literacies of the Americas Mellon Foundation Initiative Includes bibliographical references. Introduction -- The painted walls of the Andes : chronology, techniques, and meanings -- The road to hell is paved with flowers : journeys to the afterlife at the church of Andahuaylillas -- Clothing the architectonic body : textile murals of the seventeenth and eighteenth centuries -- Turning the Jordan river into a pacarina : murals of the baptism of Christ at the churches of Urcos and Pitumarca -- Earthly violence/divine justice : Tadeo Escalante's urals at the church of Huaro -- Conclusion. Print version record. Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas' preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals. Art Political aspects Andes Region History. Art and society Andes Region History. Indians of South America Andes Region Religion. http://id.loc.gov/authorities/subjects/sh85065591 Indians of South America Andes Region Antiquities. Indian mural painting and decoration Peru (Viceroyalty) Indian mural painting and decoration Andes Region. Spain Colonies America. Espagne Colonies Amérique. ART Caribbean & Latin American. bisacsh ART Techniques General. bisacsh Art and society fast Art Political aspects fast Indian mural painting and decoration fast Indians of South America Antiquities fast Indians of South America Religion fast Spanish colonies fast America fast Andes Region fast Peru Peru (Viceroyalty) fast History fast has work: Heaven, hell, and everything in between (Text) https://id.oclc.org/worldcat/entity/E39PCH7hBjxmx6hCw4MyDHT6Td https://id.oclc.org/worldcat/ontology/hasWork Print version: Cohen Suarez, Ananda. Heaven, hell, and everything in between. First edition. Austin : University of Texas Press, 2016 (DLC) 2015030235 Recovering languages and literacies of the Americas. http://id.loc.gov/authorities/names/no2015042201 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1346856 Volltext |
| spellingShingle | Cohen Suarez, Ananda Heaven, hell, and everything in between : murals of the colonial Andes / Recovering languages and literacies of the Americas. Introduction -- The painted walls of the Andes : chronology, techniques, and meanings -- The road to hell is paved with flowers : journeys to the afterlife at the church of Andahuaylillas -- Clothing the architectonic body : textile murals of the seventeenth and eighteenth centuries -- Turning the Jordan river into a pacarina : murals of the baptism of Christ at the churches of Urcos and Pitumarca -- Earthly violence/divine justice : Tadeo Escalante's urals at the church of Huaro -- Conclusion. Art Political aspects Andes Region History. Art and society Andes Region History. Indians of South America Andes Region Religion. http://id.loc.gov/authorities/subjects/sh85065591 Indians of South America Andes Region Antiquities. Indian mural painting and decoration Peru (Viceroyalty) Indian mural painting and decoration Andes Region. ART Caribbean & Latin American. bisacsh ART Techniques General. bisacsh Art and society fast Art Political aspects fast Indian mural painting and decoration fast Indians of South America Antiquities fast Indians of South America Religion fast Spanish colonies fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85065591 |
| title | Heaven, hell, and everything in between : murals of the colonial Andes / |
| title_auth | Heaven, hell, and everything in between : murals of the colonial Andes / |
| title_exact_search | Heaven, hell, and everything in between : murals of the colonial Andes / |
| title_full | Heaven, hell, and everything in between : murals of the colonial Andes / Ananda Cohen Suarez. |
| title_fullStr | Heaven, hell, and everything in between : murals of the colonial Andes / Ananda Cohen Suarez. |
| title_full_unstemmed | Heaven, hell, and everything in between : murals of the colonial Andes / Ananda Cohen Suarez. |
| title_short | Heaven, hell, and everything in between : |
| title_sort | heaven hell and everything in between murals of the colonial andes |
| title_sub | murals of the colonial Andes / |
| topic | Art Political aspects Andes Region History. Art and society Andes Region History. Indians of South America Andes Region Religion. http://id.loc.gov/authorities/subjects/sh85065591 Indians of South America Andes Region Antiquities. Indian mural painting and decoration Peru (Viceroyalty) Indian mural painting and decoration Andes Region. ART Caribbean & Latin American. bisacsh ART Techniques General. bisacsh Art and society fast Art Political aspects fast Indian mural painting and decoration fast Indians of South America Antiquities fast Indians of South America Religion fast Spanish colonies fast |
| topic_facet | Art Political aspects Andes Region History. Art and society Andes Region History. Indians of South America Andes Region Religion. Indians of South America Andes Region Antiquities. Indian mural painting and decoration Peru (Viceroyalty) Indian mural painting and decoration Andes Region. Spain Colonies America. Espagne Colonies Amérique. ART Caribbean & Latin American. ART Techniques General. Art and society Art Political aspects Indian mural painting and decoration Indians of South America Antiquities Indians of South America Religion Spanish colonies America Andes Region Peru Peru (Viceroyalty) History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1346856 |
| work_keys_str_mv | AT cohensuarezananda heavenhellandeverythinginbetweenmuralsofthecolonialandes |