Staging harmony :: music and religious change in late medieval and early modern English drama /
In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and b...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Cornell University Press,
2016.
©2016 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church's present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe's Doctor Faustus, Shakespeare's The Tempest and The Winter's Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501705915 1501705911 1501706462 9781501706462 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn956482282 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr |||||||nn|n | ||
| 008 | 160314t20162016nyu ob 001 0 eng d | ||
| 040 | |a P@U |b eng |e pn |c P@U |d N$T |d JSTOR |d EBLCP |d IDEBK |d OCLCF |d YDX |d CCO |d CSAIL |d VRA |d OCLCQ |d IDB |d OTZ |d OCLCQ |d DEBSZ |d IOG |d DEGRU |d SNK |d DKU |d AUW |d IGB |d D6H |d UUM |d INARC |d DEBBG |d VTS |d OCLCQ |d G3B |d LVT |d S8J |d S9I |d OCLCQ |d STF |d U3W |d AU@ |d M8D |d AFU |d OCL |d OCLCQ |d K6U |d QGK |d OCLCO |d SFB |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 961001368 |a 961207406 |a 962434879 |a 964645534 |a 965491551 |a 979581330 |a 992909479 |a 1059092203 |a 1097100306 |a 1259134197 | ||
| 020 | |a 9781501705915 |q (electronic bk.) | ||
| 020 | |a 1501705911 |q (electronic bk.) | ||
| 020 | |a 1501706462 | ||
| 020 | |a 9781501706462 | ||
| 020 | |z 9781501703140 | ||
| 020 | |z 1501703145 | ||
| 024 | 7 | |a 10.7591/9781501705915 |2 doi | |
| 035 | |a (OCoLC)956482282 |z (OCoLC)961001368 |z (OCoLC)961207406 |z (OCoLC)962434879 |z (OCoLC)964645534 |z (OCoLC)965491551 |z (OCoLC)979581330 |z (OCoLC)992909479 |z (OCoLC)1059092203 |z (OCoLC)1097100306 |z (OCoLC)1259134197 | ||
| 037 | |a 22573/ctt1d25w51 |b JSTOR | ||
| 043 | |a e-uk-en | ||
| 050 | 4 | |a PR658.R43 |b B76 2016 | |
| 072 | 7 | |a DRA |x 003000 |2 bisacsh | |
| 072 | 7 | |a LIT004120 |2 bisacsh | |
| 072 | 7 | |a LIT011000 |2 bisacsh | |
| 072 | 7 | |a DRA003000 |2 bisacsh | |
| 082 | 7 | |a 822/.3093578 |2 23 | |
| 084 | |a HI 1254 |2 rvk |0 (DE-625)rvk/49810 | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Brokaw, Katherine Steele, |d 1980- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjx9fWcDcCkCwrgRDxfj83 |0 http://id.loc.gov/authorities/names/no2016034826 | |
| 245 | 1 | 0 | |a Staging harmony : |b music and religious change in late medieval and early modern English drama / |c Katherine Steele Brokaw. |
| 260 | |a London : |b Cornell University Press, |c 2016. | ||
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Sacred, sensual, and social music: wisdom and the Digby Mary Magdalene -- Musical hypocrisy: the plays of John Bale -- Learning to sing: the plays of Nicholas Udall -- Propaganda and psalms: early Elizabethan drama -- Sound effects: Doctor Faustus -- Arts to enchant: The Tempest and The Winter's Tale. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church's present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe's Doctor Faustus, Shakespeare's The Tempest and The Winter's Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager. | ||
| 546 | |a In English. | ||
| 650 | 0 | |a Dramatic music |z England |y 16th century |x History and criticism. | |
| 650 | 0 | |a Religion and drama |x History |y 16th century. | |
| 650 | 6 | |a Musique de scène |z Angleterre |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Religion et théâtre |x Histoire |y 16e siècle. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Dramatic music |2 fast | |
| 650 | 7 | |a Religion and drama |2 fast | |
| 651 | 7 | |a England |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C | |
| 648 | 7 | |a 1500-1599 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Staging harmony (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4wkwWJBcxBWX4rVhh6Td |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Brokaw, Katherine Steele, 1980- |t Staging harmony. |d London : Cornell University Press, 2016 |z 9781501703140 |z 1501703145 |w (OCoLC)945804214 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1332314 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9781501705915 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4635092 | ||
| 938 | |a EBSCOhost |b EBSC |n 1332314 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis35444897 | ||
| 938 | |a Internet Archive |b INAR |n stagingharmonymu00brok | ||
| 938 | |a Project MUSE |b MUSE |n muse53808 | ||
| 938 | |a YBP Library Services |b YANK |n 13108464 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn956482282 |
|---|---|
| _version_ | 1816882357248983040 |
| adam_text | |
| any_adam_object | |
| author | Brokaw, Katherine Steele, 1980- |
| author_GND | http://id.loc.gov/authorities/names/no2016034826 |
| author_facet | Brokaw, Katherine Steele, 1980- |
| author_role | aut |
| author_sort | Brokaw, Katherine Steele, 1980- |
| author_variant | k s b ks ksb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR658 |
| callnumber-raw | PR658.R43 B76 2016 |
| callnumber-search | PR658.R43 B76 2016 |
| callnumber-sort | PR 3658 R43 B76 42016 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 1254 |
| collection | ZDB-4-EBA |
| contents | Sacred, sensual, and social music: wisdom and the Digby Mary Magdalene -- Musical hypocrisy: the plays of John Bale -- Learning to sing: the plays of Nicholas Udall -- Propaganda and psalms: early Elizabethan drama -- Sound effects: Doctor Faustus -- Arts to enchant: The Tempest and The Winter's Tale. |
| ctrlnum | (OCoLC)956482282 |
| dewey-full | 822/.3093578 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.3093578 |
| dewey-search | 822/.3093578 |
| dewey-sort | 3822 73093578 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1500-1599 fast |
| era_facet | 1500-1599 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05724cam a2200793 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn956482282</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||nn|n</controlfield><controlfield tag="008">160314t20162016nyu ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">P@U</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">P@U</subfield><subfield code="d">N$T</subfield><subfield code="d">JSTOR</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">OCLCF</subfield><subfield code="d">YDX</subfield><subfield code="d">CCO</subfield><subfield code="d">CSAIL</subfield><subfield code="d">VRA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IDB</subfield><subfield code="d">OTZ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">IOG</subfield><subfield code="d">DEGRU</subfield><subfield code="d">SNK</subfield><subfield code="d">DKU</subfield><subfield code="d">AUW</subfield><subfield code="d">IGB</subfield><subfield code="d">D6H</subfield><subfield code="d">UUM</subfield><subfield code="d">INARC</subfield><subfield code="d">DEBBG</subfield><subfield code="d">VTS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">G3B</subfield><subfield code="d">LVT</subfield><subfield code="d">S8J</subfield><subfield code="d">S9I</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">STF</subfield><subfield code="d">U3W</subfield><subfield code="d">AU@</subfield><subfield code="d">M8D</subfield><subfield code="d">AFU</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">K6U</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">961001368</subfield><subfield code="a">961207406</subfield><subfield code="a">962434879</subfield><subfield code="a">964645534</subfield><subfield code="a">965491551</subfield><subfield code="a">979581330</subfield><subfield code="a">992909479</subfield><subfield code="a">1059092203</subfield><subfield code="a">1097100306</subfield><subfield code="a">1259134197</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501705915</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501705911</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501706462</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501706462</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781501703140</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1501703145</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7591/9781501705915</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)956482282</subfield><subfield code="z">(OCoLC)961001368</subfield><subfield code="z">(OCoLC)961207406</subfield><subfield code="z">(OCoLC)962434879</subfield><subfield code="z">(OCoLC)964645534</subfield><subfield code="z">(OCoLC)965491551</subfield><subfield code="z">(OCoLC)979581330</subfield><subfield code="z">(OCoLC)992909479</subfield><subfield code="z">(OCoLC)1059092203</subfield><subfield code="z">(OCoLC)1097100306</subfield><subfield code="z">(OCoLC)1259134197</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1d25w51</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-uk-en</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR658.R43</subfield><subfield code="b">B76 2016</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA</subfield><subfield code="x">003000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004120</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT011000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA003000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">822/.3093578</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 1254</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/49810</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brokaw, Katherine Steele,</subfield><subfield code="d">1980-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjx9fWcDcCkCwrgRDxfj83</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2016034826</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Staging harmony :</subfield><subfield code="b">music and religious change in late medieval and early modern English drama /</subfield><subfield code="c">Katherine Steele Brokaw.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">London :</subfield><subfield code="b">Cornell University Press,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Sacred, sensual, and social music: wisdom and the Digby Mary Magdalene -- Musical hypocrisy: the plays of John Bale -- Learning to sing: the plays of Nicholas Udall -- Propaganda and psalms: early Elizabethan drama -- Sound effects: Doctor Faustus -- Arts to enchant: The Tempest and The Winter's Tale.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church's present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe's Doctor Faustus, Shakespeare's The Tempest and The Winter's Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Dramatic music</subfield><subfield code="z">England</subfield><subfield code="y">16th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Religion and drama</subfield><subfield code="x">History</subfield><subfield code="y">16th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique de scène</subfield><subfield code="z">Angleterre</subfield><subfield code="y">16e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Religion et théâtre</subfield><subfield code="x">Histoire</subfield><subfield code="y">16e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DRAMA</subfield><subfield code="x">English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM</subfield><subfield code="x">European</subfield><subfield code="x">English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Dramatic music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Religion and drama</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">England</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1500-1599</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Staging harmony (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCG4wkwWJBcxBWX4rVhh6Td</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Brokaw, Katherine Steele, 1980-</subfield><subfield code="t">Staging harmony.</subfield><subfield code="d">London : Cornell University Press, 2016</subfield><subfield code="z">9781501703140</subfield><subfield code="z">1501703145</subfield><subfield code="w">(OCoLC)945804214</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1332314</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9781501705915</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4635092</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1332314</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis35444897</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">stagingharmonymu00brok</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse53808</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13108464</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C |
| geographic_facet | England |
| id | ZDB-4-EBA-ocn956482282 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:19Z |
| institution | BVB |
| isbn | 9781501705915 1501705911 1501706462 9781501706462 |
| language | English |
| oclc_num | 956482282 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Cornell University Press, |
| record_format | marc |
| spelling | Brokaw, Katherine Steele, 1980- author. https://id.oclc.org/worldcat/entity/E39PCjx9fWcDcCkCwrgRDxfj83 http://id.loc.gov/authorities/names/no2016034826 Staging harmony : music and religious change in late medieval and early modern English drama / Katherine Steele Brokaw. London : Cornell University Press, 2016. ©2016 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Includes bibliographical references and index. Sacred, sensual, and social music: wisdom and the Digby Mary Magdalene -- Musical hypocrisy: the plays of John Bale -- Learning to sing: the plays of Nicholas Udall -- Propaganda and psalms: early Elizabethan drama -- Sound effects: Doctor Faustus -- Arts to enchant: The Tempest and The Winter's Tale. Print version record. In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church's present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe's Doctor Faustus, Shakespeare's The Tempest and The Winter's Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager. In English. Dramatic music England 16th century History and criticism. Religion and drama History 16th century. Musique de scène Angleterre 16e siècle Histoire et critique. Religion et théâtre Histoire 16e siècle. DRAMA English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Dramatic music fast Religion and drama fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C 1500-1599 fast Criticism, interpretation, etc. fast History fast has work: Staging harmony (Text) https://id.oclc.org/worldcat/entity/E39PCG4wkwWJBcxBWX4rVhh6Td https://id.oclc.org/worldcat/ontology/hasWork Print version: Brokaw, Katherine Steele, 1980- Staging harmony. London : Cornell University Press, 2016 9781501703140 1501703145 (OCoLC)945804214 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1332314 Volltext |
| spellingShingle | Brokaw, Katherine Steele, 1980- Staging harmony : music and religious change in late medieval and early modern English drama / Sacred, sensual, and social music: wisdom and the Digby Mary Magdalene -- Musical hypocrisy: the plays of John Bale -- Learning to sing: the plays of Nicholas Udall -- Propaganda and psalms: early Elizabethan drama -- Sound effects: Doctor Faustus -- Arts to enchant: The Tempest and The Winter's Tale. Dramatic music England 16th century History and criticism. Religion and drama History 16th century. Musique de scène Angleterre 16e siècle Histoire et critique. Religion et théâtre Histoire 16e siècle. DRAMA English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Dramatic music fast Religion and drama fast |
| title | Staging harmony : music and religious change in late medieval and early modern English drama / |
| title_auth | Staging harmony : music and religious change in late medieval and early modern English drama / |
| title_exact_search | Staging harmony : music and religious change in late medieval and early modern English drama / |
| title_full | Staging harmony : music and religious change in late medieval and early modern English drama / Katherine Steele Brokaw. |
| title_fullStr | Staging harmony : music and religious change in late medieval and early modern English drama / Katherine Steele Brokaw. |
| title_full_unstemmed | Staging harmony : music and religious change in late medieval and early modern English drama / Katherine Steele Brokaw. |
| title_short | Staging harmony : |
| title_sort | staging harmony music and religious change in late medieval and early modern english drama |
| title_sub | music and religious change in late medieval and early modern English drama / |
| topic | Dramatic music England 16th century History and criticism. Religion and drama History 16th century. Musique de scène Angleterre 16e siècle Histoire et critique. Religion et théâtre Histoire 16e siècle. DRAMA English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Dramatic music fast Religion and drama fast |
| topic_facet | Dramatic music England 16th century History and criticism. Religion and drama History 16th century. Musique de scène Angleterre 16e siècle Histoire et critique. Religion et théâtre Histoire 16e siècle. DRAMA English, Irish, Scottish, Welsh. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Dramatic music Religion and drama England Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1332314 |
| work_keys_str_mv | AT brokawkatherinesteele stagingharmonymusicandreligiouschangeinlatemedievalandearlymodernenglishdrama |