Visualising slavery :: art across the African diaspora /
This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diaporic visual arts tr...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Liverpool :
Liverpool University Press,
2016.
|
| Schriftenreihe: | Liverpool studies in international slavery ;
9. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diaporic visual arts tradition. "The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study."--Provided by publisher. |
| Beschreibung: | 1 online resource (xvi, 291 pages, 16 unnumbered pages of plates) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781781384299 1781384290 |
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| 245 | 0 | 0 | |a Visualising slavery : |b art across the African diaspora / |c edited by Celeste-Marie Bernier and Hannah Durkin. |
| 264 | 1 | |a Liverpool : |b Liverpool University Press, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xvi, 291 pages, 16 unnumbered pages of plates) : |b illustrations (some color) | ||
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| 490 | 1 | |a Liverpool Studies in International Slavery ; |v 9 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diaporic visual arts tradition. | ||
| 520 | |a "The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study."--Provided by publisher. | ||
| 505 | 0 | 0 | |t Introduction: 'Inside the Invisible": African Diasporic Artists Visualise Transatlantic Slavery / |r Celeste-Marie Bernier and Hannah Durkin -- |g pt. 1 |t Slavery and Memory in Contemporary African Diasporic Art. |t Lost and Found at the Swap Meet: Betye Saar and the Everyday Object / |r Lubaina Himid -- |t Preserves / |r Debra Priestly -- |t What Goes without Saying / |r Hank Willis Thomas -- |t Spectres in the Postcolonies: Reimagining Violence and Resistance / |r Roshini Kempadoo -- |t Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account / |r Keith Piper -- |g pt. 2. |t Historical Iconography and Visualising Transatlantic Slavery. |t Chattel Record: Visualising the Archive in Diasporan Art / |r Fionnghuala Sweeney -- |t Henry Box Brown, African Atlantic Artists and Radical Interventions / |r Alan Rice -- |t Uncle Tom and the Problem of `Soft' Resistance to Slavery / |r David Bindman -- |t After-Image: Frederick Douglass in Visual Culture / |r Zoe Trodd -- |g pt. 3. |t African Diasporic Monuments and Memorialisation. |t Siting the Circum-Atlantic: Nelson in a Bottle in Trafalgar Square / |r Geoff Quilley -- |t Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion / |r Leon Wainwright -- |t "The Greatest Negro Monuments on Earth': Richmond Barthé's Memorials to Toussaint Louverture and Jean-Jacques Dessalines / |r Hannah Durkin -- |g pt. 4. |t Contemporary Legacies in African Diasporic Art. |t We Might Not Be Surprised: Visualising Slavery and the Slave Ship in the Works of Charles Campbell and Mary Evans / |r Eddie Chambers -- |t `X is for X Ray, X Slave, X Colony': A 'Lexicon of Liberation' versus 'My Slave History' in the Paintings, Installations and Sketchbooks of Donald Rodney / |r Celeste-Marie Bernier -- |t Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage / |r Marcus Wood -- |t Afterword: Against the Grain: Contingency and Found Objects / |r Nathan Grant. |
| 650 | 0 | |a Slavery in art. |0 http://id.loc.gov/authorities/subjects/sh96011980 | |
| 650 | 0 | |a Slave trade in art. |0 http://id.loc.gov/authorities/subjects/sh2011000499 | |
| 650 | 0 | |a African diaspora in art. |0 http://id.loc.gov/authorities/subjects/sh2005005282 | |
| 650 | 0 | |a African American art. |0 http://id.loc.gov/authorities/subjects/sh85001790 | |
| 650 | 0 | |a Art, Caribbean. |0 http://id.loc.gov/authorities/subjects/sh95004657 | |
| 650 | 0 | |a Art, African. |0 http://id.loc.gov/authorities/subjects/sh85007528 | |
| 650 | 0 | |a Art, Black |z Great Britain. | |
| 650 | 6 | |a Art noir américain. | |
| 650 | 6 | |a Art antillais. | |
| 650 | 6 | |a Art africain. | |
| 650 | 6 | |a Art noir |z Grande-Bretagne. | |
| 650 | 6 | |a Africains |z Pays étrangers, dans l'art. | |
| 650 | 7 | |a ART |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Slavery. |2 bisacsh | |
| 650 | 7 | |a African diaspora in art |2 fast | |
| 650 | 7 | |a Slave trade in art |2 fast | |
| 650 | 7 | |a Slavery in art |2 fast | |
| 650 | 7 | |a African American art |2 fast | |
| 650 | 7 | |a Art, African |2 fast | |
| 650 | 7 | |a Art, Black |2 fast | |
| 650 | 7 | |a Art, Caribbean |2 fast | |
| 651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Bernier, Celeste-Marie, |e editor. |0 http://id.loc.gov/authorities/names/n2008019353 | |
| 700 | 1 | |a Durkin, Hannah, |e editor. |0 http://id.loc.gov/authorities/names/no2016096967 | |
| 758 | |i has work: |a Visualising slavery (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFJdMfkpHHD98cKGq8hW6q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 830 | 0 | |a Liverpool studies in international slavery ; |v 9. |0 http://id.loc.gov/authorities/names/no2009077730 | |
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Datensatz im Suchindex
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| _version_ | 1816882356912390144 |
| adam_text | |
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| author2 | Bernier, Celeste-Marie Durkin, Hannah |
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| author_GND | http://id.loc.gov/authorities/names/n2008019353 http://id.loc.gov/authorities/names/no2016096967 |
| author_additional | Celeste-Marie Bernier and Hannah Durkin -- Lubaina Himid -- Debra Priestly -- Hank Willis Thomas -- Roshini Kempadoo -- Keith Piper -- Fionnghuala Sweeney -- Alan Rice -- David Bindman -- Zoe Trodd -- Geoff Quilley -- Leon Wainwright -- Hannah Durkin -- Eddie Chambers -- Celeste-Marie Bernier -- Marcus Wood -- Nathan Grant. |
| author_facet | Bernier, Celeste-Marie Durkin, Hannah |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N8243 |
| callnumber-raw | N8243.S576 V57 2016eb |
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| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Introduction: 'Inside the Invisible": African Diasporic Artists Visualise Transatlantic Slavery / Slavery and Memory in Contemporary African Diasporic Art. Lost and Found at the Swap Meet: Betye Saar and the Everyday Object / Preserves / What Goes without Saying / Spectres in the Postcolonies: Reimagining Violence and Resistance / Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account / Historical Iconography and Visualising Transatlantic Slavery. Chattel Record: Visualising the Archive in Diasporan Art / Henry Box Brown, African Atlantic Artists and Radical Interventions / Uncle Tom and the Problem of `Soft' Resistance to Slavery / After-Image: Frederick Douglass in Visual Culture / African Diasporic Monuments and Memorialisation. Siting the Circum-Atlantic: Nelson in a Bottle in Trafalgar Square / Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion / "The Greatest Negro Monuments on Earth': Richmond Barthé's Memorials to Toussaint Louverture and Jean-Jacques Dessalines / Contemporary Legacies in African Diasporic Art. We Might Not Be Surprised: Visualising Slavery and the Slave Ship in the Works of Charles Campbell and Mary Evans / `X is for X Ray, X Slave, X Colony': A 'Lexicon of Liberation' versus 'My Slave History' in the Paintings, Installations and Sketchbooks of Donald Rodney / Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage / Afterword: Against the Grain: Contingency and Found Objects / |
| ctrlnum | (OCoLC)956277703 |
| dewey-full | 704.9/49326 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/49326 |
| dewey-search | 704.9/49326 |
| dewey-sort | 3704.9 549326 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study."--Provided by publisher.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Introduction: 'Inside the Invisible": African Diasporic Artists Visualise Transatlantic Slavery /</subfield><subfield code="r">Celeste-Marie Bernier and Hannah Durkin --</subfield><subfield code="g">pt. 1</subfield><subfield code="t">Slavery and Memory in Contemporary African Diasporic Art.</subfield><subfield code="t">Lost and Found at the Swap Meet: Betye Saar and the Everyday Object /</subfield><subfield code="r">Lubaina Himid --</subfield><subfield code="t">Preserves /</subfield><subfield code="r">Debra Priestly --</subfield><subfield code="t">What Goes without Saying /</subfield><subfield code="r">Hank Willis Thomas --</subfield><subfield code="t">Spectres in the Postcolonies: Reimagining Violence and Resistance /</subfield><subfield code="r">Roshini Kempadoo --</subfield><subfield code="t">Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account /</subfield><subfield code="r">Keith Piper --</subfield><subfield code="g">pt. 2.</subfield><subfield code="t">Historical Iconography and Visualising Transatlantic Slavery.</subfield><subfield code="t">Chattel Record: Visualising the Archive in Diasporan Art /</subfield><subfield code="r">Fionnghuala Sweeney --</subfield><subfield code="t">Henry Box Brown, African Atlantic Artists and Radical Interventions /</subfield><subfield code="r">Alan Rice --</subfield><subfield code="t">Uncle Tom and the Problem of `Soft' Resistance to Slavery /</subfield><subfield code="r">David Bindman --</subfield><subfield code="t">After-Image: Frederick Douglass in Visual Culture /</subfield><subfield code="r">Zoe Trodd 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Liberation' versus 'My Slave History' in the Paintings, Installations and Sketchbooks of Donald Rodney /</subfield><subfield code="r">Celeste-Marie Bernier --</subfield><subfield code="t">Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage /</subfield><subfield code="r">Marcus Wood --</subfield><subfield code="t">Afterword: Against the Grain: Contingency and Found Objects /</subfield><subfield code="r">Nathan Grant.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Slavery in art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh96011980</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Slave trade in art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2011000499</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African diaspora in art.</subfield><subfield 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| genre | Electronic book. |
| genre_facet | Electronic book. |
| geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocn956277703 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:19Z |
| institution | BVB |
| isbn | 9781781384299 1781384290 |
| language | English |
| oclc_num | 956277703 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 291 pages, 16 unnumbered pages of plates) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Liverpool University Press, |
| record_format | marc |
| series | Liverpool studies in international slavery ; |
| series2 | Liverpool Studies in International Slavery ; |
| spelling | Visualising slavery : art across the African diaspora / edited by Celeste-Marie Bernier and Hannah Durkin. Liverpool : Liverpool University Press, 2016. ©2016 1 online resource (xvi, 291 pages, 16 unnumbered pages of plates) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Liverpool Studies in International Slavery ; 9 Includes bibliographical references and index. Print version record. This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diaporic visual arts tradition. "The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study."--Provided by publisher. Introduction: 'Inside the Invisible": African Diasporic Artists Visualise Transatlantic Slavery / Celeste-Marie Bernier and Hannah Durkin -- pt. 1 Slavery and Memory in Contemporary African Diasporic Art. Lost and Found at the Swap Meet: Betye Saar and the Everyday Object / Lubaina Himid -- Preserves / Debra Priestly -- What Goes without Saying / Hank Willis Thomas -- Spectres in the Postcolonies: Reimagining Violence and Resistance / Roshini Kempadoo -- Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account / Keith Piper -- pt. 2. Historical Iconography and Visualising Transatlantic Slavery. Chattel Record: Visualising the Archive in Diasporan Art / Fionnghuala Sweeney -- Henry Box Brown, African Atlantic Artists and Radical Interventions / Alan Rice -- Uncle Tom and the Problem of `Soft' Resistance to Slavery / David Bindman -- After-Image: Frederick Douglass in Visual Culture / Zoe Trodd -- pt. 3. African Diasporic Monuments and Memorialisation. Siting the Circum-Atlantic: Nelson in a Bottle in Trafalgar Square / Geoff Quilley -- Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion / Leon Wainwright -- "The Greatest Negro Monuments on Earth': Richmond Barthé's Memorials to Toussaint Louverture and Jean-Jacques Dessalines / Hannah Durkin -- pt. 4. Contemporary Legacies in African Diasporic Art. We Might Not Be Surprised: Visualising Slavery and the Slave Ship in the Works of Charles Campbell and Mary Evans / Eddie Chambers -- `X is for X Ray, X Slave, X Colony': A 'Lexicon of Liberation' versus 'My Slave History' in the Paintings, Installations and Sketchbooks of Donald Rodney / Celeste-Marie Bernier -- Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage / Marcus Wood -- Afterword: Against the Grain: Contingency and Found Objects / Nathan Grant. Slavery in art. http://id.loc.gov/authorities/subjects/sh96011980 Slave trade in art. http://id.loc.gov/authorities/subjects/sh2011000499 African diaspora in art. http://id.loc.gov/authorities/subjects/sh2005005282 African American art. http://id.loc.gov/authorities/subjects/sh85001790 Art, Caribbean. http://id.loc.gov/authorities/subjects/sh95004657 Art, African. http://id.loc.gov/authorities/subjects/sh85007528 Art, Black Great Britain. Art noir américain. Art antillais. Art africain. Art noir Grande-Bretagne. Africains Pays étrangers, dans l'art. ART Subjects & Themes General. bisacsh SOCIAL SCIENCE Slavery. bisacsh African diaspora in art fast Slave trade in art fast Slavery in art fast African American art fast Art, African fast Art, Black fast Art, Caribbean fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Electronic book. Bernier, Celeste-Marie, editor. http://id.loc.gov/authorities/names/n2008019353 Durkin, Hannah, editor. http://id.loc.gov/authorities/names/no2016096967 has work: Visualising slavery (Text) https://id.oclc.org/worldcat/entity/E39PCFJdMfkpHHD98cKGq8hW6q https://id.oclc.org/worldcat/ontology/hasWork Print version: Visualising slavery. Liverpool : Liverpool University Press, 2016 9781781382677 (DLC) 2016448025 (OCoLC)948782817 Liverpool studies in international slavery ; 9. http://id.loc.gov/authorities/names/no2009077730 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1296490 Volltext |
| spellingShingle | Visualising slavery : art across the African diaspora / Liverpool studies in international slavery ; Introduction: 'Inside the Invisible": African Diasporic Artists Visualise Transatlantic Slavery / Slavery and Memory in Contemporary African Diasporic Art. Lost and Found at the Swap Meet: Betye Saar and the Everyday Object / Preserves / What Goes without Saying / Spectres in the Postcolonies: Reimagining Violence and Resistance / Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account / Historical Iconography and Visualising Transatlantic Slavery. Chattel Record: Visualising the Archive in Diasporan Art / Henry Box Brown, African Atlantic Artists and Radical Interventions / Uncle Tom and the Problem of `Soft' Resistance to Slavery / After-Image: Frederick Douglass in Visual Culture / African Diasporic Monuments and Memorialisation. Siting the Circum-Atlantic: Nelson in a Bottle in Trafalgar Square / Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion / "The Greatest Negro Monuments on Earth': Richmond Barthé's Memorials to Toussaint Louverture and Jean-Jacques Dessalines / Contemporary Legacies in African Diasporic Art. We Might Not Be Surprised: Visualising Slavery and the Slave Ship in the Works of Charles Campbell and Mary Evans / `X is for X Ray, X Slave, X Colony': A 'Lexicon of Liberation' versus 'My Slave History' in the Paintings, Installations and Sketchbooks of Donald Rodney / Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage / Afterword: Against the Grain: Contingency and Found Objects / Slavery in art. http://id.loc.gov/authorities/subjects/sh96011980 Slave trade in art. http://id.loc.gov/authorities/subjects/sh2011000499 African diaspora in art. http://id.loc.gov/authorities/subjects/sh2005005282 African American art. http://id.loc.gov/authorities/subjects/sh85001790 Art, Caribbean. http://id.loc.gov/authorities/subjects/sh95004657 Art, African. http://id.loc.gov/authorities/subjects/sh85007528 Art, Black Great Britain. Art noir américain. Art antillais. Art africain. Art noir Grande-Bretagne. Africains Pays étrangers, dans l'art. ART Subjects & Themes General. bisacsh SOCIAL SCIENCE Slavery. bisacsh African diaspora in art fast Slave trade in art fast Slavery in art fast African American art fast Art, African fast Art, Black fast Art, Caribbean fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh96011980 http://id.loc.gov/authorities/subjects/sh2011000499 http://id.loc.gov/authorities/subjects/sh2005005282 http://id.loc.gov/authorities/subjects/sh85001790 http://id.loc.gov/authorities/subjects/sh95004657 http://id.loc.gov/authorities/subjects/sh85007528 |
| title | Visualising slavery : art across the African diaspora / |
| title_alt | Introduction: 'Inside the Invisible": African Diasporic Artists Visualise Transatlantic Slavery / Slavery and Memory in Contemporary African Diasporic Art. Lost and Found at the Swap Meet: Betye Saar and the Everyday Object / Preserves / What Goes without Saying / Spectres in the Postcolonies: Reimagining Violence and Resistance / Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account / Historical Iconography and Visualising Transatlantic Slavery. Chattel Record: Visualising the Archive in Diasporan Art / Henry Box Brown, African Atlantic Artists and Radical Interventions / Uncle Tom and the Problem of `Soft' Resistance to Slavery / After-Image: Frederick Douglass in Visual Culture / African Diasporic Monuments and Memorialisation. Siting the Circum-Atlantic: Nelson in a Bottle in Trafalgar Square / Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion / "The Greatest Negro Monuments on Earth': Richmond Barthé's Memorials to Toussaint Louverture and Jean-Jacques Dessalines / Contemporary Legacies in African Diasporic Art. We Might Not Be Surprised: Visualising Slavery and the Slave Ship in the Works of Charles Campbell and Mary Evans / `X is for X Ray, X Slave, X Colony': A 'Lexicon of Liberation' versus 'My Slave History' in the Paintings, Installations and Sketchbooks of Donald Rodney / Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage / Afterword: Against the Grain: Contingency and Found Objects / |
| title_auth | Visualising slavery : art across the African diaspora / |
| title_exact_search | Visualising slavery : art across the African diaspora / |
| title_full | Visualising slavery : art across the African diaspora / edited by Celeste-Marie Bernier and Hannah Durkin. |
| title_fullStr | Visualising slavery : art across the African diaspora / edited by Celeste-Marie Bernier and Hannah Durkin. |
| title_full_unstemmed | Visualising slavery : art across the African diaspora / edited by Celeste-Marie Bernier and Hannah Durkin. |
| title_short | Visualising slavery : |
| title_sort | visualising slavery art across the african diaspora |
| title_sub | art across the African diaspora / |
| topic | Slavery in art. http://id.loc.gov/authorities/subjects/sh96011980 Slave trade in art. http://id.loc.gov/authorities/subjects/sh2011000499 African diaspora in art. http://id.loc.gov/authorities/subjects/sh2005005282 African American art. http://id.loc.gov/authorities/subjects/sh85001790 Art, Caribbean. http://id.loc.gov/authorities/subjects/sh95004657 Art, African. http://id.loc.gov/authorities/subjects/sh85007528 Art, Black Great Britain. Art noir américain. Art antillais. Art africain. Art noir Grande-Bretagne. Africains Pays étrangers, dans l'art. ART Subjects & Themes General. bisacsh SOCIAL SCIENCE Slavery. bisacsh African diaspora in art fast Slave trade in art fast Slavery in art fast African American art fast Art, African fast Art, Black fast Art, Caribbean fast |
| topic_facet | Slavery in art. Slave trade in art. African diaspora in art. African American art. Art, Caribbean. Art, African. Art, Black Great Britain. Art noir américain. Art antillais. Art africain. Art noir Grande-Bretagne. Africains Pays étrangers, dans l'art. ART Subjects & Themes General. SOCIAL SCIENCE Slavery. African diaspora in art Slave trade in art Slavery in art African American art Art, African Art, Black Art, Caribbean Great Britain Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1296490 |
| work_keys_str_mv | AT berniercelestemarie visualisingslaveryartacrosstheafricandiaspora AT durkinhannah visualisingslaveryartacrosstheafricandiaspora |