Sonic technologies :: popular music, digital culture and the creative process /
"Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a ma...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Bloomsbury Academic,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations."-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9781501310638 1501310631 |
Internformat
MARC
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| 100 | 1 | |a Strachan, Robert, |e author. | |
| 245 | 1 | 0 | |a Sonic technologies : |b popular music, digital culture and the creative process / |c Robert Strachan. |
| 263 | |a 1701 | ||
| 264 | 1 | |a New York, NY : |b Bloomsbury Academic, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references. | ||
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| 505 | 0 | |a Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. | |
| 520 | |a "Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations."-- |c Provided by publisher | ||
| 650 | 0 | |a Popular music |x Philosophy and aesthetics. |0 http://id.loc.gov/authorities/subjects/sh2008000804 | |
| 650 | 0 | |a Popular music |x Production and direction. | |
| 650 | 0 | |a Computer music |x History and criticism. | |
| 650 | 0 | |a Electronic music |x History and criticism. | |
| 650 | 0 | |a Digital audio editors. |0 http://id.loc.gov/authorities/subjects/sh2004002280 | |
| 650 | 0 | |a Creation (Literary, artistic, etc.) | |
| 650 | 0 | |a Music and technology. |0 http://id.loc.gov/authorities/subjects/sh94007386 | |
| 650 | 6 | |a Musique populaire |x Philosophie et esthétique. | |
| 650 | 6 | |a Éditeurs audionumériques. | |
| 650 | 6 | |a Musique et technologie. | |
| 650 | 7 | |a Music recording & reproduction. |2 bicssc | |
| 650 | 7 | |a Technology: general issues. |2 bicssc | |
| 650 | 7 | |a Theory of music & musicology. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
| 650 | 7 | |a Computer music |2 fast | |
| 650 | 7 | |a Creation (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Digital audio editors |2 fast | |
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| 650 | 7 | |a Popular music |x Philosophy and aesthetics |2 fast | |
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| 758 | |i has work: |a Sonic technologies (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGftH3y6VwMHjPgRgTTmBP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Strachan, Robert. |t Sonic technologies. |d New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2017 |z 9781501310614 |w (DLC) 2016029249 |w (OCoLC)955778855 |
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Datensatz im Suchindex
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| author | Strachan, Robert |
| author_facet | Strachan, Robert |
| author_role | aut |
| author_sort | Strachan, Robert |
| author_variant | r s rs |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3876 |
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| collection | ZDB-4-EBA |
| contents | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. |
| ctrlnum | (OCoLC)955779368 |
| dewey-full | 786.7/16411 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.7/16411 |
| dewey-search | 786.7/16411 |
| dewey-sort | 3786.7 516411 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
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| id | ZDB-4-EBA-ocn955779368 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:19Z |
| institution | BVB |
| isbn | 9781501310638 1501310631 |
| language | English |
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| publishDate | 2017 |
| publishDateSearch | 2017 |
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| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Strachan, Robert, author. Sonic technologies : popular music, digital culture and the creative process / Robert Strachan. 1701 New York, NY : Bloomsbury Academic, 2017. ©2017 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references. Print version record and CIP data provided by publisher; resource not viewed. Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. "Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations."-- Provided by publisher Popular music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh2008000804 Popular music Production and direction. Computer music History and criticism. Electronic music History and criticism. Digital audio editors. http://id.loc.gov/authorities/subjects/sh2004002280 Creation (Literary, artistic, etc.) Music and technology. http://id.loc.gov/authorities/subjects/sh94007386 Musique populaire Philosophie et esthétique. Éditeurs audionumériques. Musique et technologie. Music recording & reproduction. bicssc Technology: general issues. bicssc Theory of music & musicology. bicssc MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Computer music fast Creation (Literary, artistic, etc.) fast Digital audio editors fast Electronic music fast Music and technology fast Popular music Philosophy and aesthetics fast Criticism, interpretation, etc. fast has work: Sonic technologies (Text) https://id.oclc.org/worldcat/entity/E39PCGftH3y6VwMHjPgRgTTmBP https://id.oclc.org/worldcat/ontology/hasWork Print version: Strachan, Robert. Sonic technologies. New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2017 9781501310614 (DLC) 2016029249 (OCoLC)955778855 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1409126 Volltext |
| spellingShingle | Strachan, Robert Sonic technologies : popular music, digital culture and the creative process / Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. Popular music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh2008000804 Popular music Production and direction. Computer music History and criticism. Electronic music History and criticism. Digital audio editors. http://id.loc.gov/authorities/subjects/sh2004002280 Creation (Literary, artistic, etc.) Music and technology. http://id.loc.gov/authorities/subjects/sh94007386 Musique populaire Philosophie et esthétique. Éditeurs audionumériques. Musique et technologie. Music recording & reproduction. bicssc Technology: general issues. bicssc Theory of music & musicology. bicssc MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Computer music fast Creation (Literary, artistic, etc.) fast Digital audio editors fast Electronic music fast Music and technology fast Popular music Philosophy and aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2008000804 http://id.loc.gov/authorities/subjects/sh2004002280 http://id.loc.gov/authorities/subjects/sh94007386 |
| title | Sonic technologies : popular music, digital culture and the creative process / |
| title_auth | Sonic technologies : popular music, digital culture and the creative process / |
| title_exact_search | Sonic technologies : popular music, digital culture and the creative process / |
| title_full | Sonic technologies : popular music, digital culture and the creative process / Robert Strachan. |
| title_fullStr | Sonic technologies : popular music, digital culture and the creative process / Robert Strachan. |
| title_full_unstemmed | Sonic technologies : popular music, digital culture and the creative process / Robert Strachan. |
| title_short | Sonic technologies : |
| title_sort | sonic technologies popular music digital culture and the creative process |
| title_sub | popular music, digital culture and the creative process / |
| topic | Popular music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh2008000804 Popular music Production and direction. Computer music History and criticism. Electronic music History and criticism. Digital audio editors. http://id.loc.gov/authorities/subjects/sh2004002280 Creation (Literary, artistic, etc.) Music and technology. http://id.loc.gov/authorities/subjects/sh94007386 Musique populaire Philosophie et esthétique. Éditeurs audionumériques. Musique et technologie. Music recording & reproduction. bicssc Technology: general issues. bicssc Theory of music & musicology. bicssc MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Computer music fast Creation (Literary, artistic, etc.) fast Digital audio editors fast Electronic music fast Music and technology fast Popular music Philosophy and aesthetics fast |
| topic_facet | Popular music Philosophy and aesthetics. Popular music Production and direction. Computer music History and criticism. Electronic music History and criticism. Digital audio editors. Creation (Literary, artistic, etc.) Music and technology. Musique populaire Philosophie et esthétique. Éditeurs audionumériques. Musique et technologie. Music recording & reproduction. Technology: general issues. Theory of music & musicology. MUSIC Musical Instruments Piano & Keyboard. MUSIC Printed Music Percussion. Computer music Digital audio editors Electronic music Music and technology Popular music Philosophy and aesthetics Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1409126 |
| work_keys_str_mv | AT strachanrobert sonictechnologiespopularmusicdigitalcultureandthecreativeprocess |