Operetta :: a Sourcebook, Volume I /
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitat...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle-upon-Tyne :
Cambridge Scholars Publishing,
2015.
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| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a sepa. |
| Beschreibung: | 1 online resource (710 pages) |
| ISBN: | 9781443884259 1443884251 |
Internformat
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| 505 | 0 | |a Intro; Table of Contents; Introduction; Acknowledgements; Illustrations; Chronology; 1. French Operetta; 2. Austro-Hungarian Operetta; The Imperial Operetta (1855-1870); The Bourgeois Operetta (1870-1890); Operetta of the Belle-Epoche (1890-1914); The Comédie Musicale (1918-1930); L'Opérette Marseillaise (1930-1939) & L'Après-Guerre (1945-1960); The Golden Age (1845-1900); The Silver Age (1900-1930); The Revue-Operetta (1920-1960); Jacques Offenbach (1819); Florimond Rongé (Hervé) (1825); Alexandre-Charles Lecocq (1832); Clément Philibert Léo Delibes (1836); Paul Lacôme (1838). | |
| 505 | 8 | |a Claude-Firman Bernicat (1842)Edmond Audran (1842); Léon Vasseur (1844); Louis Varney (1844); Gaston Serpette (1846); Jean-Robert Planquette (1848); Victor Roger (1853); André-Charles-Prosper Messager (1853); Louis-Gaston Ganne (1862); Claude-Antoine Terrasse (1867); Henri Christiné (1867); Reynaldo Hahn (1875); Charles Cuvillier (1877); Vincent Scotto (1874); Jósef Zygmunt Szulc (1875); Gaston Gabaroche (1884); Henri Goublier (1888); Maurice Yvain (1891); Raoul Moretti (1893); Louis Beydts (1895); Werner Richard Heymann (1896); Roger Dumas (1897); Jean Boyer (1901); Marguerite Monnot (1903). | |
| 505 | 8 | |a Francis Lopez (1916)Claude-Michel Schönberg (1944); Adolf Müller, Sr. (1801); Heinrich Proch (1809); Carl Binder (1816); Franz von Suppé (1819); Franz Friedrich Richard Genée (1823); Johann Strauss II (1825); Adolf Müller, Jr. (1839); Carl Joseph Millöcker (1842); Alphons Czibulka (1842); Carl Johann Nepomuck Adam Zeller (1842); Karl Michael Ziehrer (1843); Richard Heuberger (1850); Alfred Grünfeld (1852); Joseph Hellmesberger (1855); Heinrich Berté (1858); Karl Rudolf Michael "Charles" Weinberger (1861); Johann Strauss III (1866); Heinrich Reinhardt (1865); Hugo Felix (1866). | |
| 505 | 8 | |a Georg Jarno (1868)Oscar Straus (1870); Franz Lehár (1870); Leo Fall (1873); Edmund Eysler (1874); Oskar Nedbal (1874); Fritz Kreisler (1875); Anselm Götzl (1876); Emmerich Kálmán (1882); Leo Ascher (1880); Robert Stolz (1880); Ludwig Rochlitzer (1880); Oskar Jascha (1881); Rudi Gfaller (1882); Heinrich Strecker (1893); Jara Beneš (1897); Hanns Jelinek (1901); Frank Fox (1902); Franz Josef Reinl (1903); Josef Beer (1908); Hans Lang (1908); Franz Ferdinand (Ferry) Zelwecker (1911); Igo Hofstetter (1926); Charles Kálmán (1929); Udo Jürgens (1934). | |
| 520 | |a Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a sepa. | ||
| 650 | 0 | |a Operetta. |0 http://id.loc.gov/authorities/subjects/sh85095031 | |
| 650 | 6 | |a Opérette. | |
| 650 | 7 | |a Music: styles & genres. |2 bicssc | |
| 650 | 7 | |a Opera. |2 bicssc | |
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| 650 | 7 | |a Operetta |2 fast | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn955207298 |
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| _version_ | 1829095076530225152 |
| adam_text | |
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| author | Letellier, Robert Ignatius |
| author_facet | Letellier, Robert Ignatius |
| author_role | |
| author_sort | Letellier, Robert Ignatius |
| author_variant | r i l ri ril |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML1900 |
| callnumber-raw | ML1900 |
| callnumber-search | ML1900 |
| callnumber-sort | ML 41900 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Intro; Table of Contents; Introduction; Acknowledgements; Illustrations; Chronology; 1. French Operetta; 2. Austro-Hungarian Operetta; The Imperial Operetta (1855-1870); The Bourgeois Operetta (1870-1890); Operetta of the Belle-Epoche (1890-1914); The Comédie Musicale (1918-1930); L'Opérette Marseillaise (1930-1939) & L'Après-Guerre (1945-1960); The Golden Age (1845-1900); The Silver Age (1900-1930); The Revue-Operetta (1920-1960); Jacques Offenbach (1819); Florimond Rongé (Hervé) (1825); Alexandre-Charles Lecocq (1832); Clément Philibert Léo Delibes (1836); Paul Lacôme (1838). Claude-Firman Bernicat (1842)Edmond Audran (1842); Léon Vasseur (1844); Louis Varney (1844); Gaston Serpette (1846); Jean-Robert Planquette (1848); Victor Roger (1853); André-Charles-Prosper Messager (1853); Louis-Gaston Ganne (1862); Claude-Antoine Terrasse (1867); Henri Christiné (1867); Reynaldo Hahn (1875); Charles Cuvillier (1877); Vincent Scotto (1874); Jósef Zygmunt Szulc (1875); Gaston Gabaroche (1884); Henri Goublier (1888); Maurice Yvain (1891); Raoul Moretti (1893); Louis Beydts (1895); Werner Richard Heymann (1896); Roger Dumas (1897); Jean Boyer (1901); Marguerite Monnot (1903). Francis Lopez (1916)Claude-Michel Schönberg (1944); Adolf Müller, Sr. (1801); Heinrich Proch (1809); Carl Binder (1816); Franz von Suppé (1819); Franz Friedrich Richard Genée (1823); Johann Strauss II (1825); Adolf Müller, Jr. (1839); Carl Joseph Millöcker (1842); Alphons Czibulka (1842); Carl Johann Nepomuck Adam Zeller (1842); Karl Michael Ziehrer (1843); Richard Heuberger (1850); Alfred Grünfeld (1852); Joseph Hellmesberger (1855); Heinrich Berté (1858); Karl Rudolf Michael "Charles" Weinberger (1861); Johann Strauss III (1866); Heinrich Reinhardt (1865); Hugo Felix (1866). Georg Jarno (1868)Oscar Straus (1870); Franz Lehár (1870); Leo Fall (1873); Edmund Eysler (1874); Oskar Nedbal (1874); Fritz Kreisler (1875); Anselm Götzl (1876); Emmerich Kálmán (1882); Leo Ascher (1880); Robert Stolz (1880); Ludwig Rochlitzer (1880); Oskar Jascha (1881); Rudi Gfaller (1882); Heinrich Strecker (1893); Jara Beneš (1897); Hanns Jelinek (1901); Frank Fox (1902); Franz Josef Reinl (1903); Josef Beer (1908); Hans Lang (1908); Franz Ferdinand (Ferry) Zelwecker (1911); Igo Hofstetter (1926); Charles Kálmán (1929); Udo Jürgens (1934). |
| ctrlnum | (OCoLC)955207298 |
| dewey-full | 782.1/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/2 |
| dewey-search | 782.1/2 |
| dewey-sort | 3782.1 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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French Operetta; 2. Austro-Hungarian Operetta; The Imperial Operetta (1855-1870); The Bourgeois Operetta (1870-1890); Operetta of the Belle-Epoche (1890-1914); The Comédie Musicale (1918-1930); L'Opérette Marseillaise (1930-1939) & L'Après-Guerre (1945-1960); The Golden Age (1845-1900); The Silver Age (1900-1930); The Revue-Operetta (1920-1960); Jacques Offenbach (1819); Florimond Rongé (Hervé) (1825); Alexandre-Charles Lecocq (1832); Clément Philibert Léo Delibes (1836); Paul Lacôme (1838).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Claude-Firman Bernicat (1842)Edmond Audran (1842); Léon Vasseur (1844); Louis Varney (1844); Gaston Serpette (1846); Jean-Robert Planquette (1848); Victor Roger (1853); André-Charles-Prosper Messager (1853); Louis-Gaston Ganne (1862); Claude-Antoine Terrasse (1867); Henri Christiné (1867); Reynaldo Hahn (1875); Charles Cuvillier (1877); Vincent Scotto (1874); Jósef Zygmunt Szulc (1875); Gaston Gabaroche (1884); Henri Goublier (1888); Maurice Yvain (1891); Raoul Moretti (1893); Louis Beydts (1895); Werner Richard Heymann (1896); Roger Dumas (1897); Jean Boyer (1901); Marguerite Monnot (1903).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Francis Lopez (1916)Claude-Michel Schönberg (1944); Adolf Müller, Sr. (1801); Heinrich Proch (1809); Carl Binder (1816); Franz von Suppé (1819); Franz Friedrich Richard Genée (1823); Johann Strauss II (1825); Adolf Müller, Jr. (1839); Carl Joseph Millöcker (1842); Alphons Czibulka (1842); Carl Johann Nepomuck Adam Zeller (1842); Karl Michael Ziehrer (1843); Richard Heuberger (1850); Alfred Grünfeld (1852); Joseph Hellmesberger (1855); Heinrich Berté (1858); Karl Rudolf Michael "Charles" Weinberger (1861); Johann Strauss III (1866); Heinrich Reinhardt (1865); Hugo Felix (1866).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Georg Jarno (1868)Oscar Straus (1870); Franz Lehár (1870); Leo Fall (1873); Edmund Eysler (1874); Oskar Nedbal (1874); Fritz Kreisler (1875); Anselm Götzl (1876); Emmerich Kálmán (1882); Leo Ascher (1880); Robert Stolz (1880); Ludwig Rochlitzer (1880); Oskar Jascha (1881); Rudi Gfaller (1882); Heinrich Strecker (1893); Jara Beneš (1897); Hanns Jelinek (1901); Frank Fox (1902); Franz Josef Reinl (1903); Josef Beer (1908); Hans Lang (1908); Franz Ferdinand (Ferry) Zelwecker (1911); Igo Hofstetter (1926); Charles Kálmán (1929); Udo Jürgens (1934).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. 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| id | ZDB-4-EBA-ocn955207298 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:43:16Z |
| institution | BVB |
| isbn | 9781443884259 1443884251 |
| language | English |
| oclc_num | 955207298 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (710 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge Scholars Publishing, |
| record_format | marc |
| spelling | Letellier, Robert Ignatius. Operetta : a Sourcebook, Volume I / Robert Ignatius Letellier. Newcastle-upon-Tyne : Cambridge Scholars Publishing, 2015. 1 online resource (710 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Intro; Table of Contents; Introduction; Acknowledgements; Illustrations; Chronology; 1. French Operetta; 2. Austro-Hungarian Operetta; The Imperial Operetta (1855-1870); The Bourgeois Operetta (1870-1890); Operetta of the Belle-Epoche (1890-1914); The Comédie Musicale (1918-1930); L'Opérette Marseillaise (1930-1939) & L'Après-Guerre (1945-1960); The Golden Age (1845-1900); The Silver Age (1900-1930); The Revue-Operetta (1920-1960); Jacques Offenbach (1819); Florimond Rongé (Hervé) (1825); Alexandre-Charles Lecocq (1832); Clément Philibert Léo Delibes (1836); Paul Lacôme (1838). Claude-Firman Bernicat (1842)Edmond Audran (1842); Léon Vasseur (1844); Louis Varney (1844); Gaston Serpette (1846); Jean-Robert Planquette (1848); Victor Roger (1853); André-Charles-Prosper Messager (1853); Louis-Gaston Ganne (1862); Claude-Antoine Terrasse (1867); Henri Christiné (1867); Reynaldo Hahn (1875); Charles Cuvillier (1877); Vincent Scotto (1874); Jósef Zygmunt Szulc (1875); Gaston Gabaroche (1884); Henri Goublier (1888); Maurice Yvain (1891); Raoul Moretti (1893); Louis Beydts (1895); Werner Richard Heymann (1896); Roger Dumas (1897); Jean Boyer (1901); Marguerite Monnot (1903). Francis Lopez (1916)Claude-Michel Schönberg (1944); Adolf Müller, Sr. (1801); Heinrich Proch (1809); Carl Binder (1816); Franz von Suppé (1819); Franz Friedrich Richard Genée (1823); Johann Strauss II (1825); Adolf Müller, Jr. (1839); Carl Joseph Millöcker (1842); Alphons Czibulka (1842); Carl Johann Nepomuck Adam Zeller (1842); Karl Michael Ziehrer (1843); Richard Heuberger (1850); Alfred Grünfeld (1852); Joseph Hellmesberger (1855); Heinrich Berté (1858); Karl Rudolf Michael "Charles" Weinberger (1861); Johann Strauss III (1866); Heinrich Reinhardt (1865); Hugo Felix (1866). Georg Jarno (1868)Oscar Straus (1870); Franz Lehár (1870); Leo Fall (1873); Edmund Eysler (1874); Oskar Nedbal (1874); Fritz Kreisler (1875); Anselm Götzl (1876); Emmerich Kálmán (1882); Leo Ascher (1880); Robert Stolz (1880); Ludwig Rochlitzer (1880); Oskar Jascha (1881); Rudi Gfaller (1882); Heinrich Strecker (1893); Jara Beneš (1897); Hanns Jelinek (1901); Frank Fox (1902); Franz Josef Reinl (1903); Josef Beer (1908); Hans Lang (1908); Franz Ferdinand (Ferry) Zelwecker (1911); Igo Hofstetter (1926); Charles Kálmán (1929); Udo Jürgens (1934). Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a sepa. Operetta. http://id.loc.gov/authorities/subjects/sh85095031 Opérette. Music: styles & genres. bicssc Opera. bicssc Musicals. bicssc MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Operetta fast has work: Operetta (Text) https://id.oclc.org/worldcat/entity/E39PCGqgCHFbmrrchXhTjfkfVP https://id.oclc.org/worldcat/ontology/hasWork Print version: Letellier, Robert Ignatius. 'Operetta'. 9781443866903 1443866903 (OCoLC)918993693 |
| spellingShingle | Letellier, Robert Ignatius Operetta : a Sourcebook, Volume I / Intro; Table of Contents; Introduction; Acknowledgements; Illustrations; Chronology; 1. French Operetta; 2. Austro-Hungarian Operetta; The Imperial Operetta (1855-1870); The Bourgeois Operetta (1870-1890); Operetta of the Belle-Epoche (1890-1914); The Comédie Musicale (1918-1930); L'Opérette Marseillaise (1930-1939) & L'Après-Guerre (1945-1960); The Golden Age (1845-1900); The Silver Age (1900-1930); The Revue-Operetta (1920-1960); Jacques Offenbach (1819); Florimond Rongé (Hervé) (1825); Alexandre-Charles Lecocq (1832); Clément Philibert Léo Delibes (1836); Paul Lacôme (1838). Claude-Firman Bernicat (1842)Edmond Audran (1842); Léon Vasseur (1844); Louis Varney (1844); Gaston Serpette (1846); Jean-Robert Planquette (1848); Victor Roger (1853); André-Charles-Prosper Messager (1853); Louis-Gaston Ganne (1862); Claude-Antoine Terrasse (1867); Henri Christiné (1867); Reynaldo Hahn (1875); Charles Cuvillier (1877); Vincent Scotto (1874); Jósef Zygmunt Szulc (1875); Gaston Gabaroche (1884); Henri Goublier (1888); Maurice Yvain (1891); Raoul Moretti (1893); Louis Beydts (1895); Werner Richard Heymann (1896); Roger Dumas (1897); Jean Boyer (1901); Marguerite Monnot (1903). Francis Lopez (1916)Claude-Michel Schönberg (1944); Adolf Müller, Sr. (1801); Heinrich Proch (1809); Carl Binder (1816); Franz von Suppé (1819); Franz Friedrich Richard Genée (1823); Johann Strauss II (1825); Adolf Müller, Jr. (1839); Carl Joseph Millöcker (1842); Alphons Czibulka (1842); Carl Johann Nepomuck Adam Zeller (1842); Karl Michael Ziehrer (1843); Richard Heuberger (1850); Alfred Grünfeld (1852); Joseph Hellmesberger (1855); Heinrich Berté (1858); Karl Rudolf Michael "Charles" Weinberger (1861); Johann Strauss III (1866); Heinrich Reinhardt (1865); Hugo Felix (1866). Georg Jarno (1868)Oscar Straus (1870); Franz Lehár (1870); Leo Fall (1873); Edmund Eysler (1874); Oskar Nedbal (1874); Fritz Kreisler (1875); Anselm Götzl (1876); Emmerich Kálmán (1882); Leo Ascher (1880); Robert Stolz (1880); Ludwig Rochlitzer (1880); Oskar Jascha (1881); Rudi Gfaller (1882); Heinrich Strecker (1893); Jara Beneš (1897); Hanns Jelinek (1901); Frank Fox (1902); Franz Josef Reinl (1903); Josef Beer (1908); Hans Lang (1908); Franz Ferdinand (Ferry) Zelwecker (1911); Igo Hofstetter (1926); Charles Kálmán (1929); Udo Jürgens (1934). Operetta. http://id.loc.gov/authorities/subjects/sh85095031 Opérette. Music: styles & genres. bicssc Opera. bicssc Musicals. bicssc MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Operetta fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85095031 |
| title | Operetta : a Sourcebook, Volume I / |
| title_auth | Operetta : a Sourcebook, Volume I / |
| title_exact_search | Operetta : a Sourcebook, Volume I / |
| title_full | Operetta : a Sourcebook, Volume I / Robert Ignatius Letellier. |
| title_fullStr | Operetta : a Sourcebook, Volume I / Robert Ignatius Letellier. |
| title_full_unstemmed | Operetta : a Sourcebook, Volume I / Robert Ignatius Letellier. |
| title_short | Operetta : |
| title_sort | operetta a sourcebook volume i |
| title_sub | a Sourcebook, Volume I / |
| topic | Operetta. http://id.loc.gov/authorities/subjects/sh85095031 Opérette. Music: styles & genres. bicssc Opera. bicssc Musicals. bicssc MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Operetta fast |
| topic_facet | Operetta. Opérette. Music: styles & genres. Opera. Musicals. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Operetta |
| work_keys_str_mv | AT letellierrobertignatius operettaasourcebookvolumei |