Brechtian cinemas :: montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier /
Explores the influence of Bertolt Brecht's ideas on the practice and study of cinema. In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
[2017]
|
| Schriftenreihe: | SUNY series, horizons of cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Explores the influence of Bertolt Brecht's ideas on the practice and study of cinema. In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht's ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brecht's own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillet's History Lessons (1972), Peter Watkins's La Commune (2000), and Lars von Trier's Nymphomaniac (2013). Jovanovic argues that the role of montage-a principal source of artistic estrangement (Verfremdung) in earlier Brechtian films-has diminished as a result of the technique's conventionalization by today's Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brecht's view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema. Nenad Jovanovic is Assistant Professor of Media Studies at Wright State University. |
| Beschreibung: | 1 online resource (xiv, 262 pages). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438463650 1438463650 |
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| 520 | |a Explores the influence of Bertolt Brecht's ideas on the practice and study of cinema. In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht's ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brecht's own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillet's History Lessons (1972), Peter Watkins's La Commune (2000), and Lars von Trier's Nymphomaniac (2013). Jovanovic argues that the role of montage-a principal source of artistic estrangement (Verfremdung) in earlier Brechtian films-has diminished as a result of the technique's conventionalization by today's Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brecht's view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema. Nenad Jovanovic is Assistant Professor of Media Studies at Wright State University. | ||
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| indexdate | 2024-11-27T13:27:19Z |
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| isbn | 9781438463650 1438463650 |
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| series | SUNY series, horizons of cinema. |
| series2 | SUNY series, horizons of cinema |
| spelling | Jovanović, Nenad, 1973- author. http://id.loc.gov/authorities/names/no2005106261 Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / Nenad Jovanovic. Albany : State University of New York Press, [2017] 1 online resource (xiv, 262 pages). text txt rdacontent computer n rdamedia online resource nc rdacarrier SUNY series, horizons of cinema Includes bibliographical references and index. Online resource; title from digital title page (viewed on February 22, 2017). Explores the influence of Bertolt Brecht's ideas on the practice and study of cinema. In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht's ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brecht's own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillet's History Lessons (1972), Peter Watkins's La Commune (2000), and Lars von Trier's Nymphomaniac (2013). Jovanovic argues that the role of montage-a principal source of artistic estrangement (Verfremdung) in earlier Brechtian films-has diminished as a result of the technique's conventionalization by today's Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brecht's view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema. Nenad Jovanovic is Assistant Professor of Media Studies at Wright State University. Brecht, Bertolt, 1898-1956 Influence. Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Watkins, Peter, 1935- Criticism and interpretation. Trier, Lars von, 1956- Criticism and interpretation. Brecht, Bertolt, 1898-1956 fast Huillet, Danièle fast Straub, Jean-Marie fast Trier, Lars von, 1956- fast Watkins, Peter, 1935- fast Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. DRAMA Continental European. bisacsh Influence (Literary, artistic, etc.) fast Motion pictures fast Criticism, interpretation, etc. fast History fast has work: BRECHTIAN CINEMAS (Text) https://id.oclc.org/worldcat/entity/E39PCFQGJtjKjHY8j4dxRGPWQm https://id.oclc.org/worldcat/ontology/hasWork Print version: Jovanović, Nenad, 1973- Brechtian cinemas. Albany : State University of New York Press, [2017] 9781438463636 (DLC) 2016021651 SUNY series, horizons of cinema. http://id.loc.gov/authorities/names/n2004039992 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1462781 Volltext |
| spellingShingle | Jovanović, Nenad, 1973- Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / SUNY series, horizons of cinema. Brecht, Bertolt, 1898-1956 Influence. Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Watkins, Peter, 1935- Criticism and interpretation. Trier, Lars von, 1956- Criticism and interpretation. Brecht, Bertolt, 1898-1956 fast Huillet, Danièle fast Straub, Jean-Marie fast Trier, Lars von, 1956- fast Watkins, Peter, 1935- fast Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. DRAMA Continental European. bisacsh Influence (Literary, artistic, etc.) fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87002438 |
| title | Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / |
| title_auth | Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / |
| title_exact_search | Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / |
| title_full | Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / Nenad Jovanovic. |
| title_fullStr | Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / Nenad Jovanovic. |
| title_full_unstemmed | Brechtian cinemas : montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / Nenad Jovanovic. |
| title_short | Brechtian cinemas : |
| title_sort | brechtian cinemas montage and theatricality in jean marie straub and daniele huillet peter watkins and lars von trier |
| title_sub | montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier / |
| topic | Brecht, Bertolt, 1898-1956 Influence. Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Watkins, Peter, 1935- Criticism and interpretation. Trier, Lars von, 1956- Criticism and interpretation. Brecht, Bertolt, 1898-1956 fast Huillet, Danièle fast Straub, Jean-Marie fast Trier, Lars von, 1956- fast Watkins, Peter, 1935- fast Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. DRAMA Continental European. bisacsh Influence (Literary, artistic, etc.) fast Motion pictures fast |
| topic_facet | Brecht, Bertolt, 1898-1956 Influence. Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Watkins, Peter, 1935- Criticism and interpretation. Trier, Lars von, 1956- Criticism and interpretation. Brecht, Bertolt, 1898-1956 Huillet, Danièle Straub, Jean-Marie Trier, Lars von, 1956- Watkins, Peter, 1935- Motion pictures History. Cinéma Histoire. DRAMA Continental European. Influence (Literary, artistic, etc.) Motion pictures Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1462781 |
| work_keys_str_mv | AT jovanovicnenad brechtiancinemasmontageandtheatricalityinjeanmariestraubanddanielehuilletpeterwatkinsandlarsvontrier |