Militant visions :: black soldiers, internationalism, and the transformation of American cinema /
"Militant Visions: Black Soldiers, Internationalism and the Transformation of American Cinema offers the first book-length study of the figure of the black soldier in film. Providing a new history of the cinema's engagement with race, the book explores the unusual collaborations between th...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, New Jersey :
Rutgers University Press,
2016.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Militant Visions: Black Soldiers, Internationalism and the Transformation of American Cinema offers the first book-length study of the figure of the black soldier in film. Providing a new history of the cinema's engagement with race, the book explores the unusual collaborations between the U.S. government, the Hollywood studios and the black independents that at once led to the black soldier's creation and resulted from its success. It identifies in the moving images of this patriotic, mid-century soldier the lasting influence of the militant internationalists of the earlier New Negro movement. And it also finds in the films of black soldiers the representational origins of the renegades of the Blaxploitation film cycle to come. Tracing the transformation of the figure alongside the political and cultural changes of the thirty-year period of civil rights struggles beginning with WWII, Militant Visions argues that the cinematic black soldier became central to the reconstruction of American cinema after the war; the development of new public spheres and modes of spectatorship; and the progress of the civil rights movement itself"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780813572598 0813572592 9780813572604 0813572606 |
Internformat
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| 100 | 1 | |a Reich, Elizabeth, |d 1977- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjy4p9bQJDPJFRd4gh4fxC |0 http://id.loc.gov/authorities/names/n2015067916 | |
| 245 | 1 | 0 | |a Militant visions : |b black soldiers, internationalism, and the transformation of American cinema / |c Elizabeth Reich. |
| 264 | 1 | |a New Brunswick, New Jersey : |b Rutgers University Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a "Militant Visions: Black Soldiers, Internationalism and the Transformation of American Cinema offers the first book-length study of the figure of the black soldier in film. Providing a new history of the cinema's engagement with race, the book explores the unusual collaborations between the U.S. government, the Hollywood studios and the black independents that at once led to the black soldier's creation and resulted from its success. It identifies in the moving images of this patriotic, mid-century soldier the lasting influence of the militant internationalists of the earlier New Negro movement. And it also finds in the films of black soldiers the representational origins of the renegades of the Blaxploitation film cycle to come. Tracing the transformation of the figure alongside the political and cultural changes of the thirty-year period of civil rights struggles beginning with WWII, Militant Visions argues that the cinematic black soldier became central to the reconstruction of American cinema after the war; the development of new public spheres and modes of spectatorship; and the progress of the civil rights movement itself"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Historicizing and Internationalizing the "Baadasssss" or Imagining Cinematic Reparation -- "We Return Fighting": The Integration of Hollywood and the Reconstruction of Black Representation -- The Black Soldier and His Colonial Other -- Resounding Blackness: Liveness and the Reprisal of Black Performance in Stormy Weather -- Remembering the Men: Black Audience Propaganda and the Reconstruction of the Black Public Sphere -- "Fugitive Movements": Black Resistance, Exile and the Rise of Black Independent Cinema. Psychic Seditions: Black Interiority, Black Death and the Mise-en-Scène of Resistance in Cold War Cinema -- Toward a Black Transnational Cinema: Melvin Van Peebles and the Soldier -- The Last Black Soldier: Performing Revolution in The Spook Who Sat by the Door -- Conclusion: After Images. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Soldiers, Black, in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2015002815 | |
| 650 | 0 | |a Race relations in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh92001871 | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 6 | |a Relations raciales au cinéma. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Black Studies (Global) |2 bisacsh | |
| 650 | 7 | |a HISTORY |x Military |x United States. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z United States |x 20th Century. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x African American Studies. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Race relations in motion pictures |2 fast | |
| 650 | 7 | |a Soldiers, Black, in motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
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| 758 | |i has work: |a Militant visions (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGfFqDgfc3pYBtx6r9fqpP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Reich, Elizabeth, 1977- |t Militant visions. |d New Brunswick, New Jersey : Rutgers University Press, 2016 |z 9780813572581 |w (DLC) 2015040790 |w (OCoLC)930256910 |
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| 938 | |a Internet Archive |b INAR |n militantvisionsb0000reic | ||
| 938 | |a De Gruyter |b DEGR |n 9780813572604 | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn954221222 |
|---|---|
| _version_ | 1816882356324139008 |
| adam_text | |
| any_adam_object | |
| author | Reich, Elizabeth, 1977- |
| author_GND | http://id.loc.gov/authorities/names/n2015067916 |
| author_facet | Reich, Elizabeth, 1977- |
| author_role | aut |
| author_sort | Reich, Elizabeth, 1977- |
| author_variant | e r er |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.S64 R46 2016eb |
| callnumber-search | PN1995.9.S64 R46 2016eb |
| callnumber-sort | PN 41995.9 S64 R46 42016EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: Historicizing and Internationalizing the "Baadasssss" or Imagining Cinematic Reparation -- "We Return Fighting": The Integration of Hollywood and the Reconstruction of Black Representation -- The Black Soldier and His Colonial Other -- Resounding Blackness: Liveness and the Reprisal of Black Performance in Stormy Weather -- Remembering the Men: Black Audience Propaganda and the Reconstruction of the Black Public Sphere -- "Fugitive Movements": Black Resistance, Exile and the Rise of Black Independent Cinema. Psychic Seditions: Black Interiority, Black Death and the Mise-en-Scène of Resistance in Cold War Cinema -- Toward a Black Transnational Cinema: Melvin Van Peebles and the Soldier -- The Last Black Soldier: Performing Revolution in The Spook Who Sat by the Door -- Conclusion: After Images. |
| ctrlnum | (OCoLC)954221222 |
| dewey-full | 791.43/652996073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/652996073 |
| dewey-search | 791.43/652996073 |
| dewey-sort | 3791.43 9652996073 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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"><subfield code="a">"Militant Visions: Black Soldiers, Internationalism and the Transformation of American Cinema offers the first book-length study of the figure of the black soldier in film. 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Psychic Seditions: Black Interiority, Black Death and the Mise-en-Scène of Resistance in Cold War Cinema -- Toward a Black Transnational Cinema: Melvin Van Peebles and the Soldier -- The Last Black Soldier: Performing Revolution in The Spook Who Sat by the Door -- Conclusion: After Images.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Soldiers, Black, in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2015002815</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Race relations in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh92001871</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th 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| genre | History fast |
| genre_facet | History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn954221222 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:19Z |
| institution | BVB |
| isbn | 9780813572598 0813572592 9780813572604 0813572606 |
| language | English |
| oclc_num | 954221222 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Rutgers University Press, |
| record_format | marc |
| spelling | Reich, Elizabeth, 1977- author. https://id.oclc.org/worldcat/entity/E39PCjy4p9bQJDPJFRd4gh4fxC http://id.loc.gov/authorities/names/n2015067916 Militant visions : black soldiers, internationalism, and the transformation of American cinema / Elizabeth Reich. New Brunswick, New Jersey : Rutgers University Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "Militant Visions: Black Soldiers, Internationalism and the Transformation of American Cinema offers the first book-length study of the figure of the black soldier in film. Providing a new history of the cinema's engagement with race, the book explores the unusual collaborations between the U.S. government, the Hollywood studios and the black independents that at once led to the black soldier's creation and resulted from its success. It identifies in the moving images of this patriotic, mid-century soldier the lasting influence of the militant internationalists of the earlier New Negro movement. And it also finds in the films of black soldiers the representational origins of the renegades of the Blaxploitation film cycle to come. Tracing the transformation of the figure alongside the political and cultural changes of the thirty-year period of civil rights struggles beginning with WWII, Militant Visions argues that the cinematic black soldier became central to the reconstruction of American cinema after the war; the development of new public spheres and modes of spectatorship; and the progress of the civil rights movement itself"-- Provided by publisher Includes bibliographical references and index. Introduction: Historicizing and Internationalizing the "Baadasssss" or Imagining Cinematic Reparation -- "We Return Fighting": The Integration of Hollywood and the Reconstruction of Black Representation -- The Black Soldier and His Colonial Other -- Resounding Blackness: Liveness and the Reprisal of Black Performance in Stormy Weather -- Remembering the Men: Black Audience Propaganda and the Reconstruction of the Black Public Sphere -- "Fugitive Movements": Black Resistance, Exile and the Rise of Black Independent Cinema. Psychic Seditions: Black Interiority, Black Death and the Mise-en-Scène of Resistance in Cold War Cinema -- Toward a Black Transnational Cinema: Melvin Van Peebles and the Soldier -- The Last Black Soldier: Performing Revolution in The Spook Who Sat by the Door -- Conclusion: After Images. Print version record. Soldiers, Black, in motion pictures. http://id.loc.gov/authorities/subjects/sh2015002815 Race relations in motion pictures. http://id.loc.gov/authorities/subjects/sh92001871 Motion pictures United States History 20th century. Relations raciales au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh SOCIAL SCIENCE Black Studies (Global) bisacsh HISTORY Military United States. bisacsh HISTORY United States 20th Century. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh SOCIAL SCIENCE Media Studies. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Race relations in motion pictures fast Soldiers, Black, in motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast History fast has work: Militant visions (Text) https://id.oclc.org/worldcat/entity/E39PCGfFqDgfc3pYBtx6r9fqpP https://id.oclc.org/worldcat/ontology/hasWork Print version: Reich, Elizabeth, 1977- Militant visions. New Brunswick, New Jersey : Rutgers University Press, 2016 9780813572581 (DLC) 2015040790 (OCoLC)930256910 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1292208 Volltext |
| spellingShingle | Reich, Elizabeth, 1977- Militant visions : black soldiers, internationalism, and the transformation of American cinema / Introduction: Historicizing and Internationalizing the "Baadasssss" or Imagining Cinematic Reparation -- "We Return Fighting": The Integration of Hollywood and the Reconstruction of Black Representation -- The Black Soldier and His Colonial Other -- Resounding Blackness: Liveness and the Reprisal of Black Performance in Stormy Weather -- Remembering the Men: Black Audience Propaganda and the Reconstruction of the Black Public Sphere -- "Fugitive Movements": Black Resistance, Exile and the Rise of Black Independent Cinema. Psychic Seditions: Black Interiority, Black Death and the Mise-en-Scène of Resistance in Cold War Cinema -- Toward a Black Transnational Cinema: Melvin Van Peebles and the Soldier -- The Last Black Soldier: Performing Revolution in The Spook Who Sat by the Door -- Conclusion: After Images. Soldiers, Black, in motion pictures. http://id.loc.gov/authorities/subjects/sh2015002815 Race relations in motion pictures. http://id.loc.gov/authorities/subjects/sh92001871 Motion pictures United States History 20th century. Relations raciales au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh SOCIAL SCIENCE Black Studies (Global) bisacsh HISTORY Military United States. bisacsh HISTORY United States 20th Century. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh SOCIAL SCIENCE Media Studies. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Race relations in motion pictures fast Soldiers, Black, in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2015002815 http://id.loc.gov/authorities/subjects/sh92001871 |
| title | Militant visions : black soldiers, internationalism, and the transformation of American cinema / |
| title_auth | Militant visions : black soldiers, internationalism, and the transformation of American cinema / |
| title_exact_search | Militant visions : black soldiers, internationalism, and the transformation of American cinema / |
| title_full | Militant visions : black soldiers, internationalism, and the transformation of American cinema / Elizabeth Reich. |
| title_fullStr | Militant visions : black soldiers, internationalism, and the transformation of American cinema / Elizabeth Reich. |
| title_full_unstemmed | Militant visions : black soldiers, internationalism, and the transformation of American cinema / Elizabeth Reich. |
| title_short | Militant visions : |
| title_sort | militant visions black soldiers internationalism and the transformation of american cinema |
| title_sub | black soldiers, internationalism, and the transformation of American cinema / |
| topic | Soldiers, Black, in motion pictures. http://id.loc.gov/authorities/subjects/sh2015002815 Race relations in motion pictures. http://id.loc.gov/authorities/subjects/sh92001871 Motion pictures United States History 20th century. Relations raciales au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh SOCIAL SCIENCE Black Studies (Global) bisacsh HISTORY Military United States. bisacsh HISTORY United States 20th Century. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh SOCIAL SCIENCE Media Studies. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Race relations in motion pictures fast Soldiers, Black, in motion pictures fast |
| topic_facet | Soldiers, Black, in motion pictures. Race relations in motion pictures. Motion pictures United States History 20th century. Relations raciales au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. SOCIAL SCIENCE Black Studies (Global) HISTORY Military United States. HISTORY United States 20th Century. SOCIAL SCIENCE Ethnic Studies African American Studies. SOCIAL SCIENCE Media Studies. PERFORMING ARTS Reference. Motion pictures Race relations in motion pictures Soldiers, Black, in motion pictures United States History |
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| work_keys_str_mv | AT reichelizabeth militantvisionsblacksoldiersinternationalismandthetransformationofamericancinema |