Report on the Aeginetan sculptures :: with historical supplements /
Tells the story of Bavaria's acquisition of ancient Greek sculptures that rivaled those acquired by England from the Parthenon. The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, spar...
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| Format: | Elektronisch E-Book |
| Sprache: | English German |
| Veröffentlicht: |
Albany :
State University of New York Press,
[2017]
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| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Tells the story of Bavaria's acquisition of ancient Greek sculptures that rivaled those acquired by England from the Parthenon. The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, sparked an international competition for classical antiquities. This volume tells a lesser-known chapter of that story, concerning sculptures from the Temple of Aphaia on the Greek island of Aegina. Discovered in 1811 as the Parthenon project was nearing its completion, these ancient sculptures were acquired at auction by Johann Martin Wagner (1777-1858) on behalf of Crown Prince Ludwig of Bavaria. The sculptures turned out to be significant in a number of ways, offering important evidence for a transitional period of Greek art between the archaic and classical eras, for the existence of an independent Aeginetan school that was the equal of Athenian art at the time, and for Greek sculptures having been elaborately painted and adorned. Originally published in 1817 and presented here for the first time in English, this book reproduces the report commissioned by the crown prince that was written by Wagner and edited by F. W. J. Schelling and contained richly detailed descriptions of the sculptures. In addition, Louis A. Ruprecht Jr. provides a comprehensive historical introduction featuring a constellation of intellectual figures, an afterword, notes, appendices, and more than forty images to tell the fascinating story of the sculptures and their legacy from excavation to the present day. |
| Beschreibung: | Translated from the German. |
| Beschreibung: | 1 online resource (xxv, 318 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438464824 1438464827 |
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| 100 | 1 | |a Wagner, Johann Martin von, |e author. | |
| 240 | 1 | 0 | |a Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern. |l English |
| 245 | 1 | 0 | |a Report on the Aeginetan sculptures : |b with historical supplements / |c Johann Martin Wagner with F.W.J. Schelling ; translated, edited, and with an introduction by Louis A. Ruprecht, Jr. |
| 264 | 1 | |a Albany : |b State University of New York Press, |c [2017] | |
| 300 | |a 1 online resource (xxv, 318 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Translated from the German. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a List of Illustrations; A Note on This Translation; Translator's Acknowledgments; A Brief Timeline for the Aegina Marbles; April-May 1811; June-July 1811; July 30, 1811; November 29, 1811; September 1812-August 1813; November 1, 1812; June 1-August 29, 1815; 1816-1818; October 13, 1830; 1845; 1863; 1934-1936; July 16-21, 1944; March 16, 1945; 1948; 1962-1966; 1972; 1988; Translator's Historical Introduction; Nation and Imperialism, or, "Archaeology" and the Grand Tour; Lord Byron and the Elgin Precedent; From Athens to Aegina; Johann Martin Wagner in Greece. | |
| 505 | 8 | |a From Athens to Rome, and the Production of Wagner's ReportSchelling as Editor; From Rome to Munich, at Last; Introduction Endnotes; The Text: Report on the Aeginetan Sculptures in the Possession of His Royal Highness the Crown Prince of Bavaria; Table of Contents; Introduction; Editor's Notes; 1. Description of the Aeginetan Figures by Classification; i. Freestanding (Female) Figures; A.; B.C.; ii. Advancing Figures, or Fighting Soldiers; D.; E.; F.; G.; H.; I.; iii. Kneeling Figures, or Archers; K.; L and M.; N.; iv. Supine Figures, or Wounded Figures; O.; P.; Q.; R. | |
| 505 | 8 | |a 2. Fragments that Belong Either to the Aeginetan Figures or to the TempleA. A Three Heads of Warriors; B.B Fragments of Thighs, Legs, and Feet; C.C Fragments of Arms and Hands; D.D.; E.E.; F.F.; Note from the Editor; Note from the Editor; 3. On the Style of These Figures; Editor's Notes; 4. On the Conflict of Opinion Concerning the Relationship Between the Heads and the Leftover Body Parts from a Sculptural Perspective; Editor's Appendix; 5. On Mechanical Matters, or the Working of the Marble; 6. On the Epoch in Which These Figures Were Probably Completed; Editor's Appendix. | |
| 505 | 8 | |a 7. How and Where These Figures Were Originally Arranged8. On The Meaning or Idea [Vorstellung] of These Figures; Editor's Appendix; 9. On the Painting [Bemalung] of the Figures and of the Temple; Conclusion; Editor's Concluding Remarks; Endnotes; Translator's Historical Afterword; Endnotes to the Translator's Afterword; Appendix One: The Chronology of Charles Cockerell's Grand Tour (1810-1817); Appendix Two: Itinerary of Johann Martin Wagner's Greek Journey (1812-1813); Departure from Italy; The Crossing; Problems of Gunpowder Diplomacy; Landfall at Zante; The Greek Mainland to Athens; Athens. | |
| 505 | 8 | |a Return to RomeAppendix Three: Schelling's 1815 Lecture "On the Deities of Samothrace" as the Prelude to His Work on the Aegina Marbles; Appendix Four: Theories on the Relationship Between Egyptian and Greek, or Aeginetan, Art; Appendix Five: On Polychromatic Greek Art; Endnotes to the Appendices; Bibliography; Index. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 11, 2017). | |
| 520 | |a Tells the story of Bavaria's acquisition of ancient Greek sculptures that rivaled those acquired by England from the Parthenon. The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, sparked an international competition for classical antiquities. This volume tells a lesser-known chapter of that story, concerning sculptures from the Temple of Aphaia on the Greek island of Aegina. Discovered in 1811 as the Parthenon project was nearing its completion, these ancient sculptures were acquired at auction by Johann Martin Wagner (1777-1858) on behalf of Crown Prince Ludwig of Bavaria. The sculptures turned out to be significant in a number of ways, offering important evidence for a transitional period of Greek art between the archaic and classical eras, for the existence of an independent Aeginetan school that was the equal of Athenian art at the time, and for Greek sculptures having been elaborately painted and adorned. Originally published in 1817 and presented here for the first time in English, this book reproduces the report commissioned by the crown prince that was written by Wagner and edited by F. W. J. Schelling and contained richly detailed descriptions of the sculptures. In addition, Louis A. Ruprecht Jr. provides a comprehensive historical introduction featuring a constellation of intellectual figures, an afterword, notes, appendices, and more than forty images to tell the fascinating story of the sculptures and their legacy from excavation to the present day. | ||
| 630 | 0 | 0 | |a Aeginetan marbles. |0 http://id.loc.gov/authorities/names/n2016037069 |
| 600 | 0 | 0 | |a Ludwig |b I, |c King of Bavaria, |d 1786-1868 |x Art collections. |
| 600 | 0 | 7 | |a Ludwig |b I, |c King of Bavaria, |d 1786-1868 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJmHKywXk76MM3j7YgmWXd |
| 630 | 0 | 7 | |a Aeginetan marbles |2 fast |
| 651 | 0 | |a Aigina (Greece : Municipality) |x Antiquities. | |
| 650 | 7 | |a ART |x Sculpture & Installation. |2 bisacsh | |
| 650 | 7 | |a Antiquities |2 fast | |
| 650 | 7 | |a Art |x Private collections |2 fast | |
| 651 | 7 | |a Greece |z Aigina (Municipality) |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRBVTW4t8hdkc7yfF3kc | |
| 655 | 0 | |a Electronic books. | |
| 700 | 1 | |a Schelling, Friedrich Wilhelm Joseph von, |d 1775-1854, |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJqQxpjVwrjJdx3HwJHBfq |0 http://id.loc.gov/authorities/names/n79003281 | |
| 700 | 1 | |a Ruprecht, Louis A., |e editor, |e translator. | |
| 700 | 1 | |a Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern. |i Translation of. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn953576511 |
|---|---|
| _version_ | 1829095074391130112 |
| adam_text | |
| any_adam_object | |
| author | Wagner, Johann Martin von Schelling, Friedrich Wilhelm Joseph von, 1775-1854 |
| author2 | Ruprecht, Louis A. Ruprecht, Louis A. Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern |
| author2_role | edt trl |
| author2_variant | l a r la lar l a r la lar b ü d a b i b s k h d k v b büdabibskhdkvb |
| author_GND | http://id.loc.gov/authorities/names/n79003281 |
| author_facet | Wagner, Johann Martin von Schelling, Friedrich Wilhelm Joseph von, 1775-1854 Ruprecht, Louis A. Ruprecht, Louis A. Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern |
| author_role | aut aut |
| author_sort | Wagner, Johann Martin von |
| author_variant | j m v w jmv jmvw f w j v s fwjv fwjvs |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NB87 |
| callnumber-raw | NB87.M8 G59 2017 |
| callnumber-search | NB87.M8 G59 2017 |
| callnumber-sort | NB 287 M8 G59 42017 |
| callnumber-subject | NB - Sculpture |
| collection | ZDB-4-EBA |
| contents | List of Illustrations; A Note on This Translation; Translator's Acknowledgments; A Brief Timeline for the Aegina Marbles; April-May 1811; June-July 1811; July 30, 1811; November 29, 1811; September 1812-August 1813; November 1, 1812; June 1-August 29, 1815; 1816-1818; October 13, 1830; 1845; 1863; 1934-1936; July 16-21, 1944; March 16, 1945; 1948; 1962-1966; 1972; 1988; Translator's Historical Introduction; Nation and Imperialism, or, "Archaeology" and the Grand Tour; Lord Byron and the Elgin Precedent; From Athens to Aegina; Johann Martin Wagner in Greece. From Athens to Rome, and the Production of Wagner's ReportSchelling as Editor; From Rome to Munich, at Last; Introduction Endnotes; The Text: Report on the Aeginetan Sculptures in the Possession of His Royal Highness the Crown Prince of Bavaria; Table of Contents; Introduction; Editor's Notes; 1. Description of the Aeginetan Figures by Classification; i. Freestanding (Female) Figures; A.; B.C.; ii. Advancing Figures, or Fighting Soldiers; D.; E.; F.; G.; H.; I.; iii. Kneeling Figures, or Archers; K.; L and M.; N.; iv. Supine Figures, or Wounded Figures; O.; P.; Q.; R. 2. Fragments that Belong Either to the Aeginetan Figures or to the TempleA. A Three Heads of Warriors; B.B Fragments of Thighs, Legs, and Feet; C.C Fragments of Arms and Hands; D.D.; E.E.; F.F.; Note from the Editor; Note from the Editor; 3. On the Style of These Figures; Editor's Notes; 4. On the Conflict of Opinion Concerning the Relationship Between the Heads and the Leftover Body Parts from a Sculptural Perspective; Editor's Appendix; 5. On Mechanical Matters, or the Working of the Marble; 6. On the Epoch in Which These Figures Were Probably Completed; Editor's Appendix. 7. How and Where These Figures Were Originally Arranged8. On The Meaning or Idea [Vorstellung] of These Figures; Editor's Appendix; 9. On the Painting [Bemalung] of the Figures and of the Temple; Conclusion; Editor's Concluding Remarks; Endnotes; Translator's Historical Afterword; Endnotes to the Translator's Afterword; Appendix One: The Chronology of Charles Cockerell's Grand Tour (1810-1817); Appendix Two: Itinerary of Johann Martin Wagner's Greek Journey (1812-1813); Departure from Italy; The Crossing; Problems of Gunpowder Diplomacy; Landfall at Zante; The Greek Mainland to Athens; Athens. Return to RomeAppendix Three: Schelling's 1815 Lecture "On the Deities of Samothrace" as the Prelude to His Work on the Aegina Marbles; Appendix Four: Theories on the Relationship Between Egyptian and Greek, or Aeginetan, Art; Appendix Five: On Polychromatic Greek Art; Endnotes to the Appendices; Bibliography; Index. |
| ctrlnum | (OCoLC)953576511 |
| dewey-full | 730.74/495 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730.74/495 |
| dewey-search | 730.74/495 |
| dewey-sort | 3730.74 3495 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Electronic books. |
| genre_facet | Electronic books. |
| geographic | Aigina (Greece : Municipality) Antiquities. Greece Aigina (Municipality) fast https://id.oclc.org/worldcat/entity/E39QbtfRBVTW4t8hdkc7yfF3kc |
| geographic_facet | Aigina (Greece : Municipality) Antiquities. Greece Aigina (Municipality) |
| id | ZDB-4-EBA-ocn953576511 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:43:14Z |
| institution | BVB |
| isbn | 9781438464824 1438464827 |
| language | English German |
| lccn | 2016032160 |
| oclc_num | 953576511 |
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| physical | 1 online resource (xxv, 318 pages) |
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| publishDate | 2017 |
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| publisher | State University of New York Press, |
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| spelling | Wagner, Johann Martin von, author. Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern. English Report on the Aeginetan sculptures : with historical supplements / Johann Martin Wagner with F.W.J. Schelling ; translated, edited, and with an introduction by Louis A. Ruprecht, Jr. Albany : State University of New York Press, [2017] 1 online resource (xxv, 318 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Translated from the German. Includes bibliographical references and index. List of Illustrations; A Note on This Translation; Translator's Acknowledgments; A Brief Timeline for the Aegina Marbles; April-May 1811; June-July 1811; July 30, 1811; November 29, 1811; September 1812-August 1813; November 1, 1812; June 1-August 29, 1815; 1816-1818; October 13, 1830; 1845; 1863; 1934-1936; July 16-21, 1944; March 16, 1945; 1948; 1962-1966; 1972; 1988; Translator's Historical Introduction; Nation and Imperialism, or, "Archaeology" and the Grand Tour; Lord Byron and the Elgin Precedent; From Athens to Aegina; Johann Martin Wagner in Greece. From Athens to Rome, and the Production of Wagner's ReportSchelling as Editor; From Rome to Munich, at Last; Introduction Endnotes; The Text: Report on the Aeginetan Sculptures in the Possession of His Royal Highness the Crown Prince of Bavaria; Table of Contents; Introduction; Editor's Notes; 1. Description of the Aeginetan Figures by Classification; i. Freestanding (Female) Figures; A.; B.C.; ii. Advancing Figures, or Fighting Soldiers; D.; E.; F.; G.; H.; I.; iii. Kneeling Figures, or Archers; K.; L and M.; N.; iv. Supine Figures, or Wounded Figures; O.; P.; Q.; R. 2. Fragments that Belong Either to the Aeginetan Figures or to the TempleA. A Three Heads of Warriors; B.B Fragments of Thighs, Legs, and Feet; C.C Fragments of Arms and Hands; D.D.; E.E.; F.F.; Note from the Editor; Note from the Editor; 3. On the Style of These Figures; Editor's Notes; 4. On the Conflict of Opinion Concerning the Relationship Between the Heads and the Leftover Body Parts from a Sculptural Perspective; Editor's Appendix; 5. On Mechanical Matters, or the Working of the Marble; 6. On the Epoch in Which These Figures Were Probably Completed; Editor's Appendix. 7. How and Where These Figures Were Originally Arranged8. On The Meaning or Idea [Vorstellung] of These Figures; Editor's Appendix; 9. On the Painting [Bemalung] of the Figures and of the Temple; Conclusion; Editor's Concluding Remarks; Endnotes; Translator's Historical Afterword; Endnotes to the Translator's Afterword; Appendix One: The Chronology of Charles Cockerell's Grand Tour (1810-1817); Appendix Two: Itinerary of Johann Martin Wagner's Greek Journey (1812-1813); Departure from Italy; The Crossing; Problems of Gunpowder Diplomacy; Landfall at Zante; The Greek Mainland to Athens; Athens. Return to RomeAppendix Three: Schelling's 1815 Lecture "On the Deities of Samothrace" as the Prelude to His Work on the Aegina Marbles; Appendix Four: Theories on the Relationship Between Egyptian and Greek, or Aeginetan, Art; Appendix Five: On Polychromatic Greek Art; Endnotes to the Appendices; Bibliography; Index. Online resource; title from digital title page (viewed on May 11, 2017). Tells the story of Bavaria's acquisition of ancient Greek sculptures that rivaled those acquired by England from the Parthenon. The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, sparked an international competition for classical antiquities. This volume tells a lesser-known chapter of that story, concerning sculptures from the Temple of Aphaia on the Greek island of Aegina. Discovered in 1811 as the Parthenon project was nearing its completion, these ancient sculptures were acquired at auction by Johann Martin Wagner (1777-1858) on behalf of Crown Prince Ludwig of Bavaria. The sculptures turned out to be significant in a number of ways, offering important evidence for a transitional period of Greek art between the archaic and classical eras, for the existence of an independent Aeginetan school that was the equal of Athenian art at the time, and for Greek sculptures having been elaborately painted and adorned. Originally published in 1817 and presented here for the first time in English, this book reproduces the report commissioned by the crown prince that was written by Wagner and edited by F. W. J. Schelling and contained richly detailed descriptions of the sculptures. In addition, Louis A. Ruprecht Jr. provides a comprehensive historical introduction featuring a constellation of intellectual figures, an afterword, notes, appendices, and more than forty images to tell the fascinating story of the sculptures and their legacy from excavation to the present day. Aeginetan marbles. http://id.loc.gov/authorities/names/n2016037069 Ludwig I, King of Bavaria, 1786-1868 Art collections. Ludwig I, King of Bavaria, 1786-1868 fast https://id.oclc.org/worldcat/entity/E39PBJmHKywXk76MM3j7YgmWXd Aeginetan marbles fast Aigina (Greece : Municipality) Antiquities. ART Sculpture & Installation. bisacsh Antiquities fast Art Private collections fast Greece Aigina (Municipality) fast https://id.oclc.org/worldcat/entity/E39QbtfRBVTW4t8hdkc7yfF3kc Electronic books. Schelling, Friedrich Wilhelm Joseph von, 1775-1854, author. https://id.oclc.org/worldcat/entity/E39PBJqQxpjVwrjJdx3HwJHBfq http://id.loc.gov/authorities/names/n79003281 Ruprecht, Louis A., editor, translator. Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern. Translation of. Print version: Wagner, Johann Martin von. Report on the Aeginetan sculptures. Albany : State University of New York Press, 2017 9781438464817 (DLC) 2016031492 |
| spellingShingle | Wagner, Johann Martin von Schelling, Friedrich Wilhelm Joseph von, 1775-1854 Report on the Aeginetan sculptures : with historical supplements / List of Illustrations; A Note on This Translation; Translator's Acknowledgments; A Brief Timeline for the Aegina Marbles; April-May 1811; June-July 1811; July 30, 1811; November 29, 1811; September 1812-August 1813; November 1, 1812; June 1-August 29, 1815; 1816-1818; October 13, 1830; 1845; 1863; 1934-1936; July 16-21, 1944; March 16, 1945; 1948; 1962-1966; 1972; 1988; Translator's Historical Introduction; Nation and Imperialism, or, "Archaeology" and the Grand Tour; Lord Byron and the Elgin Precedent; From Athens to Aegina; Johann Martin Wagner in Greece. From Athens to Rome, and the Production of Wagner's ReportSchelling as Editor; From Rome to Munich, at Last; Introduction Endnotes; The Text: Report on the Aeginetan Sculptures in the Possession of His Royal Highness the Crown Prince of Bavaria; Table of Contents; Introduction; Editor's Notes; 1. Description of the Aeginetan Figures by Classification; i. Freestanding (Female) Figures; A.; B.C.; ii. Advancing Figures, or Fighting Soldiers; D.; E.; F.; G.; H.; I.; iii. Kneeling Figures, or Archers; K.; L and M.; N.; iv. Supine Figures, or Wounded Figures; O.; P.; Q.; R. 2. Fragments that Belong Either to the Aeginetan Figures or to the TempleA. A Three Heads of Warriors; B.B Fragments of Thighs, Legs, and Feet; C.C Fragments of Arms and Hands; D.D.; E.E.; F.F.; Note from the Editor; Note from the Editor; 3. On the Style of These Figures; Editor's Notes; 4. On the Conflict of Opinion Concerning the Relationship Between the Heads and the Leftover Body Parts from a Sculptural Perspective; Editor's Appendix; 5. On Mechanical Matters, or the Working of the Marble; 6. On the Epoch in Which These Figures Were Probably Completed; Editor's Appendix. 7. How and Where These Figures Were Originally Arranged8. On The Meaning or Idea [Vorstellung] of These Figures; Editor's Appendix; 9. On the Painting [Bemalung] of the Figures and of the Temple; Conclusion; Editor's Concluding Remarks; Endnotes; Translator's Historical Afterword; Endnotes to the Translator's Afterword; Appendix One: The Chronology of Charles Cockerell's Grand Tour (1810-1817); Appendix Two: Itinerary of Johann Martin Wagner's Greek Journey (1812-1813); Departure from Italy; The Crossing; Problems of Gunpowder Diplomacy; Landfall at Zante; The Greek Mainland to Athens; Athens. Return to RomeAppendix Three: Schelling's 1815 Lecture "On the Deities of Samothrace" as the Prelude to His Work on the Aegina Marbles; Appendix Four: Theories on the Relationship Between Egyptian and Greek, or Aeginetan, Art; Appendix Five: On Polychromatic Greek Art; Endnotes to the Appendices; Bibliography; Index. Aeginetan marbles. http://id.loc.gov/authorities/names/n2016037069 Ludwig I, King of Bavaria, 1786-1868 Art collections. Ludwig I, King of Bavaria, 1786-1868 fast https://id.oclc.org/worldcat/entity/E39PBJmHKywXk76MM3j7YgmWXd Aeginetan marbles fast ART Sculpture & Installation. bisacsh Antiquities fast Art Private collections fast |
| subject_GND | http://id.loc.gov/authorities/names/n2016037069 |
| title | Report on the Aeginetan sculptures : with historical supplements / |
| title_alt | Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern. |
| title_auth | Report on the Aeginetan sculptures : with historical supplements / |
| title_exact_search | Report on the Aeginetan sculptures : with historical supplements / |
| title_full | Report on the Aeginetan sculptures : with historical supplements / Johann Martin Wagner with F.W.J. Schelling ; translated, edited, and with an introduction by Louis A. Ruprecht, Jr. |
| title_fullStr | Report on the Aeginetan sculptures : with historical supplements / Johann Martin Wagner with F.W.J. Schelling ; translated, edited, and with an introduction by Louis A. Ruprecht, Jr. |
| title_full_unstemmed | Report on the Aeginetan sculptures : with historical supplements / Johann Martin Wagner with F.W.J. Schelling ; translated, edited, and with an introduction by Louis A. Ruprecht, Jr. |
| title_short | Report on the Aeginetan sculptures : |
| title_sort | report on the aeginetan sculptures with historical supplements |
| title_sub | with historical supplements / |
| topic | Aeginetan marbles. http://id.loc.gov/authorities/names/n2016037069 Ludwig I, King of Bavaria, 1786-1868 Art collections. Ludwig I, King of Bavaria, 1786-1868 fast https://id.oclc.org/worldcat/entity/E39PBJmHKywXk76MM3j7YgmWXd Aeginetan marbles fast ART Sculpture & Installation. bisacsh Antiquities fast Art Private collections fast |
| topic_facet | Aeginetan marbles. Ludwig I, King of Bavaria, 1786-1868 Art collections. Ludwig I, King of Bavaria, 1786-1868 Aeginetan marbles Aigina (Greece : Municipality) Antiquities. ART Sculpture & Installation. Antiquities Art Private collections Greece Aigina (Municipality) Electronic books. |
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